{"id":1513,"date":"2020-10-13T16:58:43","date_gmt":"2020-10-13T20:58:43","guid":{"rendered":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/?post_type=chapter&#038;p=1513"},"modified":"2021-01-30T16:40:14","modified_gmt":"2021-01-30T21:40:14","slug":"neo-babylonian","status":"publish","type":"chapter","link":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/chapter\/neo-babylonian\/","title":{"raw":"Babylonian and Neo-Babylonian","rendered":"Babylonian and Neo-Babylonian"},"content":{"raw":"<div class=\"row lor-row row-section-subheader\">\r\n<div class=\"row-text\">\r\n<div class=\"inner\">\r\n<div>\r\n<div class=\"row lor-row row-entry\">\r\n<div class=\"row-text\">\r\n<div class=\"inner\">For thousands of years, the myth of Babylon has haunted the European imagination. The Tower of Babel and the Hanging Gardens, Belshazzar\u2019s Feast and the Fall of Babylon have inspired artists, writers, poets, philosophers and filmmakers.<\/div>\r\n<div><\/div>\r\n<div><\/div>\r\n<div><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"textbox textbox--learning-objectives\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">By the end of this module you will be able to:<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n<ul>\r\n \t<li>Identify and describe the form, content, and context of key Babylonian and Neo-Babylonian Art<\/li>\r\n \t<li>Define critical terms related to Babylonian and Neo-Babylonian Art<\/li>\r\n \t<li>Explain Hammurabi's rule and it's significance in early Babylon<\/li>\r\n \t<li>Describe the artistic and architectural accomplishments of King Nebuchadnezzar II, including the city of Babylon<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n&nbsp;\r\n\r\nThe city of Babylon lay on the River Euphrates in southern Mesopotamia, in what is today Iraq rose to prominence in the eighteenth century B.C. when, through a combination of political alliances and military campaigns, Hammurabi (c. 1792\u20131750 BCE) was able to unite a large state under his rule. The end of the second millennium BCE saw power over Babylon change hands several times, with Babylonia briefly falling under Assyrian domination. By the seventh century, BCE <span style=\"text-align: initial;font-size: 1em\">Nabopolassar and his son Nebuchadnezzar II (c. 604\u2013562 BCE) came to rule most of its former empire. <\/span><span style=\"text-align: initial;font-size: 1em\">As king of the new Babylon,<\/span> <span style=\"text-align: initial;font-size: 1em\">Nebuchadnezzar II<\/span><span style=\"text-align: initial;font-size: 1em\"> rebuilt much of the city<\/span><span style=\"text-align: initial;font-size: 1em\"> constructing an imperial capital with vast palaces and well-appointed temples, colossal city walls, and a great northern entry point, the Ishtar Gate, approached via a long Processional Way lined with colourful glazed-brick [pb_glossary id=\"999\"]reliefs[\/pb_glossary] depicting roaring lions.<\/span>\r\n\r\n<\/div>\r\n<div class=\"tooltip-wrap tooltip-essay kickRight kickBot data-loaded\"><strong>\r\nOld Babylonian Dynasty<\/strong><\/div>\r\n<div><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row-date\"><span style=\"font-size: 1em\">Sin-muballit (<\/span><span style=\"font-size: 1em\">1812\u20131793 BCE)<\/span><\/div>\r\n<\/div>\r\n<div class=\"row lor-row row-entry\">\r\n<div class=\"row-text\">\r\n<div class=\"inner\">Hammurabi (<span style=\"font-size: 1em\">1792\u20131750 BCE)<\/span><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row lor-row row-section-subheader\">\r\n<div class=\"row-text\">\r\n<div class=\"inner\">\r\n<div class=\"tooltip-wrap tooltip-essay\">Kassite Dynasty (1750-1373 BCE)<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row-date\"><span style=\"font-size: 1em\">Kadashman-Enlil I (<\/span><span style=\"font-size: 1em\">1374\u20131360 BCE)<\/span><\/div>\r\n<\/div>\r\n<div class=\"row lor-row row-entry\">\r\n<div class=\"row-text\">\r\n<div class=\"inner\">Burnaburiash II (<span style=\"font-size: 1em\">1359\u20131333 BCE)<\/span><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row lor-row row-entry\">\r\n<div class=\"row-text\">\r\n<div class=\"inner\">Kurigalzu II (<span style=\"font-size: 1em\">1332\u20131308 BCE)\u00a0<\/span><\/div>\r\n<div><\/div>\r\n<\/div>\r\n<div><\/div>\r\n<div class=\"row-date\"><strong style=\"font-size: 1em\">Babylonian Dynasty<\/strong><\/div>\r\n<\/div>\r\n<div class=\"row lor-row row-section-subheader\">\r\n<div><\/div>\r\n<div class=\"row-date\"><span style=\"font-size: 1em\">Nabu-mukin-zeri (<\/span><span style=\"font-size: 1em\">731\u2013729 BCE)<\/span><\/div>\r\n<\/div>\r\n<div class=\"row lor-row row-entry\">\r\n<div class=\"row-text\">\r\n<div class=\"inner\">Marduk-apla-iddina II (<span style=\"font-size: 1em\">721\u2013710 BCE)<\/span><\/div>\r\n<div class=\"inner\"><span style=\"text-align: initial;font-size: 1em\">Shamash-shum-ukin (<\/span><span style=\"font-size: 1em\">667\u2013648 BCE)<\/span><\/div>\r\n<div><\/div>\r\n<div><\/div>\r\n<div class=\"inner\"><strong style=\"text-align: initial;font-size: 1em\"><span style=\"font-size: 1em\">Neo-Babylonian Dynasty\u00a0<\/span><\/strong><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row lor-row row-section-subheader\">\r\n<div><\/div>\r\n<div class=\"row-date\"><span style=\"font-size: 1em\">Nabopolassar (<\/span><span style=\"font-size: 1em\">625\u2013605 BCE)<\/span><\/div>\r\n<\/div>\r\n<div class=\"row lor-row row-entry\">\r\n<div class=\"row-text\">\r\n<div class=\"inner\">Nebuchadnezzar II (<span style=\"font-size: 1em\">604\u2013562 BCE)<\/span><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row lor-row row-entry\">\r\n<div class=\"row-text\">\r\n<div class=\"inner\">Amel-Marduk (<span style=\"font-size: 1em\">561\u2013560 BCE)\u00a0<\/span><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row lor-row row-entry\">\r\n<div class=\"row-text\">\r\n<div class=\"inner\">Neriglissar (<span style=\"font-size: 1em\">559\u2013556 BCE)<\/span><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row lor-row row-entry\">\r\n<div class=\"row-text\">\r\n<div class=\"inner\">Labashi-Marduk (<span style=\"font-size: 1em\">556 BCE)<\/span><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row lor-row row-entry\">\r\n<div class=\"row-text\">\r\n<div class=\"inner\">Nabonidus (<span style=\"font-size: 1em\">555\u2013539 BCE)\u00a0<\/span><\/div>\r\n<div><\/div>\r\n<h2 class=\"inner\">Old Babylon<\/h2>\r\n<\/div>\r\n<\/div>\r\n<div class=\"entry-content\">\r\n\r\nThe city of Babylon on the River Euphrates in southern Iraq is mentioned in documents of the late third millennium BCE and first came to prominence as the royal city of King Hammurabi (about 1790-1750 BCE). He established control over many other kingdoms stretching from the Persian Gulf to Syria. The British Museum holds one of the iconic artworks of this period, the so-called \u201cQueen of the Night.\u201d\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<div class=\"wp-caption aligncenter\">\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"395\"]<img src=\"https:\/\/cdn.kastatic.org\/ka-perseus-images\/86d0c54156c494404b83aaddca6dd7f74bac964b.jpg\" alt=\"The 'Queen of the Night' Relief, Old Babylonian, 1800-1750 B.C.E., 49 x 37 x 4.8, baked straw-tempered clay \u00a9 The Trustees of the British Museum\" width=\"395\" height=\"513\" \/> <em><strong>The \u201cQueen of the Night\u201d Relief:<\/strong> 1800-1750 BCE, Old Babylonian, baked straw-tempered clay, 49 x 37 x 4.8 cm \u00a9 Trustees of the British Museum<\/em>[\/caption]\r\n\r\n<\/div>\r\nFrom around 1500 BCE, a dynasty of Kassite kings took control in Babylon and unified southern Iraq into the kingdom of Babylonia. The Babylonian cities were the centers of great scribal learning and produced writings on divination, astrology, medicine and mathematics. The Kassite kings corresponded with the Egyptian Pharaohs as revealed by cuneiform letters found at Amarna in Egypt, now in the British Museum.\r\n\r\nBabylonia had an uneasy relationship with its northern neighbour Assyria and opposed its military expansion. In 689 BCE, Babylon was sacked by the Assyrians but as the city was highly regarded it was restored to its former status soon after. Other Babylonian cities also flourished; scribes in the city of Sippar probably produced the famous \u201cMap of the World\u201d (see image below).\r\n<h3>Babylonian Ceramics<\/h3>\r\nThe pottery produced during the \u201cOld\u201d Babylonian period shows a return to painted abstract designs and increased variety in forms. In this photograph, a bowl, a jar, and a goblet show remnants of paint on their exteriors.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<div class=\"wp-caption aligncenter\" data-global-id=\"gid:\/\/boundless\/Image\/32663\">\r\n<div class=\"figure-cont\">\r\n<div class=\"wp-nocaption \">\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"321\"]<img src=\"https:\/\/textimgs.s3.amazonaws.com\/boundless-art-history\/r37ngrdortgjv5bh8ngw.jpe#fixme\" alt=\"Photograph depicting the assortment of pottery described above.\" width=\"321\" height=\"388\" \/> <em><strong>Old Babylonian pottery:<\/strong> A collection of old Babylonian pottery on display at the Oriental Institute Museum, University of Chicago.<\/em>[\/caption]\r\n\r\n<\/div>\r\n<h3>Stele of Hammurabi<\/h3>\r\n[caption id=\"attachment_1526\" align=\"aligncenter\" width=\"178\"]<img class=\"wp-image-1526 size-medium\" src=\"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-content\/uploads\/sites\/1143\/2020\/10\/Screen-Shot-2020-10-13-at-2.34.36-PM-178x300.png\" alt=\"\" width=\"178\" height=\"300\" \/> <em><strong>The Stele of Hammurabi:<\/strong> c. 1792-1750 BCE.<\/em>[\/caption]\r\n\r\nThe Stele of Hammurabi, c. 1792-1750 BCE, is approximately 7 feet tall. King Hammurabi established a centralized government under the Babylonians and ruled southern Mesopotamia in the early second millennium. He is known for his conquests and also for his law code. This is the first systematic codification of his people\u2019s rights, duties, penalties for infringements. There are three hundred or so entries, some dealing with commercial and property matters, others with domestic problems and physical assault.\r\n\r\n<\/div>\r\n<\/div>\r\n<div><\/div>\r\n<div class=\"wp-caption alignleft\"><span style=\"font-family: 'Cormorant Garamond', serif;font-size: 1.80225em;font-weight: bold\">Neo-Babylonian Empire<\/span><\/div>\r\n<\/div>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\nThe Neo-Babylonian Empire, also known as the Chaldean Empire, was a civilization in Mesopotamia that began in 626 BCE and ended in 539 BCE. The Neo-Babylonian Empire developed an artistic style motivated by their ancient Mesopotamian heritage.\r\n\r\nDuring the preceding three centuries, Babylonia had been ruled by the Akkadians and Assyrians, but threw off the yoke of external domination after the death of Assurbanipal, the last strong Assyrian ruler. The Neo-Babylonian period was a renaissance that witnessed a great flourishing of art, architecture, and science.\r\n\r\nThe Neo-Babylonian rulers were motivated by the antiquity of their heritage and followed a traditionalist cultural policy, based on the ancient Sumero-Akkadian culture. Ancient artworks from the Old-Babylonian period were painstakingly restored and preserved, and treated with a respect verging on religious reverence. Neo-Babylonian art and architecture reached its zenith under King Nebuchadnezzar II, who ruled from 604\u2013562 BCE and was a great patron of urban development, bent on rebuilding all of Babylonia\u2019s cities to reflect their former glory.\r\n\r\nIt was Nebuchadnezzar II\u2019s vision and sponsorship that turned Babylon into the immense and beautiful city of legend. The city spread over three square miles, surrounded by moats and ringed by a double circuit of walls. The river Euphrates, which flowed through the city, was spanned by a beautiful stone bridge. At the heart of the city lay the Z<em>iggurat<\/em>\u00a0<em>Etemenanki<\/em>, literally \u201ctemple of the foundation of heaven and earth.\u201d Originally seven stories high, it is believed to have provided the inspiration for the biblical story of the Tower of Babel.\r\n\r\nIt was also during this period that Nebuchadnezzar supposedly built the Hanging Gardens of Babylon, although there is no definitive archeological evidence to establish their precise location. Ancient Greek and Roman writers describe the gardens in vivid detail. However, the lack of physical ruins have led many experts to speculate whether the Hanging Gardens existed at all. If this is the case, writers might have been describing ideal mythologized Eastern gardens or a famous garden built by the Assyrian\u00a0king Sennacherib\u00a0(704\u2013681\u00a0BCE) at Nineveh roughly a century earlier. If the Hanging Gardens did exist, they were likely destroyed around the first century CE.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<div class=\"wp-caption aligncenter\" data-global-id=\"gid:\/\/boundless\/Image\/34241\">\r\n<div class=\"figure-cont\">\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"557\"]<img src=\"https:\/\/textimgs.s3.amazonaws.com\/boundless-art-history\/ayemigr6rwcivwk9oim5.jpe#fixme\" alt=\"19th-century hand-colored engraving portrays the hanging gardens of Babylon with the Tower of Babel in the background. The artist has rendered an ascending series of tiered gardens with trees, shrubs, and flowers against a white structure with columns and a staircase. Gold lamassu statues flank the staircase.\" width=\"557\" height=\"386\" \/> <em><strong>19th-century reconstruction of the Hanging Gardens of Babylon:<\/strong> Two lamassu sculptures in the round face each other in the foreground, while another reconstruction of the ziggurat Etemenanki dominates the background.<\/em>[\/caption]\r\n\r\n<\/div>\r\n<\/div>\r\nMost of the evidence for Neo-Babylonian art and architecture is literary. The material evidence itself is mostly fragmentary. Some of the most important fragments that survive are from the Ishtar Gate, the eighth gate to the inner city of Babylon. It was constructed in 575 BCE by order of Nebuchadnezzar II, using glazed brick with alternating rows of bas-relief dragons and aurochs. Dedicated to the Babylonian goddess Ishtar, it was a double gate, and its roofs and doors were made of cedar, according to the dedication plaque. Babylon\u2019s Processional Way, which was lined with brilliantly colourful glazed brick walls decorated with lions, ran through the middle of the gate. Statues of the Babylonian gods were paraded through the gate and down the Processional Way during New Year\u2019s celebrations.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<div class=\"wp-caption aligncenter\" data-global-id=\"gid:\/\/boundless\/Image\/13949\">\r\n<div class=\"figure-cont\">\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"371\"]<img src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1849\/2017\/05\/31155235\/400px-ish-tar-gate-detail.jpeg\" alt=\"Photograph portrays a detailed close-up of a portion of the Ishtar Gate.\" width=\"371\" height=\"557\" \/> <em><strong>Ishtar Gate detail:<\/strong> An aurochs above a flower ribbon with missing tiles filled in (Ishtar Gate bas-relief, housed in the Pergamon Museum in Berlin). A prominent characteristic of Neo-Babylonian art and architecture was the use of brilliantly colourful glazed bricks.<\/em>[\/caption]\r\n\r\n<\/div>\r\n<\/div>\r\nThe reconstruction of the Ishtar Gate and Processional Way, built at the Pergamon Museum in Berlin in 1930, features material excavated from the original site. To compensate for missing pieces, museum staff created new bricks in a specially designed kiln that was able to match the original colour and finish. Other parts of the gate, which include glazed brick lions and dragons, are housed in different museums around the world.\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<div class=\"wp-caption aligncenter\" data-global-id=\"gid:\/\/boundless\/Image\/13948\">\r\n<div class=\"figure-cont\">\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"453\"]<img src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1849\/2017\/05\/31155238\/e-ausstellungsgeb-c3-a4ude.jpeg\" alt=\"Photograph portraying the Ishtar Gate.\" width=\"453\" height=\"564\" \/> <em><strong>Ishtar Gate at Pergamon Museum:<\/strong> This was reconstructed in Berlin in 1930, using materials excavated from the original build-site.<\/em>[\/caption]\r\n\r\n<div class=\"textbox textbox--key-takeaways\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">Summary<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n<ul>\r\n \t<li>The city of Babylon on the River Euphrates in southern Iraq is mentioned in documents of the late third millennium BCE and first came to prominence as the royal city of King Hammurabi (about 1790-1750 BCE).<\/li>\r\n \t<li>The Neo-Babylonian Empire was a civilization in Mesopotamia between 626 BCE and 539 BCE. During the preceding three centuries, Babylonia had been ruled by the Akkadians and Assyrians, but threw off the yoke of external domination after the death of the last strong Assyrian ruler.<\/li>\r\n \t<li>Neo-Babylonian art and architecture reached its zenith under King Nebuchadnezzar II, who ruled from 604\u2013562 BCE. He was a great patron of art and urban development and rebuilt the city of Babylon to reflect its ancient glory.<\/li>\r\n \t<li>Most of the evidence for Neo-Babylonian art and architecture is literary. Of the material evidence that survives, the most important fragments are from the Ishtar Gate of Babylon.<\/li>\r\n \t<li>Neo-Babylonians were known for their colorful glazed bricks, which they shaped into bas-reliefs of dragons, lions, and aurochs to decorate the Ishtar Gate.<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<span style=\"color: #000000\">Adapted from <strong>\"Boundless Art History\"\u00a0<\/strong>https:\/\/courses.lumenlearning.com\/boundless-arthistory\/chapter\/neo-babylonia\/\u00a0<strong>License: <span style=\"color: #993300\"><em><a style=\"color: #993300\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\" target=\"_blank\" rel=\"license noopener noreferrer\">CC BY-SA: Attribution-ShareAlike<\/a><\/em><\/span><span style=\"color: #993300\"><em>\u00a0<\/em><\/span><\/strong><\/span>\r\n\r\n<\/div>\r\n<\/div>","rendered":"<div class=\"row lor-row row-section-subheader\">\n<div class=\"row-text\">\n<div class=\"inner\">\n<div>\n<div class=\"row lor-row row-entry\">\n<div class=\"row-text\">\n<div class=\"inner\">For thousands of years, the myth of Babylon has haunted the European imagination. The Tower of Babel and the Hanging Gardens, Belshazzar\u2019s Feast and the Fall of Babylon have inspired artists, writers, poets, philosophers and filmmakers.<\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<\/div>\n<\/div>\n<div class=\"textbox textbox--learning-objectives\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">By the end of this module you will be able to:<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<ul>\n<li>Identify and describe the form, content, and context of key Babylonian and Neo-Babylonian Art<\/li>\n<li>Define critical terms related to Babylonian and Neo-Babylonian Art<\/li>\n<li>Explain Hammurabi&#8217;s rule and it&#8217;s significance in early Babylon<\/li>\n<li>Describe the artistic and architectural accomplishments of King Nebuchadnezzar II, including the city of Babylon<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>The city of Babylon lay on the River Euphrates in southern Mesopotamia, in what is today Iraq rose to prominence in the eighteenth century B.C. when, through a combination of political alliances and military campaigns, Hammurabi (c. 1792\u20131750 BCE) was able to unite a large state under his rule. The end of the second millennium BCE saw power over Babylon change hands several times, with Babylonia briefly falling under Assyrian domination. By the seventh century, BCE <span style=\"text-align: initial;font-size: 1em\">Nabopolassar and his son Nebuchadnezzar II (c. 604\u2013562 BCE) came to rule most of its former empire. <\/span><span style=\"text-align: initial;font-size: 1em\">As king of the new Babylon,<\/span> <span style=\"text-align: initial;font-size: 1em\">Nebuchadnezzar II<\/span><span style=\"text-align: initial;font-size: 1em\"> rebuilt much of the city<\/span><span style=\"text-align: initial;font-size: 1em\"> constructing an imperial capital with vast palaces and well-appointed temples, colossal city walls, and a great northern entry point, the Ishtar Gate, approached via a long Processional Way lined with colourful glazed-brick <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_1513_999\">reliefs<\/a> depicting roaring lions.<\/span><\/p>\n<\/div>\n<div class=\"tooltip-wrap tooltip-essay kickRight kickBot data-loaded\"><strong><br \/>\nOld Babylonian Dynasty<\/strong><\/div>\n<div><\/div>\n<\/div>\n<\/div>\n<div class=\"row-date\"><span style=\"font-size: 1em\">Sin-muballit (<\/span><span style=\"font-size: 1em\">1812\u20131793 BCE)<\/span><\/div>\n<\/div>\n<div class=\"row lor-row row-entry\">\n<div class=\"row-text\">\n<div class=\"inner\">Hammurabi (<span style=\"font-size: 1em\">1792\u20131750 BCE)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"row lor-row row-section-subheader\">\n<div class=\"row-text\">\n<div class=\"inner\">\n<div class=\"tooltip-wrap tooltip-essay\">Kassite Dynasty (1750-1373 BCE)<\/div>\n<\/div>\n<\/div>\n<div class=\"row-date\"><span style=\"font-size: 1em\">Kadashman-Enlil I (<\/span><span style=\"font-size: 1em\">1374\u20131360 BCE)<\/span><\/div>\n<\/div>\n<div class=\"row lor-row row-entry\">\n<div class=\"row-text\">\n<div class=\"inner\">Burnaburiash II (<span style=\"font-size: 1em\">1359\u20131333 BCE)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"row lor-row row-entry\">\n<div class=\"row-text\">\n<div class=\"inner\">Kurigalzu II (<span style=\"font-size: 1em\">1332\u20131308 BCE)\u00a0<\/span><\/div>\n<div><\/div>\n<\/div>\n<div><\/div>\n<div class=\"row-date\"><strong style=\"font-size: 1em\">Babylonian Dynasty<\/strong><\/div>\n<\/div>\n<div class=\"row lor-row row-section-subheader\">\n<div><\/div>\n<div class=\"row-date\"><span style=\"font-size: 1em\">Nabu-mukin-zeri (<\/span><span style=\"font-size: 1em\">731\u2013729 BCE)<\/span><\/div>\n<\/div>\n<div class=\"row lor-row row-entry\">\n<div class=\"row-text\">\n<div class=\"inner\">Marduk-apla-iddina II (<span style=\"font-size: 1em\">721\u2013710 BCE)<\/span><\/div>\n<div class=\"inner\"><span style=\"text-align: initial;font-size: 1em\">Shamash-shum-ukin (<\/span><span style=\"font-size: 1em\">667\u2013648 BCE)<\/span><\/div>\n<div><\/div>\n<div><\/div>\n<div class=\"inner\"><strong style=\"text-align: initial;font-size: 1em\"><span style=\"font-size: 1em\">Neo-Babylonian Dynasty\u00a0<\/span><\/strong><\/div>\n<\/div>\n<\/div>\n<div class=\"row lor-row row-section-subheader\">\n<div><\/div>\n<div class=\"row-date\"><span style=\"font-size: 1em\">Nabopolassar (<\/span><span style=\"font-size: 1em\">625\u2013605 BCE)<\/span><\/div>\n<\/div>\n<div class=\"row lor-row row-entry\">\n<div class=\"row-text\">\n<div class=\"inner\">Nebuchadnezzar II (<span style=\"font-size: 1em\">604\u2013562 BCE)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"row lor-row row-entry\">\n<div class=\"row-text\">\n<div class=\"inner\">Amel-Marduk (<span style=\"font-size: 1em\">561\u2013560 BCE)\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"row lor-row row-entry\">\n<div class=\"row-text\">\n<div class=\"inner\">Neriglissar (<span style=\"font-size: 1em\">559\u2013556 BCE)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"row lor-row row-entry\">\n<div class=\"row-text\">\n<div class=\"inner\">Labashi-Marduk (<span style=\"font-size: 1em\">556 BCE)<\/span><\/div>\n<\/div>\n<\/div>\n<div class=\"row lor-row row-entry\">\n<div class=\"row-text\">\n<div class=\"inner\">Nabonidus (<span style=\"font-size: 1em\">555\u2013539 BCE)\u00a0<\/span><\/div>\n<div><\/div>\n<h2 class=\"inner\">Old Babylon<\/h2>\n<\/div>\n<\/div>\n<div class=\"entry-content\">\n<p>The city of Babylon on the River Euphrates in southern Iraq is mentioned in documents of the late third millennium BCE and first came to prominence as the royal city of King Hammurabi (about 1790-1750 BCE). He established control over many other kingdoms stretching from the Persian Gulf to Syria. The British Museum holds one of the iconic artworks of this period, the so-called \u201cQueen of the Night.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"wp-caption aligncenter\">\n<figure style=\"width: 395px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cdn.kastatic.org\/ka-perseus-images\/86d0c54156c494404b83aaddca6dd7f74bac964b.jpg\" alt=\"The 'Queen of the Night' Relief, Old Babylonian, 1800-1750 B.C.E., 49 x 37 x 4.8, baked straw-tempered clay \u00a9 The Trustees of the British Museum\" width=\"395\" height=\"513\" \/><figcaption class=\"wp-caption-text\"><em><strong>The \u201cQueen of the Night\u201d Relief:<\/strong> 1800-1750 BCE, Old Babylonian, baked straw-tempered clay, 49 x 37 x 4.8 cm \u00a9 Trustees of the British Museum<\/em><\/figcaption><\/figure>\n<\/div>\n<p>From around 1500 BCE, a dynasty of Kassite kings took control in Babylon and unified southern Iraq into the kingdom of Babylonia. The Babylonian cities were the centers of great scribal learning and produced writings on divination, astrology, medicine and mathematics. The Kassite kings corresponded with the Egyptian Pharaohs as revealed by cuneiform letters found at Amarna in Egypt, now in the British Museum.<\/p>\n<p>Babylonia had an uneasy relationship with its northern neighbour Assyria and opposed its military expansion. In 689 BCE, Babylon was sacked by the Assyrians but as the city was highly regarded it was restored to its former status soon after. Other Babylonian cities also flourished; scribes in the city of Sippar probably produced the famous \u201cMap of the World\u201d (see image below).<\/p>\n<h3>Babylonian Ceramics<\/h3>\n<p>The pottery produced during the \u201cOld\u201d Babylonian period shows a return to painted abstract designs and increased variety in forms. In this photograph, a bowl, a jar, and a goblet show remnants of paint on their exteriors.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"wp-caption aligncenter\" data-global-id=\"gid:\/\/boundless\/Image\/32663\">\n<div class=\"figure-cont\">\n<div class=\"wp-nocaption\">\n<figure style=\"width: 321px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/textimgs.s3.amazonaws.com\/boundless-art-history\/r37ngrdortgjv5bh8ngw.jpe#fixme\" alt=\"Photograph depicting the assortment of pottery described above.\" width=\"321\" height=\"388\" \/><figcaption class=\"wp-caption-text\"><em><strong>Old Babylonian pottery:<\/strong> A collection of old Babylonian pottery on display at the Oriental Institute Museum, University of Chicago.<\/em><\/figcaption><\/figure>\n<\/div>\n<h3>Stele of Hammurabi<\/h3>\n<figure id=\"attachment_1526\" aria-describedby=\"caption-attachment-1526\" style=\"width: 178px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1526 size-medium\" src=\"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-content\/uploads\/sites\/1143\/2020\/10\/Screen-Shot-2020-10-13-at-2.34.36-PM-178x300.png\" alt=\"\" width=\"178\" height=\"300\" srcset=\"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-content\/uploads\/sites\/1143\/2020\/10\/Screen-Shot-2020-10-13-at-2.34.36-PM-178x300.png 178w, https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-content\/uploads\/sites\/1143\/2020\/10\/Screen-Shot-2020-10-13-at-2.34.36-PM-65x110.png 65w, https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-content\/uploads\/sites\/1143\/2020\/10\/Screen-Shot-2020-10-13-at-2.34.36-PM-225x380.png 225w, https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-content\/uploads\/sites\/1143\/2020\/10\/Screen-Shot-2020-10-13-at-2.34.36-PM-350x591.png 350w, https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-content\/uploads\/sites\/1143\/2020\/10\/Screen-Shot-2020-10-13-at-2.34.36-PM.png 461w\" sizes=\"auto, (max-width: 178px) 100vw, 178px\" \/><figcaption id=\"caption-attachment-1526\" class=\"wp-caption-text\"><em><strong>The Stele of Hammurabi:<\/strong> c. 1792-1750 BCE.<\/em><\/figcaption><\/figure>\n<p>The Stele of Hammurabi, c. 1792-1750 BCE, is approximately 7 feet tall. King Hammurabi established a centralized government under the Babylonians and ruled southern Mesopotamia in the early second millennium. He is known for his conquests and also for his law code. This is the first systematic codification of his people\u2019s rights, duties, penalties for infringements. There are three hundred or so entries, some dealing with commercial and property matters, others with domestic problems and physical assault.<\/p>\n<\/div>\n<\/div>\n<div><\/div>\n<div class=\"wp-caption alignleft\"><span style=\"font-family: 'Cormorant Garamond', serif;font-size: 1.80225em;font-weight: bold\">Neo-Babylonian Empire<\/span><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>The Neo-Babylonian Empire, also known as the Chaldean Empire, was a civilization in Mesopotamia that began in 626 BCE and ended in 539 BCE. The Neo-Babylonian Empire developed an artistic style motivated by their ancient Mesopotamian heritage.<\/p>\n<p>During the preceding three centuries, Babylonia had been ruled by the Akkadians and Assyrians, but threw off the yoke of external domination after the death of Assurbanipal, the last strong Assyrian ruler. The Neo-Babylonian period was a renaissance that witnessed a great flourishing of art, architecture, and science.<\/p>\n<p>The Neo-Babylonian rulers were motivated by the antiquity of their heritage and followed a traditionalist cultural policy, based on the ancient Sumero-Akkadian culture. Ancient artworks from the Old-Babylonian period were painstakingly restored and preserved, and treated with a respect verging on religious reverence. Neo-Babylonian art and architecture reached its zenith under King Nebuchadnezzar II, who ruled from 604\u2013562 BCE and was a great patron of urban development, bent on rebuilding all of Babylonia\u2019s cities to reflect their former glory.<\/p>\n<p>It was Nebuchadnezzar II\u2019s vision and sponsorship that turned Babylon into the immense and beautiful city of legend. The city spread over three square miles, surrounded by moats and ringed by a double circuit of walls. The river Euphrates, which flowed through the city, was spanned by a beautiful stone bridge. At the heart of the city lay the Z<em>iggurat<\/em>\u00a0<em>Etemenanki<\/em>, literally \u201ctemple of the foundation of heaven and earth.\u201d Originally seven stories high, it is believed to have provided the inspiration for the biblical story of the Tower of Babel.<\/p>\n<p>It was also during this period that Nebuchadnezzar supposedly built the Hanging Gardens of Babylon, although there is no definitive archeological evidence to establish their precise location. Ancient Greek and Roman writers describe the gardens in vivid detail. However, the lack of physical ruins have led many experts to speculate whether the Hanging Gardens existed at all. If this is the case, writers might have been describing ideal mythologized Eastern gardens or a famous garden built by the Assyrian\u00a0king Sennacherib\u00a0(704\u2013681\u00a0BCE) at Nineveh roughly a century earlier. If the Hanging Gardens did exist, they were likely destroyed around the first century CE.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"wp-caption aligncenter\" data-global-id=\"gid:\/\/boundless\/Image\/34241\">\n<div class=\"figure-cont\">\n<figure style=\"width: 557px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/textimgs.s3.amazonaws.com\/boundless-art-history\/ayemigr6rwcivwk9oim5.jpe#fixme\" alt=\"19th-century hand-colored engraving portrays the hanging gardens of Babylon with the Tower of Babel in the background. The artist has rendered an ascending series of tiered gardens with trees, shrubs, and flowers against a white structure with columns and a staircase. Gold lamassu statues flank the staircase.\" width=\"557\" height=\"386\" \/><figcaption class=\"wp-caption-text\"><em><strong>19th-century reconstruction of the Hanging Gardens of Babylon:<\/strong> Two lamassu sculptures in the round face each other in the foreground, while another reconstruction of the ziggurat Etemenanki dominates the background.<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<p>Most of the evidence for Neo-Babylonian art and architecture is literary. The material evidence itself is mostly fragmentary. Some of the most important fragments that survive are from the Ishtar Gate, the eighth gate to the inner city of Babylon. It was constructed in 575 BCE by order of Nebuchadnezzar II, using glazed brick with alternating rows of bas-relief dragons and aurochs. Dedicated to the Babylonian goddess Ishtar, it was a double gate, and its roofs and doors were made of cedar, according to the dedication plaque. Babylon\u2019s Processional Way, which was lined with brilliantly colourful glazed brick walls decorated with lions, ran through the middle of the gate. Statues of the Babylonian gods were paraded through the gate and down the Processional Way during New Year\u2019s celebrations.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"wp-caption aligncenter\" data-global-id=\"gid:\/\/boundless\/Image\/13949\">\n<div class=\"figure-cont\">\n<figure style=\"width: 371px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1849\/2017\/05\/31155235\/400px-ish-tar-gate-detail.jpeg\" alt=\"Photograph portrays a detailed close-up of a portion of the Ishtar Gate.\" width=\"371\" height=\"557\" \/><figcaption class=\"wp-caption-text\"><em><strong>Ishtar Gate detail:<\/strong> An aurochs above a flower ribbon with missing tiles filled in (Ishtar Gate bas-relief, housed in the Pergamon Museum in Berlin). A prominent characteristic of Neo-Babylonian art and architecture was the use of brilliantly colourful glazed bricks.<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n<p>The reconstruction of the Ishtar Gate and Processional Way, built at the Pergamon Museum in Berlin in 1930, features material excavated from the original site. To compensate for missing pieces, museum staff created new bricks in a specially designed kiln that was able to match the original colour and finish. Other parts of the gate, which include glazed brick lions and dragons, are housed in different museums around the world.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"wp-caption aligncenter\" data-global-id=\"gid:\/\/boundless\/Image\/13948\">\n<div class=\"figure-cont\">\n<figure style=\"width: 453px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/s3-us-west-2.amazonaws.com\/courses-images\/wp-content\/uploads\/sites\/1849\/2017\/05\/31155238\/e-ausstellungsgeb-c3-a4ude.jpeg\" alt=\"Photograph portraying the Ishtar Gate.\" width=\"453\" height=\"564\" \/><figcaption class=\"wp-caption-text\"><em><strong>Ishtar Gate at Pergamon Museum:<\/strong> This was reconstructed in Berlin in 1930, using materials excavated from the original build-site.<\/em><\/figcaption><\/figure>\n<div class=\"textbox textbox--key-takeaways\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">Summary<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<ul>\n<li>The city of Babylon on the River Euphrates in southern Iraq is mentioned in documents of the late third millennium BCE and first came to prominence as the royal city of King Hammurabi (about 1790-1750 BCE).<\/li>\n<li>The Neo-Babylonian Empire was a civilization in Mesopotamia between 626 BCE and 539 BCE. During the preceding three centuries, Babylonia had been ruled by the Akkadians and Assyrians, but threw off the yoke of external domination after the death of the last strong Assyrian ruler.<\/li>\n<li>Neo-Babylonian art and architecture reached its zenith under King Nebuchadnezzar II, who ruled from 604\u2013562 BCE. He was a great patron of art and urban development and rebuilt the city of Babylon to reflect its ancient glory.<\/li>\n<li>Most of the evidence for Neo-Babylonian art and architecture is literary. Of the material evidence that survives, the most important fragments are from the Ishtar Gate of Babylon.<\/li>\n<li>Neo-Babylonians were known for their colorful glazed bricks, which they shaped into bas-reliefs of dragons, lions, and aurochs to decorate the Ishtar Gate.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p><span style=\"color: #000000\">Adapted from <strong>&#8220;Boundless Art History&#8221;\u00a0<\/strong>https:\/\/courses.lumenlearning.com\/boundless-arthistory\/chapter\/neo-babylonia\/\u00a0<strong>License: <span style=\"color: #993300\"><em><a style=\"color: #993300\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\" target=\"_blank\" rel=\"license noopener noreferrer\">CC BY-SA: Attribution-ShareAlike<\/a><\/em><\/span><span style=\"color: #993300\"><em>\u00a0<\/em><\/span><\/strong><\/span><\/p>\n<\/div>\n<\/div>\n<div class=\"media-attributions clear\" prefix:cc=\"http:\/\/creativecommons.org\/ns#\" prefix:dc=\"http:\/\/purl.org\/dc\/terms\/\"><h2>Media Attributions<\/h2><ul><li >Screen Shot 2020-10-13 at 2.34.36 PM       <\/li><\/ul><\/div><div class=\"glossary\"><span class=\"screen-reader-text\" id=\"definition\">definition<\/span><template id=\"term_1513_999\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_1513_999\"><div tabindex=\"-1\"><p>A sculpture that projects from a background. The opposite of a carving.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><\/div>","protected":false},"author":961,"menu_order":5,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-1513","chapter","type-chapter","status-publish","hentry"],"part":823,"_links":{"self":[{"href":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-json\/pressbooks\/v2\/chapters\/1513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-json\/wp\/v2\/users\/961"}],"version-history":[{"count":25,"href":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-json\/pressbooks\/v2\/chapters\/1513\/revisions"}],"predecessor-version":[{"id":2243,"href":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-json\/pressbooks\/v2\/chapters\/1513\/revisions\/2243"}],"part":[{"href":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-json\/pressbooks\/v2\/parts\/823"}],"metadata":[{"href":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-json\/pressbooks\/v2\/chapters\/1513\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-json\/wp\/v2\/media?parent=1513"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-json\/pressbooks\/v2\/chapter-type?post=1513"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-json\/wp\/v2\/contributor?post=1513"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/cavestocathedrals\/wp-json\/wp\/v2\/license?post=1513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}