{"id":1000,"date":"2017-06-10T05:02:16","date_gmt":"2017-06-10T09:02:16","guid":{"rendered":"https:\/\/pressbooks.bccampus.ca\/designandproductionforpr\/part\/chapter-9-layering-and-collage\/"},"modified":"2020-09-02T15:24:07","modified_gmt":"2020-09-02T19:24:07","slug":"chapter-9-layering-and-collage","status":"publish","type":"part","link":"https:\/\/pressbooks.bccampus.ca\/designandproductionforpr\/part\/chapter-9-layering-and-collage\/","title":{"raw":"ACC Chapter 9: Layering and Collage","rendered":"ACC Chapter 9: Layering and Collage"},"content":{"raw":"
\r\n

Download Materials for Chapter 9<\/h2>\r\nClick here to download chapter 9 work files<\/a>\r\n\r\nYou will need the chapter 9 work files to complete this chapter\u2019s exercises.\r\n\r\n<\/div>\r\nIn the middle of the 1800s, Hippolyte Bayard was one of the earliest photographers to create a combination print, where two separate images are juxtaposed in a single photographic print.\r\n\r\n[caption id=\"attachment_998\" align=\"alignnone\" width=\"400\"]\"\" Self Portrait as a Drowned Man<\/cite>, 1840, Hippolyte Bayard, Combination Print.[\/caption]\r\n\r\nFollowing Bayard\u2019s experiments, there are many combination prints and double exposures that were made as photographic prints throughout the Victorian Era.\r\n\r\nIn the 1920s, Dada and Constructivist artists cut and pasted found photographs, their own imagery, and various printed elements together to form an \u201canti-aesthetic\u201d collage that challenged the viewer to decipher multiple messages within the final composition. El Lissitzky\u2019s The Constructor<\/em> (seen below) is an example of this type of work. Lissitzky\u2019s self portrait combines his own head with fragments of machinery along with a hand that is interpreted as \u201cTHE HAND OF GOD\u201d passing over his face.\r\n\r\n[caption id=\"attachment_998\" align=\"alignnone\" width=\"400\"]\"The The Constructor<\/cite>, 1925, El Lissitzky, Self Portrait Photomontage.[\/caption]\r\n\r\nThese two images employ different methods of artistic production. The combination print was made during the photographic printing process, while the photomontage combines various printed materials (in this case with adhesive). The photomontage may have been re-photographed, such that the final print appears seamless. Today tools like Photoshop allow for a less complicated process when combining multiple images.","rendered":"
\n

Download Materials for Chapter 9<\/h2>\n

Click here to download chapter 9 work files<\/a><\/p>\n

You will need the chapter 9 work files to complete this chapter\u2019s exercises.<\/p>\n<\/div>\n

In the middle of the 1800s, Hippolyte Bayard was one of the earliest photographers to create a combination print, where two separate images are juxtaposed in a single photographic print.<\/p>\n

\"\"
Self Portrait as a Drowned Man<\/cite>, 1840, Hippolyte Bayard, Combination Print.<\/figcaption><\/figure>\n

Following Bayard\u2019s experiments, there are many combination prints and double exposures that were made as photographic prints throughout the Victorian Era.<\/p>\n

In the 1920s, Dada and Constructivist artists cut and pasted found photographs, their own imagery, and various printed elements together to form an \u201canti-aesthetic\u201d collage that challenged the viewer to decipher multiple messages within the final composition. El Lissitzky\u2019s The Constructor<\/em> (seen below) is an example of this type of work. Lissitzky\u2019s self portrait combines his own head with fragments of machinery along with a hand that is interpreted as \u201cTHE HAND OF GOD\u201d passing over his face.<\/p>\n

\"The
The Constructor<\/cite>, 1925, El Lissitzky, Self Portrait Photomontage.<\/figcaption><\/figure>\n

These two images employ different methods of artistic production. The combination print was made during the photographic printing process, while the photomontage combines various printed materials (in this case with adhesive). The photomontage may have been re-photographed, such that the final print appears seamless. Today tools like Photoshop allow for a less complicated process when combining multiple images.<\/p>\n","protected":false},"parent":0,"menu_order":13,"template":"","meta":{"pb_part_invisible":false,"pb_part_invisible_string":""},"contributor":[],"license":[],"class_list":["post-1000","part","type-part","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pressbooks.bccampus.ca\/designandproductionforpr\/wp-json\/pressbooks\/v2\/parts\/1000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.bccampus.ca\/designandproductionforpr\/wp-json\/pressbooks\/v2\/parts"}],"about":[{"href":"https:\/\/pressbooks.bccampus.ca\/designandproductionforpr\/wp-json\/wp\/v2\/types\/part"}],"version-history":[{"count":3,"href":"https:\/\/pressbooks.bccampus.ca\/designandproductionforpr\/wp-json\/pressbooks\/v2\/parts\/1000\/revisions"}],"predecessor-version":[{"id":1391,"href":"https:\/\/pressbooks.bccampus.ca\/designandproductionforpr\/wp-json\/pressbooks\/v2\/parts\/1000\/revisions\/1391"}],"wp:attachment":[{"href":"https:\/\/pressbooks.bccampus.ca\/designandproductionforpr\/wp-json\/wp\/v2\/media?parent=1000"}],"wp:term":[{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/designandproductionforpr\/wp-json\/wp\/v2\/contributor?post=1000"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/designandproductionforpr\/wp-json\/wp\/v2\/license?post=1000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}