{"id":40,"date":"2022-07-13T16:54:02","date_gmt":"2022-07-13T20:54:02","guid":{"rendered":"https:\/\/pressbooks.bccampus.ca\/communicating\/chapter\/verb-tense\/"},"modified":"2026-02-10T19:00:26","modified_gmt":"2026-02-11T00:00:26","slug":"chapter-10","status":"publish","type":"chapter","link":"https:\/\/pressbooks.bccampus.ca\/communicating\/chapter\/chapter-10\/","title":{"raw":"Verb Tense","rendered":"Verb Tense"},"content":{"raw":"<div class=\"entry-content\">\r\n<div class=\"im_section\">\r\n<div id=\"mcleanbuseng-ch01_s03_n01\" class=\"im_learning_objectives im_editable im_block\">\r\n\r\nAll starting writers struggle with [pb_glossary id=\"252\"]verb tenses[\/pb_glossary]. More specifically, they tend to struggle with keeping the tenses consistent, especially in long documents.\r\n\r\nIf you've ever received feedback from a professor about \"inconsistent tense\" or \"passive voice,\" then something is probably wrong with your verbs. Keeping <strong>verb tenses<\/strong> consistent will ensure your audience knows whether an event happened in the past, present, or future.\r\n\r\nIn this chapter, we will briefly review [pb_glossary id=\"251\"]verbs[\/pb_glossary], discuss different <strong>verb tenses<\/strong>, and finish off by discussing how to avoid the <strong>[pb_glossary id=\"198\"]passive voice[\/pb_glossary]<\/strong> and <strong>[pb_glossary id=\"185\"]nominalizations[\/pb_glossary]<\/strong>.\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<h2>The basics<\/h2>\r\nVerbs perform two tasks. First, they are the action of the sentence. They tell the reader what sort of action you, someone, or something, did.\r\n<div class=\"textbox shaded\" style=\"text-align: left\">I <span style=\"background-color: #ffff00\">walked<\/span> to the store.<\/div>\r\nIn the above example, the verb \"walked\" tells the reader what kind of action brought you to the store. We know the person didn't run, skip, or saunter to the store; they walked.\r\n\r\nSecond, verbs tell the audience <em>when <\/em>something happened. This is where <strong>verb tenses<\/strong> come in. In the same example, \"walked\" is in the past tense so we know the event happened in the past. There are three main tenses: present, past, and future. However, within those three tenses are several more.\r\n\r\nIn your writing, you will mostly be using [pb_glossary id=\"249\"]simple present[\/pb_glossary], [pb_glossary id=\"248\"]simple past[\/pb_glossary] and [pb_glossary id=\"165\"]simple future[\/pb_glossary]. The issue that most people run into, though, is being <em>consistent<\/em> with their verb tenses.\r\n<h2>Maintaining consistent verb tense<\/h2>\r\n<div class=\"entry-content\">\r\n<div id=\"mcleanbuseng-ch01_s03_s03\" class=\"im_section\">\r\n\r\n<span class=\"im_margin_term\"><span class=\"im_glossterm\">Consistent <strong>verb tense<\/strong><\/span><\/span> means the same verb tense is used throughout a sentence or a paragraph. As you write and revise, make sure you use the same <strong>verb tense<\/strong> consistently and avoid shifting from one tense to another, unless there is a good reason for it.\r\n\r\nLet's look at an example. In the following box, can you see how the tense is inconsistent?\r\n<div class=\"textbox shaded\" style=\"text-align: left\">We will submit the report after I finished my section.<\/div>\r\nThere are two different verb tenses being used here: <strong>simple future<\/strong> (will submit) and <strong>simple past<\/strong> (finished). Let's fix this problem by keeping the tenses consistent.\r\n<div class=\"textbox shaded\" style=\"text-align: left\"><strong>Simple Future<\/strong>: We will submit the report after I finish my section\r\n<strong>Simple Past<\/strong>: We submitted the report after I finished my section<\/div>\r\nAs you can see, there are two ways to fix this problem. While both are now grammatically correct, the one you use will depend on what information you are trying to convey.\r\n\r\n<\/div>\r\n<\/div>\r\nNow, in some cases, clear communication will call for different tenses. Look at the following example:\r\n<div class=\"textbox shaded\" style=\"text-align: left\">When I was a teenager, I\u00a0wanted\u00a0to be a firefighter, but now I\u00a0am studying\u00a0computer science.<\/div>\r\nIn the above example, the writer talks about a past desire and their present situation. Whenever the time frame for each action or state is different, a tense shift is appropriate.\r\n<div class=\"entry-content\">\r\n<div id=\"mcleanbuseng-ch01_s03_s03\" class=\"im_section\">\r\n<div id=\"mcleanbuseng-ch01_s03_s03_n03\" class=\"im_callout im_block\">\r\n\r\nIn the professional world,\u00a0 your coworkers will most likely not correct your <strong>verb tenses<\/strong> or call attention to grammatical errors, but keep in mind that these errors do have a subtle negative impact in the workplace, just as they do when applying for jobs and communicating with clients. If you keep making small mistakes like this, the receiver of your message may assume you do not pay attention to little details.\r\n\r\n<hr \/>\r\n\r\n<h2>Simplifying verbs<\/h2>\r\nAnother issue that writers have is overcomplicating their verbs with extra words. In almost every instance, if you realize you can simplify your writing by taking out words, that is the best option. In regards to verbs, the issue typically stems from writers using [pb_glossary id=\"198\"]passive voice[\/pb_glossary] and [pb_glossary id=\"185\"]nominalizations[\/pb_glossary] in their writing.\r\n<h2>Active voice and passive voice<\/h2>\r\nEven when writers have consistent verb tenses, they often overcomplicate their writing by expressing the action in as many words as possible. One way they do this is by using the <strong>passive voice<\/strong>. Consider the following sentences, for instance. Which would you prefer to read?\r\n<table class=\" aligncenter\">\r\n<tbody>\r\n<tr>\r\n<td><strong>PASSIVE VOICE<\/strong>\r\n\r\nThe candidate cannot\u00a0<strong>be supported by<\/strong>\u00a0our membership.<\/td>\r\n<td><strong>ACTIVE VOICE<\/strong>\r\n\r\nOur members cannot\u00a0<strong>support<\/strong>\u00a0the candidate.<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\nMost readers would prefer the second option. Why? Here, the <strong>[pb_glossary id=\"166\"]active voice[\/pb_glossary]<\/strong> construction on the right uses two fewer words to communicate the same meaning. As a result, it is more direct than the<strong> passive voice<\/strong> construction. How does it do that?\r\n\r\nFirst, let's define the two terms. <strong>Active voice\u00a0<\/strong>is a sentence structure where the subject <span style=\"text-decoration: underline\">carries out<\/span> the action.\u00a0<strong>Passive voice<\/strong> is a sentence structure where the subject <span style=\"text-decoration: underline\">receives<\/span> the action.\r\n\r\nEssentially, the difference comes down to the [pb_glossary id=\"210\"]subject [\/pb_glossary] and [pb_glossary id=\"251\"]verb[\/pb_glossary]. Who is the subject of the <strong>passive voice<\/strong> sentence? It's not \"the candidate\" because the action of the sentence is not being done by them. The subject is \"our membership\"\u00a0 because they are the ones doing the supporting.\r\n\r\nIn the <strong>active voice<\/strong> sentence, \"members\" has been moved to the start of the sentence. It is clear that they are doing the action.\r\n\r\nBoth sentences are valid grammatically. You could use either format in your writing and the reader would understand what you are saying. However, the <strong>active voice<\/strong> is generally the better one to use since active sentences tend to be shorter, more precise, and easier to understand.\r\n\r\nThere are legitimate uses of the <strong>passive voice<\/strong> though. When you want to deemphasize the doer of the action, <strong>passive voice<\/strong> is a good choice. Look at the example below.\r\n<div class=\"textbox shaded\" style=\"text-align: center\">Ten late arrivals were recorded this month.<\/div>\r\nIn this example, the <strong>passive voice<\/strong> above doesn\u2019t place blame or credit, so it can be more diplomatic in some contexts. <strong>Passive voice<\/strong> also allows the writer to avoid personal references or personal pronouns (he, she, they) to create a more objective tone. Additionally, there are situations where the doer of the action is unknown, as in the following example.\r\n<div class=\"textbox shaded\" style=\"text-align: center\">Graffiti was painted on the side of our building last night.<\/div>\r\nWe don't know who created the graffiti, so a passive form is useful here.\r\n\r\nHowever, keep in mind that overusing the<strong> passive voice<\/strong> sounds unnatural and appears as an attempt to extend the word count or sound fancier and objective. Most readers prefer the <strong>active voice<\/strong> because the <strong>passive<\/strong> <strong>voice<\/strong> is either too wordy or too vague.\r\n\r\n<hr \/>\r\n\r\n<h2>Nominalization<\/h2>\r\nAnother issue that overcomplicates writing is when writers turn the main action they describe into nouns, a process called <strong>[pb_glossary id=\"185\"]nominalization[\/pb_glossary]<\/strong>. This involves taking a verb and adding a suffix such as\u00a0<em>-ant, -ent, -ion, -tion, -sion, -ence, -ance,<\/em>\u00a0or\u00a0<em>-ing<\/em>, as well as adding forms of other verbs, such as \"to make\" or \"to give.\" <strong>Nominalization<\/strong> may also require articles (<em>the<\/em>,\u00a0<em>a<\/em>, or\u00a0<em>an<\/em>) before the action nouns. Consider the following comparisons of nominalized-verb sentences with simplified verb forms:\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><strong>NOMINALIZED FORM<\/strong>\r\n\r\nThe committee\u00a0<strong>had a\u00a0discussion<\/strong>\u00a0about the new budget constraints.<\/td>\r\n<td><strong>SIMPLIFIED FORM<\/strong>\r\n\r\nThe committee\u00a0<strong>discussed<\/strong>\u00a0the new budget constraints.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>We\u00a0<strong>will make a\u00a0recommendation<\/strong>\u00a0to proceed with the investment option.<\/td>\r\n<td>We will\u00a0<strong>recommend<\/strong>\u00a0proceeding with the investment option.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>They\u00a0<strong>handed down a\u00a0judgment<\/strong>\u00a0that the offer wasn\u2019t worth their time.<\/td>\r\n<td>They\u00a0<strong>judged<\/strong>\u00a0that the offer wasn\u2019t worth their time.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>The regulator will\u00a0<strong>grant\u00a0<\/strong><strong>approval<\/strong><strong>\u00a0of<\/strong>\u00a0the new process within the week.<\/td>\r\n<td>The regulator will\u00a0<strong>approve<\/strong>\u00a0the new process within the week.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>He always\u00a0<strong>gives me\u00a0advice<\/strong>\u00a0on what to say to the media.<\/td>\r\n<td>He always\u00a0<strong>advises<\/strong>\u00a0me on what to say to the media.<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>She\u2019s\u00a0<strong>giving<\/strong>\u00a0your application\u00a0<strong>a\u00a0pass<\/strong>\u00a0because of all the errors in it.<\/td>\r\n<td>She\u2019s\u00a0<strong>passing<\/strong>\u00a0on your application because of all the errors in it.<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\nYou can tell that the simplified sentences have greater impact than those that use <strong>nominalizations<\/strong>. In all of the <strong>nominalization<\/strong> examples, more words are required to communicate the same meaning. When writing contains all three issues we've discussed (inconsistent verb tense, passive voice, and nominalizations), it becomes muddled and lacks the clarity that is expected in professional writing.\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n&nbsp;\r\n<div class=\"entry-content\">\r\n<div id=\"mcleanbuseng-ch01_s03_s03\" class=\"im_section\">\r\n<h2>[h5p id=\"14\"]<\/h2>\r\n&nbsp;\r\n<div id=\"mcleanbuseng-ch01_s03_s03_n03\" class=\"im_callout im_block\">\r\n<h2>Parallelism (or parallel structure)<\/h2>\r\nWhen constructing sentences, all parts need to work in parallel.\r\n\r\nTo understand parallel structure, let's first look at an example of <em>faulty parallelism<\/em>.\r\n<p style=\"padding-left: 40px\">We need to buy apples, oranges, and I love bananas most.<\/p>\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\nReading that quickly or even reading it aloud, you might not immediately notice the problem. However, if we break this sentence into three, the problem becomes clear immediately:\r\n<ul>\r\n \t<li style=\"list-style-type: none\">\r\n<ul>\r\n \t<li>We need to buy apples. (Good)<\/li>\r\n \t<li>We need to buy oranges. (Good)<\/li>\r\n \t<li><span style=\"color: #ff0000\">We need to buy I love bananas most. (Problem)<\/span><\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\nThat last example clearly doesn't work; it should read \"We need to buy bananas\" or \"We need to buy bananas, which I love most.\"\r\n\r\nGood sentence structure demands that all parts in a sentence (often in a list) work together in parallel structure.\r\n\r\nHere's an example of parallel structure working in a bullet list:\r\n<p style=\"padding-left: 40px\">The engineer has identified four causes of the mechanical breakdown:<\/p>\r\n\r\n<ul>\r\n \t<li style=\"list-style-type: none\">\r\n<ul>\r\n \t<li>low-quality materials,<\/li>\r\n \t<li>infrequent maintenance,<\/li>\r\n \t<li>inadequate lubrication, and<\/li>\r\n \t<li>heat stress.<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\nThat bullet list works in parallel. The way to check is to lead into each bullet list with text that would make each line a complete sentence. Watch how:\r\n<p style=\"padding-left: 40px\">The problem was low-quality materials. (Good)<\/p>\r\n<p style=\"padding-left: 40px\">The problem was infrequent maintenance. (Good)<\/p>\r\n<p style=\"padding-left: 40px\">The problem was inadequate lubrication. (Good)<\/p>\r\n<p style=\"padding-left: 40px\">The problem was heat stress. (Good)<\/p>\r\nAll four of those sentences begin with the same three words, followed by the text from one line in the bullet list. This proves you have parallel structure in your bullet list.\r\n\r\n&nbsp;\r\n\r\n[h5p id=\"13\"]\r\n\r\n&nbsp;\r\n<div class=\"entry-content\">\r\n<div id=\"mcleanbuseng-ch01_s03_s03\" class=\"im_section\">\r\n<div class=\"textbox textbox--key-takeaways\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">Key Takeaways<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n<div id=\"mcleanbuseng-ch01_s03_s03_n04\" class=\"im_key_takeaways im_editable im_block\">\r\n<ul id=\"mcleanbuseng-ch01_s03_s03_l01\" class=\"im_itemizedlist\">\r\n \t<li><strong>[pb_glossary id=\"252\"]Verb tense[\/pb_glossary]<\/strong> helps you express when an event takes place.<\/li>\r\n \t<li>Maintaining consistency among <strong>verb tenses<\/strong>\u00a0 in your writing will ensure your communication is clear. While there are 12 different tenses in English, the three you will be using the most are [pb_glossary id=\"249\"]simple present[\/pb_glossary], [pb_glossary id=\"248\"]simple past[\/pb_glossary], and [pb_glossary id=\"165\"]simple future[\/pb_glossary].<\/li>\r\n \t<li>A more direct style of writing is almost always preferable. Therefore, it is often to best to avoid the <strong>[pb_glossary id=\"198\"]passive voice[\/pb_glossary]<\/strong> and <strong>[pb_glossary id=\"185\"]nominalizations[\/pb_glossary]<\/strong>.<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"entry-content\"><\/div>\r\n<h1>References<\/h1>\r\n<p class=\"hanging-indent\">Grammarly. (2021, January 14).\u00a0<em>Verb tenses<\/em>. <a href=\"https:\/\/www.grammarly.com\/blog\/verb-tenses\/\">https:\/\/www.grammarly.com\/blog\/verb-tenses\/<\/a><\/p>\r\n\r\n<h1>Attributions<\/h1>\r\nThis chapter was adapted from <a href=\"https:\/\/openpress.usask.ca\/rcm200\" rel=\"cc:attributionURL\">Effective Professional Communication: A Rhetorical Approach<\/a> by Rebekah Bennetch, Corey Owen, and Zachary Keesey, which is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/4.0\/\" rel=\"license\">Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License<\/a>, except where otherwise noted.\r\n\r\nBennetch, Owen, and Keesey adapted their chapter <span style=\"text-align: initial;font-size: 1em\">from <\/span>Business Communications for Fashion<span style=\"text-align: initial;font-size: 1em\"> by Anna Cappuccitti (on <\/span><a style=\"text-align: initial;font-size: 1em\" href=\"https:\/\/openpress.usask.ca\/\">openpress.usask.ca<\/a><span style=\"text-align: initial;font-size: 1em\">). It is licensed under a <\/span><a style=\"text-align: initial;font-size: 1em\" href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">Creative Commons Attribution-NonCommercial 4.0 International License<\/a><span style=\"text-align: initial;font-size: 1em\">.<\/span>\r\n\r\nBennetch, Owen, and Keesey adapted their chapter also adapted their chapter from Business Communication for Success by the University of Minnesota (on <a href=\"https:\/\/www.lib.umn.edu\/services\/publishing\">University of Minnesota Libraries Publishing)<\/a>. It is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">Creative Commons Attribution-NonCommercial 4.0 International License<\/a>","rendered":"<div class=\"entry-content\">\n<div class=\"im_section\">\n<div id=\"mcleanbuseng-ch01_s03_n01\" class=\"im_learning_objectives im_editable im_block\">\n<p>All starting writers struggle with <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_252\">verb tenses<\/a>. More specifically, they tend to struggle with keeping the tenses consistent, especially in long documents.<\/p>\n<p>If you&#8217;ve ever received feedback from a professor about &#8220;inconsistent tense&#8221; or &#8220;passive voice,&#8221; then something is probably wrong with your verbs. Keeping <strong>verb tenses<\/strong> consistent will ensure your audience knows whether an event happened in the past, present, or future.<\/p>\n<p>In this chapter, we will briefly review <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_251\">verbs<\/a>, discuss different <strong>verb tenses<\/strong>, and finish off by discussing how to avoid the <strong><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_198\">passive voice<\/a><\/strong> and <strong><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_185\">nominalizations<\/a><\/strong>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<h2>The basics<\/h2>\n<p>Verbs perform two tasks. First, they are the action of the sentence. They tell the reader what sort of action you, someone, or something, did.<\/p>\n<div class=\"textbox shaded\" style=\"text-align: left\">I <span style=\"background-color: #ffff00\">walked<\/span> to the store.<\/div>\n<p>In the above example, the verb &#8220;walked&#8221; tells the reader what kind of action brought you to the store. We know the person didn&#8217;t run, skip, or saunter to the store; they walked.<\/p>\n<p>Second, verbs tell the audience <em>when <\/em>something happened. This is where <strong>verb tenses<\/strong> come in. In the same example, &#8220;walked&#8221; is in the past tense so we know the event happened in the past. There are three main tenses: present, past, and future. However, within those three tenses are several more.<\/p>\n<p>In your writing, you will mostly be using <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_249\">simple present<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_248\">simple past<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_165\">simple future<\/a>. The issue that most people run into, though, is being <em>consistent<\/em> with their verb tenses.<\/p>\n<h2>Maintaining consistent verb tense<\/h2>\n<div class=\"entry-content\">\n<div id=\"mcleanbuseng-ch01_s03_s03\" class=\"im_section\">\n<p><span class=\"im_margin_term\"><span class=\"im_glossterm\">Consistent <strong>verb tense<\/strong><\/span><\/span> means the same verb tense is used throughout a sentence or a paragraph. As you write and revise, make sure you use the same <strong>verb tense<\/strong> consistently and avoid shifting from one tense to another, unless there is a good reason for it.<\/p>\n<p>Let&#8217;s look at an example. In the following box, can you see how the tense is inconsistent?<\/p>\n<div class=\"textbox shaded\" style=\"text-align: left\">We will submit the report after I finished my section.<\/div>\n<p>There are two different verb tenses being used here: <strong>simple future<\/strong> (will submit) and <strong>simple past<\/strong> (finished). Let&#8217;s fix this problem by keeping the tenses consistent.<\/p>\n<div class=\"textbox shaded\" style=\"text-align: left\"><strong>Simple Future<\/strong>: We will submit the report after I finish my section<br \/>\n<strong>Simple Past<\/strong>: We submitted the report after I finished my section<\/div>\n<p>As you can see, there are two ways to fix this problem. While both are now grammatically correct, the one you use will depend on what information you are trying to convey.<\/p>\n<\/div>\n<\/div>\n<p>Now, in some cases, clear communication will call for different tenses. Look at the following example:<\/p>\n<div class=\"textbox shaded\" style=\"text-align: left\">When I was a teenager, I\u00a0wanted\u00a0to be a firefighter, but now I\u00a0am studying\u00a0computer science.<\/div>\n<p>In the above example, the writer talks about a past desire and their present situation. Whenever the time frame for each action or state is different, a tense shift is appropriate.<\/p>\n<div class=\"entry-content\">\n<div id=\"mcleanbuseng-ch01_s03_s03\" class=\"im_section\">\n<div id=\"mcleanbuseng-ch01_s03_s03_n03\" class=\"im_callout im_block\">\n<p>In the professional world,\u00a0 your coworkers will most likely not correct your <strong>verb tenses<\/strong> or call attention to grammatical errors, but keep in mind that these errors do have a subtle negative impact in the workplace, just as they do when applying for jobs and communicating with clients. If you keep making small mistakes like this, the receiver of your message may assume you do not pay attention to little details.<\/p>\n<hr \/>\n<h2>Simplifying verbs<\/h2>\n<p>Another issue that writers have is overcomplicating their verbs with extra words. In almost every instance, if you realize you can simplify your writing by taking out words, that is the best option. In regards to verbs, the issue typically stems from writers using <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_198\">passive voice<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_185\">nominalizations<\/a> in their writing.<\/p>\n<h2>Active voice and passive voice<\/h2>\n<p>Even when writers have consistent verb tenses, they often overcomplicate their writing by expressing the action in as many words as possible. One way they do this is by using the <strong>passive voice<\/strong>. Consider the following sentences, for instance. Which would you prefer to read?<\/p>\n<table class=\"aligncenter\">\n<tbody>\n<tr>\n<td><strong>PASSIVE VOICE<\/strong><\/p>\n<p>The candidate cannot\u00a0<strong>be supported by<\/strong>\u00a0our membership.<\/td>\n<td><strong>ACTIVE VOICE<\/strong><\/p>\n<p>Our members cannot\u00a0<strong>support<\/strong>\u00a0the candidate.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Most readers would prefer the second option. Why? Here, the <strong><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_166\">active voice<\/a><\/strong> construction on the right uses two fewer words to communicate the same meaning. As a result, it is more direct than the<strong> passive voice<\/strong> construction. How does it do that?<\/p>\n<p>First, let&#8217;s define the two terms. <strong>Active voice\u00a0<\/strong>is a sentence structure where the subject <span style=\"text-decoration: underline\">carries out<\/span> the action.\u00a0<strong>Passive voice<\/strong> is a sentence structure where the subject <span style=\"text-decoration: underline\">receives<\/span> the action.<\/p>\n<p>Essentially, the difference comes down to the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_210\">subject <\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_251\">verb<\/a>. Who is the subject of the <strong>passive voice<\/strong> sentence? It&#8217;s not &#8220;the candidate&#8221; because the action of the sentence is not being done by them. The subject is &#8220;our membership&#8221;\u00a0 because they are the ones doing the supporting.<\/p>\n<p>In the <strong>active voice<\/strong> sentence, &#8220;members&#8221; has been moved to the start of the sentence. It is clear that they are doing the action.<\/p>\n<p>Both sentences are valid grammatically. You could use either format in your writing and the reader would understand what you are saying. However, the <strong>active voice<\/strong> is generally the better one to use since active sentences tend to be shorter, more precise, and easier to understand.<\/p>\n<p>There are legitimate uses of the <strong>passive voice<\/strong> though. When you want to deemphasize the doer of the action, <strong>passive voice<\/strong> is a good choice. Look at the example below.<\/p>\n<div class=\"textbox shaded\" style=\"text-align: center\">Ten late arrivals were recorded this month.<\/div>\n<p>In this example, the <strong>passive voice<\/strong> above doesn\u2019t place blame or credit, so it can be more diplomatic in some contexts. <strong>Passive voice<\/strong> also allows the writer to avoid personal references or personal pronouns (he, she, they) to create a more objective tone. Additionally, there are situations where the doer of the action is unknown, as in the following example.<\/p>\n<div class=\"textbox shaded\" style=\"text-align: center\">Graffiti was painted on the side of our building last night.<\/div>\n<p>We don&#8217;t know who created the graffiti, so a passive form is useful here.<\/p>\n<p>However, keep in mind that overusing the<strong> passive voice<\/strong> sounds unnatural and appears as an attempt to extend the word count or sound fancier and objective. Most readers prefer the <strong>active voice<\/strong> because the <strong>passive<\/strong> <strong>voice<\/strong> is either too wordy or too vague.<\/p>\n<hr \/>\n<h2>Nominalization<\/h2>\n<p>Another issue that overcomplicates writing is when writers turn the main action they describe into nouns, a process called <strong><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_185\">nominalization<\/a><\/strong>. This involves taking a verb and adding a suffix such as\u00a0<em>-ant, -ent, -ion, -tion, -sion, -ence, -ance,<\/em>\u00a0or\u00a0<em>-ing<\/em>, as well as adding forms of other verbs, such as &#8220;to make&#8221; or &#8220;to give.&#8221; <strong>Nominalization<\/strong> may also require articles (<em>the<\/em>,\u00a0<em>a<\/em>, or\u00a0<em>an<\/em>) before the action nouns. Consider the following comparisons of nominalized-verb sentences with simplified verb forms:<\/p>\n<table>\n<tbody>\n<tr>\n<td><strong>NOMINALIZED FORM<\/strong><\/p>\n<p>The committee\u00a0<strong>had a\u00a0discussion<\/strong>\u00a0about the new budget constraints.<\/td>\n<td><strong>SIMPLIFIED FORM<\/strong><\/p>\n<p>The committee\u00a0<strong>discussed<\/strong>\u00a0the new budget constraints.<\/td>\n<\/tr>\n<tr>\n<td>We\u00a0<strong>will make a\u00a0recommendation<\/strong>\u00a0to proceed with the investment option.<\/td>\n<td>We will\u00a0<strong>recommend<\/strong>\u00a0proceeding with the investment option.<\/td>\n<\/tr>\n<tr>\n<td>They\u00a0<strong>handed down a\u00a0judgment<\/strong>\u00a0that the offer wasn\u2019t worth their time.<\/td>\n<td>They\u00a0<strong>judged<\/strong>\u00a0that the offer wasn\u2019t worth their time.<\/td>\n<\/tr>\n<tr>\n<td>The regulator will\u00a0<strong>grant\u00a0<\/strong><strong>approval<\/strong><strong>\u00a0of<\/strong>\u00a0the new process within the week.<\/td>\n<td>The regulator will\u00a0<strong>approve<\/strong>\u00a0the new process within the week.<\/td>\n<\/tr>\n<tr>\n<td>He always\u00a0<strong>gives me\u00a0advice<\/strong>\u00a0on what to say to the media.<\/td>\n<td>He always\u00a0<strong>advises<\/strong>\u00a0me on what to say to the media.<\/td>\n<\/tr>\n<tr>\n<td>She\u2019s\u00a0<strong>giving<\/strong>\u00a0your application\u00a0<strong>a\u00a0pass<\/strong>\u00a0because of all the errors in it.<\/td>\n<td>She\u2019s\u00a0<strong>passing<\/strong>\u00a0on your application because of all the errors in it.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>You can tell that the simplified sentences have greater impact than those that use <strong>nominalizations<\/strong>. In all of the <strong>nominalization<\/strong> examples, more words are required to communicate the same meaning. When writing contains all three issues we&#8217;ve discussed (inconsistent verb tense, passive voice, and nominalizations), it becomes muddled and lacks the clarity that is expected in professional writing.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"entry-content\">\n<div id=\"mcleanbuseng-ch01_s03_s03\" class=\"im_section\">\n<h2>\n<div id=\"h5p-14\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-14\" class=\"h5p-iframe\" data-content-id=\"14\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Nominalization\"><\/iframe><\/div>\n<\/div>\n<\/h2>\n<p>&nbsp;<\/p>\n<div id=\"mcleanbuseng-ch01_s03_s03_n03\" class=\"im_callout im_block\">\n<h2>Parallelism (or parallel structure)<\/h2>\n<p>When constructing sentences, all parts need to work in parallel.<\/p>\n<p>To understand parallel structure, let&#8217;s first look at an example of <em>faulty parallelism<\/em>.<\/p>\n<p style=\"padding-left: 40px\">We need to buy apples, oranges, and I love bananas most.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>Reading that quickly or even reading it aloud, you might not immediately notice the problem. However, if we break this sentence into three, the problem becomes clear immediately:<\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>We need to buy apples. (Good)<\/li>\n<li>We need to buy oranges. (Good)<\/li>\n<li><span style=\"color: #ff0000\">We need to buy I love bananas most. (Problem)<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>That last example clearly doesn&#8217;t work; it should read &#8220;We need to buy bananas&#8221; or &#8220;We need to buy bananas, which I love most.&#8221;<\/p>\n<p>Good sentence structure demands that all parts in a sentence (often in a list) work together in parallel structure.<\/p>\n<p>Here&#8217;s an example of parallel structure working in a bullet list:<\/p>\n<p style=\"padding-left: 40px\">The engineer has identified four causes of the mechanical breakdown:<\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>\n<li>low-quality materials,<\/li>\n<li>infrequent maintenance,<\/li>\n<li>inadequate lubrication, and<\/li>\n<li>heat stress.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>That bullet list works in parallel. The way to check is to lead into each bullet list with text that would make each line a complete sentence. Watch how:<\/p>\n<p style=\"padding-left: 40px\">The problem was low-quality materials. (Good)<\/p>\n<p style=\"padding-left: 40px\">The problem was infrequent maintenance. (Good)<\/p>\n<p style=\"padding-left: 40px\">The problem was inadequate lubrication. (Good)<\/p>\n<p style=\"padding-left: 40px\">The problem was heat stress. (Good)<\/p>\n<p>All four of those sentences begin with the same three words, followed by the text from one line in the bullet list. This proves you have parallel structure in your bullet list.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"h5p-13\">\n<div class=\"h5p-iframe-wrapper\"><iframe id=\"h5p-iframe-13\" class=\"h5p-iframe\" data-content-id=\"13\" style=\"height:1px\" src=\"about:blank\" frameBorder=\"0\" scrolling=\"no\" title=\"Parallelism\"><\/iframe><\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"entry-content\">\n<div id=\"mcleanbuseng-ch01_s03_s03\" class=\"im_section\">\n<div class=\"textbox textbox--key-takeaways\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">Key Takeaways<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<div id=\"mcleanbuseng-ch01_s03_s03_n04\" class=\"im_key_takeaways im_editable im_block\">\n<ul id=\"mcleanbuseng-ch01_s03_s03_l01\" class=\"im_itemizedlist\">\n<li><strong><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_252\">Verb tense<\/a><\/strong> helps you express when an event takes place.<\/li>\n<li>Maintaining consistency among <strong>verb tenses<\/strong>\u00a0 in your writing will ensure your communication is clear. While there are 12 different tenses in English, the three you will be using the most are <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_249\">simple present<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_248\">simple past<\/a>, and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_165\">simple future<\/a>.<\/li>\n<li>A more direct style of writing is almost always preferable. Therefore, it is often to best to avoid the <strong><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_198\">passive voice<\/a><\/strong> and <strong><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_40_185\">nominalizations<\/a><\/strong>.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"entry-content\"><\/div>\n<h1>References<\/h1>\n<p class=\"hanging-indent\">Grammarly. (2021, January 14).\u00a0<em>Verb tenses<\/em>. <a href=\"https:\/\/www.grammarly.com\/blog\/verb-tenses\/\">https:\/\/www.grammarly.com\/blog\/verb-tenses\/<\/a><\/p>\n<h1>Attributions<\/h1>\n<p>This chapter was adapted from <a href=\"https:\/\/openpress.usask.ca\/rcm200\" rel=\"cc:attributionURL\">Effective Professional Communication: A Rhetorical Approach<\/a> by Rebekah Bennetch, Corey Owen, and Zachary Keesey, which is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/4.0\/\" rel=\"license\">Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License<\/a>, except where otherwise noted.<\/p>\n<p>Bennetch, Owen, and Keesey adapted their chapter <span style=\"text-align: initial;font-size: 1em\">from <\/span>Business Communications for Fashion<span style=\"text-align: initial;font-size: 1em\"> by Anna Cappuccitti (on <\/span><a style=\"text-align: initial;font-size: 1em\" href=\"https:\/\/openpress.usask.ca\/\">openpress.usask.ca<\/a><span style=\"text-align: initial;font-size: 1em\">). It is licensed under a <\/span><a style=\"text-align: initial;font-size: 1em\" href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">Creative Commons Attribution-NonCommercial 4.0 International License<\/a><span style=\"text-align: initial;font-size: 1em\">.<\/span><\/p>\n<p>Bennetch, Owen, and Keesey adapted their chapter also adapted their chapter from Business Communication for Success by the University of Minnesota (on <a href=\"https:\/\/www.lib.umn.edu\/services\/publishing\">University of Minnesota Libraries Publishing)<\/a>. It is licensed under a <a href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">Creative Commons Attribution-NonCommercial 4.0 International License<\/a><\/p>\n<div class=\"glossary\"><span class=\"screen-reader-text\" id=\"definition\">definition<\/span><template id=\"term_40_252\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_40_252\"><div tabindex=\"-1\"><p>grammatical ways of altering verbs to show when a person does something, or when something existed or happened<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_40_251\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_40_251\"><div tabindex=\"-1\"><p>a word that conveys the action or state of being in a sentence<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_40_198\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_40_198\"><div tabindex=\"-1\"><p>a sentence structure where the subject of a sentence receives an action instead of doing it<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_40_185\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_40_185\"><div tabindex=\"-1\"><p>an issue where the main action (a verb) is turned into a noun which overcomplicates the writing<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_40_249\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_40_249\"><div tabindex=\"-1\"><p>a verb tense that is used show an action is happening right now or that it happens regularly<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_40_248\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_40_248\"><div tabindex=\"-1\"><p>a verb tense that is used to talk about things that happened or existed before now<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_40_165\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_40_165\"><div tabindex=\"-1\"><p>a verb tense that is used to talk about things that haven't happened yet<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_40_166\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_40_166\"><div tabindex=\"-1\"><p>a sentence structure where the subject carries out the action<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_40_210\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_40_210\"><div tabindex=\"-1\"><p>the topic being discussed in a clause or sentence<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><\/div>","protected":false},"author":1660,"menu_order":5,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-40","chapter","type-chapter","status-publish","hentry"],"part":33,"_links":{"self":[{"href":"https:\/\/pressbooks.bccampus.ca\/communicating\/wp-json\/pressbooks\/v2\/chapters\/40","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.bccampus.ca\/communicating\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.bccampus.ca\/communicating\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/communicating\/wp-json\/wp\/v2\/users\/1660"}],"version-history":[{"count":19,"href":"https:\/\/pressbooks.bccampus.ca\/communicating\/wp-json\/pressbooks\/v2\/chapters\/40\/revisions"}],"predecessor-version":[{"id":1159,"href":"https:\/\/pressbooks.bccampus.ca\/communicating\/wp-json\/pressbooks\/v2\/chapters\/40\/revisions\/1159"}],"part":[{"href":"https:\/\/pressbooks.bccampus.ca\/communicating\/wp-json\/pressbooks\/v2\/parts\/33"}],"metadata":[{"href":"https:\/\/pressbooks.bccampus.ca\/communicating\/wp-json\/pressbooks\/v2\/chapters\/40\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.bccampus.ca\/communicating\/wp-json\/wp\/v2\/media?parent=40"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/communicating\/wp-json\/pressbooks\/v2\/chapter-type?post=40"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/communicating\/wp-json\/wp\/v2\/contributor?post=40"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/communicating\/wp-json\/wp\/v2\/license?post=40"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}