{"id":1034,"date":"2017-06-10T22:46:01","date_gmt":"2017-06-11T02:46:01","guid":{"rendered":"https:\/\/pressbooks.bccampus.ca\/designandproductionforpr\/chapter\/9-4-exercise-4-adding-an-adjustment-to-specific-layers\/"},"modified":"2020-09-27T16:36:08","modified_gmt":"2020-09-27T20:36:08","slug":"9-4-exercise-4-adding-an-adjustment-to-specific-layers","status":"publish","type":"chapter","link":"https:\/\/pressbooks.bccampus.ca\/designandproductionforpr\/chapter\/9-4-exercise-4-adding-an-adjustment-to-specific-layers\/","title":{"raw":"9.4 Exercise 4: Adding an adjustment to specific layers","rendered":"9.4 Exercise 4: Adding an adjustment to specific layers"},"content":{"raw":"In this exercise we want to add an Adjustment Layer to the top of the Layers Panel, in order to bring some variation in color into the composition.\n
    \n \t
  1. Make sure the top layer in your Layers Panel is your active layer. Add an adjustment layer for Hue\/Saturation and use the \u201cColorize\u201d button again to add a wash of orange. Notice that we\u2019ve encountered a problem here - this adjustment colorizes the entire document and overrides the cyan Hue\/Saturation layer we added previously. We want to retain those colors in our composition so we\u2019ll need to solve this problem.\n\n[caption id=\"attachment_1026\" align=\"alignnone\" width=\"692\"]\"Screen Oh no, we\u2019ve lost our cyan! Don\u2019t worry, there\u2019s a solution...[\/caption]<\/li>\n \t
  2. Fortunately, current versions of Photoshop\u00ae give us an easy solution. Our first step will be to group the layers that we want the Hue\/Saturation adjustment to colorize. To do this, click on the \u201cear\u201d layer to activate it, then hold down the SHFT key, and click on the last layer in the stacking order above the adjustment layer from Exercise 2. This will select all of the layers that make up our exquisite corpse.<\/li>\n \t
  3. Next, click on the Layers Panel Pull-Down Menu in the top right corner of the panel and choose \u201cCreate Group From Layers\u2026<\/strong>\u201d In the New Group From Layers dialog box, name the new group, \u201ccorpse.\u201d This will make a new folder in the Layers Panel for all of the body parts. Layer Groups are used to help keep the Photoshop\u00ae Layers Panel organized and work in a similar fashion as Illustrator\u00ae Layers in that they contain the layers that comprise different parts of a Photoshop\u00ae document.\n\n[caption id=\"attachment_401\" align=\"alignnone\" width=\"502\"]\"Screencapture With layers selected for grouping, choose \u201cCreate Group from Layers\u2026\u201d in the Layers Panel menu.[\/caption]\n\n[caption id=\"attachment_402\" align=\"alignnone\" width=\"567\"]\"Screencapture Creating a Group from our selected Layers.[\/caption]\n\nNotice there\u2019s a thin arrow to the left of the \u201ccorpse\u201d group\u2019s folder icon. Clicking that arrow will expand the group so that you can see the layers it contains. Expand your \u201ccorpse\u201d group so that your Layers Panel looks like ours in the second image below.\n\n[caption id=\"attachment_407\" align=\"alignnone\" width=\"490\"]\"Screencapture Clicking the arrow next to a Layer Group\u2019s folder icon will expand or collapse that Layer Group.[\/caption]<\/li>\n \t
  4. Now we come to the solution to our Hue\/Saturation conflict. Hold the ALT\/OPT key while moving your mouse pointer over the line between the top Hue\/Saturation adjustment layer and the \u201ccorpse\u201d layer group. You will see the cursor change to an icon that looks like a square next to a downward-pointing arrow.\n\n[caption id=\"attachment_408\" align=\"alignnone\" width=\"240\"]\"Screenshot Watch for this cursor as you move your mouse pointer between layers while holding the Alt\/Option key.[\/caption]\n\nWhen you see this cursor change, click the mouse button. This will create a clipping group between the adjustment layer and the merged layer. Now the adjustment layer will only affect the merged layer. The background images should appear cyan again.\n\n[caption id=\"attachment_409\" align=\"alignnone\" width=\"605\"]\"Screenshot Our result after clipping the \u201cHue\/Saturation 2\u201d Adjustment Layer into the \u201ccorpse\u201d Layer Group.[\/caption]<\/li>\n<\/ol>\n
      \n \t
    1. Make sure that the \u201ccorpse\u201d Layer Group is active, then use the Blending Mode Pull-Down Menu in the Layers Panel to set the group\u2019s mode to Linear Light and enter 50% for the Layer Opacity (to the right of the Blending Mode Pull-Down Menu). A decreased opacity enables the viewer to see through the a layer or layer group, and helps to blend it with the layers underneath. Sometimes these methods can create a murky image where the foreground and background are hard to decipher. Remember that every image communicates a message, so you\u2019ll want to be aware if certain blending modes or other techniques result in a loss of clarity in your composition.\n\n[caption id=\"attachment_410\" align=\"alignnone\" width=\"267\"]\"Screencapture Set the \u201ccorpse\u201d layer group\u2019s blend mode to Linear Light and set its Opacity to 50%[\/caption]<\/li>\n<\/ol>\nYou\u2019ve finished the exquisite corpse! Your result should resemble the image below. Save your work and take a break, you\u2019ve earned it!\n\n[caption id=\"attachment_411\" align=\"alignnone\" width=\"432\"]\"Resulting This image shows the result of Exercises 3 and 4.[\/caption]\n\n \n\n
      \n\n

      Attribution<\/h3>\n\"Digital Foundations - Intro to Media Design<\/a>\" by Xtine Burroughs<\/a> and Michael Mandiberg<\/a> is licensed under CC BY-NC-SA 3.0 <\/a>\/ This is a derivative from the original work<\/a>. Content is available under Creative Commons Attribution Non-Commercial Share Alike<\/a> unless otherwise noted.\n\n\"Creative","rendered":"

      In this exercise we want to add an Adjustment Layer to the top of the Layers Panel, in order to bring some variation in color into the composition.<\/p>\n

        \n
      1. Make sure the top layer in your Layers Panel is your active layer. Add an adjustment layer for Hue\/Saturation and use the \u201cColorize\u201d button again to add a wash of orange. Notice that we\u2019ve encountered a problem here – this adjustment colorizes the entire document and overrides the cyan Hue\/Saturation layer we added previously. We want to retain those colors in our composition so we\u2019ll need to solve this problem.
        \n
        \"Screen
        Oh no, we\u2019ve lost our cyan! Don\u2019t worry, there\u2019s a solution…<\/figcaption><\/figure>\n<\/li>\n
      2. Fortunately, current versions of Photoshop\u00ae give us an easy solution. Our first step will be to group the layers that we want the Hue\/Saturation adjustment to colorize. To do this, click on the \u201cear\u201d layer to activate it, then hold down the SHFT key, and click on the last layer in the stacking order above the adjustment layer from Exercise 2. This will select all of the layers that make up our exquisite corpse.<\/li>\n
      3. Next, click on the Layers Panel Pull-Down Menu in the top right corner of the panel and choose \u201cCreate Group From Layers\u2026<\/strong>\u201d In the New Group From Layers dialog box, name the new group, \u201ccorpse.\u201d This will make a new folder in the Layers Panel for all of the body parts. Layer Groups are used to help keep the Photoshop\u00ae Layers Panel organized and work in a similar fashion as Illustrator\u00ae Layers in that they contain the layers that comprise different parts of a Photoshop\u00ae document.
        \n
        \"Screencapture
        With layers selected for grouping, choose \u201cCreate Group from Layers\u2026\u201d in the Layers Panel menu.<\/figcaption><\/figure>\n
        \"Screencapture
        Creating a Group from our selected Layers.<\/figcaption><\/figure>\n

        Notice there\u2019s a thin arrow to the left of the \u201ccorpse\u201d group\u2019s folder icon. Clicking that arrow will expand the group so that you can see the layers it contains. Expand your \u201ccorpse\u201d group so that your Layers Panel looks like ours in the second image below.<\/p>\n

        \"Screencapture
        Clicking the arrow next to a Layer Group\u2019s folder icon will expand or collapse that Layer Group.<\/figcaption><\/figure>\n<\/li>\n
      4. Now we come to the solution to our Hue\/Saturation conflict. Hold the ALT\/OPT key while moving your mouse pointer over the line between the top Hue\/Saturation adjustment layer and the \u201ccorpse\u201d layer group. You will see the cursor change to an icon that looks like a square next to a downward-pointing arrow.
        \n
        \"Screenshot
        Watch for this cursor as you move your mouse pointer between layers while holding the Alt\/Option key.<\/figcaption><\/figure>\n

        When you see this cursor change, click the mouse button. This will create a clipping group between the adjustment layer and the merged layer. Now the adjustment layer will only affect the merged layer. The background images should appear cyan again.<\/p>\n

        \"Screenshot
        Our result after clipping the \u201cHue\/Saturation 2\u201d Adjustment Layer into the \u201ccorpse\u201d Layer Group.<\/figcaption><\/figure>\n<\/li>\n<\/ol>\n
          \n
        1. Make sure that the \u201ccorpse\u201d Layer Group is active, then use the Blending Mode Pull-Down Menu in the Layers Panel to set the group\u2019s mode to Linear Light and enter 50% for the Layer Opacity (to the right of the Blending Mode Pull-Down Menu). A decreased opacity enables the viewer to see through the a layer or layer group, and helps to blend it with the layers underneath. Sometimes these methods can create a murky image where the foreground and background are hard to decipher. Remember that every image communicates a message, so you\u2019ll want to be aware if certain blending modes or other techniques result in a loss of clarity in your composition.
          \n
          \"Screencapture
          Set the \u201ccorpse\u201d layer group\u2019s blend mode to Linear Light and set its Opacity to 50%<\/figcaption><\/figure>\n<\/li>\n<\/ol>\n

          You\u2019ve finished the exquisite corpse! Your result should resemble the image below. Save your work and take a break, you\u2019ve earned it!<\/p>\n

          \"Resulting
          This image shows the result of Exercises 3 and 4.<\/figcaption><\/figure>\n

           <\/p>\n

          \n

          Attribution<\/h3>\n

          “Digital Foundations – Intro to Media Design<\/a>” by Xtine Burroughs<\/a> and Michael Mandiberg<\/a> is licensed under CC BY-NC-SA 3.0 <\/a>\/ This is a derivative from the original work<\/a>. Content is available under Creative Commons Attribution Non-Commercial Share Alike<\/a> unless otherwise noted.<\/p>\n

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