{"id":45,"date":"2020-09-22T15:00:36","date_gmt":"2020-09-22T19:00:36","guid":{"rendered":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/?post_type=chapter&#038;p=45"},"modified":"2025-11-05T11:31:31","modified_gmt":"2025-11-05T16:31:31","slug":"dionysus","status":"publish","type":"chapter","link":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus\/","title":{"raw":"Dionysus","rendered":"Dionysus"},"content":{"raw":"[caption id=\"attachment_964\" align=\"alignnone\" width=\"1542\"]<img class=\"size-full wp-image-964\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Exekias_Dionysos_Staatliche_Antikensammlungen_2044.jpg\" alt=\"Dionysus sits on a small sailing boat, vines spiraling up around the mast. Dolphins swim around the boat.\" width=\"1542\" height=\"1725\" \/> Dionysus sailing to Naxos, black-figure kylix, ca. 530 BCE (Staatliche Antikensammlungen, Munich)[\/caption]\r\n\r\n<hr \/>\r\n\r\n<h1><a id=\"origins\"><\/a>Origins<\/h1>\r\n<div class=\"textbox textbox--examples\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">Sections &amp; Primary Sources<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n\r\n<a href=\"#semele\">Zeus and Semele<\/a>\r\n\r\n<a href=\"#birthplace\">Birthplace<\/a>\r\n<ul>\r\n \t<li><a href=\"#hh1\">\"Homeric Hymn 1 To Dionysus\"<\/a><\/li>\r\n \t<li><a href=\"#hh26\">\"Homeric Hymn 26 To Dionysus\"<\/a><\/li>\r\n<\/ul>\r\n<a href=\"#allegory\">Dionysus as Allegory<\/a>\r\n<ul>\r\n \t<li><a href=\"#fulgentius\">Fulgentius,\u00a0<em>Mythologies<\/em>, 2.12<\/a><\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<h2><a id=\"semele\"><\/a>Zeus and Semele<\/h2>\r\n<p style=\"text-align: justify\">Dionysus was a son of Zeus and one of the twelve Olympians. According to the Greek mythological tradition, he was created by the sexual union of Zeus and the mortal woman Semele who was the daughter of Cadmus, king of Thebes. When Hera learned that Semele was pregnant with Zeus' child, out of jealousy she disguised herself as Semele's nurse and convinced her to make a demand of Zeus: she should make him promise to grant her any favour she might ask, and then she should ask him to appear to her as he did to his wife. Semele did so and Zeus complied. But when Zeus appeared to Semele in his true form, as the god of lightening and thunder, mortal Semele was not able to withstand his power and was burned up. As Semele was burning, Hermes rescued the unborn baby from her womb and sewed the child up in Zeus' thigh. When he was ready to be born, Dionysus emerged from his father's thigh.<\/p>\r\n<p style=\"text-align: justify\">Where the ancient god Dionysus came from, historically speaking, is hard to say. His name appears in a Mycenaean inscription from around 1200-1000 BCE. The myths about him also suggest that he came from east of mainland Greece, from Thrace, or from Asia minor (modern-day Turkey).<\/p>\r\n<p style=\"text-align: justify\">Dionysus, whose Roman name is Bacchus, was associated with wine, revelry, wildness, and ecstasy. His followers were called \"Maenads\" or \"Bacchae\": women who, possessed by the god, had left their homes and domestic duties to dance wildly in the mountains and glens. They would strip off their clothes, unbind their hair, and kill wild animals with their bare hands.<\/p>\r\n\r\n<h2><a id=\"birthplace\"><\/a>Birthplace<\/h2>\r\n<div class=\"textbox shaded\">\r\n<h3><a id=\"hh1\"><\/a>\"Homeric Hymn 1 To Dionysus\" (trans. H. G. Evelyn White, adapted by L. Zhang and P. Rogak)<\/h3>\r\n<h4>Greek hymn, 7th century BCE<\/h4>\r\n<div class=\"textbox\">In this text, the author says that Dionysus was born a reared on the mythological Mount Nysa, which they here place in Egypt. Other accounts place Mount Nysa in Ethiopia, Arabia, Lydia, India, and several other places.<\/div>\r\n&nbsp;\r\n\r\n[1] ((lacuna))[footnote]Indicates a gap or missing segment in the text.[\/footnote] . . . For some say that pregnant [pb_glossary id=\"908\"]Semele[\/pb_glossary] bore you to [pb_glossary id=\"172\"]Zeus[\/pb_glossary] the thunder-lover at Dracanum; and some, on windy Icarus; and some, in Naxos, O Heaven-born, Insewn; and others by the deep-flowing river Alpheus. And others yet, lord, say you were born in [pb_glossary id=\"4675\"]Thebes[\/pb_glossary]; but all these people lie. The Father of men and gods [ [pb_glossary id=\"172\"]Zeus[\/pb_glossary] ] gave birth to you far from men and secretly from white-armed [pb_glossary id=\"185\"]Hera[\/pb_glossary]. There is a certain [pb_glossary id=\"607\"]Nysa[\/pb_glossary], a tall mountain covered by a thick forest, far off in Phoenice, near the streams of Aegyptus. ((lacuna)) . . .\r\n\r\n[10] [ [pb_glossary id=\"172\"]Zeus[\/pb_glossary] speaking:] \" . . . and men will present her many offerings in her shrines. And as these things are three, so shall mortals ever sacrifice perfect [pb_glossary id=\"1204\"]hecatombs[\/pb_glossary] to you at your feasts every three years.\"\r\n\r\nThe Son of [pb_glossary id=\"169\"]Cronus[\/pb_glossary] spoke and nodded with his dark brows. And the divine locks of the king flowed forward from his immortal head, and he made great [pb_glossary id=\"628\"]Olympus[\/pb_glossary] shake. So spoke wise [pb_glossary id=\"172\"]Zeus[\/pb_glossary] and confirmed it with a nod.\r\n\r\n[17] Be favourable, O Insewn, Inspirer of frenzied women [ [pb_glossary id=\"887\"]maenads[\/pb_glossary] ]! We singers sing of you as we begin and as we end a verse, and none may call a holy song to mind if they forget you. And so, farewell, Dionysus, Insewn, with your mother [pb_glossary id=\"908\"]Semele[\/pb_glossary] whom men call [pb_glossary id=\"908']Thyone[\/pb_glossary].\r\n\r\n&nbsp;\r\n\r\nTaken from: <a href=\"https:\/\/www.theoi.com\/Text\/HomericHymns1.html\">https:\/\/www.theoi.com\/Text\/HomericHymns1.html<\/a>\r\n\r\n<\/div>\r\n&nbsp;\r\n<div class=\"textbox shaded\">\r\n<h3><a id=\"hh26\"><\/a>\"Homeric Hymn 26 To Dionysus\" (trans. H. G. Evelyn-White, adapted by L. Zhang and P. Rogak)<\/h3>\r\n<h4>Greek hymn, 7th century BCE<\/h4>\r\n<div class=\"textbox\">This hymn also places the birth of Dionysus at Nysa, but does not specify where Mount Nysa is located.<\/div>\r\n&nbsp;\r\n\r\n[1] I begin to sing of ivy-crowned Dionysus, the loud-crying god, splendid son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] and glorious [pb_glossary id=\"908\"]Semele[\/pb_glossary]. The rich-haired [pb_glossary id=\"217\"]nymphs[\/pb_glossary] received him in their bosoms from the lord his father and fostered and nurtured him carefully in the valleys of [pb_glossary id=\"607\"]Nysa[\/pb_glossary], where by the will of his father he grew up in a sweet-smelling cave, being regarded as one of the immortals. But after the goddesses had raised him, a god for whom hymns were often sung, he began to wander continually through the woody valleys, thickly wreathed with ivy and laurel. And the [pb_glossary id=\"217\"]nymphs[\/pb_glossary] followed in his train with him as their leader; and the boundless forest was filled with their outcry. And so hail to you, Dionysus, god of abundant clusters [of grapes]! Grant that we may come again rejoicing to this season, and from that season onwards for many years.\r\n\r\n&nbsp;\r\n\r\nTaken from: <a href=\"https:\/\/www.theoi.com\/Text\/HomericHymns3.html#26\">https:\/\/www.theoi.com\/Text\/HomericHymns3.html#26<\/a>\r\n\r\n<\/div>\r\n<h2><a id=\"allegory\"><\/a>Dionysus as Allegory<\/h2>\r\n<div class=\"textbox shaded\">\r\n<h3><a id=\"fulgentius\"><\/a>Fulgentius,\u00a0<em>Mythologies,\u00a0<\/em>Book 2 (trans. L. G. Whitbread, adapted by L. Zhang and P. Rogak)<\/h3>\r\n<h4>Latin mythography, ca. 500 CE<\/h4>\r\n<div class=\"textbox\">About 1,100 years after the Homeric Hymns to Dionysus were written, Fulgentius, a Latin mythographer from the 6th century CE, wrote this <em>allegorical\u00a0<\/em>account of the origins of Dionysus. He associated Dionysus' mother, Semele, and her three sisters, Ino, Autonoe, Semele, and Agave, with four different stages of intoxication. This passage also displays elements of environmental racism, which the geographical and topographical features of where a group of people lives is used to explain their (often negative) characteristics.<\/div>\r\n&nbsp;\r\n\r\n[2.12] [pb_glossary id=\"172\"]Jove[\/pb_glossary] slept with [pb_glossary id=\"908\"]Semele[\/pb_glossary], by whom Father [pb_glossary id=\"371\"]Liber[\/pb_glossary] was born; he roared as he came against her with his thunderbolt; and so the father, carrying off the boy, placed him in his own thigh and later gave him to Maro for nursing. There were four sisters named, including [pb_glossary id=\"908\"]Semele[\/pb_glossary]:\u00a0[pb_glossary id=\"931\"]Ino[\/pb_glossary], [pb_glossary id=\"933\"]Autonoe[\/pb_glossary], [pb_glossary id=\"908\"]Semele[\/pb_glossary], and [pb_glossary id=\"932\"]Agave[\/pb_glossary]. Let us investigate what this fable symbolizes. There are four stages of intoxication \u2013 that is, first, excess of wine; second, forgetting things; third, lust; fourth, madness \u2013 from which these four received the name of [pb_glossary id=\"887\"]Bacchae[\/pb_glossary]: the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary] are so called for their raging (<em>baccantes<\/em>) with wine. First is [pb_glossary id=\"931\"]Ino[\/pb_glossary], for <em>inos<\/em>, the Greek word we have for wine; second, [pb_glossary id=\"933\"]Autonoe[\/pb_glossary] for <em>autenunoe<\/em>, that is, ignorant of herself; third, [pb_glossary id=\"908\"]Semele[\/pb_glossary], for <em>somalion<\/em>, which in Latin we call the released body, where she is said to have born Father [pb_glossary id=\"371\"]Liber[\/pb_glossary], that is, intoxication born of lust; fourth, [pb_glossary id=\"932\"]Agave[\/pb_glossary], who is comparable to insanity because in her violence she cut off her son\u2019s head. Thus he is called Father [pb_glossary id=\"371\"]Liber[\/pb_glossary] because the rage of wine frees men\u2019s minds; he is said to have conquered the people of India [of the Indus River Valley] because that race is certainly given to wine, in two respects: one, that the fierce heat of the sun makes them drinkers, the other that in that part of the world there is wine like that of Falernum or Mero\u00eb, in which there is such strength that even a confirmed drunkard will hardly drink a pint in a whole month; and so Lucan says: \u201cFalernian, to which add Mero\u00eb, forcing its stubborn nature to ferment,\u201d for it cannot be in any way weakened by water. For nursing Dionysus was handed over to Maro, a form of Mero, for by <em>merum<\/em> is sustained all intoxication. He is also said to ride on tigers, because all intoxication goes with savageness; and minds affected by wine are softened, from which he is also called Lyaeus, distinguished for softness. Dionysus is depicted as a youth, because drunkenness is never mature; and he is shown as naked, either because every wine-drinker becomes exposed to robbery or because the drunkard lays bare the secrets of his mind.\r\n\r\n&nbsp;\r\n\r\nTaken from: <a href=\"https:\/\/www.theoi.com\/Text\/FulgentiusMythologies2.html#12\">https:\/\/www.theoi.com\/Text\/FulgentiusMythologies2.html#12<\/a>\r\n\r\n&nbsp;\r\n\r\n<\/div>\r\n&nbsp;\r\n\r\n<hr \/>\r\n\r\n<h1><a id=\"dionysusinaction\"><\/a>Dionysus in Action<\/h1>\r\n<div class=\"textbox textbox--examples\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">Sections &amp; Primary Sources<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n\r\n<a href=\"#houseofcadmus\">The Destruction of the House of Cadmus<\/a>\r\n<ul>\r\n \t<li><a href=\"#apollodorus\">Pseudo-Apollodorus,\u00a0<em>Bibliotheca<\/em>, 3.4.1-3.5.4<\/a><\/li>\r\n<\/ul>\r\n<a href=\"#tyrrhenianpirates\">Dionysus and the Tyrrhenian Pirates<\/a>\r\n<ul>\r\n \t<li><a href=\"#hh7\">\"Homeric Hymn 7 To Dionysus\"<\/a><\/li>\r\n<\/ul>\r\n<a href=\"#cybele\">Dionysus and Cybele<\/a>\r\n<ul>\r\n \t<li><a href=\"#catullus\">Catullus,\u00a0<em>Poems\u00a0<\/em>63, \"Of Berecynthia and Attis\"<\/a><\/li>\r\n<\/ul>\r\n<a href=\"#bacchusandliber\">Bacchus and Liber<\/a>\r\n<ul>\r\n \t<li><a href=\"#horaceodes\">Horace,\u00a0<em>Odes<\/em>, 2.19<\/a><\/li>\r\n<\/ul>\r\n<a href=\"#bacchae\">The\u00a0<em>Bacchae<\/em><\/a>\r\n<ul>\r\n \t<li><a href=\"#Bacchae\">Euripides,<em> Bacchae<\/em><\/a><\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n&nbsp;\r\n<h2><a id=\"houseofcadmus\"><\/a>The Destruction of the House of Cadmus<\/h2>\r\n<p style=\"text-align: justify\">When Dionysus was born, Hermes spirited the child away to live with his mortal aunt Ino (one of his mother's sisters). Ino and her husband Athamas raised Dionysus as a girl to try to hide him from Hera's jealous wrath, but Hera was not fooled, and caused Ino to go mad. Ino's madness, along with Semele's demise, and other events, signaled the destruction of the house of Cadmus, the tragic dynasty of Thebes.<\/p>\r\n&nbsp;\r\n<div class=\"textbox shaded\">\r\n<h3><a id=\"apollodorus\"><\/a>Pseudo-Apollodorus,\u00a0<em>Bibliotheca,<\/em> Book 3 (trans. J. G. Frazer, adapted by L. Zhang)<\/h3>\r\n<h4>Greek mythography, 2nd century BCE<\/h4>\r\n<h5>[content warning for the following source: graphic descriptions of death, suicide (3.4.3), ableist language]<\/h5>\r\n<div class=\"textbox shaded\">The <em>Bibliotheca<\/em>, from the 2nd century Greek mythographer pseudo-Apollodorus, chronicles the destruction of the four daughters of Cadmus, king of Thebes, and their sons (the mother, aunts, and cousins of Dionysus).<\/div>\r\n&nbsp;\r\n\r\n[3.4.1] When [pb_glossary id=\"1728\"]Telephassa[\/pb_glossary] died, [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] buried her, and after being hospitably received by the Thracians he came to [pb_glossary id=\"945\"]Delphi[\/pb_glossary] to inquire about [pb_glossary id=\"1423\"]Europa[\/pb_glossary]. The god told him not to worry about [pb_glossary id=\"1423\"]Europa[\/pb_glossary], but to be guided by a cow, and to found a city wherever she should fall down for weariness. After receiving such an oracle he journeyed through Phocis; then falling in with a cow among the herds of Pelagon, he followed it behind. And after traversing Boeotia, it sank down where is now the city of [pb_glossary id=\"4675\"]Thebes[\/pb_glossary]. Wishing to sacrifice the cow to [pb_glossary id=\"173\"]Athena[\/pb_glossary], he sent some of his companions to draw water from the spring of [pb_glossary id=\"179\"]Ares[\/pb_glossary]. But a dragon, which some said was the offspring of [pb_glossary id=\"179\"]Ares[\/pb_glossary], guarded the spring and destroyed most of those that were sent. In his indignation [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] killed the dragon, and by the advice of [pb_glossary id=\"173\"]Athena[\/pb_glossary] sowed its teeth. When they were sown there rose from the ground armed men whom they called [pb_glossary id=\"1830\"]Sparti[\/pb_glossary].\u00a0These slew each other, some in a chance brawl, and some in ignorance. But Pherecydes says that when [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] saw armed men growing up out of the ground, he flung stones at them, and they, supposing that they were being pelted by each other, came to blows. However, five of them survived, Echion, Udaeus, Chthonius, Hyperenor, and Pelorus.\r\n\r\n[3.4.2] But [pb_glossary id=\"910\"]Cadmus[\/pb_glossary], to atone for the slaughter, served [pb_glossary id=\"179\"]Ares[\/pb_glossary] for an eternal year; and the year was then equivalent to eight years of our calendar.\r\n\r\nAfter his servitude, [pb_glossary id=\"173\"]Athena[\/pb_glossary] procured for him the kingdom, and [pb_glossary id=\"172\"]Zeus[\/pb_glossary] gave to him [pb_glossary id=\"958\"]Harmonia[\/pb_glossary] as wife, daughter of [pb_glossary id=\"882\"]Aphrodite[\/pb_glossary] and [pb_glossary id=\"179\"]Ares[\/pb_glossary]. And all the gods left the sky, and feasting in the Cadmea celebrated the marriage with hymns. [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] gave her a robe and the necklace wrought by [pb_glossary id=\"356\"]Hephaestus[\/pb_glossary], which some say was given to [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] by [pb_glossary id=\"356\"]Hephaestus[\/pb_glossary], but Pherecydes says that it was given by [pb_glossary id=\"1423\"]Europa[\/pb_glossary], who had received it from [pb_glossary id=\"172\"]Zeus[\/pb_glossary]. And to [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] were born daughters, [pb_glossary id=\"933\"]Autonoe[\/pb_glossary], [pb_glossary id=\"931\"]Ino[\/pb_glossary], [pb_glossary id=\"908\"]Semele[\/pb_glossary], [pb_glossary id=\"932\"]Agave[\/pb_glossary], and a son, Polydorus. [pb_glossary id=\"931\"]Ino[\/pb_glossary] was married to [pb_glossary id=\"1955\"]Athamas[\/pb_glossary], [pb_glossary id=\"933\"]Autonoe[\/pb_glossary] to [pb_glossary id=\"959\"]Aristaeus[\/pb_glossary], and [pb_glossary id=\"932\"]Agave[\/pb_glossary] to Echion.\r\n\r\n[3.4.3] But [pb_glossary id=\"172\"]Zeus[\/pb_glossary] loved [pb_glossary id=\"908\"]Semele[\/pb_glossary] and slept with her, unknown to [pb_glossary id=\"185\"]Hera[\/pb_glossary]. Now [pb_glossary id=\"172\"]Zeus[\/pb_glossary] had agreed to do for her whatever she asked, and deceived by [pb_glossary id=\"185\"]Hera[\/pb_glossary] she asked him to come to her as he came when he was wooing [pb_glossary id=\"185\"]Hera[\/pb_glossary]. Unable to refuse, [pb_glossary id=\"172\"]Zeus[\/pb_glossary] came to her bridal chamber in a chariot, with lightnings and thunderings, and launched a thunderbolt. But [pb_glossary id=\"908\"]Semele[\/pb_glossary] died of fright, and [pb_glossary id=\"172\"]Zeus[\/pb_glossary], snatching the sixth-month abortive child from the fire, sewed it into his own thigh. Upon the death of [pb_glossary id=\"908\"]Semele[\/pb_glossary], the other daughters of [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] spread a rumour that [pb_glossary id=\"908\"]Semele[\/pb_glossary] had slept with a mortal man, and had falsely accused [pb_glossary id=\"172\"]Zeus[\/pb_glossary], and that therefore she had been blasted by thunder. But, at the proper time, [pb_glossary id=\"172\"]Zeus[\/pb_glossary] undid the stitches and gave birth to Dionysus, and entrusted him to [pb_glossary id=\"210\"]Hermes[\/pb_glossary]. And he conveyed him to [pb_glossary id=\"931\"]Ino[\/pb_glossary] and [pb_glossary id=\"1955\"]Athamas[\/pb_glossary], and persuaded them to raise him as a girl. But [pb_glossary id=\"185\"]Hera[\/pb_glossary] indignantly drove them mad, and [pb_glossary id=\"1955\"]Athamas[\/pb_glossary] hunted his elder son Learchus as a deer and killed him, and [pb_glossary id=\"931\"]Ino[\/pb_glossary] threw [pb_glossary id=\"333\"]Melicertes[\/pb_glossary] into a boiling cauldron, then carrying it with the dead child she jumped into the sea. And she herself is called [pb_glossary id=\"931\"]Leucothea[\/pb_glossary], and the boy is called [pb_glossary id=\"333\"]Palaemon[\/pb_glossary], such being the names they get from sailors; for they assist storm-tossed mariners. And the Isthmian games were instituted by [pb_glossary id=\"1213\"]Sisyphus[\/pb_glossary] in honour of [pb_glossary id=\"333\"]Melicertes[\/pb_glossary]. But [pb_glossary id=\"172\"]Zeus[\/pb_glossary] escaped the wrath of [pb_glossary id=\"185\"]Hera[\/pb_glossary] by turning Dionysus into a goat kid, and [pb_glossary id=\"210\"]Hermes[\/pb_glossary] took him and brought him to the [pb_glossary id=\"217\"]nymphs[\/pb_glossary] who dwelt at [pb_glossary id=\"607\"]Nysa[\/pb_glossary] in Asia, whom [pb_glossary id=\"172\"]Zeus[\/pb_glossary] afterwards changed into stars and named them the [pb_glossary id=\"4470\"]Hyades[\/pb_glossary].\r\n\r\n[3.4.4] [pb_glossary id=\"933\"]Autonoe[\/pb_glossary] and [pb_glossary id=\"959\"]Aristaeus[\/pb_glossary] had a son [pb_glossary id=\"934\"]Actaeon[\/pb_glossary], who was raised by [pb_glossary id=\"1416\"]Chiron[\/pb_glossary] to be a hunter and then afterwards was mauled on [pb_glossary id=\"918\"]Cithaeron[\/pb_glossary] by his own dogs. He perished in that way, according to Acusilaus, because [pb_glossary id=\"172\"]Zeus[\/pb_glossary] was angry at him for wooing [pb_glossary id=\"908\"]Semele[\/pb_glossary]; but according to the more general opinion, it was because he saw [pb_glossary id=\"180\"]Artemis[\/pb_glossary] bathing. And they say that the goddess at once transformed him into a deer, and drove mad the fifty dogs in his pack, which killed him unknowingly. [pb_glossary id=\"934\"]Actaeon[\/pb_glossary] being gone, the dogs sought their master howling sadly, and in their search they came to the cave of [pb_glossary id=\"1416\"]Chiron[\/pb_glossary], who made a statue of [pb_glossary id=\"934\"]Actaeon[\/pb_glossary], which soothed their grief.\r\n\r\n[The names of [pb_glossary id=\"934\"]Actaeon[\/pb_glossary]'s dogs from the ((lacuna)) . . . So now surrounding his fair body, as if it were that of a beast, the strong dogs tore it. Near Arcena first ((lacuna)) . . . after her a mighty brood, Lynceus and Balius goodly-footed, and Amarynthus. -- And these he listed continuously by name. And then [pb_glossary id=\"934\"]Actaeon[\/pb_glossary] perished at the instigation of [pb_glossary id=\"172\"]Zeus[\/pb_glossary]. For the first that drank their master's black blood were Spartus and Omargus and Bores, the swift on the track. These first fed on [pb_glossary id=\"934\"]Actaeon[\/pb_glossary] and lapped his blood. And after them others rushed on him eagerly ((lacuna)) . . . to be a remedy for grievous pains to men.]\r\n\r\n[3.5.1] Dionysus discovered the vine, and being driven mad by [pb_glossary id=\"185\"]Hera[\/pb_glossary], he roamed about Egypt and Syria. At first he was received by [pb_glossary id=\"2368\"]Proteus[\/pb_glossary], king of Egypt, but afterwards he arrived at Cybela in Phrygia. And there, after he had been healed by [pb_glossary id=\"170\"]Rhea[\/pb_glossary] and learned the rites of initiation, he received from her the costume and hastened through Thrace against the Indians [of the Indus River Valley]. But [pb_glossary id=\"1633\"]Lycurgus[\/pb_glossary], son of Dryas, was king of the Edonians, who live beside the river Strymon, and he was the first who insulted and expelled him. Dionysus took refuge in the sea with [pb_glossary id=\"1551\"]Thetis[\/pb_glossary], daughter of [pb_glossary id=\"1431\"]Nereus[\/pb_glossary], and the [pb_glossary id=\"887\"]Maenads[\/pb_glossary] were taken prisoners together with the multitude of [pb_glossary id=\"372\"]Satyrs[\/pb_glossary] that attended him. But afterwards the [pb_glossary id=\"887\"]Maenads[\/pb_glossary] were suddenly released, and Dionysus drove [pb_glossary id=\"1633\"]Lycurgus[\/pb_glossary] mad. And in his madness he struck his son Dryas dead with an axe, imagining that he was curbing a branch of a vine, and when he had cut off his son's limbs, he recovered his senses. But the land remaining barren, the god declared through an oracle that it would bear fruit again if [pb_glossary id=\"1633\"]Lycurgus[\/pb_glossary] was put to death. On hearing that, the Edonians led him to Mount Pangaeum and bound him, and there by the will of Dionysus he died, destroyed by horses.\r\n\r\n[3.5.2] Having traversed Thrace and the whole of India and set up pillars there, he came to [pb_glossary id=\"4675\"]Thebes[\/pb_glossary], and forced the women to abandon their houses and rave in Bacchic frenzy on [pb_glossary id=\"918\"]Cithaeron[\/pb_glossary]. But [pb_glossary id=\"914\"]Pentheus[\/pb_glossary], whom [pb_glossary id=\"932\"]Agave[\/pb_glossary] bore to Echion, had succeeded [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] in the kingdom, and he attempted to put a stop to these proceedings. And coming to [pb_glossary id=\"918\"]Cithaeron[\/pb_glossary] to spy on the Maenads, he was torn limb from limb by his mother [pb_glossary id=\"932\"]Agave[\/pb_glossary] in a fit of madness; for she thought he was a wild beast. And having shown the Thebans that he was a god, Dionysus came to Argos, and there again, because they did not honour him, he drove the women mad, and they on the mountains devoured the flesh of the infants whom they carried at their breasts.\r\n\r\n[3.5.3] And, wishing to be ferried across from Icaria to Naxos, he hired a pirate ship of Tyrrhenians. But when they had put him on board, they sailed past Naxos and made for Asia, intending to sell him. However, he turned the mast and oars into snakes, and filled the vessel with ivy and the sound of flutes. And the pirates went mad, and leaped into the sea, and were turned into dolphins. Thus men understood that he was a god and honoured him; and having brought up his mother from [pb_glossary id=\"211\"]Hades[\/pb_glossary] and named her [pb_glossary id=\"908\"]Thyone[\/pb_glossary], he ascended up with her to heaven.\r\n\r\n[3.5.4] But [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] and [pb_glossary id=\"958\"]Harmonia[\/pb_glossary] left [pb_glossary id=\"4675\"]Thebes[\/pb_glossary] and went to the Encheleans. As the Encheleans were being attacked by the Illyrians, the god declared by an oracle that they would get the better of the Illyrians if they had [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] and [pb_glossary id=\"958\"]Harmonia[\/pb_glossary] as their leaders. They believed him, and made them their leaders against the Illyrians, and got the better of them. And [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] reigned over the Illyrians, and a son Illyrius was born to him. But afterwards he was, along with [pb_glossary id=\"958\"]Harmonia[\/pb_glossary], turned into a serpent and sent away by [pb_glossary id=\"172\"]Zeus[\/pb_glossary] to the Elysian Fields.\r\n\r\n&nbsp;\r\n\r\nTaken from: <a href=\"https:\/\/www.theoi.com\/Text\/Apollodorus3.html#4\">https:\/\/www.theoi.com\/Text\/Apollodorus3.html#4<\/a>\r\n\r\n&nbsp;\r\n\r\n<\/div>\r\n<h2><a id=\"tyrrhenianpirates\"><\/a>Dionysus and the Tyrrhenian Pirates<\/h2>\r\n<div class=\"textbox shaded\">\r\n<h3><a id=\"hh7\"><\/a>\"Homeric Hymn 7 To Dionysus\" (trans. H. G. Evelyn-White, adapted by L. Zhang and K. Minniti)<\/h3>\r\n<h4>Greek hymn, 7th century BCE<\/h4>\r\n<h5>[content warning for the following source: ableist language]<\/h5>\r\n<div class=\"textbox\">One famous myths about Dionysus concerns his interactions with Tyrrhenian (Etruscan) pirates. In varying accounts of this myth, Dionysus is abducted by Tyrrhenian pirates who wish to extract a bounty from his capture. Dionysus reveals himself as a god by causing all sorts of natural, wild phenomena (such as bears appearing out of nowhere and grape vines cropping up around the ship). In one version, he turns the crew-members into dolphins. These scenes underline Dionysus' association with all things wild, untamable, and bacchic. This story is told most comprehensively in this \"Homeric Hymn 7 To Dionysus,\" from the 7th century BCE.<\/div>\r\n<div style=\"font-weight: 400\">\r\n\r\n&nbsp;\r\n<p style=\"text-align: justify\">[1] I will sing of Dionysus, the son of glorious [pb_glossary id=\"908\"]Semele[\/pb_glossary]. He appeared on a headland by the shore of the salty sea, looking like a young teenager: his long dark hair was flowing around him, and he wore a purple robe on his broad shoulders. Suddenly over the shimmering sea came Tyrrhenian pirates on a sturdy ship, led on by their own doom. When they saw him they signaled to one another and sprang out quickly to seize him, and brought him on board of their own ship triumphantly; for they thought he was the son of a God. They tried to bind him with crude ropes, but the bonds would not hold him, and the bindings fell down from his hands and feet, while he sat there with a smile in his dark eyes.<\/p>\r\n\r\n<\/div>\r\n<div style=\"font-weight: 400;text-align: justify\">\r\n\r\n[15] Then the helmsman understood and cried out at once to his companions, and said 'You fools! What God is this whom you have kidnapped and bound, as strong as he is? Not even this sturdy ship can carry him. Surely this is either [pb_glossary id=\"172\"]Zeus[\/pb_glossary] or [pb_glossary id=\"183\"]Apollo[\/pb_glossary], bearer of the silver bow, or [pb_glossary id=\"182\"]Poseidon[\/pb_glossary], for he does not look like a mortal man but like one of the gods who live on [pb_glossary id=\"628\"]Olympus[\/pb_glossary]. Come, then, let us set him free on the dark shore at once: do not play hands on him, in case he grows angry and stirs up dangerous winds and heavy storms.'\r\n\r\n<\/div>\r\n<div style=\"font-weight: 400;text-align: justify\">\r\n\r\n[25] So he said. But the captain scolded him with taunting words. 'Fool, mark the wind and help host the sail on the ship, and let us set forth in full sail. As for these men, we will see to him; I think he may be bound for Egypt, or Cyprus, or the [pb_glossary id=\"1203\"]Hyperboreans[\/pb_glossary], or further still. But in the end he will speak out and tell us about his friends, and all his wealth, and his brothers, now that fate has put him in our way.'\r\n\r\n<\/div>\r\n<div style=\"font-weight: 400;text-align: justify\">\r\n\r\n[32] When he had said this, he had the mast and sails hoisted on the ship, and wind filled the sails, and the crew hauled the sheets on either side. But soon strange things were seen among them. First of all, sweep, fragrant wine ran streaming throughout the whole black ship, emanating a wonderful smell, and all the sailors were amazed when they saw it. And suddenly a vine spread out both ways along the top of the sail with many clusters of grapes hanging down from it, and a dark ivy plant twined about the mast, blossoming with flowers and with reach berries growing on it; an all the full pins were covered with garlands. When the pirates saw all this, then at last they asked the helmsman to put the ship to land. But the god transformed into a dreadful lion there on the ship, and roared loudly; and he also showed his power by creating a shaggy bear who stood up in rage, while the lion was growling at the front of the ship. And so the sailors fled towards the stern and crowded confusedly around the right-minded helmsman, until suddenly the lion leaped upon the captain and mauled him. And when the pirates saw this, they all jumped overboard into the bright sea to escape a miserable fate, and were transformed into dolphins. But Dionysus had mercy on the helmsman and held him back from jumping, and made him happy by saying to him 'take courage, good ((lacuna))...for you have found favor in my heart. I am Dionysus of the loud cry, born of the union of the daughter of [pb_glossary id=\"910\"]Cadmus[\/pb_glossary], [pb_glossary id=\"908\"]Semele[\/pb_glossary], and [pb_glossary id=\"172\"]Zeus[\/pb_glossary].\r\n\r\n<\/div>\r\n<div style=\"font-weight: 400\">\r\n<p style=\"text-align: justify\">[58] Hail to you, child of radiant [pb_glossary id=\"908\"]Semele[\/pb_glossary]! He who forgets you can in no way command a sweet song.<\/p>\r\n\r\n<\/div>\r\n&nbsp;\r\n\r\nTaken from: <a href=\"https:\/\/www.theoi.com\/Text\/HomericHymns3.html#7\">https:\/\/www.theoi.com\/Text\/HomericHymns3.html#7<\/a>\r\n\r\n<\/div>\r\n<h2><a id=\"cybele\"><\/a>Dionysus and Cybele<\/h2>\r\n<p style=\"text-align: justify\">Hera hated Dionysus and she drove him mad, causing him to run away and wander around the world until he came to Phrygia (in what is now central Turkey). Here he met Cybele, a Phrygian mother goddess whose worship had been accepted by the Greeks. Cybele cured him of his madness and Dionysus established his cult and rites of worship. Dionysus\u2019 rites were similar to those of Cybele, and they involved drinking, wild dancing, playing the tambourine, and a feeling of ecstasy, or divine possession. (\u201cEcstasy\u201d is from a Greek word, meaning \u201cto stand outside oneself.\u201d) Dionysus also gained a group of female followers, called Maenads (or Bacchae or Bacchants), who followed him around, singing, dancing, drinking, and playing the tambourine. Maenads (their name means \u201cmad women\u201d) are usually shown in a state of ecstasy.<\/p>\r\n&nbsp;\r\n<div class=\"textbox shaded\">\r\n<h3><a id=\"catullus\"><\/a>Catullus,\u00a0<em>Poems<\/em> 63, \"Of Berecynthia and Attis\" (trans. A.S. Kline, adapted by L. Zhang and P. Rogak)<\/h3>\r\n<h4>Latin poem, 1st century BCE<\/h4>\r\n<h5>[content warning for the following source: self harm, ableist language, trans- and intersex-phobic language]<\/h5>\r\n<div class=\"textbox\">In his 63rd poem, the Roman poet Catullus tells the myth of the Mediterranean mother goddess Cybele and her follower, Attis.<\/div>\r\n&nbsp;\r\n\r\nAs soon as [pb_glossary id=\"1623\"]Attis[\/pb_glossary], carried over the deep seas in a swift boat,\r\n\r\nhad reached the Phrygian woods, with rapid eager steps,\r\n\r\nhad returned to a dark corner of the goddess\u2019s grove,\r\n\r\ngoaded by mad fury, and there, his wits wandering\r\n\r\nhad sliced off his testicles with a sharp stone,\r\n\r\nand had seen his remaining members devoid of power,\r\n\r\nand that country\u2019s soil spotted with fresh blood,\r\n\r\nhe took up the drum lightly in his pale hands,\r\n\r\nyour drum, [pb_glossary id=\"170\"]Cybele[\/pb_glossary], yours, Great Mother, in your rite,\r\n\r\nand striking the sounding bull\u2019s-hide with delicate fingers,\r\n\r\nchanted to his followers, as it quivered from his assault:\r\n\r\n\"[pb_glossary id=\"1624\"]Gallae[\/pb_glossary], come, rise, to the high woods of [pb_glossary id=\"170\"]Cybele[\/pb_glossary], now,\r\n\r\ncome, now, wandering cattle of Dindymus\u2019 Lady,\r\n\r\nlike exiles wandering here on an alien shore,\r\n\r\nfollowers of my way, lead by me, my friends,\r\n\r\nyou suffered the swift seas and the wild waves\r\n\r\nand sheared your sex from your bodies with great hatred:\r\n\r\ngladden the Lady\u2019s spirit with swift movements.\r\n\r\nBanish dull delay from your minds: come, now, follow,\r\n\r\nto Phrygian [pb_glossary id=\"170\"]Cybele[\/pb_glossary]\u2019s house, the Phrygian goddess\u2019s grove,\r\n\r\nwhere the voice of the cymbal clashes, the drum echoes,\r\n\r\nwhere the Phrygian flute-player plays on a curving reed,\r\n\r\nwhere the ivy-crowned [pb_glossary id=\"887\"]Maenads[\/pb_glossary] violently toss their heads,\r\n\r\nwhere they act out the sacred rites with high-pitched howls,\r\n\r\nwhere the goddess\u2019s wandering retinue often hovers,\r\n\r\nwhere we should hurry with our swift triple-step.\u2019\r\n\r\nAs [pb_glossary id=\"1623\"]Attis[\/pb_glossary], the counterfeit woman, sings this to his friends,\r\n\r\nthe Bacchic choir suddenly cries with quivering tongues,\r\n\r\nthe drum echoes it gently, the hollow cymbals ring.\r\n\r\nThe swift choir comes to green [pb_glossary id=\"187\"]Ida[\/pb_glossary] on hurrying feet.\r\n\r\n[pb_glossary id=\"1623\"]Attis[\/pb_glossary], leading, panting wildly, goading his scattered wits,\r\n\r\nenters the dark grove accompanied by the drum,\r\n\r\nlike a wild heifer escaping the weight of the yoke:\r\n\r\nThe agile [pb_glossary id=\"1624\"]Gallae[\/pb_glossary] follow their swift-footed leader.\r\n\r\nThen, since wearied, foodless, they reach [pb_glossary id=\"170\"]Cybele[\/pb_glossary]\u2019s grove,\r\n\r\nthey\u2019re seized by sleep from their excessive labours.\r\n\r\nDull tiredness overwhelms eyes giving way to languor:\r\n\r\nmad frenzy vanishes in the calm of gentle breath.\r\n\r\nBut when the Sun\u00a0from his golden face scanned the bright\r\n\r\nheavens with radiant eye, the harsh earth, and wild sea,\r\n\r\nand dispelled the shadows of night with his lively steeds,\r\n\r\nthen the [pb_glossary id=\"189\"]Grace[\/pb_glossary], Pasithea, takes swift Sleep, flying\r\n\r\nfrom the waking [pb_glossary id=\"1623\"]Attis[\/pb_glossary], to her beating heart.\r\n\r\nSo, rapidly, from sweet dream and free of madness,\r\n\r\n[pb_glossary id=\"1623\"]Attis[\/pb_glossary] recollected his actions in his thoughts,\r\n\r\nand saw with a clear heart what and where he had been,\r\n\r\nturning again with passionate mind to the sea.\r\n\r\nThere gazing at the wide waters with tearful eyes\r\n\r\nhe raised his voice and sadly bemoaned his homeland:\r\n\r\n\"Land that fathered me, land that mothered me,\r\n\r\nI, who left you so sadly, have reached the groves of [pb_glossary id=\"187\"]Ida[\/pb_glossary],\r\n\r\nlike a slave fleeing his master, so am I among\r\n\r\nsnows, and the frozen lairs of wild creatures,\r\n\r\nand should I in madness enter one of their dens\r\n\r\nwhere would I think to find you buried in those places?\r\n\r\nThe keen eye itself desires to turn itself towards you,\r\n\r\nwhile my thoughts are free of the wild creatures for a while.\r\n\r\nHave I been brought from my distant home for this grove?\r\n\r\nShall I lose country, possessions, friends, kin?\r\n\r\nShall I lose forum, wrestling ring, stadium and gymnasium?\r\n\r\nSorrow on sorrow, again and again complaint in the heart.\r\n\r\nWhat form have I not been, what have I not performed?\r\n\r\nI a woman, I a young man, a youth, a boy,\r\n\r\nI the flower of the athletes, the glory of the wrestling ring:\r\n\r\nmy doorway frequented, my threshold warm,\r\n\r\nmy house was garlanded with wreaths of flowers,\r\n\r\nat the dawn separation from my bed.\r\n\r\nNow am I brought here priest and slave of divine [pb_glossary id=\"170\"]Cybele[\/pb_glossary]?\r\n\r\nI, to be [pb_glossary id=\"887\"]Maenad[\/pb_glossary]: a part of myself: a sterile man?\r\n\r\nI to worship on green [pb_glossary id=\"187\"]Ida[\/pb_glossary] in a place cloaked in frozen snow?\r\n\r\nI to live my life beneath the high summits of Phrygia,\r\n\r\nwhere deer haunt the woods, where the wild boar roams?\r\n\r\nNow I grieve for what I did, now I repent.\"\r\n\r\nAs the swift sounds leave his rosy lips\r\n\r\nthe fresh words reach the twin ears of the goddess,\r\n\r\nas [pb_glossary id=\"170\"]Cybele[\/pb_glossary] is loosing the lions from their yoke\r\n\r\nand goading the left-hand beast: she spoke to it,\r\n\r\nsaying, \"Go now, be fierce, so you make him mad, so he\r\n\r\nis forced to return to the grove by the pain of his madness,\r\n\r\nhe who desires to escape my rule so freely.\r\n\r\nLet your tail wound your back, let the lashes show,\r\n\r\nmake the whole place echo to your bellowing roar,\r\n\r\nshake your red mane fiercely over your taut neck.\"\r\n\r\nSo [pb_glossary id=\"170\"]Cybele[\/pb_glossary] spoke in threat and loosened the leash.\r\n\r\nThe wild beast, urging itself to speed, roused in spirit,\r\n\r\ntore away, roared, broke madly through the thickets.\r\n\r\nand when it reached the wet margin of the white sands,\r\n\r\nand saw delicate [pb_glossary id=\"1623\"]Attis[\/pb_glossary] near to the ocean waves,\r\n\r\nit charged. He fled maddened to the wild wood:\r\n\r\nthere to be ever enslaved, for the rest of his life.\r\n\r\nGoddess, Great Goddess, [pb_glossary id=\"170\"]Cybele[\/pb_glossary], Lady of Dindymus,\r\n\r\nMistress, let all your anger be far from my house:\r\n\r\nmake others aroused, make other men raving mad.\r\n\r\n&nbsp;\r\n\r\nTaken from: <a href=\"https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/Catullus.php#anchor_Toc531846788\">https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/Catullus.php#anchor_Toc531846788<\/a>\r\n<p class=\"text-center\">Translated by A. S. Kline \u00a9\u00a0<a title=\"Copyright\" href=\"https:\/\/www.poetryintranslation.com\/Admin\/Copyright.php\">Copyright<\/a> 2001 All Rights Reserved<\/p>\r\n\r\n<\/div>\r\n<h2><a id=\"bacchusandliber\"><\/a>Bacchus and Liber<\/h2>\r\n<div class=\"textbox shaded\">\r\n<h3><a id=\"horaceodes\"><\/a>Horace,\u00a0<em>Odes<\/em>, Book 2 (trans. A. S. Kline, adapted by L. Zhang and P. Rogak)<\/h3>\r\n<h4>Latin lyrical poem, 1st century BCE<\/h4>\r\n<div class=\"textbox\">Around the same time as Catullus, the Roman poet Horace wrote this poem describing the Roman version of Dionysus, called Bacchus. Bacchus combines elements of the Greek Dionysus and the Phrygian Cybele with elements of the native Italian god, Liber.<\/div>\r\n&nbsp;\r\n\r\n[2:19 To Bacchus] I saw Bacchus on distant cliffs - believe me,\r\n\r\nO history- he was teaching songs there,\r\n\r\nand the [pb_glossary id=\"217\"]Nymphs[\/pb_glossary] were learning them, and all\r\n\r\nthe goat-footed [pb_glossary id=\"372\"]Satyrs[\/pb_glossary] with pointed ears.\r\n\r\nEvoe![footnote]The exclamation \"evoe\" is associated with ecstatic worship of Dionysus, and with being in a Bacchic frenzy.[\/footnote] My mind fills with fresh fear, my heart\r\n\r\nfilled with Bacchus, is troubled, and violently\r\n\r\nrejoices. Evoe! Spare me, [pb_glossary id=\"371\"]Liber[\/pb_glossary],\r\n\r\ndreaded for your mighty [pb_glossary id=\"913\"]thyrsus[\/pb_glossary], spare me.\r\n\r\nIt\u2019s right to sing of the willful [pb_glossary id=\"887\"]Bacchantes[\/pb_glossary],\r\n\r\nthe fountain of wine, and the rivers of milk,\r\n\r\nto sing of the honey that\u2019s welling,\r\n\r\nand sliding down from the hollow tree-trunks:\r\n\r\nIt\u2019s right to sing of your bride turned goddess, your\r\n\r\n[pb_glossary id=\"1632\"]Ariadne[\/pb_glossary], crowned among stars: the palace\r\n\r\nof [pb_glossary id=\"914\"]Pentheus[\/pb_glossary], shattered in ruins,\r\n\r\nand the ending of Thracian [pb_glossary id=\"1633\"]Lycurgus[\/pb_glossary].\r\n\r\nYou direct the streams, and the barbarous sea,\r\n\r\nand on distant summits, you drunkenly tie\r\n\r\nthe hair of the Bistonian women,\r\n\r\nwith harmless knots made of venomous snakes.\r\n\r\nWhen the impious army of [pb_glossary id=\"601\"]Giants[\/pb_glossary] tried\r\n\r\nto climb through the sky to [pb_glossary id=\"172\"]Jupiter[\/pb_glossary]\u2019s kingdom,\r\n\r\nyou hurled back Rhoetus, with the claws\r\n\r\nand teeth of the terrifying lion.\r\n\r\nThough you\u2019re said to be more suited to dancing,\r\n\r\nlaughter, and games, and not equipped to suffer\r\n\r\nthe fighting, nevertheless you shared\r\n\r\nthe thick of battle as well as the peace.\r\n\r\n[pb_glossary id=\"1228\"]Cerberus[\/pb_glossary] saw you, unharmed, and adorned\r\n\r\nwith your golden horn, and, stroking you gently,\r\n\r\nwith his tail, as you departed, licked\r\n\r\nyour ankles and feet with his triple tongue.\r\n\r\n&nbsp;\r\n\r\nTaken from: <a href=\"https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/HoraceOdesBkII.php#anchor_Toc39742793\">https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/HoraceOdesBkII.php#anchor_Toc39742793<\/a>\r\n<p class=\"text-center\">Translated by A. S. Kline \u00a9\u00a0<a title=\"Copyright\" href=\"https:\/\/www.poetryintranslation.com\/Admin\/Copyright.php\">Copyright<\/a> 2003 All Rights Reserved.<\/p>\r\n\r\n<\/div>\r\n<h2><a id=\"bacchae\"><\/a>The <em>Bacchae<\/em><\/h2>\r\n<div>\r\n<div class=\"textbox shaded\">\r\n<h3><a id=\"Bacchae\"><\/a>Euripides, <em>Bacchae<\/em> (trans. T. A. Buckley, adapted by P. Rogak)<\/h3>\r\n<h4>Greek tragedy, ca. 405 BCE<\/h4>\r\n<h5>[content warning for the following source: violence, gore (735-775, 1115-1150), ableist language, themes and motifs that deal with queer-oriented violence]<\/h5>\r\n<div class=\"textbox\">The longest source for the mythology of Dionysus that we have from the ancient world is this tragic play written by Euripides and performed at Athens in 405 BCE. It tells the story of what happens when Dionysus returns to Thebes (the home city of his mother) after traveling around Asia. The play engages with Dionysus' role as the god of theatre for the Athenians. It also explores his status as a gender-bending\/ gender-ambiguous deity.<\/div>\r\n<h6>DIONYSUS:<\/h6>\r\nI, the son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary], have come to this land of the Thebans\u2014Dionysus, whom once [pb_glossary id=\"908\"]Semele[\/pb_glossary], [pb_glossary id=\"910\"]Cadmus[\/pb_glossary]' daughter, birthed, delivered by a lightning-bearing flame. And having taken a mortal form instead of a god's, [5] I am here at the fountains of [pb_glossary id=\"1477\"]Dirce[\/pb_glossary] and the water of [pb_glossary id=\"911\"]Ismenus[\/pb_glossary]. And I see the tomb of my thunder-stricken mother here near the palace, and the remnants of her house, smouldering with the still living flame of [pb_glossary id=\"172\"]Zeus[\/pb_glossary]' fire, the everlasting insult of [pb_glossary id=\"185\"]Hera[\/pb_glossary] against my mother. [10] I praise [pb_glossary id=\"910\"]Cadmus[\/pb_glossary], who has made this place hallowed, the shrine of his daughter; and I have covered it all around with the grapevines.\r\n\r\nI have left the wealthy lands of the Lydians and Phrygians, the sun-parched plains of the Persians, [15] and the Bactrian walls, and have passed over the wintry land of the Medes, and blessed Arabia, and all of Asia which lies along the coast of the salt sea with its beautifully-towered cities full of [pb_glossary id=\"2276\"]Hellenes[\/pb_glossary] and barbarians mingled together; [20] and I have come to this [pb_glossary id=\"2276\"]Hellene[\/pb_glossary] city first, having already set those other lands to dance and established my mysteries there, so that I might be a deity manifest among men. In this land of Hellas [Greece], I have first awoken [pb_glossary id=\"4675\"]Thebes[\/pb_glossary] to my cry, fitting a fawn-skin to my body and [25] taking a [pb_glossary id=\"913\"]thyrsus[\/pb_glossary] in my hand, a weapon of ivy. For my mother's sisters, the ones who least should, claimed that I, Dionysus, was not the child of [pb_glossary id=\"172\"]Zeus[\/pb_glossary], but that [pb_glossary id=\"908\"]Semele[\/pb_glossary] had conceived a child from a mortal father and then ascribed the sin of her bed to [pb_glossary id=\"172\"]Zeus[\/pb_glossary], [30] a trick of [pb_glossary id=\"910\"]Cadmus[\/pb_glossary]', for which they boasted that [pb_glossary id=\"172\"]Zeus[\/pb_glossary] killed her, because she had told a false tale about her marriage. Therefore I have goaded them from the house in frenzy, and they dwell in the mountains, out of their wits; and I have compelled them to wear the outfit of my mysteries. [35] And all the female offspring of [pb_glossary id=\"4675\"]Thebes[\/pb_glossary], as many as are women, I have driven maddened from the house, and they, mingled with the daughters of [pb_glossary id=\"910\"]Cadmus[\/pb_glossary], sit on roofless rocks beneath green pines. For this city must learn, even if it is unwilling, [40] that it is not initiated into my Bacchic rites, and that I plead the case of my mother, [pb_glossary id=\"908\"]Semele[\/pb_glossary], in appearing manifest to mortals as a divinity whom she bore to [pb_glossary id=\"172\"]Zeus[\/pb_glossary].\r\n\r\nNow [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] has given his honour and power to [pb_glossary id=\"914\"]Pentheus[\/pb_glossary], his daughter's son, [45] who fights against the gods as far as I am concerned and drives me away from sacrifices, and in his prayers makes no mention of me, for which I will show him and all the Thebans that I was born a god. And when I have set matters here right, I will move on to another land, [50] to show my power. But if ever the city of [pb_glossary id=\"4675\"]Thebes[\/pb_glossary] should in anger seek to drive the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary] down from the mountains with weapons, I, the general of the [pb_glossary id=\"887\"]Maenads[\/pb_glossary], will join in battle with them. For this I have changed my form to a mortal one and altered my shape into the appearance of a man.\r\n\r\n[55] But, you women who have left Tmolus, the bulwark of Lydia, my sacred band, whom I have brought from among the barbarians as assistants and companions to me, take your drums, native instruments of the city of the Phrygians, the invention of mother [pb_glossary id=\"170\"]Rhea[\/pb_glossary] and myself, [60] and walk around this palace of Pentheus and beat them, so that [pb_glossary id=\"910\"]Cadmus[\/pb_glossary]' city may see. I myself will go to the folds of [pb_glossary id=\"918\"]Cithairon[\/pb_glossary], where the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary] are, to share in their dances.\r\n<h6>CHORUS:<\/h6>\r\nFrom the land of Asia, [65] having left sacred Tmolus, I am swift to perform for [pb_glossary id=\"919\"]Bromius[\/pb_glossary] my sweet labor and work without complaint, celebrating the god Bacchus. Who is in the way? Who is in the way? Who? Let him get out of the way indoors, and let everyone keep his mouth pure, [70] speaking favourable things. For I will celebrate Dionysus with hymns according to eternal custom.\r\n\r\nBlessed is he who, being fortunate and knowing the rites of the gods, keeps his life pure and [75] has his soul initiated into the Bacchic revels, dancing in inspired frenzy over the mountains with holy purifications, and who, revering the mysteries of great mother [pb_glossary id=\"170\"]Kybele[\/pb_glossary], [80] brandishing the [pb_glossary id=\"913\"]thyrsus[\/pb_glossary], garlanded with ivy, serves Dionysus.\r\n\r\nGo, [pb_glossary id=\"887\"]Bacchae[\/pb_glossary], go, [pb_glossary id=\"887\"]Bacchae[\/pb_glossary], escorting the god [pb_glossary id=\"919\"]Bromius[\/pb_glossary], child of a god, [85] from the Phrygian mountains to the broad streets of Hellas\u2014[pb_glossary id=\"919\"]Bromius[\/pb_glossary],\r\n\r\nWhom once, having great birth pains, [90] the thunder of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] descending upon her, his mother cast from her womb, dying by the stroke of a thunderbolt. Immediately [pb_glossary id=\"172\"]Zeus[\/pb_glossary], [pb_glossary id=\"169\"]Kronos[\/pb_glossary]' son, [95] received him in a chamber fit for birth, and having buried him in his thigh shut him up with golden clasps, hidden from [pb_glossary id=\"185\"]Hera[\/pb_glossary].\r\n\r\nAnd he brought forth, when the [pb_glossary id=\"605\"]Fates[\/pb_glossary] [100] had perfected him, the bull-horned god, and he crowned him with crowns of snakes, for which reason [pb_glossary id=\"887\"]Maenads[\/pb_glossary] cloak their wild prey over their locks.\r\n\r\n[105] O [pb_glossary id=\"4675\"]Thebes[\/pb_glossary], nurse of [pb_glossary id=\"908\"]Semele[\/pb_glossary], crown yourself with ivy, flourish, flourish with the verdant yew bearing sweet fruit, and crown yourself in honour of Bacchus with branches of oak [110] or pine. Adorn your garments of spotted fawn-skin with fleeces of white sheep, and play in holy games with insolent [pb_glossary id=\"913\"]thyrsoi[\/pb_glossary]. At once all the earth will dance\u2014 [115] whoever leads the sacred band is [pb_glossary id=\"919\"]Bromius[\/pb_glossary]\u2014to the mountain, to the mountain, where the crowd of women waits, lured away from their weaving by Dionysus.\r\n\r\n[120] O secret chamber of the [pb_glossary id=\"926\"]Kouretes[\/pb_glossary], and you holy Cretan caves, parents to [pb_glossary id=\"172\"]Zeus[\/pb_glossary], where the [pb_glossary id=\"926\"]Korybantes[\/pb_glossary] with triple helmet invented for me in their caves this circle, covered with stretched hide; and in their excited revelry they paired it with the sweet-voiced breath of Phrygian pipes and handed it over to mother [pb_glossary id=\"170\"]Rhea[\/pb_glossary], resounding with the sweet songs of the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary]; [130] nearby, raving [pb_glossary id=\"372\"]Satyrs[\/pb_glossary] were fulfilling the rites of the mother goddess, and they joined it to the dances of the biennial [every 2 years] festivals, in which Dionysus rejoices.\r\n\r\n[135] He is joyful in the mountains, whenever after the running dance he falls on the ground, wearing the sacred garment of fawn skin, hunting the blood of the slain goat, a raw-eaten delight, rushing to the [140] Phrygian, the Lydian mountains, and the leader of the dance is [pb_glossary id=\"919\"]Bromius[\/pb_glossary], evoe! The plain flows with milk, it flows with wine, it flows with the nectar of bees. [145] The Bacchic one, raising the flaming torch of pine on his [pb_glossary id=\"913\"]thyrsus[\/pb_glossary], like the smoke of Syrian incense, darts about, arousing the wanderers with his racing and dancing, agitating them with his shouts, [150] tossing his luxurious hair in the wind. And among the [pb_glossary id=\"887\"]Maenad[\/pb_glossary] cries his voice rings deep: \u201cGo, [pb_glossary id=\"887\"]Bacchae[\/pb_glossary], go, [pb_glossary id=\"887\"]Bacchae[\/pb_glossary], with the luxury of Tmolus that flows with gold, [155] sing of Dionysus, beneath the heavy beat of drums, celebrating in delight the god of delight with Phrygian shouts and cries, [160] when the sweet-sounding sacred pipe sounds a sacred playful tune suited [165] to the wanderers, to the mountain, to the mountain!\u201d And the [pb_glossary id=\"887\"]Bacchante[\/pb_glossary], rejoicing like a foal with its grazing mother, moves her swift foot in a playful dance.\r\n<h6>TEIRESIAS:<\/h6>\r\n[170] Who is at the gates? Call from the house [pb_glossary id=\"910\"]Cadmus[\/pb_glossary], son of [pb_glossary id=\"1727\"]Agenor[\/pb_glossary], who leaving the city of Sidon built this towering city of the Thebans. Let someone go and announce that [pb_glossary id=\"929\"]Teiresias[\/pb_glossary] is looking for him. He knows why I have come and [175] what agreement I, an old man, have made with him, older still: to carry the [pb_glossary id=\"913\"]thyrsoi[\/pb_glossary], to wear fawn-skins, and to crown our heads with ivy branches.\r\n<h6>CADMUS:<\/h6>\r\nDearest friend, for inside the house I heard and recognized your wise voice, the voice of a wise man: [180] I have come prepared with this equipment of the god. For we must praise him, the child of my daughter, [Dionysus, who has appeared as a god to men] as much as is in our power. Where must I dance, where set my feet [185] and shake my grey head? Show me the way, [pb_glossary id=\"929\"]Teiresias[\/pb_glossary], one old man leading another; for you are wise. And so I shall never tire, night or day, of striking the ground with the [pb_glossary id=\"913\"]thyrsus[\/pb_glossary]. Gladly I have forgotten that I am old.\r\n<h6>TEIRESIAS:<\/h6>\r\nThen you and I have the same feelings, [190] for I too feel young and will try to dance.\r\n<h6>CADMUS:<\/h6>\r\nThen will we go to the mountain in a chariot?\r\n<h6>TEIRESIAS:<\/h6>\r\nBut then the god would not have equal honour.\r\n<h6>CADMUS:<\/h6>\r\nI, an old man, will lead you, an old man, like a pupil.\r\n<h6>TEIRESIAS:<\/h6>\r\nThe god will lead us there without trouble.\r\n<h6>CADMUS:<\/h6>\r\n[195] Are we the only ones in the city who will dance in Bacchus' honour?\r\n<h6>TEIRESIAS:<\/h6>\r\nYes, for we alone think rightly, the rest wrongly.\r\n<h6>CADMUS:<\/h6>\r\nThe delay is long; come, take hold of my hand.\r\n<h6>TEIRESIAS:<\/h6>\r\nHere, take hold, and join your hand with mine.\r\n<h6>CADMUS:<\/h6>\r\nBecause I was born mortal, I do not scorn the gods.\r\n<h6>TEIRESIAS:<\/h6>\r\n[200] We mortals have no cleverness in the eyes of the gods. Our ancestral traditions, and those which we have held throughout our lives, no argument will ever convince us to abandon, not even if some craftiness should be discovered by the depths of our wits. Will anyone say that I do not respect old age, [205] being about to dance with my head covered in ivy? No, for the god has made no distinction as to whether it is right for men young or old to dance, but wishes to have the same treatment from all and to be worshipped, setting no one apart.\r\n<h6>CADMUS:<\/h6>\r\n[210] Since you do not see this light, [pb_glossary id=\"929\"]Teiresias[\/pb_glossary], I will be your interpreter. [pb_glossary id=\"914\"]Pentheus[\/pb_glossary], child of Echion, to whom I gave control of this land, is coming here to the house now in haste. How flustered he is! What new matter will he tell us?\r\n<h6>PENTHEUS:<\/h6>\r\n[215] I happened to be at a distance from this land, when I heard of strange evils throughout this city, that the women have left our homes in contrived Bacchic rites, and rush about in the shadowy mountains, honouring with dances [220] this new deity Dionysus, whoever he is. I hear that mixing-bowls stand full in the midst of their assemblies, and that they each creep off different ways into secrecy to serve the beds of men, on the pretext that they are [pb_glossary id=\"887\"]Maenads[\/pb_glossary] worshipping; [225] but they consider [pb_glossary id=\"882\"]Aphrodite[\/pb_glossary] before Bacchus.\r\n\r\nThe ones I have caught, servants keep imprisoned in the public strongholds with their hands bound, and those that I have not caught yet I will hunt from the mountains, [I mean [pb_glossary id=\"931\"]Ino[\/pb_glossary] and [pb_glossary id=\"932\"]Agave[\/pb_glossary], who bore me to Echion, and [230] [pb_glossary id=\"933\"]Autonoe[\/pb_glossary], the mother of [pb_glossary id=\"934\"]Actaeon[\/pb_glossary].] And having bound them in iron restraints, I will soon stop them from this wicked celebration. And they say that some stranger has come, a sorcerer, a conjurer from the Lydian land, [235] fragrant in hair with golden curls, having in his eyes the wine-dark graces of [pb_glossary id=\"882\"]Aphrodite[\/pb_glossary]. He is with the young girls day and night, tempting them with joyful mysteries. If I catch him within this house, [240] I will stop him from making a noise with the [pb_glossary id=\"913\"]thyrsus[\/pb_glossary] and from shaking his hair, by cutting his head off.\r\n\r\nThat one claims that Dionysus is a god, claims that he was once stitched into the thigh of [pb_glossary id=\"172\"]Zeus[\/pb_glossary]\u2014Dionysus, who was burnt up with his mother by the flame of lightning, [245] because she had falsely claimed a marriage with [pb_glossary id=\"172\"]Zeus[\/pb_glossary]. Is this not worthy of a terrible death by hanging, for a stranger to insult me with these insults, whoever he is?\r\n\r\nBut here is another wonder\u2014I see [pb_glossary id=\"929\"]Teiresias[\/pb_glossary] the soothsayer in dappled fawn-skins [250] and my mother's father\u2014a great absurdity\u2014raging about with a [pb_glossary id=\"913\"]thyrsus[\/pb_glossary]. I shrink, father, from seeing your old age without wisdom. Won't you cast away the ivy? Grandfather, will you not free your hand of the [pb_glossary id=\"913\"]thyrsus[\/pb_glossary]? [255] You persuaded him to this, [pb_glossary id=\"929\"]Teiresias[\/pb_glossary]. Do you wish, by introducing another new god to men, to examine birds and receive rewards for sacrifices? If your gray old age did not defend you, you would sit in chains in the midst of the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary], [260] for introducing wicked rites. Because when women drink wine at a feast, none of their rites is healthy anymore.\r\n<h6>CHORUS LEADER:<\/h6>\r\nOh, what impiety! O stranger, do you not reverence the gods and [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] who sowed the earth-born crop?[footnote]Refers to a myth in which Cadmus plants the teeth of a dragon in the ground. Five grown men (including Echion), called <em>spartoi<\/em>, are born from the earth where he sowed the teeth.[\/footnote] [265] Do you, the child of Echion, bring shame to your race?\r\n<h6>TEIRESIAS:<\/h6>\r\nWhenever a wise man has a chance to speak, it is not difficult to speak well. You have a rapid tongue as though you were sensible, but there is no sense in your words. [270] A man powerful in his boldness, one capable of speaking well, becomes a bad citizen in his lack of sense. This new god, whom you ridicule, I am unable to express how great he will be throughout Hellas. For two things, young man, [275] are first among men: the goddess [pb_glossary id=\"351\"]Demeter[\/pb_glossary]\u2014she is the earth, but call her whatever name you wish; she nourishes mortals with dry food; but he who came afterwards, the offspring of [pb_glossary id=\"908\"]Semele[\/pb_glossary], discovered something as good, the liquid drink of the grape, and introduced it [280] to mortals. It releases wretched mortals from grief, whenever they are filled with the stream of the vine, and gives them sleep, a means of forgetting their daily troubles, and there is no other cure for hardships. He is a god, and receives as many offerings as any of the gods, [285] so that by his power people may have good things.\r\n\r\nAnd do you laugh at him, because he was sewn up in [pb_glossary id=\"172\"]Zeus[\/pb_glossary]' thigh? I will teach you that this is true: when [pb_glossary id=\"172\"]Zeus[\/pb_glossary] snatched him out of the lighting-flame, and led the child as a god to Olympus, [290] Hera wished to banish him from the sky, but [pb_glossary id=\"172\"]Zeus[\/pb_glossary], as a god, had a plan. He broke off a part of the air which surrounds the earth, the ether, and he gave this to [pb_glossary id=\"185\"]Hera[\/pb_glossary] as a pledge to calm her. &lt;This protected the real&gt; Dionysus from her hostility. But in time, [295] mortals say that he was nourished in the thigh of [pb_glossary id=\"172\"]Zeus[\/pb_glossary], changing the word, because a god he had served as a hostage for the goddess [pb_glossary id=\"185\"]Hera[\/pb_glossary], and composing the story.[footnote]Because part of the story is missing, the details are unclear. Most translations agree that Zeus made a model of Dionysus to give over to Hera so that the real one would be unharmed. Bohn suggests that the \"thigh\" story emerged because of the similarity between the Greek words for \"thigh\" and \"hostage\". [\/footnote]\r\n\r\nBut this god is a prophet\u2014for Bacchic revelry and madness have in them much prophetic skill. [300] For whenever the god enters a body in full force, he makes them able to foretell the future. He also possesses a share of [pb_glossary id=\"179\"]Ares[\/pb_glossary]' nature. For terror sometimes shakes an army and disrupts its ranks before it even touches a spear; [305] and this too is a frenzy from Dionysus. You will see him also on the rocks of [pb_glossary id=\"945\"]Delphi[\/pb_glossary], bounding with torches through the highland of two peaks, leaping and shaking the Bacchic branch, mighty throughout Hellas. But believe me, [pb_glossary id=\"914\"]Pentheus[\/pb_glossary]; [310] do not boast that sovereignty has power among men, nor, even if you think so, and your mind is diseased, believe that you are being at all wise. Receive the god into your land, pour libations to him, celebrate the Bacchic rites, and garland your head.\r\n\r\nDionysus will not compel women [315] to be consumed by the power of [pb_glossary id=\"882\"]Aphrodite[\/pb_glossary], because modesty is always in their nature. For she who is modest will not be corrupted in Bacchic revelry. Do you see? You rejoice whenever many people are at your gates, [320] and the city praises the name of [pb_glossary id=\"914\"]Pentheus[\/pb_glossary]. He too, I think, delights in being honoured. [pb_glossary id=\"910\"]Cadmus[\/pb_glossary], whom you mock, and I will crown our heads with ivy and dance, a gray[-haired] yoke-team but still we must dance; [325] and I will not be persuaded by your words to fight against the god. For you are mad in a most grievous way, and you will not be cured by drugs, because it is not lack of medicine that makes you sick.\r\n<h6>CHORUS LEADER:<\/h6>\r\nOld man, you do not shame [pb_glossary id=\"946\"]Phoebus[\/pb_glossary] with your words, and by honouring Dionysus, a great god, you are prudent.\r\n<h6>CADMUS:<\/h6>\r\n[330] My child, [pb_glossary id=\"929\"]Teiresias[\/pb_glossary] has advised you well. Join with us, do not stray from the laws. For now you flit about and have thoughts without thinking. Even if, as you say, he is not a god, call him one; and tell a glorious falsehood, [335] so that [pb_glossary id=\"908\"]Semele[\/pb_glossary] might seem to have borne a god, and honour might come to all our race. You see the wretched fate of [pb_glossary id=\"934\"]Actaeon[\/pb_glossary], who was torn apart in the meadows by the blood-thirsty hounds he had raised, [340] having boasted that he was superior in the hunt to [pb_glossary id=\"180\"]Artemis[\/pb_glossary]. May you not suffer this. Come, let me crown your head with ivy; honour the god along with us.\r\n<h6>PENTHEUS:<\/h6>\r\nDon't lay a hand on me! Go off and hold your revels, but don't wipe your foolishness off on me. I will seek the punishment of this [345] teacher of your folly. Let someone go quickly to the seat where he watches the flights of birds, upset and overturn it with levers, turning everything upside down; [350] and release his garlands to the winds and storms. In this way I will especially wound him. And some of you hunt throughout the city for this effeminate stranger, who introduces a new disease to women and pollutes our beds. [355] If you catch him, bring him here bound, so that he might suffer as punishment a death by stoning, having seen a bitter Bacchic revelry in [pb_glossary id=\"4675\"]Thebes[\/pb_glossary].\r\n<h6>TEIRESIAS:<\/h6>\r\nO wretched man, how little you know what you are saying! You are mad now, and even before you were out of your wits. [360] Let us go, [pb_glossary id=\"910\"]Cadmus[\/pb_glossary], and entreat the god, on behalf of him, though he is savage, and on behalf of the city, to do no ill. But follow me with the ivy-clad staff, and try to support my body, and I will try to support yours; [365] it would be shameful for two old men to fall down. But let that pass, for we must serve Bacchus, the son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary]. Beware lest [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] bring trouble to your house, [pb_glossary id=\"910\"]Cadmus[\/pb_glossary]; I do not speak in prophecy, but judging from the state of things; for a foolish man speaks foolishness.\r\n<h6>CHORUS:<\/h6>\r\n[370] Holiness, queen of the gods, Holiness, who bears your golden wings along the earth, do you hear these words from [pb_glossary id=\"914\"]Pentheus[\/pb_glossary]? Do you hear his unholy [375] insolence against [pb_glossary id=\"919\"]Bromius[\/pb_glossary], the child of [pb_glossary id=\"908\"]Semele[\/pb_glossary], the first deity of the gods at the banquets where guests wear beautiful garlands? He holds this office, to join in dances, [380] to laugh with the flute, and to bring an end to cares, whenever the delight of the grape comes at the feasts of the gods, and in ivy-bearing banquets [385] the goblet sheds sleep over men.\r\n\r\nMisfortune is the result of careless mouths and lawless foolishness; but the life of quiet [390] and wisdom remains unshaken and holds houses together. Though they live far off in the heavens, the gods see the deeds of mortals. [395] But cleverness is not wisdom, nor is thinking on things unfit for mortals. Life is short, and on this account the one who pursues great things does not achieve that which is present. In my opinion, [400] these are the ways of mad and ill-advised men.\r\n\r\nWould that I could go to Cyprus, the island of [pb_glossary id=\"882\"]Aphrodite[\/pb_glossary], where the [pb_glossary id=\"947\"]Loves[\/pb_glossary], who soothe [405] mortals' hearts, live, and to Paphos, fertilized without rain by the streams of a foreign river flowing with a hundred mouths. Lead me there, [pb_glossary id=\"919\"]Bromius[\/pb_glossary], [pb_glossary id=\"919\"]Bromius[\/pb_glossary], god of joy who leads the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary], [410] to Pieria, beautiful seat of the [pb_glossary id=\"348\"]Muses[\/pb_glossary], the holy slope of [pb_glossary id=\"628\"]Olympus[\/pb_glossary]. There are the [pb_glossary id=\"189\"]Graces[\/pb_glossary], there is [pb_glossary id=\"161\"]Desire[\/pb_glossary]; there it is [415] lawful for the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary] to celebrate their rites.\r\n\r\nThe god, the son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary], delights in banquets, and loves [pb_glossary id=\"948\"]Peace[\/pb_glossary], giver of riches, [420] goddess who nourishes youths. To the lucky and to the unlucky, he gives an equal pleasure from wine that removes sadness. He hates the one who does not care about [425] leading a happy life by day and friendly night, or about to keeping their wise mind and intellect away from over-curious men. [430] What the common people think and adopt, that would I accept.\r\n\r\n<em>Enter a servant<\/em>\r\n<h6>SERVANT:<\/h6>\r\n[pb_glossary id=\"914\"]Pentheus[\/pb_glossary], we are here, having caught this prey [435] for which you sent us, and we did not hunt him in vain. This beast was docile in our hands and did not run away, but yielded not unwillingly. He did not turn pale or change the wine-dark complexion of his cheek, but laughed and allowed us to bind him and lead him away. [440] He remained still, making my work easy, and I in shame said: \u201cStranger, I do not lead you away willingly, but by order of [pb_glossary id=\"914\"]Pentheus[\/pb_glossary], who sent me.\u201d\r\n\r\nAnd the [pb_glossary id=\"887\"]Bacchae [\/pb_glossary] whom you shut up, whom you carried off and bound in the chains of the public prison, [445] are set loose and gone, and are frolicking in the meadows, invoking [pb_glossary id=\"919\"]Bromius[\/pb_glossary] as their god. Of their own accord, the chains were released from their feet and keys opened the doors without human hands. This man has come to [pb_glossary id=\"4675\"]Thebes[\/pb_glossary] [450] full of many wonders. You must take care of the rest.\r\n<h6>PENTHEUS:<\/h6>\r\nRelease his hands, for now that he is caught he is not fast enough to escape me. [<em>(To Dionysus)<\/em>]\u00a0But your body is not unattractive, stranger, for women's purposes, for which reason you have come to [pb_glossary id=\"4675\"]Thebes[\/pb_glossary]. [455] For your hair is long (but not because of neglect), scattered over your cheeks, full of desire; and you have a white skin from careful preparation, hunting after [pb_glossary id=\"882\"]Aphrodite[\/pb_glossary] by your beauty not exposed to strokes of the sun, but beneath the shade. [460] First then tell me who your family is.\r\n<h6>DIONYSUS:<\/h6>\r\nI can tell you this easily, without boasting. I suppose you are familiar with flowery Tmolus.\r\n<h6>PENTHEUS:<\/h6>\r\nI know of it; it surrounds the city of Sardis.\r\n<h6>DIONYSUS:<\/h6>\r\nI am from there, and Lydia is my homeland.\r\n<h6>PENTHEUS:<\/h6>\r\n[465] Why do you bring these rites to Hellas?\r\n<h6>DIONYSUS:<\/h6>\r\nDionysus, the child of [pb_glossary id=\"172\"]Zeus[\/pb_glossary], sent me.\r\n<h6>PENTHEUS:<\/h6>\r\nIs there a [pb_glossary id=\"172\"]Zeus[\/pb_glossary] who breeds new gods there?\r\n<h6>DIONYSUS:<\/h6>\r\nNo, but the one who married [pb_glossary id=\"908\"]Semele[\/pb_glossary] here.\r\n<h6>PENTHEUS:<\/h6>\r\nDid he compel you in darkness, or did you see him?\r\n<h6>DIONYSUS:<\/h6>\r\n[470] Seeing me just as I saw him, he gave me sacred rites.\r\n<h6>PENTHEUS:<\/h6>\r\nWhat appearance do your rites have?\r\n<h6>DIONYSUS:<\/h6>\r\nThey cannot be told to mortals uninitiated in Bacchic revelry.\r\n<h6>PENTHEUS:<\/h6>\r\nAnd do they have any profit to those who sacrifice?\r\n<h6>DIONYSUS:<\/h6>\r\nIt is not lawful for you to hear, but they are worth knowing.\r\n<h6>PENTHEUS:<\/h6>\r\n[475] You have set this up well, so that I want to hear.\r\n<h6>DIONYSUS:<\/h6>\r\nThe rites are hostile to whoever practices impiety.\r\n<h6>PENTHEUS:<\/h6>\r\nAre you saying that you saw clearly what the god was like?\r\n<h6>DIONYSUS:<\/h6>\r\nHe was as he chose; I did not order this.\r\n<h6>PENTHEUS:<\/h6>\r\nAgain you diverted my question well, speaking only nonsense.\r\n<h6>DIONYSUS:<\/h6>\r\n[480] One will seem to be foolish if he speaks wisely to an ignorant man.\r\n<h6>PENTHEUS:<\/h6>\r\nDid you come here first, bringing the god?\r\n<h6>DIONYSUS:<\/h6>\r\nAll the barbarians celebrate these rites.\r\n<h6>PENTHEUS:<\/h6>\r\nYes, for they are far more foolish than [pb_glossary id=\"2276\"]Hellenes[\/pb_glossary].\r\n<h6>DIONYSUS:<\/h6>\r\nIn this at any rate they are wiser; but their laws are different.\r\n<h6>PENTHEUS:<\/h6>\r\n[485] Do you perform the rites by night or by day?\r\n<h6>DIONYSUS:<\/h6>\r\nMostly by night; darkness conveys awe.\r\n<h6>PENTHEUS:<\/h6>\r\nThis is treacherous towards women, and unsound.\r\n<h6>DIONYSUS:<\/h6>\r\nEven during the day someone may do something shameful.\r\n<h6>PENTHEUS:<\/h6>\r\nYou must pay the penalty for your evil inventions.\r\n<h6>DIONYSUS:<\/h6>\r\n[490] And you for your ignorance and impiety toward the god.\r\n<h6>PENTHEUS:<\/h6>\r\nHow bold the Bacchant is, and not bad at speaking!\r\n<h6>DIONYSUS:<\/h6>\r\nTell me what I must suffer; what harm will you do to me?\r\n<h6>PENTHEUS:<\/h6>\r\nFirst I will cut off your delicate hair.\r\n<h6>DIONYSUS:<\/h6>\r\nMy hair is sacred. I am growing it for the god.\r\n<h6>PENTHEUS:<\/h6>\r\n[495] Next give me this [pb_glossary id=\"913\"]thyrsus[\/pb_glossary] from your hands.\r\n<h6>DIONYSUS:<\/h6>\r\nTake it from me yourself. I bear it as the symbol of Dionysus.\r\n<h6>PENTHEUS:<\/h6>\r\nWe will guard your body within, in prison.\r\n<h6>DIONYSUS:<\/h6>\r\nThe god himself will release me, whenever I want.\r\n<h6>PENTHEUS:<\/h6>\r\nYes, when you call him, standing among the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary].\r\n<h6>DIONYSUS:<\/h6>\r\n[500] Even now he sees my sufferings from close by.\r\n<h6>PENTHEUS:<\/h6>\r\nWhere is he? He is not visible to my eyes.\r\n<h6>DIONYSUS:<\/h6>\r\nNear me; but you, being impious, do not see him.\r\n<h6>PENTHEUS:<\/h6>\r\n<em>(To attendants) <\/em>Seize him; he insults me and [pb_glossary id=\"4675\"]Thebes[\/pb_glossary]!\r\n<h6>DIONYSUS:<\/h6>\r\nI warn you not to bind me, since I am sane and you are not.\r\n<h6>PENTHEUS:<\/h6>\r\n[505] And I, stronger than you, bid them to bind you.\r\n<h6>DIONYSUS:<\/h6>\r\nYou do not know why you live, or what you are doing, or who you are.\r\n<h6>PENTHEUS:<\/h6>\r\nI am [pb_glossary id=\"914\"]Pentheus[\/pb_glossary], son of Echion and [pb_glossary id=\"932\"]Agave[\/pb_glossary].\r\n<h6>DIONYSUS:<\/h6>\r\nYou are well-suited to be miserable in your name.\r\n<h6>PENTHEUS:<\/h6>\r\nGo. <em>(To attendants)<\/em> Shut him up near the horse [510] stable, so that he may see only darkness. <em>(To Dionysus) <\/em>Dance there; and as for these women whom you have led here as accomplices to your crimes, we will either sell them or, to stop their hands from making this noise and from beating of [drum]skins, I will keep them as slaves at the loom.\r\n<h6>DIONYSUS:<\/h6>\r\n[515] I will go, for I need not suffer that which is not necessary. But Dionysus, who you claim does not exist, will pursue you for these insults. For in injuring us, you put him in bonds.\r\n<h6>CHORUS:<\/h6>\r\n. . . Daughter of [pb_glossary id=\"774\"]Achelous[\/pb_glossary], [520] venerable [pb_glossary id=\"1477\"]Dirce[\/pb_glossary], happy virgin, you once received the child of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] in your streams, when [pb_glossary id=\"172\"]Zeus[\/pb_glossary] his father snatched him up from the immortal fire and saved him in his thigh, [525] crying out: \u201cGo, [pb_glossary id=\"949\"]Dithyrambus[\/pb_glossary], enter this my male womb. I will make you illustrious, Bacchus, in [pb_glossary id=\"4675\"]Thebes[\/pb_glossary], so that they will call you by this name.\u201d [530] But you, blessed [pb_glossary id=\"1477\"]Dirce[\/pb_glossary], reject me with my garland-bearing company about you. Why do you refuse me, why do you flee me? I swear by the cluster-bearing [535] delight of Dionysus' vine that you will have a care for [pb_glossary id=\"919\"]Bromius[\/pb_glossary].\r\n\r\nWhat rage, what rage does the earth-born race show, and [pb_glossary id=\"914\"]Pentheus[\/pb_glossary], [540] once descended from a serpent\u2014[pb_glossary id=\"914\"]Pentheus[\/pb_glossary], whom earth-born Echion bore, a fierce monster, not a mortal man, but like a bloody giant, hostile to the gods. [545] He will soon bind me, the hand-maid of [pb_glossary id=\"919\"]Bromius[\/pb_glossary], in chains, and he already holds my fellow-reveler within the house, hidden in a dark prison. [550] Do you see this, O Dionysus, son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary], your priests in the dangers of restraint? Come, lord, down from [pb_glossary id=\"628\"]Olympus[\/pb_glossary], brandishing your golden [pb_glossary id=\"913\"]thyrsus[\/pb_glossary], [555] and restrain the insolence of the blood-thirsty man.\r\n\r\nWhere on [pb_glossary id=\"607\"]Nysa[\/pb_glossary], which nourishes wild beasts, or on the heights of Corycus, do you lead with your [pb_glossary id=\"913\"]thyrsus[\/pb_glossary] the bands of revelers? [560] Perhaps in the deep-wooded lairs of [pb_glossary id=\"628\"]Olympus[\/pb_glossary], where [pb_glossary id=\"950\"]Orpheus[\/pb_glossary] once playing the lyre drew together trees by his songs, drew together the beasts of the fields. [565] Blessed Pieria, the Joyful one [Dionysus] reveres you and will come to lead the dance in revelry; having crossed the swiftly flowing [pb_glossary id=\"951\"]Axius[\/pb_glossary] he will bring the [570] whirling [pb_glossary id=\"887\"]Maenads[\/pb_glossary], leaving Lydias, giver of wealth to mortals, the father who they say fertilizes the land of beautiful horses[footnote]The \"land of beautiful horses\" likely refers to Cappadocia, a region in what is now eastern Turkey. Dionysus has travelled west from Cappadocia and Lydia (around the north coast of the Aegean) and down to Thebes. [\/footnote] with [575] fairest streams.\r\n<h6>DIONYSUS:<\/h6>\r\n<em>(Within)<\/em> Io! Hear my voice, hear it, Io [pb_glossary id=\"887\"]Bacchae[\/pb_glossary], Io [pb_glossary id=\"887\"]Bacchae[\/pb_glossary]!\r\n<h6>CHORUS:<\/h6>\r\nWho is here, who? From what quarter did the voice of the Joyful one summon me?\r\n<h6>DIONYSUS:<\/h6>\r\n[580] Io! Io! I say again; it is I, the child of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] and [pb_glossary id=\"908\"]Semele[\/pb_glossary].\r\n<h6>CHORUS:<\/h6>\r\nIo! Io! Master, master! Come now to our company, [pb_glossary id=\"919\"]Bromius[\/pb_glossary].\r\n<h6>DIONYSUS:<\/h6>\r\n[585] Shake the world's plain, lady Earthquake!\r\n<h6>CHORUS:<\/h6>\r\nOh! Oh! Soon the palace of [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] will be shaken in ruin.\r\n\r\n[<em>Each of the lines marked by a \"\u2014\" is delivered by a different member of the Chorus.<\/em>]\r\n\r\n\u2014Dionysus is in the halls. [590] Revere him.\r\n\r\n\u2014We revere him!\r\n\r\n\u2014Did you see these stone lintels on the pillars falling apart? [pb_glossary id=\"919\"]Bromius[\/pb_glossary] cries out in victory indoors.\r\n<h6>DIONYSUS:<\/h6>\r\nLight the fiery lamp of lightning! [595] Burn, burn [pb_glossary id=\"914\"]Pentheus[\/pb_glossary]' home!\r\n<h6>CHORUS:<\/h6>\r\nOh! Oh! Do you not see the fire, do you not perceive, about the sacred tomb of [pb_glossary id=\"908\"]Semele[\/pb_glossary], the flame that [pb_glossary id=\"172\"]Zeus[\/pb_glossary]' thunderbolt left? [600] Cast on the ground your trembling bodies, [pb_glossary id=\"887\"]Maenads[\/pb_glossary], cast them down, for our lord, [pb_glossary id=\"172\"]Zeus[\/pb_glossary]' son, is coming against this palace, turning everything upside down.\r\n\r\n<em>Enter Dionysus<\/em>\r\n<h6>DIONYSUS:<\/h6>\r\nBarbarian women, have you fallen on the ground [605] so stricken with fear? You have, so it seems, felt Bacchus shaking the house of [pb_glossary id=\"914\"]Pentheus[\/pb_glossary]. But get up and take courage, and stop trembling.\r\n<h6>CHORUS LEADER:<\/h6>\r\nOh greatest light for us in our joyful revelry, how happy I am to see you\u2014I who was alone and desolate before.\r\n<h6>DIONYSUS:<\/h6>\r\n[610] Did you despair when I was sent to fall into [pb_glossary id=\"914\"]Pentheus[\/pb_glossary]' dark dungeon?\r\n<h6>CHORUS LEADER:<\/h6>\r\nHow not? Who would be my guardian, if something bad were to happened to you? But how were you freed, having met with an impious man?\r\n<h6>DIONYSUS:<\/h6>\r\nBy I saved myself easily, without trouble.\r\n<h6>CHORUS LEADER:<\/h6>\r\n[615] Didn\u2019t he tie your hands in binding knots?\r\n<h6>DIONYSUS:<\/h6>\r\nIn this too I made a fool of him: he thought he was binding me, but he did not touch or handle me, only believed he did because of hopeful delusion. He found a bull by the stable where he took and shut me up, and threw shackles around its knees and hooves, [620] breathing out fury, dripping sweat from his body, gnashing his teeth in his lips. But I, being near, sitting quietly, looked on. Meanwhile, Bacchus came and shook the house and started a flame on his mother's tomb. When [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] saw this, thinking that the house was burning, [625] he ran here and there, calling to the slaves to bring water, and every servant was at work, working to no effect.\r\n\r\nThen he gave up this work, because I had escaped, and snatching a dark sword rushed into the house. Then [pb_glossary id=\"919\"]Bromius[\/pb_glossary], so it seems to me\u2014I speak my opinion\u2014 [630] created a phantom in the courtyard. [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] rushed at it headlong, stabbing at the shining air, as though slaughtering me. Besides this, Bacchus inflicted other damage on him: he knocked his house to the ground, and everything was shattered into pieces, because he saw my bitter chains. From fatigue, [635] dropping his sword, he [ [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] ] is exhausted. For he, a man, dared to join battle with a god. Now I have quietly left the house and come to you, with no thought of [pb_glossary id=\"914\"]Pentheus[\/pb_glossary].\r\n\r\nBut I think\u2014at any rate I hear the tramping of feet inside\u2014he will soon come to the front of the house. What will he say after this? [640] I shall easily tolerate him, even if he comes boasting greatly. For it is the job of a wise man to practice restrained good temper.\r\n\r\n<em>Enter Pentheus<\/em>\r\n<h6>PENTHEUS:<\/h6>\r\nI have suffered terrible things; the stranger, who was recently constrained in bonds, has escaped me. Ah! [645] Here is the man. What is this? How do you appear in front of my house, having come out?\r\n<h6>DIONYSUS:<\/h6>\r\nStop, and put a stop to your anger.\r\n<h6>PENTHEUS:<\/h6>\r\nHow have you escaped your chains and come outside?\r\n<h6>DIONYSUS:<\/h6>\r\nDid I not say\u2014or did you not hear\u2014that someone would free me?\r\n<h6>PENTHEUS:<\/h6>\r\n[650] Who? You are always introducing strange explanations.\r\n<h6>DIONYSUS:<\/h6>\r\nHe who produces the rich-clustering vine for mortals.\r\n<h6>PENTHEUS:<\/h6>\r\n&lt;I do not respect this lawless god&gt;\r\n<h6>DIONYSUS:<\/h6>\r\nYou reproach Dionysus for what is his glory.\r\n<h6>PENTHEUS:<\/h6>\r\nI order you to close up all the towers around.\r\n<h6>DIONYSUS:<\/h6>\r\nWhy? Do gods not pass over walls too?\r\n<h6>PENTHEUS:<\/h6>\r\n[655] You are wise, wise at least in all save what you should be wise in.\r\n<h6>DIONYSUS:<\/h6>\r\nI was born wise in all that I should be.\r\n\r\n<em>Enter a messenger<\/em>\r\n\r\nListen first to the words of this man, who has come from the mountain to bring you some message. I will await you, I will not try to escape.\r\n<h6>MESSENGER:<\/h6>\r\n[660] Pentheus, ruler of this land of [pb_glossary id=\"4675\"]Thebes[\/pb_glossary], I have come from [pb_glossary id=\"918\"]Cithairon[\/pb_glossary], where the bright flakes of white snow never melt.\r\n<h6>PENTHEUS:<\/h6>\r\nWhat important news do you come to bring?\r\n<h6>MESSENGER:<\/h6>\r\nHaving seen the holy [pb_glossary id=\"887\"]Bacchae[\/pb_glossary], who [665] goaded to madness have run from this land with their lovely feet, I have come to tell you and the city, lord, that they are doing terrible things, beyond marvel. I wish to hear whether I should tell you in free speech the situation there or whether I should repress my report, [670] for I fear, lord, the quickness of your mood, your keen temper and your too imperious disposition.\r\n<h6>PENTHEUS:<\/h6>\r\nSpeak, as you will have immunity from me in any case. For it is not right to be angry with the just. The more you tell me terrible things about the Bacchae, [675] the more I will punish this one here who taught the women these tricks.\r\n<h6>MESSENGER:<\/h6>\r\nThe herds of grazing cattle were just climbing up the hill, at the time when the sun sends forth its rays, warming the earth. [680] I saw three companies of dancing women, one of which [pb_glossary id=\"933\"]Autonoe[\/pb_glossary] led, the second your mother [pb_glossary id=\"932\"]Agave[\/pb_glossary], and the third [pb_glossary id=\"931\"]Ino[\/pb_glossary]. All were asleep, their bodies relaxed, some resting their backs against pine foliage, [685] others laying their heads at random on the oak leaves, modestly, not as you say drunk with the goblet and the sound of the flute, hunting out [pb_glossary id=\"882\"]Aphrodite[\/pb_glossary] through the woods in solitude.\r\n\r\nYour mother raised a cry, [690] standing up in the midst of the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary], to wake their bodies from sleep, when she heard the lowing of the horned cattle. And they, casting off refreshing sleep from their eyes, sprang upright, a marvel of orderliness to behold, old, young, and still unmarried virgins. [695] First they let their hair loose over their shoulders, and secured their fawn-skins, as many of them as had released the fastenings of their knots, tying the dappled hides with serpents licking their jaws. And some, holding in their arms a gazelle or wild [700] wolf-pup, gave them white milk, as many as had abandoned their new-born infants and had their breasts still swollen. They put on garlands of ivy, and oak, and flowering yew. One took her [pb_glossary id=\"913\"]thyrsus[\/pb_glossary] and struck it against a rock, [705] from which a dewy stream of water sprang forth. Another let her [pb_glossary id=\"913\"]thyrsus[\/pb_glossary] strike the ground, and there the god sent forth a fountain of wine. All who desired the white drink scratched the earth with the tips of their fingers and obtained streams of milk; [710] and a sweet flow of honey dripped from their ivy [pb_glossary id=\"913\"]thyrsoi[\/pb_glossary]; so that, had you been present and seen this, you would have approached with prayers the god whom you now blame.\r\n\r\nWe herdsmen and shepherds gathered in order to [715] debate with one another concerning what strange and amazing things they were doing. Someone, a wanderer about the city and practiced in speaking, said to us all: \u201cYou who inhabit the holy plains of the mountains, do you wish to hunt [720] [pb_glossary id=\"914\"]Pentheus[\/pb_glossary]' mother [pb_glossary id=\"932\"]Agave[\/pb_glossary] out from the Bacchic revelry and do the king a favor?\u201d We thought he spoke well, and lay down in ambush, hiding ourselves in the foliage of bushes. They, at the appointed hour, began to wave the [pb_glossary id=\"913\"]thyrsus[\/pb_glossary] in their revelries, [725] calling on Iacchus,[footnote]The name Iacchus usually refers to a minor god worshipped by cults of Demeter, but (as in this case) is sometimes used as a synonym for Bacchus because of the similarity of the names.[\/footnote] the son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary], [pb_glossary id=\"919\"]Bromius[\/pb_glossary], with a united voice. The whole mountain reveled along with them and the beasts, and nothing was unmoved by their running.\r\n\r\n[pb_glossary id=\"932\"]Agave[\/pb_glossary] happened to be leaping near me, and I sprang forth, wanting to snatch her, [730] abandoning the ambush where I had hidden myself. But she cried out: \u201cO my fleet hounds, we are hunted by these men; but follow me! follow armed with your [pb_glossary id=\"913\"]thyrsoi[\/pb_glossary] in your hands!\u201d\r\n\r\nWe fled and escaped [735] from being torn apart by the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary], but they, with unarmed hands, sprang on the heifers grazing on the grass. And you might see one rending asunder a fatted lowing calf, while others tore apart cows. [740] You might see ribs or cloven hooves tossed here and there; caught in the trees they dripped, dabbled in gore. Bulls who before were fierce, and showed their fury with their horns, stumbled to the ground, [745] dragged down by countless young hands. The garment of flesh was torn apart faster than you could blink your royal eyes. And like birds raised in their course, they proceeded along the level plains, which by the streams of the [pb_glossary id=\"2331\"]Asopus[\/pb_glossary] [750] produce the bountiful Theban crop. And falling like soldiers upon Hysiae and Erythrae, towns situated below the rock of [pb_glossary id=\"918\"]Cithairon[\/pb_glossary], they turned everything upside down. They were snatching children from their homes; [755] and whatever they put on their shoulders, whether bronze or iron, was not held on by bonds, but it fell to the ground. They carried fire on their locks, but it did not burn them. Some people in a rage took up arms, being plundered by the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary] [760], and the sight of this was terrible to behold, lord. For their pointed spears drew no blood, but the women, hurling the [pb_glossary id=\"913\"]thyrsoi[\/pb_glossary] from their hands, kept wounding them and turned them to flight\u2014women did this to men, not without the help of some god. [765] And they returned where they had come from, to the very fountains which the god had sent forth for them, and washed off the blood, and snakes cleaned the drops from the women's cheeks with their tongues.\r\n\r\nReceive this god then, whoever he is, [770] into this city, master. For he is great in other respects, and they say this too of him, as I hear, that he gives to mortals the vine that puts an end to grief. Without wine there is no longer [pb_glossary id=\"882\"]Aphrodite[\/pb_glossary] or any other pleasant thing for men.\r\n<h6>CHORUS LEADER:<\/h6>\r\n[775] I fear to speak freely to the king, but I will speak nevertheless: Dionysus is inferior to none of the gods.\r\n<h6>PENTHEUS:<\/h6>\r\nAlready like fire does this insolence of the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary] blaze up, a great reproach for the [pb_glossary id=\"2276\"]Hellenes[\/pb_glossary]. [780] But we must not hesitate. Go to the Electran gates, bid all the shield-bearers and riders of swift-footed horses to assemble, as well as all who brandish the light shield and pluck bowstrings with their hands, so that we can make an assault against [785] the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary]. For it is indeed too much if we suffer what we are suffering at the hands of women.\r\n<h6>DIONYSUS:<\/h6>\r\n[pb_glossary id=\"914\"]Pentheus[\/pb_glossary], though you hear my words, you obey not at all. Though I suffer ill at your hands, still I say that it is not right for you to raise arms against a god, [790] but to remain calm. [pb_glossary id=\"919\"]Bromius[\/pb_glossary] will not allow you to remove the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary] from the joyful mountains.\r\n<h6>PENTHEUS:<\/h6>\r\nDo not give me orders, but be content in your escape from prison. Or shall I bring punishment upon you again?\r\n<h6>DIONYSUS:<\/h6>\r\nI would sacrifice to the god rather [795] than kick against his spurs in anger, a mortal against a god.\r\n<h6>PENTHEUS:<\/h6>\r\nI will sacrifice, making a great slaughter of the women, as they deserve, in the glens of [pb_glossary id=\"918\"]Cithairon[\/pb_glossary].\r\n<h6>DIONYSUS:<\/h6>\r\nYou will all flee. And it will be a source of shame that you turn your bronze shields away from the [pb_glossary id=\"913\"]thyrsoi[\/pb_glossary] of the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary].\r\n<h6>PENTHEUS:<\/h6>\r\n[800] This stranger with whom I am engaged in a debate is impossible, and he will not be quiet, whether he is suffering or acting freely.\r\n<h6>DIONYSUS:<\/h6>\r\nMy friend, there is still the opportunity to arrange these things well.\r\n<h6>PENTHEUS:<\/h6>\r\nDoing what? Being a slave to my slaves?\r\n<h6>DIONYSUS:<\/h6>\r\nWithout weapons I will bring the women here.\r\n<h6>PENTHEUS:<\/h6>\r\n[805] Alas! You are contriving this as a trick against me.\r\n<h6>DIONYSUS:<\/h6>\r\nWhat sort, if I wish to save you by my contrivances?\r\n<h6>PENTHEUS:<\/h6>\r\nYou have devised this together, so that you may have your revelry forever.\r\n<h6>DIONYSUS:<\/h6>\r\nI certainly did\u2014that is so\u2014with the god.\r\n<h6>PENTHEUS:<\/h6>\r\n<em>(To a servant)<\/em> Bring me my armor. <em>(To Dionysus)<\/em> And you, stop speaking.\r\n<h6>DIONYSUS:<\/h6>\r\n[810] Ah! Do you wish to see them sitting together in the mountains?\r\n<h6>PENTHEUS:<\/h6>\r\nCertainly. I'd give an enormous amount of gold for that.\r\n<h6>DIONYSUS:<\/h6>\r\nWhy do you desire this so badly?\r\n<h6>PENTHEUS:<\/h6>\r\nI would be sorry to see them in their drunkenness.\r\n<h6>DIONYSUS:<\/h6>\r\n[815] But would you see gladly what is upsetting to you?\r\n<h6>PENTHEUS:<\/h6>\r\nTo be sure, sitting quietly under the pines.\r\n<h6>DIONYSUS:<\/h6>\r\nBut they will track you down, even if you go in secret.\r\n<h6>PENTHEUS:<\/h6>\r\nYou are right: I will go openly.\r\n<h6>DIONYSUS:<\/h6>\r\nShall I guide you? Will you attempt the journey?\r\n<h6>PENTHEUS:<\/h6>\r\n[820] Lead me as quickly as possible. I grudge you the time.\r\n<h6>DIONYSUS:<\/h6>\r\nPut linen clothes on your body, then.\r\n<h6>PENTHEUS:<\/h6>\r\nWhat is this? Shall I then, instead of a man, look like the women?\r\n<h6>DIONYSUS:<\/h6>\r\nBecause they will kill you if you are seen there as a man.\r\n<h6>PENTHEUS:<\/h6>\r\nAgain you speak correctly: how wise you have been all along!\r\n<h6>DIONYSUS:<\/h6>\r\n[825] Dionysus taught me these things fully.\r\n<h6>PENTHEUS:<\/h6>\r\nHow can I follow your advice well?\r\n<h6>DIONYSUS:<\/h6>\r\nI will go inside and dress you.\r\n<h6>PENTHEUS:<\/h6>\r\nIn what clothing? Female? But shame holds me back.\r\n<h6>DIONYSUS:<\/h6>\r\nAre you no longer eager to view the [pb_glossary id=\"887\"]Maenads[\/pb_glossary]?\r\n<h6>PENTHEUS:<\/h6>\r\n[830] What clothing do you want me to put on my body?\r\n<h6>DIONYSUS:<\/h6>\r\nI will put long hair on your head.\r\n<h6>PENTHEUS:<\/h6>\r\nWhat is the second part of my outfit?\r\n<h6>DIONYSUS:<\/h6>\r\nA robe down to your feet. And you will wear a headband.\r\n<h6>PENTHEUS:<\/h6>\r\nAnd what else will you add to this for me?\r\n<h6>DIONYSUS:<\/h6>\r\n[835] A [pb_glossary id=\"913\"]thyrsus[\/pb_glossary] in your hand, and a dappled fawn-skin.\r\n<h6>PENTHEUS:<\/h6>\r\nI could not put on a woman's dress.\r\n<h6>DIONYSUS:<\/h6>\r\nBut you will shed blood if you fight the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary].\r\n<h6>PENTHEUS:<\/h6>\r\nTrue. We must go first and spy.\r\n<h6>DIONYSUS:<\/h6>\r\nThis is at any rate wiser than hunting trouble with trouble.\r\n<h6>PENTHEUS:<\/h6>\r\n[840] And how will I go through the city without being seen by the Thebans?\r\n<h6>DIONYSUS:<\/h6>\r\nWe will go on deserted roads. I will lead you.\r\n<h6>PENTHEUS:<\/h6>\r\nAnything is better than to be mocked by the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary]. We two will go into the house . . . and I will think about what seems like the best plan.\r\n<h6>DIONYSUS:<\/h6>\r\nIt will be so; in any case I am ready.\r\n<h6>PENTHEUS:<\/h6>\r\n[845] I will go in. For either I will go bearing arms, or I will obey your counsels.\r\n<h6>DIONYSUS:<\/h6>\r\nWomen, the man is caught in our net. He will go to the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary], where he will pay the penalty with his death. Dionysus, now it is your job; for you are not far off. [850] Let us punish him. First drive him out of his wits, send upon him a dizzying madness, since if he is of sound mind he will not consent to wear women's clothing, but driven out of his senses he will put it on. I want him to be a source of laughter to the Thebans, led through the city in [855] women's guise after making such terrible threats in the past. But now I will go to fit on [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] the dress he will wear to the house of [pb_glossary id=\"211\"]Hades[\/pb_glossary], slaughtered by his mother's hands. He will recognize the son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary], [860] Dionysus, who is in fact a god, the most terrible and yet most mild to men.\r\n<h6>CHORUS:<\/h6>\r\nShall I move my white foot in the night-long dance, aroused to a frenzy, [865] throwing my head to the dewy air, like a fawn playing in the green pleasures of the meadow, when it has escaped a fearful chase beyond the watchers [870] over the well-woven nets [hunters], and the hunter sets his dogs on their tail with his call, while she [the fawn], with great exertion and a storm-swift running, rushes along the plain by the river, rejoicing [875] in the solitude apart from men and in the thickets of the shady-foliaged woods.\r\n\r\nWhat is wisdom? Or what greater honour do the gods give to mortals than to hold one's hand [880] in strength over the head of enemies? What is good is always precious.\r\n\r\nDivine strength is woken with difficulty, but is nonetheless certain. It chastises those mortals [885] who honour folly and those who in their insanity do not praise the gods. The gods cunningly conceal the long pace of time and [890] hunt the impious. For it is not right to determine or plan anything beyond the laws. For it is a light expense to hold that whatever is divine has power, [895] and that which has been law for a long time is eternal and has its origin in nature.\r\n\r\nWhat is wisdom? Or what greater honour do the gods give to mortals than to hold one's hand [900] in strength over the head of enemies? What is good is always precious.\r\n\r\nHappy is he who has fled a storm on the sea, and reached harbor. Happy too is he who has overcome his hardships. [905] One surpasses another in different ways, in wealth or power. There are countless hopes to countless men, and some result in wealth to mortals, while others fail. [910] But I call him blessed whose life is happy day to day.\r\n<h6>DIONYSUS:<\/h6>\r\nYou who are eager to see what you should not and hasty in pursuit of what should not to be pursued\u2014I mean you, Pentheus, come forth before the house, be seen by me, [915] wearing the clothing of a woman, of an inspired [pb_glossary id=\"887\"]maenad[\/pb_glossary], a spy upon your mother and her company.\r\n\r\n<em>[pb_glossary id=\"914\"]Pentheus[\/pb_glossary] emerges<\/em>\r\n\r\nIn appearance you are like one of [pb_glossary id=\"910\"]Cadmus[\/pb_glossary]' daughters.\r\n<h6>PENTHEUS:<\/h6>\r\nOh look! I think I see two suns, and twin [pb_glossary id=\"4675\"]Thebes[\/pb_glossary], the seven-gated city. [920] And you seem to lead me, being like a bull and horns seem to grow on your head. But were you ever before a beast? For you have certainly now become a bull.\r\n<h6>DIONYSUS:<\/h6>\r\nThe god accompanies us, now at peace with us, even though before he did not favour us. Now you see what you should see.\r\n<h6>PENTHEUS:<\/h6>\r\n[925] How do I look? Don't I have the posture of [pb_glossary id=\"931\"]Ino[\/pb_glossary], or of my mother [pb_glossary id=\"932\"]Agave[\/pb_glossary]?\r\n<h6>DIONYSUS:<\/h6>\r\nLooking at you I think I see them. But this lock of your hair has come out of place, not the way I arranged it under your headband.\r\n<h6>PENTHEUS:<\/h6>\r\n[930] I displaced it indoors, shaking my head forwards and backwards and practicing my Bacchic revelry.\r\n<h6>DIONYSUS:<\/h6>\r\nBut I, who should wait on you, will rearrange it. Hold up your head.\r\n<h6>PENTHEUS:<\/h6>\r\nHere, you arrange it; for I depend on you, indeed.\r\n<h6>DIONYSUS:<\/h6>\r\n[935] Your girdle has come loose, and the pleats of your gown do not extend regularly down around your ankles.\r\n<h6>PENTHEUS:<\/h6>\r\nAt least on my right leg, I believe they don't. But on this side the robe sits well around the back of my leg.\r\n<h6>DIONYSUS:<\/h6>\r\nYou will surely consider me the best of your friends, [940] when contrary to your expectation you see the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary] acting modestly.\r\n<h6>PENTHEUS:<\/h6>\r\nBut will I be more like a maenad if I hold the [pb_glossary id=\"913\"]thyrsus[\/pb_glossary] in my right hand, or in my left?\r\n<h6>DIONYSUS:<\/h6>\r\nYou must hold it in your right hand and raise your right foot in unison with it. I praise you for having changed your mind.\r\n<h6>PENTHEUS:<\/h6>\r\n[945] Could I carry on my shoulders the glens of [pb_glossary id=\"918\"]Cithairon[\/pb_glossary], [pb_glossary id=\"887\"]Bacchae[\/pb_glossary] and all?\r\n<h6>DIONYSUS:<\/h6>\r\nYou could if you were willing. The state of mind you had before was unsound, but now you think as you should.\r\n<h6>PENTHEUS:<\/h6>\r\nShall we bring levers? Or shall I pick them up with my hands, [950] putting a shoulder or arm under the mountain-tops?\r\n<h6>DIONYSUS:<\/h6>\r\nBut don't destroy the seats of the [pb_glossary id=\"217\"]Nymphs[\/pb_glossary] and the places where [pb_glossary id=\"344\"]Pan[\/pb_glossary] plays his pipes.\r\n<h6>PENTHEUS:<\/h6>\r\nWell said. The women are not to be taken by force; I will hide in the pines.\r\n<h6>DIONYSUS:<\/h6>\r\n[955] You will hide yourself as you should be hidden, coming as a crafty spy on the [pb_glossary id=\"887\"]Maenads[\/pb_glossary].\r\n<h6>PENTHEUS:<\/h6>\r\nOh, yes! I imagine that, like birds, they are in the bushes, held in the sweetest grips of love.\r\n<h6>DIONYSUS:<\/h6>\r\nYou have been sent as a guard against this very event. [960] Perhaps you will catch them, if they don\u2019t catch you first.\r\n<h6>PENTHEUS:<\/h6>\r\nBring me through the middle of the Theban land. I am the only man of them who dares to perform this deed.\r\n<h6>DIONYSUS:<\/h6>\r\nYou alone bear the burden for this city, you alone. Therefore the labors which are proper await you. [965] Follow me. I am your saving guide: another will lead you down from there.\r\n<h6>PENTHEUS:<\/h6>\r\nYes, my mother.\r\n<h6>DIONYSUS:<\/h6>\r\nAnd you will be remarkable to all.\r\n<h6>PENTHEUS:<\/h6>\r\nI am going for this reason.\r\n<h6>DIONYSUS:<\/h6>\r\nYou will return here being carried\u2014\r\n<h6>PENTHEUS:<\/h6>\r\nYou talk of a fine reward for me.\r\n<h6>DIONYSUS:<\/h6>\r\n--In the arms of your mother.\r\n<h6>PENTHEUS:<\/h6>\r\nYou will force me to luxury.\r\n<h6>DIONYSUS:<\/h6>\r\n[970] Yes indeed, such luxury!\r\n<h6>PENTHEUS:<\/h6>\r\nI will get what I deserve.\r\n<h6>DIONYSUS:<\/h6>\r\nYou are terrible, terrible, and you go to terrible sufferings, so that you will become famous even in heaven. Reach out your hands, [pb_glossary id=\"932\"]Agave[\/pb_glossary], and you too, her sisters, daughters of [pb_glossary id=\"910\"]Cadmus[\/pb_glossary]. I lead this young man [975] to a great contest, and [pb_glossary id=\"919\"]Bromius[\/pb_glossary] and I will be the victors. The rest, you learn about as it happens.\r\n<h6>CHORUS:<\/h6>\r\nGo to the mountain, go, fleet hounds of Madness, where the daughters of [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] hold their company, and drive them raving [980] against the mad spy on the [pb_glossary id=\"887\"]Maenads[\/pb_glossary], the one dressed in women's attire. His mother will be the first to see him from a smooth rock or crag, as he lies in ambush, and she will cry out to the [pb_glossary id=\"887\"]Maenads[\/pb_glossary]: [985] \u201cWho is this seeker of the mountain-going Cadmeans who has come to the mountain, to the mountain, [pb_glossary id=\"887\"]Bacchae[\/pb_glossary]? Who gave birth to him? Because he was not born from a woman's blood, but is the offspring of some lioness [990] or of Libyan [pb_glossary id=\"956\"]Gorgons[\/pb_glossary]\r\n\r\nLet manifest justice go forth, let it go with sword in hand, slaying through the throat [995] this godless, lawless, unjust, earth-born offspring of Echion.\r\n\r\nWhoever with wicked mind and unjust rage with regard to your rites, Bacchus, and with regard to those of your mother, comes with raving heart [1000] and mad disposition violently to overcome by force what is invincible: death is the punishment for his purposes, accepting no excuses when the affairs of the gods are concerned. To act like a mortal is a life that is free from pain. [1005] I do not envy wisdom, but rejoice in hunting it. But other things are great and manifest. Oh, for life to flow towards the good, to be pure and pious day and night, and to honour the gods, [1010] banishing customs that are outside of justice.\r\n\r\nLet manifest justice go forth, let it go with sword in hand, slaying through the throat [1015] this godless, lawless, unjust, earth-born offspring of Echion.\r\n\r\nAppear as a bull or many-headed serpent or raging lion to see. [1020] Go, Bacchus, with smiling face, and throw a deadly noose around the hunter of the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary] as he falls beneath the flock of [pb_glossary id=\"887\"]Maenads[\/pb_glossary].\r\n<h6>SECOND MESSENGER:<\/h6>\r\nOh house once fortunate in Hellas, [1025] house of the Sidonian old man who once sowed in the ground the earth-born harvest of the serpent Ophis, how I groan for you, though I am a slave, but still [the masters' affairs are a concern to good servants].\r\n<h6>CHORUS LEADER:<\/h6>\r\nWhat is it? Do you bring some news from the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary]?\r\n<h6>MESSENGER:<\/h6>\r\n[1030] Pentheus, the child of Echion, is dead.\r\n<h6>CHORUS LEADER:<\/h6>\r\n<em>(Sung) <\/em>Lord Bacchus, truly you appear to be a great god.\r\n<h6>MESSENGER:<\/h6>\r\nWhat do you mean? Why have you said this? Do you rejoice at the misfortunes of my master, woman?\r\n<h6>CHORUS LEADER:<\/h6>\r\n<em>(Sung) <\/em>I, a foreign woman, rejoice with foreign songs; [1035] for no longer do I cower in fear of chains.\r\n<h6>MESSENGER:<\/h6>\r\nDo you think [pb_glossary id=\"4675\"]Thebes[\/pb_glossary] is so lacking in men?\r\n<h6>CHORUS LEADER:<\/h6>\r\n<em>(Sung) <\/em>Dionysus, Dionysus, not [pb_glossary id=\"4675\"]Thebes[\/pb_glossary], holds my allegiance.\r\n<h6>MESSENGER:<\/h6>\r\nYou may be forgiven, but still it is not good [1040] to rejoice at troubles once they have actually taken place, women.\r\n<h6>CHORUS LEADER:<\/h6>\r\n<em>(Sung) <\/em>Tell me, speak, what kind of a death did he die, the unjust man who did unjust things?\r\n<h6>MESSENGER:<\/h6>\r\nWhen we left the dwellings of the Theban land and crossed the streams of [pb_glossary id=\"2331\"]Asopus[\/pb_glossary], [1045] we began to ascend the heights of [pb_glossary id=\"918\"]Cithairon[\/pb_glossary], [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] and I\u2014for I was following my master\u2014and the stranger who was our guide to the sight. First we sat in a grassy vale, [1050] keeping our feet and voices quiet, so that we might see them without being seen. There was a little valley surrounded by cliffs, irrigated with streams, shaded by pine trees, where the [pb_glossary id=\"887\"]Maenads[\/pb_glossary] were sitting, their hands busy with delightful labors. Some of them were embellishing again [1055] their damaged thyrsus, making it leafy with ivy, while some, like colts freed from the painted yoke, were singing a Bacchic melody to one another. And the unhappy [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] said, not seeing the crowd of women: \u201cStranger, [1060] from where we are standing I cannot see these false [pb_glossary id=\"887\"]Maenads[\/pb_glossary]. But on the hill, if I climb a tall pine, I might view properly the shameful acts of the [pb_glossary id=\"887\"]Maenads[\/pb_glossary].\u201d\r\n\r\nAnd then I saw the stranger perform a marvelous deed. For seizing hold of the high top-most branch of the pine tree, [1065] he pulled it down, pulled it, pulled it to the dark earth. It was bent just as a bow or a curved wheel, when it is marked out by a compass, describes a circular course: in this way the stranger pulled the mountain bough with his hands and bent it to the earth, doing a deed no mortal could. [1070] He sat [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] down on the pine branch, and let it go upright through his hands steadily, taking care not to shake him [ [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] ] off. The pine stood firmly upright into the sky, with my master seated on its back. [1075] He was spotted by the [pb_glossary id=\"887\"]Maenads[\/pb_glossary] more easily than he saw them, because sitting on high he was all but apparent, and the stranger was no longer anywhere to be seen, when a voice, Dionysus as I guess, cried out from the air: \u201cYoung women, [1080] I bring the one who has made you and me and my rites a laughing-stock. Now punish him!\u201d And as he said this a light of holy fire was placed between heaven and earth.\r\n\r\nThe air became quiet and the woody glen [1085] kept its leaves silent, and you would not have heard the sounds of animals. But they, not having heard the sound clearly, stood upright and looked all around. He repeated his order, and when the daughters of [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] recognized the clear command of Bacchus, [1090] they rushed forth, swift as a dove, running with eager speed of feet, his mother [pb_glossary id=\"932\"]Agave[\/pb_glossary], and her sisters, and all the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary]. They leapt through the river valley and mountain cliffs, frantic with the inspiration of the god. [1095] When they saw my master sitting in the pine, first they climbed a rock towering opposite the tree and began to violently throw boulders at him. Some threw pine branches and other women hurled their thyrsoi through the air [1100] at [pb_glossary id=\"914\"]Pentheus[\/pb_glossary], a sad target indeed. But they did not reach him, for the wretched man, caught with no way out, sat at a height too great for their eagerness. Finally, like lightning they smashed oak branches and began to tear up the roots of the tree with ironless levers. [1105] When they did not succeed in their toils, [pb_glossary id=\"932\"]Agave[\/pb_glossary] said: \u201cCome, standing round in a circle, each seize a branch, [pb_glossary id=\"887\"]Maenads[\/pb_glossary], so that we may catch the beast who has climbed aloft, and so that he does not make public the secret dances of the god.\u201d They applied countless hands [1110] to the pine and dragged it up from the earth. [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] fell crashing to the ground from his lofty seat, wailing greatly: for he knew he was in terrible trouble.\r\n\r\nHis mother, as priestess, began the slaughter, [1115] and fell upon him. He threw the headband from his head so that the wretched [pb_glossary id=\"932\"]Agave[\/pb_glossary] might recognize and not kill him. Touching her cheek, he said: \u201cIt is I, mother, your son, [pb_glossary id=\"914\"]Pentheus[\/pb_glossary], whom you bore in the house of Echion. [1120] Pity me, mother, and do not kill me, your child, for my sins.\u201d\r\n\r\nBut she, foaming at the mouth and twisting her eyes all about, not thinking as she ought, was possessed by Bacchus, and he did not persuade her. [1125] Seizing his left arm at the elbow and propping her foot against the unfortunate man's side, she tore out his shoulder, not by her own strength, but the god gave facility to her hands. [pb_glossary id=\"931\"]Ino[\/pb_glossary] began to work on the other side, [1130] tearing his flesh, while [pb_glossary id=\"933\"]Autonoe[\/pb_glossary] and the whole crowd of the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary] pressed on. All were making noise together, he [ [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] ] groaning as much as he had the life for, while they shouted in victory. One of them bore his arm, another a foot, boot and all. His ribs were stripped bare [1135] from their tearings. The whole band, hands bloodied, were playing a game of catch with [pb_glossary id=\"914\"]Pentheus[\/pb_glossary]' flesh.\r\n\r\nHis body lies in different places, part under the rugged rocks, part in the deep foliage of the woods, not easy to be sought. His miserable head, [1140] which his mother happened to take in her hands, she fixed on the end of a [pb_glossary id=\"913\"]thyrsus[\/pb_glossary] and carries through the midst of [pb_glossary id=\"918\"]Cithairon[\/pb_glossary] like that of a savage lion, leaving her sisters among the [pb_glossary id=\"887\"]Maenads[\/pb_glossary]' dances. She is coming inside these walls, preening herself [1145] on the ill-fated prey, calling Bacchus her fellow hunter, her accomplice in the chase, the glorious victor\u2014in whose service she wins a triumph of tears.\r\n\r\nAnd as for me, I will depart out of the way of this calamity before [pb_glossary id=\"932\"]Agave[\/pb_glossary] reaches the house. [1150] Soundness of mind and reverence for the affairs of the gods is best; and this, I think, is the wisest possession for those mortals who adopt it.\r\n<h6>CHORUS:<\/h6>\r\nLet us honour Bacchus with the dance, let us raise a shout for what has befallen [1155] [pb_glossary id=\"914\"]Pentheus[\/pb_glossary], descendant of the serpent, who assumed female attire and the wand, the beautiful [pb_glossary id=\"913\"]thyrsus[\/pb_glossary]\u2014certain death\u2014and a bull was the leader of his calamity. [1160] Cadmean [pb_glossary id=\"887\"]Bacchae[\/pb_glossary], you have accomplished a glorious victory, but one that brings woe and tears. It is a noble contest to cover one's dripping hands with the blood of one's own son.\r\n<h6>CHORUS LEADER:<\/h6>\r\n[1165] But, for I see [pb_glossary id=\"914\"]Pentheus[\/pb_glossary]' mother [pb_glossary id=\"932\"]Agave[\/pb_glossary] coming home, her eyes contorted, receive the revel of the god of joy!\r\n\r\n<em>Enter Agave<\/em>\r\n<h6>AGAVE:<\/h6>\r\nAsian [pb_glossary id=\"887\"]Bacchae[\/pb_glossary]\u2014\r\n<h6>CHORUS:<\/h6>\r\nWhy do you address me?\r\n<h6>AGAVE:<\/h6>\r\nI am bringing home from the mountain a [1170] freshly cut tendril to the house, blessed prey.\r\n<h6>CHORUS:<\/h6>\r\nI see it and will accept you as a fellow reveler.\r\n<h6>AGAVE:<\/h6>\r\nI caught this young wild lion cub without snares, [1175] as you can see.\r\n<h6>CHORUS:<\/h6>\r\nFrom what desert?\r\n<h6>AGAVE:<\/h6>\r\n[pb_glossary id=\"918\"]Cithairon[\/pb_glossary]\u2014\r\n<h6>CHORUS:<\/h6>\r\n[pb_glossary id=\"918\"]Cithairon[\/pb_glossary]?\r\n<h6>AGAVE:<\/h6>\r\n\u2014slew him.\r\n<h6>CHORUS:<\/h6>\r\nWho struck him?\r\n<h6>AGAVE:<\/h6>\r\nThe honour is mine first. [1180] I am called blessed [pb_glossary id=\"932\"]Agave[\/pb_glossary] in the revels.\r\n<h6>CHORUS:<\/h6>\r\nWho else?\r\n<h6>AGAVE:<\/h6>\r\n[pb_glossary id=\"910\"]Cadmus's[\/pb_glossary]\u2014\r\n<h6>CHORUS:<\/h6>\r\n[pb_glossary id=\"910\"]Cadmus's[\/pb_glossary] what?\r\n\r\nAGAVE:\r\n\r\nHis other offspring took hold of this beast after me, after me. This is a lucky catch!\r\n<h6>CHORUS:<\/h6>\r\n&lt; * &gt;\r\n<h6>AGAVE:<\/h6>\r\nShare in the feast then.\r\n<h6>CHORUS:<\/h6>\r\nWhat? I share in the feast, wretched woman?\r\n<h6>AGAVE:<\/h6>\r\n[1185] The bull is young; his cheek is just growing downy under his soft-haired crest.\r\n<h6>CHORUS:<\/h6>\r\nYes, his hair looks like a wild beast's.\r\n<h6>AGAVE:<\/h6>\r\nBacchus, a wise huntsman, [1190] wisely set the [pb_glossary id=\"887\"]Maenads[\/pb_glossary] against this beast.\r\n<h6>CHORUS:<\/h6>\r\nOur lord is a hunter.\r\n<h6>AGAVE:<\/h6>\r\nDo you praise me?\r\n<h6>CHORUS:<\/h6>\r\nI praise you.\r\n<h6>AGAVE:<\/h6>\r\nSoon the Cadmeans\u2014\r\n<h6>CHORUS:<\/h6>\r\n[1195] And your son [pb_glossary id=\"914\"]Pentheus[\/pb_glossary], too\u2014\r\n<h6>AGAVE:<\/h6>\r\nWill praise his mother who has caught this lion-like prey.\r\n<h6>CHORUS:<\/h6>\r\nExtraordinary.\r\n<h6>AGAVE:<\/h6>\r\nAnd extraordinarily caught.\r\n<h6>CHORUS:<\/h6>\r\nAre you proud?\r\n<h6>AGAVE:<\/h6>\r\nI am delighted, for I have performed great\u2014yes, great\u2014and notable deeds on this hunt.\r\n<h6>CHORUS LEADER:<\/h6>\r\n[1200] Now show the citizens, wretched woman, the booty which you have brought in victory.\r\n<h6>AGAVE:<\/h6>\r\nYou who dwell in this fair-towered city of the Theban land, come to see this prey which we the daughters of [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] hunted down, [1205] not with thonged Thessalian javelins, or with nets, but with the fingers of our white arms. And then should huntsmen boast and use in vain the work of spear-makers? But we caught and [1210] tore apart the limbs of this beast with our very own hands. Where is my old father? Let him approach. And where is my son [pb_glossary id=\"914\"]Pentheus[\/pb_glossary]? Let him take a ladder and raise its steps against the house so that he can fasten to the triglyphs this [1215] lion's head which I have captured and brought here.\r\n\r\n<em>Enter [pb_glossary id=\"910\"]Cadmus[\/pb_glossary] and his servants, carrying the remains of [pb_glossary id=\"914\"]Pentheus[\/pb_glossary]' body<\/em>\r\n<h6>CADMUS:<\/h6>\r\nFollow me, carrying the miserable burden of [pb_glossary id=\"914\"]Pentheus[\/pb_glossary], follow me, slaves, before the house. Exhausted from countless searches, I am bringing his body, for I discovered it in the folds of [pb_glossary id=\"918\"]Cithairon[\/pb_glossary], [1220] torn apart; I picked up nothing in the same place, and it was lying in the woods where discovery was difficult. For someone told me of my daughters' bold deeds, when I had already come within the walls of the city on my return from the [pb_glossary id=\"887\"]Bacchae[\/pb_glossary] with old [pb_glossary id=\"929\"]Teiresias[\/pb_glossary]. [1225] I turned back to the mountain and now bring here my child who was killed by the [pb_glossary id=\"887\"]Maenads[\/pb_glossary]. For I saw [pb_glossary id=\"933\"]Autonoe[\/pb_glossary], who once bore [pb_glossary id=\"934\"]Actaeon[\/pb_glossary] to [pb_glossary id=\"959\"]Aristaeus[\/pb_glossary], and [pb_glossary id=\"931\"]Ino[\/pb_glossary] with her, still mad in the thicket, wretched creatures. [1230] But someone told me that [pb_glossary id=\"932\"]Agave[\/pb_glossary] was coming here with Bacchic foot, and this was correct, for I see her\u2014no happy sight!\r\n<h6>AGAVE:<\/h6>\r\nFather, you may make a great boast, that you have born daughters the best by far of all [1235] mortals. I mean all of us, but myself especially, who have left my shuttle at the loom and gone on to greater things, to catch wild animals with my two hands. And having taken him, I carry these spoils of honour in my arms, as you see, [1240] so that they may hang from your house. You, father, receive them in your hands. Taking pride in my catch, call your friends to a feast. For you are blessed, blessed, now that we have performed these deeds.\r\n<h6>CADMUS:<\/h6>\r\nO grief beyond measuring, one which I cannot stand to see, [1245] that you have performed murder with miserable hands. Having killed a fine sacrificial victim to the gods, you invite [pb_glossary id=\"4675\"]Thebes[\/pb_glossary] and me to a banquet. Alas, first for your troubles, then for my own. How justly, yet too severely, [1250] lord [pb_glossary id=\"919\"]Bromius[\/pb_glossary] the god has destroyed us, though he is a member of our own family.\r\n<h6>AGAVE:<\/h6>\r\nHow morose and sullen in its countenance is man's old age! I hope that my son is a good hunter, taking after his mother's ways, when he goes after wild beasts [1255] together with the young men of [pb_glossary id=\"4675\"]Thebes[\/pb_glossary]. But all he can do is fight with the gods. You must admonish him, father. Who will call him here to my sight, so that he may see how lucky I am?\r\n<h6>CADMUS:<\/h6>\r\nAlas, alas! When you realize what you have done [1260] you will suffer a terrible pain. But if you remain forever in the state you are in now, though hardly fortunate, you will not realize that you are unfortunate.\r\n<h6>AGAVE:<\/h6>\r\nBut what of these matters is not right, or what is painful?\r\n<h6>CADMUS:<\/h6>\r\nFirst cast your eye up to this sky.\r\n<h6>AGAVE:<\/h6>\r\n[1265] All right; why do you tell me to look at it?\r\n<h6>CADMUS:<\/h6>\r\nIs it still the same, or does it appear to have changed?\r\n<h6>AGAVE:<\/h6>\r\nIt is brighter than before and more translucent.\r\n<h6>CADMUS:<\/h6>\r\nIs your soul still quivering?\r\n<h6>AGAVE:<\/h6>\r\nI don't understand your words. I have become somehow [1270] sobered, changing from my former state of mind.\r\n<h6>CADMUS:<\/h6>\r\nCan you hear and respond clearly?\r\n<h6>AGAVE:<\/h6>\r\nYes, for I forget what we said before, father.\r\n<h6>CADMUS:<\/h6>\r\nTo whose house did you come in marriage?\r\n<h6>AGAVE:<\/h6>\r\nYou gave me, as they say, to Echion, the sown man.\r\n<h6>CADMUS:<\/h6>\r\n[1275] What son did you bear to your husband in the house?\r\n<h6>AGAVE:<\/h6>\r\n[pb_glossary id=\"914\"]Pentheus[\/pb_glossary], from my union with his father.\r\n<h6>CADMUS:<\/h6>\r\nWhose head do you hold in your hands?\r\n<h6>AGAVE:<\/h6>\r\nA lion's, as they who hunted him down said.\r\n<h6>CADMUS:<\/h6>\r\nExamine it correctly then; it takes but little effort to see.\r\n<h6>AGAVE:<\/h6>\r\n[1280] Ah! What do I see? What is this that I carry in my hands?\r\n<h6>CADMUS:<\/h6>\r\nLook at it and learn more clearly.\r\n<h6>AGAVE:<\/h6>\r\nI see the greatest grief, wretched that I am.\r\n<h6>CADMUS:<\/h6>\r\nDoes it seem to you to be like a lion?\r\n<h6>AGAVE:<\/h6>\r\nNo, but I, wretched, hold the head of [pb_glossary id=\"914\"]Pentheus[\/pb_glossary].\r\n<h6>CADMUS:<\/h6>\r\n[1285] Yes, much lamented before you recognized him.\r\n<h6>AGAVE:<\/h6>\r\nWho killed him? How did he come into my hands?\r\n<h6>CADMUS:<\/h6>\r\nMiserable truth, how inopportunely you arrive!\r\n<h6>AGAVE:<\/h6>\r\nTell me. My heart leaps at what is to come.\r\n<h6>CADMUS:<\/h6>\r\nYou and your sisters killed him.\r\n<h6>AGAVE:<\/h6>\r\n[1290] Where did he die? Was it here at home, or in what place?\r\n<h6>CADMUS:<\/h6>\r\nWhere formerly dogs divided [pb_glossary id=\"934\"]Actaeon[\/pb_glossary] among themselves.\r\n<h6>AGAVE:<\/h6>\r\nAnd why did this ill-fated man go to [pb_glossary id=\"918\"]Cithairon[\/pb_glossary]?\r\n<h6>CADMUS:<\/h6>\r\nHe went to mock the god and your revelry.\r\n<h6>AGAVE:<\/h6>\r\nBut in what way did we go there?\r\n<h6>CADMUS:<\/h6>\r\n[1295] You were mad, and the whole city was frantic with Bacchus.\r\n<h6>AGAVE:<\/h6>\r\nDionysus destroyed us\u2014now I understand.\r\n<h6>CADMUS:<\/h6>\r\nBeing insulted with insolence, for you did not consider him a god.\r\n<h6>AGAVE:<\/h6>\r\nAnd where is the body of my dearest child, father?\r\n<h6>CADMUS:<\/h6>\r\nI have found it with difficulty and brought it back.\r\n<h6>AGAVE:<\/h6>\r\n[1300] Are its joints laid properly together?\r\n<h6>CADMUS:<\/h6>\r\n&lt; * &gt;\r\n<h6>AGAVE:<\/h6>\r\nWhat part did [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] have in my folly?\r\n<h6>CADMUS:<\/h6>\r\nHe, like you, did not revere the god. The god therefore joined you all in one punishment, both you and this one here, and so destroyed the house and me, [1305] , who is bereft of my male children and sees this offspring of your womb, wretched woman, most miserably and shamefully killed. He was the hope of our line. You, child [ [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] ], who supported the house, son of my daughter, were [1310] an object of fear to the city. Seeing you, no one wished to insult the old man, for you would have given a worthy punishment. But now I, great [pb_glossary id=\"910\"]Cadmus[\/pb_glossary], who sowed and reaped [1315] a most glorious crop, the Theban people, will be banished from the house without honour. Dearest of men [ [pb_glossary id=\"914\"]Pentheus[\/pb_glossary] ]\u2014for though you are dead I still count you among my dearest, child\u2014no longer will you embrace me, calling me grandfather, touching my chin with your hand, child, and [1320] saying: \u201cWho wrongs you, old man, who dishonours you? Who vexes and troubles your heart? Tell me, father, so that I can punish the one who does you wrong.\u201d But now I am miserable, while you are wretched, your mother is pitiful, and wretched too are your relatives. [1325] If anyone scorns the gods, let him look to the death of this man and acknowledge them.\r\n<h6>CHORUS LEAADER:<\/h6>\r\nI grieve for you, [pb_glossary id=\"910\"]Cadmus[\/pb_glossary]. Your daughter's child has a punishment deserved indeed, but grievous to you.\r\n<h6>AGAVE:<\/h6>\r\nFather, for you see how much my situation has changed .\r\n<h6>DIONYSUS:<\/h6>\r\n[1330]\u00a0<em>(<\/em>To<em> [pb_glossary id=\"910\"]Cadmus[\/pb_glossary])<\/em>((lacuna))<em> . . .<\/em>changing your form, you will become a dragon, and your wife, [pb_glossary id=\"958\"]Harmonia[\/pb_glossary], [pb_glossary id=\"179\"]Ares[\/pb_glossary]' daughter, whom you (though mortal) held in marriage, will be turned into a beast, and will receive in exchange the form of a serpent. And as the oracle of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] says, you will drive, along with your wife, a chariot of heifers, ruling over barbarians. [1335] You will sack many cities with a force of countless numbers. And when they plunder the oracle of [pb_glossary id=\"183\"]Apollo[\/pb_glossary], they will have a miserable return, but [pb_glossary id=\"179\"]Ares[\/pb_glossary] will protect you and [pb_glossary id=\"958\"]Harmonia[\/pb_glossary] and will settle your life in the land of the blessed.\r\n\r\n[1340] That is what I, Dionysus, born not from a mortal father, but from [pb_glossary id=\"172\"]Zeus[\/pb_glossary], say. And if you had known how to be wise when you did not wish to be, you would have acquired [pb_glossary id=\"172\"]Zeus[\/pb_glossary]' son as an ally, and would now be happy.\r\n<h6>CADMUS:<\/h6>\r\nDionysus, we beseech you, we have acted unjustly.\r\n<h6>DIONYSUS:<\/h6>\r\n[1345] You have learned it too late; you did not know it when you should have.\r\n<h6>CADMUS:<\/h6>\r\nNow we know, but you go too far against us.\r\n<h6>DIONYSUS:<\/h6>\r\nYes, for I, a god by birth, was insulted by you.\r\n<h6>CADMUS:<\/h6>\r\nGods should not resemble mortals in their anger.\r\n<h6>DIONYSUS:<\/h6>\r\nMy father [pb_glossary id=\"172\"]Zeus[\/pb_glossary] approved this long ago.\r\n<h6>AGAVE:<\/h6>\r\n[1350] Alas! A miserable exile has been decreed for us, old man.\r\n<h6>DIONYSUS:<\/h6>\r\nWhy then do you delay what must necessarily be?\r\n<h6>CADMUS:<\/h6>\r\nChild, what a terrible disaster we have all come to\u2014unhappy you, your sisters, and unhappy me. I shall reach a foreign land [1355] as an aged immigrant. Still it is foretold that I shall bring into Hellas a motley barbarian army. Leading their spears, I, having the fierce nature of a serpent, will bring my wife [pb_glossary id=\"958\"]Harmonia[\/pb_glossary], daughter of [pb_glossary id=\"179\"]Ares[\/pb_glossary], to the altars and tombs of Hellas. [1360] I will not rest from my troubles in my misery, and I will not sail over the downward flowing [pb_glossary id=\"795\"]Acheron[\/pb_glossary] and be at peace.\r\n<h6>AGAVE:<\/h6>\r\nO father, I will go into exile and miss you.\r\n<h6>CADMUS:<\/h6>\r\nWhy do you embrace me with your hands, child, [1365] like a swan for its exhausted gray-haired parent?\r\n<h6>AGAVE:<\/h6>\r\nFor where can I turn, banished from my homeland?\r\n<h6>CADMUS:<\/h6>\r\nI do not know, child; your father is a poor ally.\r\n<h6>AGAVE:<\/h6>\r\nFarewell, house, farewell, city of my forefathers. In misfortune I leave you, [1370] a fugitive from my chamber.\r\n<h6>CADMUS:<\/h6>\r\nGo now, child, to the land of [pb_glossary id=\"959\"]Aristaeus[\/pb_glossary] . . .\r\n<h6>AGAVE:<\/h6>\r\nI grieve for you, father.\r\n<h6>CADMUS:<\/h6>\r\nAnd I for you, child, and I weep for your sisters.\r\n<h6>AGAVE:<\/h6>\r\nTerribly indeed has [1375] lord Dionysus brought this misery to your home.\r\n<h6>DIONYSUS:<\/h6>\r\nYes, for I suffered terrible things at your hands, with my name not honoured in [pb_glossary id=\"4675\"]Thebes[\/pb_glossary].\r\n<h6>AGAVE:<\/h6>\r\nFarewell, my father.\r\n<h6>CADMUS:<\/h6>\r\nFarewell, unhappy [1380] daughter; and yet you cannot easily fare well.\r\n<h6>AGAVE:<\/h6>\r\nLead me, escorts, where I may take my pitiful sisters as companions to my exile. May I go where accursed [pb_glossary id=\"918\"]Cithairon[\/pb_glossary] may not see me, [1385] and where I cannot see [pb_glossary id=\"918\"]Cithairon[\/pb_glossary] with my eyes, and where no memorial of a [pb_glossary id=\"913\"]thyrsus[\/pb_glossary] has been dedicated; let these be the responsibility of other [pb_glossary id=\"887\"]Bacchae[\/pb_glossary].\r\n<h6>CHORUS:<\/h6>\r\nMany are the forms of divine things, and the gods bring to pass many things unexpectedly; [1390] what is expected has not been accomplished, but the god has found out a means for doing things unthought of. So too has this event turned out.\r\n\r\n&nbsp;\r\n\r\nTaken from: <a href=\"http:\/\/www.perseus.tufts.edu\/hopper\/text?doc=Perseus%3Atext%3A1999.01.0092\">http:\/\/www.perseus.tufts.edu\/hopper\/text?doc=Perseus%3Atext%3A1999.01.0092<\/a>\r\n\r\n<\/div>\r\n&nbsp;\r\n\r\n<\/div>\r\n\r\n<hr \/>\r\n\r\n<h1><a id=\"art\"><\/a>Art and Symbolism<\/h1>\r\n[caption id=\"attachment_1030\" align=\"alignnone\" width=\"1556\"]<img class=\"size-full wp-image-1030\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/367021001-e1613612261139.jpg\" alt=\"Dionysus, bearded and wearing a crown of ivy, stands. In one hand he holds a bunch of grapes from which sprout long vines. In his other hand he holds a cup. At his feet sits a lion, looking up at him attentively.\" width=\"1556\" height=\"1850\" \/> Dionysus with a lion, black-figure amphora, ca. 520 BCE (British Museum, London)[\/caption]\r\n<p style=\"text-align: justify\">Dionysus is one of the deities whose representation in art changed the most throughout antiquity. In his earliest appearances on vases, Dionysus is usually portrayed as a mature, bearded man holding a wineskin or other drinking implements.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_981\" align=\"alignnone\" width=\"1200\"]<img class=\"size-full wp-image-981\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1200px-thumbnail.jpg\" alt=\"Dionysus reclines on a couch. He has an ornate cloth wrapped around his waiste and wears an elaborate headdress. In one hand he holds a thyrsos, and in the other a cup. Three musicians stand around him.\" width=\"1200\" height=\"859\" \/> Dionysus, fragment from red-figure krater (Martin von Wagner Museum, W\u00fcrzburg)[\/caption]\r\n<p style=\"text-align: justify\">This way of representing the god never really went out of style; however, later in time another iconography emerged, in which the god appeared as a beardless youth.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_984\" align=\"alignleft\" width=\"285\"]<img class=\" wp-image-984\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Banquet_Apollo_Dionysos_Hermes_MAN.jpg\" alt=\"Dionysus, youthful with long hair and wearing a crown of laurels, reclines on a bench holding a cup. Apollo and Hermes sit on either side of him.\" width=\"285\" height=\"237\" \/> Apollo, Dionysus, and Hermes, red-figure situla, ca. 350 BCE (National Archaeological Museum, Madrid)[\/caption]\r\n\r\n[caption id=\"attachment_985\" align=\"alignright\" width=\"356\"]<img class=\" wp-image-985\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/British_Museum_6424678861.jpg\" alt=\"Dionysus, in the nude, reclining. He is youthful with short hair.\" width=\"356\" height=\"237\" \/> Dionysus, Parthenon East Pediment sculpture, ca. 447 BCE (British Museum, London)[\/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<p style=\"text-align: justify\">Dionysus' most common attributes in art are all related to the world of symposia and wine-making: drinking cups and horns, vines, and grapes.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_991\" align=\"alignnone\" width=\"1024\"]<img class=\"size-full wp-image-991\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1024px-Dionysos_thiasos_Louvre_MNE938.jpg\" alt=\"Dionysus, bearded and robed and wearing a crown of vines, sits and holds a cup. Vines flow from his hand and swirl around two women and two men who wait on him.\" width=\"1024\" height=\"683\" \/> Dionysus with his attendants, black-figure krater, ca. 525 BCE (Louvre Museum, Paris)[\/caption]\r\n\r\n[caption id=\"attachment_1003\" align=\"alignnone\" width=\"1200\"]<img class=\"size-full wp-image-1003\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/MosaicEpiphany-of-Dionysus.jpg\" alt=\"Bacchus stands in a chariot pulled by two panthers. An old Silenus stands beside Bacchus. On either side of the chariot are two centaurs, each carrying a large vessel on their shoulder.\" width=\"1200\" height=\"899\" \/> The Epiphany of Dionysus, Dion mosaic (Archaeological Museum, Dion)[\/caption]\r\n<p style=\"text-align: justify\">The god is usually represented wearing a crown of ivy leaves and holding a staff called a thyrsus that was covered with ivy vines surmounted by a pinecone. Dionysus was also often portrayed as riding a leopard (or a panther), or on a chariot dragged by a couple of them or other wild felines.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_978\" align=\"alignright\" width=\"356\"]<img class=\" wp-image-978\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1125px-Dionysos_panther_Louvre_K240.jpg\" alt=\"Youthful, long-haired, and crowned Dionysus rides on a panther. He holds a vine in one hand and in the other, a stick with a decapitated head on it. A silenus dances beside him, beating a drum.\" width=\"356\" height=\"284\" \/> Dionysus on a panther, with a silenus, red-figure krater, ca. 370 BCE (Louvre Museum, Paris)[\/caption]\r\n\r\n[caption id=\"attachment_974\" align=\"alignleft\" width=\"289\"]<img class=\" wp-image-974\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Pella_mosaique_2-e1613610743913.jpg\" alt=\"Naked youthful Dionysus, holding a thyrsos and wearing a crown of vines, rides on a leaping leopard.\" width=\"289\" height=\"284\" \/> Dionysus riding a leopard, Pellas Mosaic (Archaeological Museum, Pella)[\/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<p style=\"text-align: justify\">A particular category of Athenian drinking vessels called 'eye-cups' featured the god's head shown from the front, bearded and crowned with ivy vines, between two eyes.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_963\" align=\"alignnone\" width=\"1846\"]<img class=\"wp-image-963 size-full\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/DP218570-e1613622912469.jpg\" alt=\"The bearded and crowned head of Dionysus between two large eyes.\" width=\"1846\" height=\"1395\" \/> Dionysus, black-figure eye krater, ca. 520 BCE (Metropolitan Museum, New York)[\/caption]\r\n\r\n[caption id=\"attachment_987\" align=\"alignnone\" width=\"1200\"]<img class=\"wp-image-987 size-full\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Chalkidian_black-figure_eye-cup_with_mask_of_Dionysus_circa_520-510_BC_Staatliche_Antikensammlungen_Munich_8958055886-e1613622933757.jpg\" alt=\"A cup with two large eyes on the outside of the bowl giving the appearance of a face. Between the eyes is the head of Dionysus, bearded and wearing a crown.\" width=\"1200\" height=\"603\" \/> Dionysus, black-figure eye cup, ca. 520 BCE (Staatliche Antikensammlungen, Munich)[\/caption]\r\n<p style=\"text-align: justify\">Dionysus is one of the few gods to be occasionally portrayed as a child. One of the most common scenes involving him is that of his \"birth\" from Zeus' thigh, but he could also be shown as a child being held by either Hermes or old Silenus.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_989\" align=\"alignleft\" width=\"298\"]<img class=\" wp-image-989\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/507px-Hermes_and_the_infant_Dionysus_by_Praxiteles.jpg\" alt=\"Hermes standing in the nude, holding a small infant Dionysus in his left arm.\" width=\"298\" height=\"529\" \/> Hermes holding infant Dionysus, marble statue, 4th century BCE (Archaeological Museum, Olympia)[\/caption]\r\n\r\n[caption id=\"attachment_973\" align=\"alignright\" width=\"349\"]<img class=\" wp-image-973\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Papposilenus_Dionysophoros_Louvre_CA463.jpg\" alt=\"An old bearded silenus holding a small infant Dionysus.\" width=\"349\" height=\"529\" \/> Silenus holding infant Dionysus, Tanagra terracotta figure, ca. 4th century BCE (Louvre Museum, Paris)[\/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[caption id=\"attachment_3850\" align=\"alignnone\" width=\"1581\"]<img class=\"size-full wp-image-3850\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/08\/birth-of-dionysus.png\" alt=\"Zeus, nude, sits with the head of child Dionysus emerging from his thig. Hermes stands by, holding a sceptre and caduceus, and wearing chlamys, petasos, and winged boots.\" width=\"1581\" height=\"1368\" \/> Hermes at the birth of Dionysus, tracing from red-figure lekythos from ca. 470 BCE (accessed via <a href=\"https:\/\/www.theoi.com\/Gallery\/K12.14.html\">Theoi.com\/the Boston Museum of Fine Arts<\/a>)[\/caption]\r\n<p style=\"text-align: justify\">Another common theme for Dionysus in art is his attempted kidnapping by Tyrrhenian pirates. This attempt always fails, and the god turns his would-be kidnappers into dolphins.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_994\" align=\"alignnone\" width=\"2560\"]<img class=\"size-full wp-image-994\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/28584594180_5c066cc496_o-scaled.jpg\" alt=\"Six figures dive through the water. They have human legs but their torsos have transformed into dolphins, except for one diver who has the torso of a human but a dolphin tail. Above the divers, on top of waves, is a large indistinct humanoid dolphin hybrid figure, possibly Dionysus. A vine wraps around the edge of the hydria.\" width=\"2560\" height=\"1728\" \/> The Tyrrhenian sailors transforming into dolphins, black-figure hydria, ca. 500 BCE (Gallerie Nazionali di Arte Antica, Rome)[\/caption]\r\n<p style=\"text-align: justify\">When not represented in the company of other deities, the god's usual companions in art are satyrs and syleni (goat-men hybrids), Maenads, as well as his wife, the Cretan princess Ariadne.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_968\" align=\"alignleft\" width=\"303\"]<img class=\" wp-image-968\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00283110_001.jpg\" alt=\"Dionysus, robed and bearded. he wears a crown of vines, and in one hand holds a branch with long vines sprouting from it. A nude satyr stands behind Dionysus, and in front of him is a maenad woman holding a snake.\" width=\"303\" height=\"434\" \/> Dionysus with a satyr and maenad, red-figure amphora, ca. 500 BCE (British Museum, London)[\/caption]\r\n\r\n[caption id=\"attachment_970\" align=\"alignright\" width=\"335\"]<img class=\" wp-image-970\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00430146_001.jpg\" alt=\"Dionysus, bearded, sits beside Ariadne, who is only just barely visible behind him. Two maenads and three satyrs surround the couple, playing music.\" width=\"335\" height=\"434\" \/> Dionysus with Ariadne and attendants, black-figure amphora, ca. 520 BCE (British Museum, London)[\/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<hr \/>\r\n\r\n<h1><a id=\"bacchus\"><\/a>Bacchus in Art<\/h1>\r\n[caption id=\"attachment_1002\" align=\"alignnone\" width=\"1999\"]<img class=\"size-full wp-image-1002\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dioniso_seduto_officina_neoattica_I_sec_dc_6728-1-scaled.jpg\" alt=\"A youthful Bacchus, seated. He holds a thyrsos in one hand, and in the other holds a cup into which someone is pouring a libation from out of frame. A panther lies under Bacchus' chair.\" width=\"1999\" height=\"2560\" \/> Bacchus, Roman relief (Museo Archaeologico, Naples)[\/caption]\r\n<p style=\"text-align: justify\">The representation of Bacchus was not radically different from that of his Greek counterpart Dionysus.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_976\" align=\"aligncenter\" width=\"519\"]<img class=\"size-full wp-image-976\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dionysos._House_of_the_Centenary.png\" alt=\"Dionysus, dressed to resemble a bunch of grapes. He holds a thyrsos in on hand and pours a libation from the other. A small leopard frolics at his feet.\" width=\"519\" height=\"876\" \/> Dionysus, Pompeii fresco, ca. 1st century CE (Museo Archaeologico, Naples)[\/caption]\r\n<p style=\"text-align: justify\">The god kept being portrayed as a young man crowned with ivy vines or grape leaves, often holding a thyrsus or drinking vessels, accompanied by maenads and satyrs, and sometimes riding a leopard.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_1029\" align=\"aligncenter\" width=\"586\"]<img class=\"size-full wp-image-1029\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Triumph_of_Bacchus_-_Sousse-1.jpg\" alt=\"A parade. At the centre is a chariot pulled by wild cats, in which stand a winged naked man alongside a robed figure holding a large thyrsos. A woman dances and beats a drum in front of the chariot.\" width=\"586\" height=\"426\" \/> Triumph in honour of Bacchus, Roman mosaic, 3rd century CE (Sousse Archaeological Museum)[\/caption]\r\n\r\n[caption id=\"attachment_998\" align=\"aligncenter\" width=\"769\"]<img class=\"size-full wp-image-998\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Mosaic_in_Musee_gallo-romain_de_Fourviere-scaled-e1613624911315.jpg\" alt=\"Bacchus, in the nude wearing a crown and holding a thyrsos, rides a panther. Around the image of Bacchus are elaborate red and black geometric patterns.\" width=\"769\" height=\"743\" \/> Bacchus on a panther, Roman mosaic (Mus\u00e9e Gallo-Romain de Fourvi\u00e8res, Lyon)[\/caption]\r\n\r\n<hr \/>\r\n\r\n<h1>Media Attributions and Footnotes<\/h1>","rendered":"<figure id=\"attachment_964\" aria-describedby=\"caption-attachment-964\" style=\"width: 1542px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-964\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Exekias_Dionysos_Staatliche_Antikensammlungen_2044.jpg\" alt=\"Dionysus sits on a small sailing boat, vines spiraling up around the mast. Dolphins swim around the boat.\" width=\"1542\" height=\"1725\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Exekias_Dionysos_Staatliche_Antikensammlungen_2044.jpg 1542w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Exekias_Dionysos_Staatliche_Antikensammlungen_2044-268x300.jpg 268w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Exekias_Dionysos_Staatliche_Antikensammlungen_2044-915x1024.jpg 915w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Exekias_Dionysos_Staatliche_Antikensammlungen_2044-768x859.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Exekias_Dionysos_Staatliche_Antikensammlungen_2044-1373x1536.jpg 1373w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Exekias_Dionysos_Staatliche_Antikensammlungen_2044-65x73.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Exekias_Dionysos_Staatliche_Antikensammlungen_2044-225x252.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Exekias_Dionysos_Staatliche_Antikensammlungen_2044-350x392.jpg 350w\" sizes=\"auto, (max-width: 1542px) 100vw, 1542px\" \/><figcaption id=\"caption-attachment-964\" class=\"wp-caption-text\">Dionysus sailing to Naxos, black-figure kylix, ca. 530 BCE (Staatliche Antikensammlungen, Munich)<\/figcaption><\/figure>\n<hr \/>\n<h1><a id=\"origins\"><\/a>Origins<\/h1>\n<div class=\"textbox textbox--examples\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">Sections &amp; Primary Sources<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<p><a href=\"#semele\">Zeus and Semele<\/a><\/p>\n<p><a href=\"#birthplace\">Birthplace<\/a><\/p>\n<ul>\n<li><a href=\"#hh1\">&#8220;Homeric Hymn 1 To Dionysus&#8221;<\/a><\/li>\n<li><a href=\"#hh26\">&#8220;Homeric Hymn 26 To Dionysus&#8221;<\/a><\/li>\n<\/ul>\n<p><a href=\"#allegory\">Dionysus as Allegory<\/a><\/p>\n<ul>\n<li><a href=\"#fulgentius\">Fulgentius,\u00a0<em>Mythologies<\/em>, 2.12<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<h2><a id=\"semele\"><\/a>Zeus and Semele<\/h2>\n<p style=\"text-align: justify\">Dionysus was a son of Zeus and one of the twelve Olympians. According to the Greek mythological tradition, he was created by the sexual union of Zeus and the mortal woman Semele who was the daughter of Cadmus, king of Thebes. When Hera learned that Semele was pregnant with Zeus&#8217; child, out of jealousy she disguised herself as Semele&#8217;s nurse and convinced her to make a demand of Zeus: she should make him promise to grant her any favour she might ask, and then she should ask him to appear to her as he did to his wife. Semele did so and Zeus complied. But when Zeus appeared to Semele in his true form, as the god of lightening and thunder, mortal Semele was not able to withstand his power and was burned up. As Semele was burning, Hermes rescued the unborn baby from her womb and sewed the child up in Zeus&#8217; thigh. When he was ready to be born, Dionysus emerged from his father&#8217;s thigh.<\/p>\n<p style=\"text-align: justify\">Where the ancient god Dionysus came from, historically speaking, is hard to say. His name appears in a Mycenaean inscription from around 1200-1000 BCE. The myths about him also suggest that he came from east of mainland Greece, from Thrace, or from Asia minor (modern-day Turkey).<\/p>\n<p style=\"text-align: justify\">Dionysus, whose Roman name is Bacchus, was associated with wine, revelry, wildness, and ecstasy. His followers were called &#8220;Maenads&#8221; or &#8220;Bacchae&#8221;: women who, possessed by the god, had left their homes and domestic duties to dance wildly in the mountains and glens. They would strip off their clothes, unbind their hair, and kill wild animals with their bare hands.<\/p>\n<h2><a id=\"birthplace\"><\/a>Birthplace<\/h2>\n<div class=\"textbox shaded\">\n<h3><a id=\"hh1\"><\/a>&#8220;Homeric Hymn 1 To Dionysus&#8221; (trans. H. G. Evelyn White, adapted by L. Zhang and P. Rogak)<\/h3>\n<h4>Greek hymn, 7th century BCE<\/h4>\n<div class=\"textbox\">In this text, the author says that Dionysus was born a reared on the mythological Mount Nysa, which they here place in Egypt. Other accounts place Mount Nysa in Ethiopia, Arabia, Lydia, India, and several other places.<\/div>\n<p>&nbsp;<\/p>\n<p>[1] ((lacuna))<a class=\"footnote\" title=\"Indicates a gap or missing segment in the text.\" id=\"return-footnote-45-1\" href=\"#footnote-45-1\" aria-label=\"Footnote 1\"><sup class=\"footnote\">[1]<\/sup><\/a> . . . For some say that pregnant <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a> bore you to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> the thunder-lover at Dracanum; and some, on windy Icarus; and some, in Naxos, O Heaven-born, Insewn; and others by the deep-flowing river Alpheus. And others yet, lord, say you were born in <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>; but all these people lie. The Father of men and gods [ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> ] gave birth to you far from men and secretly from white-armed <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_185\">Hera<\/a>. There is a certain <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_607\">Nysa<\/a>, a tall mountain covered by a thick forest, far off in Phoenice, near the streams of Aegyptus. ((lacuna)) . . .<\/p>\n<p>[10] [ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> speaking:] &#8221; . . . and men will present her many offerings in her shrines. And as these things are three, so shall mortals ever sacrifice perfect <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1204\">hecatombs<\/a> to you at your feasts every three years.&#8221;<\/p>\n<p>The Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_169\">Cronus<\/a> spoke and nodded with his dark brows. And the divine locks of the king flowed forward from his immortal head, and he made great <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_628\">Olympus<\/a> shake. So spoke wise <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> and confirmed it with a nod.<\/p>\n<p>[17] Be favourable, O Insewn, Inspirer of frenzied women [ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">maenads<\/a> ]! We singers sing of you as we begin and as we end a verse, and none may call a holy song to mind if they forget you. And so, farewell, Dionysus, Insewn, with your mother <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a> whom men call Thyone.<\/p>\n<p>&nbsp;<\/p>\n<p>Taken from: <a href=\"https:\/\/www.theoi.com\/Text\/HomericHymns1.html\">https:\/\/www.theoi.com\/Text\/HomericHymns1.html<\/a><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"textbox shaded\">\n<h3><a id=\"hh26\"><\/a>&#8220;Homeric Hymn 26 To Dionysus&#8221; (trans. H. G. Evelyn-White, adapted by L. Zhang and P. Rogak)<\/h3>\n<h4>Greek hymn, 7th century BCE<\/h4>\n<div class=\"textbox\">This hymn also places the birth of Dionysus at Nysa, but does not specify where Mount Nysa is located.<\/div>\n<p>&nbsp;<\/p>\n<p>[1] I begin to sing of ivy-crowned Dionysus, the loud-crying god, splendid son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> and glorious <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>. The rich-haired <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_217\">nymphs<\/a> received him in their bosoms from the lord his father and fostered and nurtured him carefully in the valleys of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_607\">Nysa<\/a>, where by the will of his father he grew up in a sweet-smelling cave, being regarded as one of the immortals. But after the goddesses had raised him, a god for whom hymns were often sung, he began to wander continually through the woody valleys, thickly wreathed with ivy and laurel. And the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_217\">nymphs<\/a> followed in his train with him as their leader; and the boundless forest was filled with their outcry. And so hail to you, Dionysus, god of abundant clusters [of grapes]! Grant that we may come again rejoicing to this season, and from that season onwards for many years.<\/p>\n<p>&nbsp;<\/p>\n<p>Taken from: <a href=\"https:\/\/www.theoi.com\/Text\/HomericHymns3.html#26\">https:\/\/www.theoi.com\/Text\/HomericHymns3.html#26<\/a><\/p>\n<\/div>\n<h2><a id=\"allegory\"><\/a>Dionysus as Allegory<\/h2>\n<div class=\"textbox shaded\">\n<h3><a id=\"fulgentius\"><\/a>Fulgentius,\u00a0<em>Mythologies,\u00a0<\/em>Book 2 (trans. L. G. Whitbread, adapted by L. Zhang and P. Rogak)<\/h3>\n<h4>Latin mythography, ca. 500 CE<\/h4>\n<div class=\"textbox\">About 1,100 years after the Homeric Hymns to Dionysus were written, Fulgentius, a Latin mythographer from the 6th century CE, wrote this <em>allegorical\u00a0<\/em>account of the origins of Dionysus. He associated Dionysus&#8217; mother, Semele, and her three sisters, Ino, Autonoe, Semele, and Agave, with four different stages of intoxication. This passage also displays elements of environmental racism, which the geographical and topographical features of where a group of people lives is used to explain their (often negative) characteristics.<\/div>\n<p>&nbsp;<\/p>\n<p>[2.12] <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Jove<\/a> slept with <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>, by whom Father <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_371\">Liber<\/a> was born; he roared as he came against her with his thunderbolt; and so the father, carrying off the boy, placed him in his own thigh and later gave him to Maro for nursing. There were four sisters named, including <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>:\u00a0<a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_931\">Ino<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_933\">Autonoe<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>, and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a>. Let us investigate what this fable symbolizes. There are four stages of intoxication \u2013 that is, first, excess of wine; second, forgetting things; third, lust; fourth, madness \u2013 from which these four received the name of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>: the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a> are so called for their raging (<em>baccantes<\/em>) with wine. First is <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_931\">Ino<\/a>, for <em>inos<\/em>, the Greek word we have for wine; second, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_933\">Autonoe<\/a> for <em>autenunoe<\/em>, that is, ignorant of herself; third, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>, for <em>somalion<\/em>, which in Latin we call the released body, where she is said to have born Father <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_371\">Liber<\/a>, that is, intoxication born of lust; fourth, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a>, who is comparable to insanity because in her violence she cut off her son\u2019s head. Thus he is called Father <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_371\">Liber<\/a> because the rage of wine frees men\u2019s minds; he is said to have conquered the people of India [of the Indus River Valley] because that race is certainly given to wine, in two respects: one, that the fierce heat of the sun makes them drinkers, the other that in that part of the world there is wine like that of Falernum or Mero\u00eb, in which there is such strength that even a confirmed drunkard will hardly drink a pint in a whole month; and so Lucan says: \u201cFalernian, to which add Mero\u00eb, forcing its stubborn nature to ferment,\u201d for it cannot be in any way weakened by water. For nursing Dionysus was handed over to Maro, a form of Mero, for by <em>merum<\/em> is sustained all intoxication. He is also said to ride on tigers, because all intoxication goes with savageness; and minds affected by wine are softened, from which he is also called Lyaeus, distinguished for softness. Dionysus is depicted as a youth, because drunkenness is never mature; and he is shown as naked, either because every wine-drinker becomes exposed to robbery or because the drunkard lays bare the secrets of his mind.<\/p>\n<p>&nbsp;<\/p>\n<p>Taken from: <a href=\"https:\/\/www.theoi.com\/Text\/FulgentiusMythologies2.html#12\">https:\/\/www.theoi.com\/Text\/FulgentiusMythologies2.html#12<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1><a id=\"dionysusinaction\"><\/a>Dionysus in Action<\/h1>\n<div class=\"textbox textbox--examples\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">Sections &amp; Primary Sources<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<p><a href=\"#houseofcadmus\">The Destruction of the House of Cadmus<\/a><\/p>\n<ul>\n<li><a href=\"#apollodorus\">Pseudo-Apollodorus,\u00a0<em>Bibliotheca<\/em>, 3.4.1-3.5.4<\/a><\/li>\n<\/ul>\n<p><a href=\"#tyrrhenianpirates\">Dionysus and the Tyrrhenian Pirates<\/a><\/p>\n<ul>\n<li><a href=\"#hh7\">&#8220;Homeric Hymn 7 To Dionysus&#8221;<\/a><\/li>\n<\/ul>\n<p><a href=\"#cybele\">Dionysus and Cybele<\/a><\/p>\n<ul>\n<li><a href=\"#catullus\">Catullus,\u00a0<em>Poems\u00a0<\/em>63, &#8220;Of Berecynthia and Attis&#8221;<\/a><\/li>\n<\/ul>\n<p><a href=\"#bacchusandliber\">Bacchus and Liber<\/a><\/p>\n<ul>\n<li><a href=\"#horaceodes\">Horace,\u00a0<em>Odes<\/em>, 2.19<\/a><\/li>\n<\/ul>\n<p><a href=\"#bacchae\">The\u00a0<em>Bacchae<\/em><\/a><\/p>\n<ul>\n<li><a href=\"#Bacchae\">Euripides,<em> Bacchae<\/em><\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<h2><a id=\"houseofcadmus\"><\/a>The Destruction of the House of Cadmus<\/h2>\n<p style=\"text-align: justify\">When Dionysus was born, Hermes spirited the child away to live with his mortal aunt Ino (one of his mother&#8217;s sisters). Ino and her husband Athamas raised Dionysus as a girl to try to hide him from Hera&#8217;s jealous wrath, but Hera was not fooled, and caused Ino to go mad. Ino&#8217;s madness, along with Semele&#8217;s demise, and other events, signaled the destruction of the house of Cadmus, the tragic dynasty of Thebes.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"textbox shaded\">\n<h3><a id=\"apollodorus\"><\/a>Pseudo-Apollodorus,\u00a0<em>Bibliotheca,<\/em> Book 3 (trans. J. G. Frazer, adapted by L. Zhang)<\/h3>\n<h4>Greek mythography, 2nd century BCE<\/h4>\n<h5>[content warning for the following source: graphic descriptions of death, suicide (3.4.3), ableist language]<\/h5>\n<div class=\"textbox shaded\">The <em>Bibliotheca<\/em>, from the 2nd century Greek mythographer pseudo-Apollodorus, chronicles the destruction of the four daughters of Cadmus, king of Thebes, and their sons (the mother, aunts, and cousins of Dionysus).<\/div>\n<p>&nbsp;<\/p>\n<p>[3.4.1] When <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1728\">Telephassa<\/a> died, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> buried her, and after being hospitably received by the Thracians he came to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_945\">Delphi<\/a> to inquire about <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1423\">Europa<\/a>. The god told him not to worry about <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1423\">Europa<\/a>, but to be guided by a cow, and to found a city wherever she should fall down for weariness. After receiving such an oracle he journeyed through Phocis; then falling in with a cow among the herds of Pelagon, he followed it behind. And after traversing Boeotia, it sank down where is now the city of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>. Wishing to sacrifice the cow to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_173\">Athena<\/a>, he sent some of his companions to draw water from the spring of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_179\">Ares<\/a>. But a dragon, which some said was the offspring of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_179\">Ares<\/a>, guarded the spring and destroyed most of those that were sent. In his indignation <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> killed the dragon, and by the advice of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_173\">Athena<\/a> sowed its teeth. When they were sown there rose from the ground armed men whom they called <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1830\">Sparti<\/a>.\u00a0These slew each other, some in a chance brawl, and some in ignorance. But Pherecydes says that when <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> saw armed men growing up out of the ground, he flung stones at them, and they, supposing that they were being pelted by each other, came to blows. However, five of them survived, Echion, Udaeus, Chthonius, Hyperenor, and Pelorus.<\/p>\n<p>[3.4.2] But <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>, to atone for the slaughter, served <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_179\">Ares<\/a> for an eternal year; and the year was then equivalent to eight years of our calendar.<\/p>\n<p>After his servitude, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_173\">Athena<\/a> procured for him the kingdom, and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> gave to him <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_958\">Harmonia<\/a> as wife, daughter of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_882\">Aphrodite<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_179\">Ares<\/a>. And all the gods left the sky, and feasting in the Cadmea celebrated the marriage with hymns. <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> gave her a robe and the necklace wrought by <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_356\">Hephaestus<\/a>, which some say was given to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> by <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_356\">Hephaestus<\/a>, but Pherecydes says that it was given by <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1423\">Europa<\/a>, who had received it from <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>. And to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> were born daughters, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_933\">Autonoe<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_931\">Ino<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a>, and a son, Polydorus. <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_931\">Ino<\/a> was married to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1955\">Athamas<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_933\">Autonoe<\/a> to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_959\">Aristaeus<\/a>, and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a> to Echion.<\/p>\n<p>[3.4.3] But <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> loved <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a> and slept with her, unknown to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_185\">Hera<\/a>. Now <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> had agreed to do for her whatever she asked, and deceived by <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_185\">Hera<\/a> she asked him to come to her as he came when he was wooing <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_185\">Hera<\/a>. Unable to refuse, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> came to her bridal chamber in a chariot, with lightnings and thunderings, and launched a thunderbolt. But <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a> died of fright, and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, snatching the sixth-month abortive child from the fire, sewed it into his own thigh. Upon the death of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>, the other daughters of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> spread a rumour that <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a> had slept with a mortal man, and had falsely accused <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, and that therefore she had been blasted by thunder. But, at the proper time, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> undid the stitches and gave birth to Dionysus, and entrusted him to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_210\">Hermes<\/a>. And he conveyed him to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_931\">Ino<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1955\">Athamas<\/a>, and persuaded them to raise him as a girl. But <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_185\">Hera<\/a> indignantly drove them mad, and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1955\">Athamas<\/a> hunted his elder son Learchus as a deer and killed him, and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_931\">Ino<\/a> threw <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_333\">Melicertes<\/a> into a boiling cauldron, then carrying it with the dead child she jumped into the sea. And she herself is called <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_931\">Leucothea<\/a>, and the boy is called <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_333\">Palaemon<\/a>, such being the names they get from sailors; for they assist storm-tossed mariners. And the Isthmian games were instituted by <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1213\">Sisyphus<\/a> in honour of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_333\">Melicertes<\/a>. But <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> escaped the wrath of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_185\">Hera<\/a> by turning Dionysus into a goat kid, and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_210\">Hermes<\/a> took him and brought him to the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_217\">nymphs<\/a> who dwelt at <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_607\">Nysa<\/a> in Asia, whom <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> afterwards changed into stars and named them the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4470\">Hyades<\/a>.<\/p>\n<p>[3.4.4] <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_933\">Autonoe<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_959\">Aristaeus<\/a> had a son <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_934\">Actaeon<\/a>, who was raised by <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1416\">Chiron<\/a> to be a hunter and then afterwards was mauled on <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithaeron<\/a> by his own dogs. He perished in that way, according to Acusilaus, because <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> was angry at him for wooing <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>; but according to the more general opinion, it was because he saw <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_180\">Artemis<\/a> bathing. And they say that the goddess at once transformed him into a deer, and drove mad the fifty dogs in his pack, which killed him unknowingly. <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_934\">Actaeon<\/a> being gone, the dogs sought their master howling sadly, and in their search they came to the cave of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1416\">Chiron<\/a>, who made a statue of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_934\">Actaeon<\/a>, which soothed their grief.<\/p>\n<p>[The names of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_934\">Actaeon<\/a>&#8216;s dogs from the ((lacuna)) . . . So now surrounding his fair body, as if it were that of a beast, the strong dogs tore it. Near Arcena first ((lacuna)) . . . after her a mighty brood, Lynceus and Balius goodly-footed, and Amarynthus. &#8212; And these he listed continuously by name. And then <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_934\">Actaeon<\/a> perished at the instigation of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>. For the first that drank their master&#8217;s black blood were Spartus and Omargus and Bores, the swift on the track. These first fed on <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_934\">Actaeon<\/a> and lapped his blood. And after them others rushed on him eagerly ((lacuna)) . . . to be a remedy for grievous pains to men.]<\/p>\n<p>[3.5.1] Dionysus discovered the vine, and being driven mad by <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_185\">Hera<\/a>, he roamed about Egypt and Syria. At first he was received by <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_2368\">Proteus<\/a>, king of Egypt, but afterwards he arrived at Cybela in Phrygia. And there, after he had been healed by <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_170\">Rhea<\/a> and learned the rites of initiation, he received from her the costume and hastened through Thrace against the Indians [of the Indus River Valley]. But <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1633\">Lycurgus<\/a>, son of Dryas, was king of the Edonians, who live beside the river Strymon, and he was the first who insulted and expelled him. Dionysus took refuge in the sea with <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1551\">Thetis<\/a>, daughter of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1431\">Nereus<\/a>, and the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a> were taken prisoners together with the multitude of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_372\">Satyrs<\/a> that attended him. But afterwards the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a> were suddenly released, and Dionysus drove <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1633\">Lycurgus<\/a> mad. And in his madness he struck his son Dryas dead with an axe, imagining that he was curbing a branch of a vine, and when he had cut off his son&#8217;s limbs, he recovered his senses. But the land remaining barren, the god declared through an oracle that it would bear fruit again if <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1633\">Lycurgus<\/a> was put to death. On hearing that, the Edonians led him to Mount Pangaeum and bound him, and there by the will of Dionysus he died, destroyed by horses.<\/p>\n<p>[3.5.2] Having traversed Thrace and the whole of India and set up pillars there, he came to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>, and forced the women to abandon their houses and rave in Bacchic frenzy on <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithaeron<\/a>. But <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, whom <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a> bore to Echion, had succeeded <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> in the kingdom, and he attempted to put a stop to these proceedings. And coming to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithaeron<\/a> to spy on the Maenads, he was torn limb from limb by his mother <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a> in a fit of madness; for she thought he was a wild beast. And having shown the Thebans that he was a god, Dionysus came to Argos, and there again, because they did not honour him, he drove the women mad, and they on the mountains devoured the flesh of the infants whom they carried at their breasts.<\/p>\n<p>[3.5.3] And, wishing to be ferried across from Icaria to Naxos, he hired a pirate ship of Tyrrhenians. But when they had put him on board, they sailed past Naxos and made for Asia, intending to sell him. However, he turned the mast and oars into snakes, and filled the vessel with ivy and the sound of flutes. And the pirates went mad, and leaped into the sea, and were turned into dolphins. Thus men understood that he was a god and honoured him; and having brought up his mother from <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_211\">Hades<\/a> and named her <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Thyone<\/a>, he ascended up with her to heaven.<\/p>\n<p>[3.5.4] But <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_958\">Harmonia<\/a> left <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a> and went to the Encheleans. As the Encheleans were being attacked by the Illyrians, the god declared by an oracle that they would get the better of the Illyrians if they had <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_958\">Harmonia<\/a> as their leaders. They believed him, and made them their leaders against the Illyrians, and got the better of them. And <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> reigned over the Illyrians, and a son Illyrius was born to him. But afterwards he was, along with <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_958\">Harmonia<\/a>, turned into a serpent and sent away by <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> to the Elysian Fields.<\/p>\n<p>&nbsp;<\/p>\n<p>Taken from: <a href=\"https:\/\/www.theoi.com\/Text\/Apollodorus3.html#4\">https:\/\/www.theoi.com\/Text\/Apollodorus3.html#4<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<h2><a id=\"tyrrhenianpirates\"><\/a>Dionysus and the Tyrrhenian Pirates<\/h2>\n<div class=\"textbox shaded\">\n<h3><a id=\"hh7\"><\/a>&#8220;Homeric Hymn 7 To Dionysus&#8221; (trans. H. G. Evelyn-White, adapted by L. Zhang and K. Minniti)<\/h3>\n<h4>Greek hymn, 7th century BCE<\/h4>\n<h5>[content warning for the following source: ableist language]<\/h5>\n<div class=\"textbox\">One famous myths about Dionysus concerns his interactions with Tyrrhenian (Etruscan) pirates. In varying accounts of this myth, Dionysus is abducted by Tyrrhenian pirates who wish to extract a bounty from his capture. Dionysus reveals himself as a god by causing all sorts of natural, wild phenomena (such as bears appearing out of nowhere and grape vines cropping up around the ship). In one version, he turns the crew-members into dolphins. These scenes underline Dionysus&#8217; association with all things wild, untamable, and bacchic. This story is told most comprehensively in this &#8220;Homeric Hymn 7 To Dionysus,&#8221; from the 7th century BCE.<\/div>\n<div style=\"font-weight: 400\">\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">[1] I will sing of Dionysus, the son of glorious <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>. He appeared on a headland by the shore of the salty sea, looking like a young teenager: his long dark hair was flowing around him, and he wore a purple robe on his broad shoulders. Suddenly over the shimmering sea came Tyrrhenian pirates on a sturdy ship, led on by their own doom. When they saw him they signaled to one another and sprang out quickly to seize him, and brought him on board of their own ship triumphantly; for they thought he was the son of a God. They tried to bind him with crude ropes, but the bonds would not hold him, and the bindings fell down from his hands and feet, while he sat there with a smile in his dark eyes.<\/p>\n<\/div>\n<div style=\"font-weight: 400;text-align: justify\">\n<p>[15] Then the helmsman understood and cried out at once to his companions, and said &#8216;You fools! What God is this whom you have kidnapped and bound, as strong as he is? Not even this sturdy ship can carry him. Surely this is either <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> or <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_183\">Apollo<\/a>, bearer of the silver bow, or <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_182\">Poseidon<\/a>, for he does not look like a mortal man but like one of the gods who live on <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_628\">Olympus<\/a>. Come, then, let us set him free on the dark shore at once: do not play hands on him, in case he grows angry and stirs up dangerous winds and heavy storms.&#8217;<\/p>\n<\/div>\n<div style=\"font-weight: 400;text-align: justify\">\n<p>[25] So he said. But the captain scolded him with taunting words. &#8216;Fool, mark the wind and help host the sail on the ship, and let us set forth in full sail. As for these men, we will see to him; I think he may be bound for Egypt, or Cyprus, or the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1203\">Hyperboreans<\/a>, or further still. But in the end he will speak out and tell us about his friends, and all his wealth, and his brothers, now that fate has put him in our way.&#8217;<\/p>\n<\/div>\n<div style=\"font-weight: 400;text-align: justify\">\n<p>[32] When he had said this, he had the mast and sails hoisted on the ship, and wind filled the sails, and the crew hauled the sheets on either side. But soon strange things were seen among them. First of all, sweep, fragrant wine ran streaming throughout the whole black ship, emanating a wonderful smell, and all the sailors were amazed when they saw it. And suddenly a vine spread out both ways along the top of the sail with many clusters of grapes hanging down from it, and a dark ivy plant twined about the mast, blossoming with flowers and with reach berries growing on it; an all the full pins were covered with garlands. When the pirates saw all this, then at last they asked the helmsman to put the ship to land. But the god transformed into a dreadful lion there on the ship, and roared loudly; and he also showed his power by creating a shaggy bear who stood up in rage, while the lion was growling at the front of the ship. And so the sailors fled towards the stern and crowded confusedly around the right-minded helmsman, until suddenly the lion leaped upon the captain and mauled him. And when the pirates saw this, they all jumped overboard into the bright sea to escape a miserable fate, and were transformed into dolphins. But Dionysus had mercy on the helmsman and held him back from jumping, and made him happy by saying to him &#8216;take courage, good ((lacuna))&#8230;for you have found favor in my heart. I am Dionysus of the loud cry, born of the union of the daughter of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>, and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>.<\/p>\n<\/div>\n<div style=\"font-weight: 400\">\n<p style=\"text-align: justify\">[58] Hail to you, child of radiant <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>! He who forgets you can in no way command a sweet song.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>Taken from: <a href=\"https:\/\/www.theoi.com\/Text\/HomericHymns3.html#7\">https:\/\/www.theoi.com\/Text\/HomericHymns3.html#7<\/a><\/p>\n<\/div>\n<h2><a id=\"cybele\"><\/a>Dionysus and Cybele<\/h2>\n<p style=\"text-align: justify\">Hera hated Dionysus and she drove him mad, causing him to run away and wander around the world until he came to Phrygia (in what is now central Turkey). Here he met Cybele, a Phrygian mother goddess whose worship had been accepted by the Greeks. Cybele cured him of his madness and Dionysus established his cult and rites of worship. Dionysus\u2019 rites were similar to those of Cybele, and they involved drinking, wild dancing, playing the tambourine, and a feeling of ecstasy, or divine possession. (\u201cEcstasy\u201d is from a Greek word, meaning \u201cto stand outside oneself.\u201d) Dionysus also gained a group of female followers, called Maenads (or Bacchae or Bacchants), who followed him around, singing, dancing, drinking, and playing the tambourine. Maenads (their name means \u201cmad women\u201d) are usually shown in a state of ecstasy.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"textbox shaded\">\n<h3><a id=\"catullus\"><\/a>Catullus,\u00a0<em>Poems<\/em> 63, &#8220;Of Berecynthia and Attis&#8221; (trans. A.S. Kline, adapted by L. Zhang and P. Rogak)<\/h3>\n<h4>Latin poem, 1st century BCE<\/h4>\n<h5>[content warning for the following source: self harm, ableist language, trans- and intersex-phobic language]<\/h5>\n<div class=\"textbox\">In his 63rd poem, the Roman poet Catullus tells the myth of the Mediterranean mother goddess Cybele and her follower, Attis.<\/div>\n<p>&nbsp;<\/p>\n<p>As soon as <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1623\">Attis<\/a>, carried over the deep seas in a swift boat,<\/p>\n<p>had reached the Phrygian woods, with rapid eager steps,<\/p>\n<p>had returned to a dark corner of the goddess\u2019s grove,<\/p>\n<p>goaded by mad fury, and there, his wits wandering<\/p>\n<p>had sliced off his testicles with a sharp stone,<\/p>\n<p>and had seen his remaining members devoid of power,<\/p>\n<p>and that country\u2019s soil spotted with fresh blood,<\/p>\n<p>he took up the drum lightly in his pale hands,<\/p>\n<p>your drum, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_170\">Cybele<\/a>, yours, Great Mother, in your rite,<\/p>\n<p>and striking the sounding bull\u2019s-hide with delicate fingers,<\/p>\n<p>chanted to his followers, as it quivered from his assault:<\/p>\n<p>&#8220;<a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1624\">Gallae<\/a>, come, rise, to the high woods of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_170\">Cybele<\/a>, now,<\/p>\n<p>come, now, wandering cattle of Dindymus\u2019 Lady,<\/p>\n<p>like exiles wandering here on an alien shore,<\/p>\n<p>followers of my way, lead by me, my friends,<\/p>\n<p>you suffered the swift seas and the wild waves<\/p>\n<p>and sheared your sex from your bodies with great hatred:<\/p>\n<p>gladden the Lady\u2019s spirit with swift movements.<\/p>\n<p>Banish dull delay from your minds: come, now, follow,<\/p>\n<p>to Phrygian <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_170\">Cybele<\/a>\u2019s house, the Phrygian goddess\u2019s grove,<\/p>\n<p>where the voice of the cymbal clashes, the drum echoes,<\/p>\n<p>where the Phrygian flute-player plays on a curving reed,<\/p>\n<p>where the ivy-crowned <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a> violently toss their heads,<\/p>\n<p>where they act out the sacred rites with high-pitched howls,<\/p>\n<p>where the goddess\u2019s wandering retinue often hovers,<\/p>\n<p>where we should hurry with our swift triple-step.\u2019<\/p>\n<p>As <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1623\">Attis<\/a>, the counterfeit woman, sings this to his friends,<\/p>\n<p>the Bacchic choir suddenly cries with quivering tongues,<\/p>\n<p>the drum echoes it gently, the hollow cymbals ring.<\/p>\n<p>The swift choir comes to green <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_187\">Ida<\/a> on hurrying feet.<\/p>\n<p><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1623\">Attis<\/a>, leading, panting wildly, goading his scattered wits,<\/p>\n<p>enters the dark grove accompanied by the drum,<\/p>\n<p>like a wild heifer escaping the weight of the yoke:<\/p>\n<p>The agile <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1624\">Gallae<\/a> follow their swift-footed leader.<\/p>\n<p>Then, since wearied, foodless, they reach <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_170\">Cybele<\/a>\u2019s grove,<\/p>\n<p>they\u2019re seized by sleep from their excessive labours.<\/p>\n<p>Dull tiredness overwhelms eyes giving way to languor:<\/p>\n<p>mad frenzy vanishes in the calm of gentle breath.<\/p>\n<p>But when the Sun\u00a0from his golden face scanned the bright<\/p>\n<p>heavens with radiant eye, the harsh earth, and wild sea,<\/p>\n<p>and dispelled the shadows of night with his lively steeds,<\/p>\n<p>then the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_189\">Grace<\/a>, Pasithea, takes swift Sleep, flying<\/p>\n<p>from the waking <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1623\">Attis<\/a>, to her beating heart.<\/p>\n<p>So, rapidly, from sweet dream and free of madness,<\/p>\n<p><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1623\">Attis<\/a> recollected his actions in his thoughts,<\/p>\n<p>and saw with a clear heart what and where he had been,<\/p>\n<p>turning again with passionate mind to the sea.<\/p>\n<p>There gazing at the wide waters with tearful eyes<\/p>\n<p>he raised his voice and sadly bemoaned his homeland:<\/p>\n<p>&#8220;Land that fathered me, land that mothered me,<\/p>\n<p>I, who left you so sadly, have reached the groves of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_187\">Ida<\/a>,<\/p>\n<p>like a slave fleeing his master, so am I among<\/p>\n<p>snows, and the frozen lairs of wild creatures,<\/p>\n<p>and should I in madness enter one of their dens<\/p>\n<p>where would I think to find you buried in those places?<\/p>\n<p>The keen eye itself desires to turn itself towards you,<\/p>\n<p>while my thoughts are free of the wild creatures for a while.<\/p>\n<p>Have I been brought from my distant home for this grove?<\/p>\n<p>Shall I lose country, possessions, friends, kin?<\/p>\n<p>Shall I lose forum, wrestling ring, stadium and gymnasium?<\/p>\n<p>Sorrow on sorrow, again and again complaint in the heart.<\/p>\n<p>What form have I not been, what have I not performed?<\/p>\n<p>I a woman, I a young man, a youth, a boy,<\/p>\n<p>I the flower of the athletes, the glory of the wrestling ring:<\/p>\n<p>my doorway frequented, my threshold warm,<\/p>\n<p>my house was garlanded with wreaths of flowers,<\/p>\n<p>at the dawn separation from my bed.<\/p>\n<p>Now am I brought here priest and slave of divine <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_170\">Cybele<\/a>?<\/p>\n<p>I, to be <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenad<\/a>: a part of myself: a sterile man?<\/p>\n<p>I to worship on green <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_187\">Ida<\/a> in a place cloaked in frozen snow?<\/p>\n<p>I to live my life beneath the high summits of Phrygia,<\/p>\n<p>where deer haunt the woods, where the wild boar roams?<\/p>\n<p>Now I grieve for what I did, now I repent.&#8221;<\/p>\n<p>As the swift sounds leave his rosy lips<\/p>\n<p>the fresh words reach the twin ears of the goddess,<\/p>\n<p>as <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_170\">Cybele<\/a> is loosing the lions from their yoke<\/p>\n<p>and goading the left-hand beast: she spoke to it,<\/p>\n<p>saying, &#8220;Go now, be fierce, so you make him mad, so he<\/p>\n<p>is forced to return to the grove by the pain of his madness,<\/p>\n<p>he who desires to escape my rule so freely.<\/p>\n<p>Let your tail wound your back, let the lashes show,<\/p>\n<p>make the whole place echo to your bellowing roar,<\/p>\n<p>shake your red mane fiercely over your taut neck.&#8221;<\/p>\n<p>So <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_170\">Cybele<\/a> spoke in threat and loosened the leash.<\/p>\n<p>The wild beast, urging itself to speed, roused in spirit,<\/p>\n<p>tore away, roared, broke madly through the thickets.<\/p>\n<p>and when it reached the wet margin of the white sands,<\/p>\n<p>and saw delicate <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1623\">Attis<\/a> near to the ocean waves,<\/p>\n<p>it charged. He fled maddened to the wild wood:<\/p>\n<p>there to be ever enslaved, for the rest of his life.<\/p>\n<p>Goddess, Great Goddess, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_170\">Cybele<\/a>, Lady of Dindymus,<\/p>\n<p>Mistress, let all your anger be far from my house:<\/p>\n<p>make others aroused, make other men raving mad.<\/p>\n<p>&nbsp;<\/p>\n<p>Taken from: <a href=\"https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/Catullus.php#anchor_Toc531846788\">https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/Catullus.php#anchor_Toc531846788<\/a><\/p>\n<p class=\"text-center\">Translated by A. S. Kline \u00a9\u00a0<a title=\"Copyright\" href=\"https:\/\/www.poetryintranslation.com\/Admin\/Copyright.php\">Copyright<\/a> 2001 All Rights Reserved<\/p>\n<\/div>\n<h2><a id=\"bacchusandliber\"><\/a>Bacchus and Liber<\/h2>\n<div class=\"textbox shaded\">\n<h3><a id=\"horaceodes\"><\/a>Horace,\u00a0<em>Odes<\/em>, Book 2 (trans. A. S. Kline, adapted by L. Zhang and P. Rogak)<\/h3>\n<h4>Latin lyrical poem, 1st century BCE<\/h4>\n<div class=\"textbox\">Around the same time as Catullus, the Roman poet Horace wrote this poem describing the Roman version of Dionysus, called Bacchus. Bacchus combines elements of the Greek Dionysus and the Phrygian Cybele with elements of the native Italian god, Liber.<\/div>\n<p>&nbsp;<\/p>\n<p>[2:19 To Bacchus] I saw Bacchus on distant cliffs &#8211; believe me,<\/p>\n<p>O history- he was teaching songs there,<\/p>\n<p>and the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_217\">Nymphs<\/a> were learning them, and all<\/p>\n<p>the goat-footed <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_372\">Satyrs<\/a> with pointed ears.<\/p>\n<p>Evoe!<a class=\"footnote\" title=\"The exclamation &quot;evoe&quot; is associated with ecstatic worship of Dionysus, and with being in a Bacchic frenzy.\" id=\"return-footnote-45-2\" href=\"#footnote-45-2\" aria-label=\"Footnote 2\"><sup class=\"footnote\">[2]<\/sup><\/a> My mind fills with fresh fear, my heart<\/p>\n<p>filled with Bacchus, is troubled, and violently<\/p>\n<p>rejoices. Evoe! Spare me, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_371\">Liber<\/a>,<\/p>\n<p>dreaded for your mighty <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a>, spare me.<\/p>\n<p>It\u2019s right to sing of the willful <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchantes<\/a>,<\/p>\n<p>the fountain of wine, and the rivers of milk,<\/p>\n<p>to sing of the honey that\u2019s welling,<\/p>\n<p>and sliding down from the hollow tree-trunks:<\/p>\n<p>It\u2019s right to sing of your bride turned goddess, your<\/p>\n<p><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1632\">Ariadne<\/a>, crowned among stars: the palace<\/p>\n<p>of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, shattered in ruins,<\/p>\n<p>and the ending of Thracian <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1633\">Lycurgus<\/a>.<\/p>\n<p>You direct the streams, and the barbarous sea,<\/p>\n<p>and on distant summits, you drunkenly tie<\/p>\n<p>the hair of the Bistonian women,<\/p>\n<p>with harmless knots made of venomous snakes.<\/p>\n<p>When the impious army of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_601\">Giants<\/a> tried<\/p>\n<p>to climb through the sky to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Jupiter<\/a>\u2019s kingdom,<\/p>\n<p>you hurled back Rhoetus, with the claws<\/p>\n<p>and teeth of the terrifying lion.<\/p>\n<p>Though you\u2019re said to be more suited to dancing,<\/p>\n<p>laughter, and games, and not equipped to suffer<\/p>\n<p>the fighting, nevertheless you shared<\/p>\n<p>the thick of battle as well as the peace.<\/p>\n<p><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1228\">Cerberus<\/a> saw you, unharmed, and adorned<\/p>\n<p>with your golden horn, and, stroking you gently,<\/p>\n<p>with his tail, as you departed, licked<\/p>\n<p>your ankles and feet with his triple tongue.<\/p>\n<p>&nbsp;<\/p>\n<p>Taken from: <a href=\"https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/HoraceOdesBkII.php#anchor_Toc39742793\">https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/HoraceOdesBkII.php#anchor_Toc39742793<\/a><\/p>\n<p class=\"text-center\">Translated by A. S. Kline \u00a9\u00a0<a title=\"Copyright\" href=\"https:\/\/www.poetryintranslation.com\/Admin\/Copyright.php\">Copyright<\/a> 2003 All Rights Reserved.<\/p>\n<\/div>\n<h2><a id=\"bacchae\"><\/a>The <em>Bacchae<\/em><\/h2>\n<div>\n<div class=\"textbox shaded\">\n<h3><a id=\"Bacchae\"><\/a>Euripides, <em>Bacchae<\/em> (trans. T. A. Buckley, adapted by P. Rogak)<\/h3>\n<h4>Greek tragedy, ca. 405 BCE<\/h4>\n<h5>[content warning for the following source: violence, gore (735-775, 1115-1150), ableist language, themes and motifs that deal with queer-oriented violence]<\/h5>\n<div class=\"textbox\">The longest source for the mythology of Dionysus that we have from the ancient world is this tragic play written by Euripides and performed at Athens in 405 BCE. It tells the story of what happens when Dionysus returns to Thebes (the home city of his mother) after traveling around Asia. The play engages with Dionysus&#8217; role as the god of theatre for the Athenians. It also explores his status as a gender-bending\/ gender-ambiguous deity.<\/div>\n<h6>DIONYSUS:<\/h6>\n<p>I, the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, have come to this land of the Thebans\u2014Dionysus, whom once <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>&#8216; daughter, birthed, delivered by a lightning-bearing flame. And having taken a mortal form instead of a god&#8217;s, [5] I am here at the fountains of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1477\">Dirce<\/a> and the water of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_911\">Ismenus<\/a>. And I see the tomb of my thunder-stricken mother here near the palace, and the remnants of her house, smouldering with the still living flame of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>&#8216; fire, the everlasting insult of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_185\">Hera<\/a> against my mother. [10] I praise <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>, who has made this place hallowed, the shrine of his daughter; and I have covered it all around with the grapevines.<\/p>\n<p>I have left the wealthy lands of the Lydians and Phrygians, the sun-parched plains of the Persians, [15] and the Bactrian walls, and have passed over the wintry land of the Medes, and blessed Arabia, and all of Asia which lies along the coast of the salt sea with its beautifully-towered cities full of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_2276\">Hellenes<\/a> and barbarians mingled together; [20] and I have come to this <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_2276\">Hellene<\/a> city first, having already set those other lands to dance and established my mysteries there, so that I might be a deity manifest among men. In this land of Hellas [Greece], I have first awoken <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a> to my cry, fitting a fawn-skin to my body and [25] taking a <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a> in my hand, a weapon of ivy. For my mother&#8217;s sisters, the ones who least should, claimed that I, Dionysus, was not the child of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, but that <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a> had conceived a child from a mortal father and then ascribed the sin of her bed to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, [30] a trick of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>&#8216;, for which they boasted that <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> killed her, because she had told a false tale about her marriage. Therefore I have goaded them from the house in frenzy, and they dwell in the mountains, out of their wits; and I have compelled them to wear the outfit of my mysteries. [35] And all the female offspring of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>, as many as are women, I have driven maddened from the house, and they, mingled with the daughters of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>, sit on roofless rocks beneath green pines. For this city must learn, even if it is unwilling, [40] that it is not initiated into my Bacchic rites, and that I plead the case of my mother, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>, in appearing manifest to mortals as a divinity whom she bore to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>.<\/p>\n<p>Now <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> has given his honour and power to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, his daughter&#8217;s son, [45] who fights against the gods as far as I am concerned and drives me away from sacrifices, and in his prayers makes no mention of me, for which I will show him and all the Thebans that I was born a god. And when I have set matters here right, I will move on to another land, [50] to show my power. But if ever the city of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a> should in anger seek to drive the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a> down from the mountains with weapons, I, the general of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a>, will join in battle with them. For this I have changed my form to a mortal one and altered my shape into the appearance of a man.<\/p>\n<p>[55] But, you women who have left Tmolus, the bulwark of Lydia, my sacred band, whom I have brought from among the barbarians as assistants and companions to me, take your drums, native instruments of the city of the Phrygians, the invention of mother <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_170\">Rhea<\/a> and myself, [60] and walk around this palace of Pentheus and beat them, so that <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>&#8216; city may see. I myself will go to the folds of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithairon<\/a>, where the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a> are, to share in their dances.<\/p>\n<h6>CHORUS:<\/h6>\n<p>From the land of Asia, [65] having left sacred Tmolus, I am swift to perform for <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a> my sweet labor and work without complaint, celebrating the god Bacchus. Who is in the way? Who is in the way? Who? Let him get out of the way indoors, and let everyone keep his mouth pure, [70] speaking favourable things. For I will celebrate Dionysus with hymns according to eternal custom.<\/p>\n<p>Blessed is he who, being fortunate and knowing the rites of the gods, keeps his life pure and [75] has his soul initiated into the Bacchic revels, dancing in inspired frenzy over the mountains with holy purifications, and who, revering the mysteries of great mother <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_170\">Kybele<\/a>, [80] brandishing the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a>, garlanded with ivy, serves Dionysus.<\/p>\n<p>Go, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>, go, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>, escorting the god <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a>, child of a god, [85] from the Phrygian mountains to the broad streets of Hellas\u2014<a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a>,<\/p>\n<p>Whom once, having great birth pains, [90] the thunder of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> descending upon her, his mother cast from her womb, dying by the stroke of a thunderbolt. Immediately <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_169\">Kronos<\/a>&#8216; son, [95] received him in a chamber fit for birth, and having buried him in his thigh shut him up with golden clasps, hidden from <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_185\">Hera<\/a>.<\/p>\n<p>And he brought forth, when the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_605\">Fates<\/a> [100] had perfected him, the bull-horned god, and he crowned him with crowns of snakes, for which reason <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a> cloak their wild prey over their locks.<\/p>\n<p>[105] O <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>, nurse of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>, crown yourself with ivy, flourish, flourish with the verdant yew bearing sweet fruit, and crown yourself in honour of Bacchus with branches of oak [110] or pine. Adorn your garments of spotted fawn-skin with fleeces of white sheep, and play in holy games with insolent <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsoi<\/a>. At once all the earth will dance\u2014 [115] whoever leads the sacred band is <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a>\u2014to the mountain, to the mountain, where the crowd of women waits, lured away from their weaving by Dionysus.<\/p>\n<p>[120] O secret chamber of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_926\">Kouretes<\/a>, and you holy Cretan caves, parents to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, where the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_926\">Korybantes<\/a> with triple helmet invented for me in their caves this circle, covered with stretched hide; and in their excited revelry they paired it with the sweet-voiced breath of Phrygian pipes and handed it over to mother <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_170\">Rhea<\/a>, resounding with the sweet songs of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>; [130] nearby, raving <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_372\">Satyrs<\/a> were fulfilling the rites of the mother goddess, and they joined it to the dances of the biennial [every 2 years] festivals, in which Dionysus rejoices.<\/p>\n<p>[135] He is joyful in the mountains, whenever after the running dance he falls on the ground, wearing the sacred garment of fawn skin, hunting the blood of the slain goat, a raw-eaten delight, rushing to the [140] Phrygian, the Lydian mountains, and the leader of the dance is <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a>, evoe! The plain flows with milk, it flows with wine, it flows with the nectar of bees. [145] The Bacchic one, raising the flaming torch of pine on his <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a>, like the smoke of Syrian incense, darts about, arousing the wanderers with his racing and dancing, agitating them with his shouts, [150] tossing his luxurious hair in the wind. And among the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenad<\/a> cries his voice rings deep: \u201cGo, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>, go, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>, with the luxury of Tmolus that flows with gold, [155] sing of Dionysus, beneath the heavy beat of drums, celebrating in delight the god of delight with Phrygian shouts and cries, [160] when the sweet-sounding sacred pipe sounds a sacred playful tune suited [165] to the wanderers, to the mountain, to the mountain!\u201d And the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchante<\/a>, rejoicing like a foal with its grazing mother, moves her swift foot in a playful dance.<\/p>\n<h6>TEIRESIAS:<\/h6>\n<p>[170] Who is at the gates? Call from the house <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>, son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1727\">Agenor<\/a>, who leaving the city of Sidon built this towering city of the Thebans. Let someone go and announce that <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_929\">Teiresias<\/a> is looking for him. He knows why I have come and [175] what agreement I, an old man, have made with him, older still: to carry the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsoi<\/a>, to wear fawn-skins, and to crown our heads with ivy branches.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Dearest friend, for inside the house I heard and recognized your wise voice, the voice of a wise man: [180] I have come prepared with this equipment of the god. For we must praise him, the child of my daughter, [Dionysus, who has appeared as a god to men] as much as is in our power. Where must I dance, where set my feet [185] and shake my grey head? Show me the way, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_929\">Teiresias<\/a>, one old man leading another; for you are wise. And so I shall never tire, night or day, of striking the ground with the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a>. Gladly I have forgotten that I am old.<\/p>\n<h6>TEIRESIAS:<\/h6>\n<p>Then you and I have the same feelings, [190] for I too feel young and will try to dance.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Then will we go to the mountain in a chariot?<\/p>\n<h6>TEIRESIAS:<\/h6>\n<p>But then the god would not have equal honour.<\/p>\n<h6>CADMUS:<\/h6>\n<p>I, an old man, will lead you, an old man, like a pupil.<\/p>\n<h6>TEIRESIAS:<\/h6>\n<p>The god will lead us there without trouble.<\/p>\n<h6>CADMUS:<\/h6>\n<p>[195] Are we the only ones in the city who will dance in Bacchus&#8217; honour?<\/p>\n<h6>TEIRESIAS:<\/h6>\n<p>Yes, for we alone think rightly, the rest wrongly.<\/p>\n<h6>CADMUS:<\/h6>\n<p>The delay is long; come, take hold of my hand.<\/p>\n<h6>TEIRESIAS:<\/h6>\n<p>Here, take hold, and join your hand with mine.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Because I was born mortal, I do not scorn the gods.<\/p>\n<h6>TEIRESIAS:<\/h6>\n<p>[200] We mortals have no cleverness in the eyes of the gods. Our ancestral traditions, and those which we have held throughout our lives, no argument will ever convince us to abandon, not even if some craftiness should be discovered by the depths of our wits. Will anyone say that I do not respect old age, [205] being about to dance with my head covered in ivy? No, for the god has made no distinction as to whether it is right for men young or old to dance, but wishes to have the same treatment from all and to be worshipped, setting no one apart.<\/p>\n<h6>CADMUS:<\/h6>\n<p>[210] Since you do not see this light, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_929\">Teiresias<\/a>, I will be your interpreter. <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, child of Echion, to whom I gave control of this land, is coming here to the house now in haste. How flustered he is! What new matter will he tell us?<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[215] I happened to be at a distance from this land, when I heard of strange evils throughout this city, that the women have left our homes in contrived Bacchic rites, and rush about in the shadowy mountains, honouring with dances [220] this new deity Dionysus, whoever he is. I hear that mixing-bowls stand full in the midst of their assemblies, and that they each creep off different ways into secrecy to serve the beds of men, on the pretext that they are <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a> worshipping; [225] but they consider <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_882\">Aphrodite<\/a> before Bacchus.<\/p>\n<p>The ones I have caught, servants keep imprisoned in the public strongholds with their hands bound, and those that I have not caught yet I will hunt from the mountains, [I mean <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_931\">Ino<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a>, who bore me to Echion, and [230] <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_933\">Autonoe<\/a>, the mother of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_934\">Actaeon<\/a>.] And having bound them in iron restraints, I will soon stop them from this wicked celebration. And they say that some stranger has come, a sorcerer, a conjurer from the Lydian land, [235] fragrant in hair with golden curls, having in his eyes the wine-dark graces of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_882\">Aphrodite<\/a>. He is with the young girls day and night, tempting them with joyful mysteries. If I catch him within this house, [240] I will stop him from making a noise with the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a> and from shaking his hair, by cutting his head off.<\/p>\n<p>That one claims that Dionysus is a god, claims that he was once stitched into the thigh of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>\u2014Dionysus, who was burnt up with his mother by the flame of lightning, [245] because she had falsely claimed a marriage with <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>. Is this not worthy of a terrible death by hanging, for a stranger to insult me with these insults, whoever he is?<\/p>\n<p>But here is another wonder\u2014I see <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_929\">Teiresias<\/a> the soothsayer in dappled fawn-skins [250] and my mother&#8217;s father\u2014a great absurdity\u2014raging about with a <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a>. I shrink, father, from seeing your old age without wisdom. Won&#8217;t you cast away the ivy? Grandfather, will you not free your hand of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a>? [255] You persuaded him to this, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_929\">Teiresias<\/a>. Do you wish, by introducing another new god to men, to examine birds and receive rewards for sacrifices? If your gray old age did not defend you, you would sit in chains in the midst of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>, [260] for introducing wicked rites. Because when women drink wine at a feast, none of their rites is healthy anymore.<\/p>\n<h6>CHORUS LEADER:<\/h6>\n<p>Oh, what impiety! O stranger, do you not reverence the gods and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> who sowed the earth-born crop?<a class=\"footnote\" title=\"Refers to a myth in which Cadmus plants the teeth of a dragon in the ground. Five grown men (including Echion), called spartoi, are born from the earth where he sowed the teeth.\" id=\"return-footnote-45-3\" href=\"#footnote-45-3\" aria-label=\"Footnote 3\"><sup class=\"footnote\">[3]<\/sup><\/a> [265] Do you, the child of Echion, bring shame to your race?<\/p>\n<h6>TEIRESIAS:<\/h6>\n<p>Whenever a wise man has a chance to speak, it is not difficult to speak well. You have a rapid tongue as though you were sensible, but there is no sense in your words. [270] A man powerful in his boldness, one capable of speaking well, becomes a bad citizen in his lack of sense. This new god, whom you ridicule, I am unable to express how great he will be throughout Hellas. For two things, young man, [275] are first among men: the goddess <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_351\">Demeter<\/a>\u2014she is the earth, but call her whatever name you wish; she nourishes mortals with dry food; but he who came afterwards, the offspring of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>, discovered something as good, the liquid drink of the grape, and introduced it [280] to mortals. It releases wretched mortals from grief, whenever they are filled with the stream of the vine, and gives them sleep, a means of forgetting their daily troubles, and there is no other cure for hardships. He is a god, and receives as many offerings as any of the gods, [285] so that by his power people may have good things.<\/p>\n<p>And do you laugh at him, because he was sewn up in <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>&#8216; thigh? I will teach you that this is true: when <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> snatched him out of the lighting-flame, and led the child as a god to Olympus, [290] Hera wished to banish him from the sky, but <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, as a god, had a plan. He broke off a part of the air which surrounds the earth, the ether, and he gave this to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_185\">Hera<\/a> as a pledge to calm her. &lt;This protected the real&gt; Dionysus from her hostility. But in time, [295] mortals say that he was nourished in the thigh of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, changing the word, because a god he had served as a hostage for the goddess <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_185\">Hera<\/a>, and composing the story.<a class=\"footnote\" title=\"Because part of the story is missing, the details are unclear. Most translations agree that Zeus made a model of Dionysus to give over to Hera so that the real one would be unharmed. Bohn suggests that the &quot;thigh&quot; story emerged because of the similarity between the Greek words for &quot;thigh&quot; and &quot;hostage&quot;.\" id=\"return-footnote-45-4\" href=\"#footnote-45-4\" aria-label=\"Footnote 4\"><sup class=\"footnote\">[4]<\/sup><\/a><\/p>\n<p>But this god is a prophet\u2014for Bacchic revelry and madness have in them much prophetic skill. [300] For whenever the god enters a body in full force, he makes them able to foretell the future. He also possesses a share of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_179\">Ares<\/a>&#8216; nature. For terror sometimes shakes an army and disrupts its ranks before it even touches a spear; [305] and this too is a frenzy from Dionysus. You will see him also on the rocks of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_945\">Delphi<\/a>, bounding with torches through the highland of two peaks, leaping and shaking the Bacchic branch, mighty throughout Hellas. But believe me, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>; [310] do not boast that sovereignty has power among men, nor, even if you think so, and your mind is diseased, believe that you are being at all wise. Receive the god into your land, pour libations to him, celebrate the Bacchic rites, and garland your head.<\/p>\n<p>Dionysus will not compel women [315] to be consumed by the power of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_882\">Aphrodite<\/a>, because modesty is always in their nature. For she who is modest will not be corrupted in Bacchic revelry. Do you see? You rejoice whenever many people are at your gates, [320] and the city praises the name of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>. He too, I think, delights in being honoured. <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>, whom you mock, and I will crown our heads with ivy and dance, a gray[-haired] yoke-team but still we must dance; [325] and I will not be persuaded by your words to fight against the god. For you are mad in a most grievous way, and you will not be cured by drugs, because it is not lack of medicine that makes you sick.<\/p>\n<h6>CHORUS LEADER:<\/h6>\n<p>Old man, you do not shame <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_946\">Phoebus<\/a> with your words, and by honouring Dionysus, a great god, you are prudent.<\/p>\n<h6>CADMUS:<\/h6>\n<p>[330] My child, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_929\">Teiresias<\/a> has advised you well. Join with us, do not stray from the laws. For now you flit about and have thoughts without thinking. Even if, as you say, he is not a god, call him one; and tell a glorious falsehood, [335] so that <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a> might seem to have borne a god, and honour might come to all our race. You see the wretched fate of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_934\">Actaeon<\/a>, who was torn apart in the meadows by the blood-thirsty hounds he had raised, [340] having boasted that he was superior in the hunt to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_180\">Artemis<\/a>. May you not suffer this. Come, let me crown your head with ivy; honour the god along with us.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Don&#8217;t lay a hand on me! Go off and hold your revels, but don&#8217;t wipe your foolishness off on me. I will seek the punishment of this [345] teacher of your folly. Let someone go quickly to the seat where he watches the flights of birds, upset and overturn it with levers, turning everything upside down; [350] and release his garlands to the winds and storms. In this way I will especially wound him. And some of you hunt throughout the city for this effeminate stranger, who introduces a new disease to women and pollutes our beds. [355] If you catch him, bring him here bound, so that he might suffer as punishment a death by stoning, having seen a bitter Bacchic revelry in <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>.<\/p>\n<h6>TEIRESIAS:<\/h6>\n<p>O wretched man, how little you know what you are saying! You are mad now, and even before you were out of your wits. [360] Let us go, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>, and entreat the god, on behalf of him, though he is savage, and on behalf of the city, to do no ill. But follow me with the ivy-clad staff, and try to support my body, and I will try to support yours; [365] it would be shameful for two old men to fall down. But let that pass, for we must serve Bacchus, the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>. Beware lest <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> bring trouble to your house, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>; I do not speak in prophecy, but judging from the state of things; for a foolish man speaks foolishness.<\/p>\n<h6>CHORUS:<\/h6>\n<p>[370] Holiness, queen of the gods, Holiness, who bears your golden wings along the earth, do you hear these words from <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>? Do you hear his unholy [375] insolence against <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a>, the child of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>, the first deity of the gods at the banquets where guests wear beautiful garlands? He holds this office, to join in dances, [380] to laugh with the flute, and to bring an end to cares, whenever the delight of the grape comes at the feasts of the gods, and in ivy-bearing banquets [385] the goblet sheds sleep over men.<\/p>\n<p>Misfortune is the result of careless mouths and lawless foolishness; but the life of quiet [390] and wisdom remains unshaken and holds houses together. Though they live far off in the heavens, the gods see the deeds of mortals. [395] But cleverness is not wisdom, nor is thinking on things unfit for mortals. Life is short, and on this account the one who pursues great things does not achieve that which is present. In my opinion, [400] these are the ways of mad and ill-advised men.<\/p>\n<p>Would that I could go to Cyprus, the island of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_882\">Aphrodite<\/a>, where the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_947\">Loves<\/a>, who soothe [405] mortals&#8217; hearts, live, and to Paphos, fertilized without rain by the streams of a foreign river flowing with a hundred mouths. Lead me there, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a>, god of joy who leads the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>, [410] to Pieria, beautiful seat of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_348\">Muses<\/a>, the holy slope of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_628\">Olympus<\/a>. There are the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_189\">Graces<\/a>, there is <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_161\">Desire<\/a>; there it is [415] lawful for the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a> to celebrate their rites.<\/p>\n<p>The god, the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, delights in banquets, and loves <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_948\">Peace<\/a>, giver of riches, [420] goddess who nourishes youths. To the lucky and to the unlucky, he gives an equal pleasure from wine that removes sadness. He hates the one who does not care about [425] leading a happy life by day and friendly night, or about to keeping their wise mind and intellect away from over-curious men. [430] What the common people think and adopt, that would I accept.<\/p>\n<p><em>Enter a servant<\/em><\/p>\n<h6>SERVANT:<\/h6>\n<p><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, we are here, having caught this prey [435] for which you sent us, and we did not hunt him in vain. This beast was docile in our hands and did not run away, but yielded not unwillingly. He did not turn pale or change the wine-dark complexion of his cheek, but laughed and allowed us to bind him and lead him away. [440] He remained still, making my work easy, and I in shame said: \u201cStranger, I do not lead you away willingly, but by order of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, who sent me.\u201d<\/p>\n<p>And the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae <\/a> whom you shut up, whom you carried off and bound in the chains of the public prison, [445] are set loose and gone, and are frolicking in the meadows, invoking <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a> as their god. Of their own accord, the chains were released from their feet and keys opened the doors without human hands. This man has come to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a> [450] full of many wonders. You must take care of the rest.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Release his hands, for now that he is caught he is not fast enough to escape me. [<em>(To Dionysus)<\/em>]\u00a0But your body is not unattractive, stranger, for women&#8217;s purposes, for which reason you have come to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>. [455] For your hair is long (but not because of neglect), scattered over your cheeks, full of desire; and you have a white skin from careful preparation, hunting after <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_882\">Aphrodite<\/a> by your beauty not exposed to strokes of the sun, but beneath the shade. [460] First then tell me who your family is.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>I can tell you this easily, without boasting. I suppose you are familiar with flowery Tmolus.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>I know of it; it surrounds the city of Sardis.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>I am from there, and Lydia is my homeland.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[465] Why do you bring these rites to Hellas?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Dionysus, the child of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, sent me.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Is there a <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> who breeds new gods there?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>No, but the one who married <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a> here.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Did he compel you in darkness, or did you see him?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[470] Seeing me just as I saw him, he gave me sacred rites.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>What appearance do your rites have?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>They cannot be told to mortals uninitiated in Bacchic revelry.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>And do they have any profit to those who sacrifice?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>It is not lawful for you to hear, but they are worth knowing.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[475] You have set this up well, so that I want to hear.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>The rites are hostile to whoever practices impiety.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Are you saying that you saw clearly what the god was like?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>He was as he chose; I did not order this.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Again you diverted my question well, speaking only nonsense.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[480] One will seem to be foolish if he speaks wisely to an ignorant man.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Did you come here first, bringing the god?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>All the barbarians celebrate these rites.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Yes, for they are far more foolish than <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_2276\">Hellenes<\/a>.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>In this at any rate they are wiser; but their laws are different.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[485] Do you perform the rites by night or by day?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Mostly by night; darkness conveys awe.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>This is treacherous towards women, and unsound.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Even during the day someone may do something shameful.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>You must pay the penalty for your evil inventions.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[490] And you for your ignorance and impiety toward the god.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>How bold the Bacchant is, and not bad at speaking!<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Tell me what I must suffer; what harm will you do to me?<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>First I will cut off your delicate hair.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>My hair is sacred. I am growing it for the god.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[495] Next give me this <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a> from your hands.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Take it from me yourself. I bear it as the symbol of Dionysus.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>We will guard your body within, in prison.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>The god himself will release me, whenever I want.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Yes, when you call him, standing among the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[500] Even now he sees my sufferings from close by.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Where is he? He is not visible to my eyes.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Near me; but you, being impious, do not see him.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p><em>(To attendants) <\/em>Seize him; he insults me and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>!<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>I warn you not to bind me, since I am sane and you are not.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[505] And I, stronger than you, bid them to bind you.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>You do not know why you live, or what you are doing, or who you are.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>I am <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, son of Echion and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a>.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>You are well-suited to be miserable in your name.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Go. <em>(To attendants)<\/em> Shut him up near the horse [510] stable, so that he may see only darkness. <em>(To Dionysus) <\/em>Dance there; and as for these women whom you have led here as accomplices to your crimes, we will either sell them or, to stop their hands from making this noise and from beating of [drum]skins, I will keep them as slaves at the loom.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[515] I will go, for I need not suffer that which is not necessary. But Dionysus, who you claim does not exist, will pursue you for these insults. For in injuring us, you put him in bonds.<\/p>\n<h6>CHORUS:<\/h6>\n<p>. . . Daughter of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_774\">Achelous<\/a>, [520] venerable <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1477\">Dirce<\/a>, happy virgin, you once received the child of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> in your streams, when <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> his father snatched him up from the immortal fire and saved him in his thigh, [525] crying out: \u201cGo, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_949\">Dithyrambus<\/a>, enter this my male womb. I will make you illustrious, Bacchus, in <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>, so that they will call you by this name.\u201d [530] But you, blessed <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_1477\">Dirce<\/a>, reject me with my garland-bearing company about you. Why do you refuse me, why do you flee me? I swear by the cluster-bearing [535] delight of Dionysus&#8217; vine that you will have a care for <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a>.<\/p>\n<p>What rage, what rage does the earth-born race show, and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, [540] once descended from a serpent\u2014<a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, whom earth-born Echion bore, a fierce monster, not a mortal man, but like a bloody giant, hostile to the gods. [545] He will soon bind me, the hand-maid of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a>, in chains, and he already holds my fellow-reveler within the house, hidden in a dark prison. [550] Do you see this, O Dionysus, son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, your priests in the dangers of restraint? Come, lord, down from <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_628\">Olympus<\/a>, brandishing your golden <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a>, [555] and restrain the insolence of the blood-thirsty man.<\/p>\n<p>Where on <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_607\">Nysa<\/a>, which nourishes wild beasts, or on the heights of Corycus, do you lead with your <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a> the bands of revelers? [560] Perhaps in the deep-wooded lairs of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_628\">Olympus<\/a>, where <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_950\">Orpheus<\/a> once playing the lyre drew together trees by his songs, drew together the beasts of the fields. [565] Blessed Pieria, the Joyful one [Dionysus] reveres you and will come to lead the dance in revelry; having crossed the swiftly flowing <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_951\">Axius<\/a> he will bring the [570] whirling <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a>, leaving Lydias, giver of wealth to mortals, the father who they say fertilizes the land of beautiful horses<a class=\"footnote\" title=\"The &quot;land of beautiful horses&quot; likely refers to Cappadocia, a region in what is now eastern Turkey. Dionysus has travelled west from Cappadocia and Lydia (around the north coast of the Aegean) and down to Thebes.\" id=\"return-footnote-45-5\" href=\"#footnote-45-5\" aria-label=\"Footnote 5\"><sup class=\"footnote\">[5]<\/sup><\/a> with [575] fairest streams.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p><em>(Within)<\/em> Io! Hear my voice, hear it, Io <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>, Io <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>!<\/p>\n<h6>CHORUS:<\/h6>\n<p>Who is here, who? From what quarter did the voice of the Joyful one summon me?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[580] Io! Io! I say again; it is I, the child of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>.<\/p>\n<h6>CHORUS:<\/h6>\n<p>Io! Io! Master, master! Come now to our company, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a>.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[585] Shake the world&#8217;s plain, lady Earthquake!<\/p>\n<h6>CHORUS:<\/h6>\n<p>Oh! Oh! Soon the palace of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> will be shaken in ruin.<\/p>\n<p>[<em>Each of the lines marked by a &#8220;\u2014&#8221; is delivered by a different member of the Chorus.<\/em>]<\/p>\n<p>\u2014Dionysus is in the halls. [590] Revere him.<\/p>\n<p>\u2014We revere him!<\/p>\n<p>\u2014Did you see these stone lintels on the pillars falling apart? <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a> cries out in victory indoors.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Light the fiery lamp of lightning! [595] Burn, burn <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>&#8216; home!<\/p>\n<h6>CHORUS:<\/h6>\n<p>Oh! Oh! Do you not see the fire, do you not perceive, about the sacred tomb of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_908\">Semele<\/a>, the flame that <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>&#8216; thunderbolt left? [600] Cast on the ground your trembling bodies, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a>, cast them down, for our lord, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>&#8216; son, is coming against this palace, turning everything upside down.<\/p>\n<p><em>Enter Dionysus<\/em><\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Barbarian women, have you fallen on the ground [605] so stricken with fear? You have, so it seems, felt Bacchus shaking the house of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>. But get up and take courage, and stop trembling.<\/p>\n<h6>CHORUS LEADER:<\/h6>\n<p>Oh greatest light for us in our joyful revelry, how happy I am to see you\u2014I who was alone and desolate before.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[610] Did you despair when I was sent to fall into <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>&#8216; dark dungeon?<\/p>\n<h6>CHORUS LEADER:<\/h6>\n<p>How not? Who would be my guardian, if something bad were to happened to you? But how were you freed, having met with an impious man?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>By I saved myself easily, without trouble.<\/p>\n<h6>CHORUS LEADER:<\/h6>\n<p>[615] Didn\u2019t he tie your hands in binding knots?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>In this too I made a fool of him: he thought he was binding me, but he did not touch or handle me, only believed he did because of hopeful delusion. He found a bull by the stable where he took and shut me up, and threw shackles around its knees and hooves, [620] breathing out fury, dripping sweat from his body, gnashing his teeth in his lips. But I, being near, sitting quietly, looked on. Meanwhile, Bacchus came and shook the house and started a flame on his mother&#8217;s tomb. When <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> saw this, thinking that the house was burning, [625] he ran here and there, calling to the slaves to bring water, and every servant was at work, working to no effect.<\/p>\n<p>Then he gave up this work, because I had escaped, and snatching a dark sword rushed into the house. Then <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a>, so it seems to me\u2014I speak my opinion\u2014 [630] created a phantom in the courtyard. <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> rushed at it headlong, stabbing at the shining air, as though slaughtering me. Besides this, Bacchus inflicted other damage on him: he knocked his house to the ground, and everything was shattered into pieces, because he saw my bitter chains. From fatigue, [635] dropping his sword, he [ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> ] is exhausted. For he, a man, dared to join battle with a god. Now I have quietly left the house and come to you, with no thought of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>.<\/p>\n<p>But I think\u2014at any rate I hear the tramping of feet inside\u2014he will soon come to the front of the house. What will he say after this? [640] I shall easily tolerate him, even if he comes boasting greatly. For it is the job of a wise man to practice restrained good temper.<\/p>\n<p><em>Enter Pentheus<\/em><\/p>\n<h6>PENTHEUS:<\/h6>\n<p>I have suffered terrible things; the stranger, who was recently constrained in bonds, has escaped me. Ah! [645] Here is the man. What is this? How do you appear in front of my house, having come out?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Stop, and put a stop to your anger.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>How have you escaped your chains and come outside?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Did I not say\u2014or did you not hear\u2014that someone would free me?<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[650] Who? You are always introducing strange explanations.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>He who produces the rich-clustering vine for mortals.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>&lt;I do not respect this lawless god&gt;<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>You reproach Dionysus for what is his glory.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>I order you to close up all the towers around.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Why? Do gods not pass over walls too?<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[655] You are wise, wise at least in all save what you should be wise in.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>I was born wise in all that I should be.<\/p>\n<p><em>Enter a messenger<\/em><\/p>\n<p>Listen first to the words of this man, who has come from the mountain to bring you some message. I will await you, I will not try to escape.<\/p>\n<h6>MESSENGER:<\/h6>\n<p>[660] Pentheus, ruler of this land of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>, I have come from <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithairon<\/a>, where the bright flakes of white snow never melt.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>What important news do you come to bring?<\/p>\n<h6>MESSENGER:<\/h6>\n<p>Having seen the holy <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>, who [665] goaded to madness have run from this land with their lovely feet, I have come to tell you and the city, lord, that they are doing terrible things, beyond marvel. I wish to hear whether I should tell you in free speech the situation there or whether I should repress my report, [670] for I fear, lord, the quickness of your mood, your keen temper and your too imperious disposition.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Speak, as you will have immunity from me in any case. For it is not right to be angry with the just. The more you tell me terrible things about the Bacchae, [675] the more I will punish this one here who taught the women these tricks.<\/p>\n<h6>MESSENGER:<\/h6>\n<p>The herds of grazing cattle were just climbing up the hill, at the time when the sun sends forth its rays, warming the earth. [680] I saw three companies of dancing women, one of which <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_933\">Autonoe<\/a> led, the second your mother <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a>, and the third <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_931\">Ino<\/a>. All were asleep, their bodies relaxed, some resting their backs against pine foliage, [685] others laying their heads at random on the oak leaves, modestly, not as you say drunk with the goblet and the sound of the flute, hunting out <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_882\">Aphrodite<\/a> through the woods in solitude.<\/p>\n<p>Your mother raised a cry, [690] standing up in the midst of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>, to wake their bodies from sleep, when she heard the lowing of the horned cattle. And they, casting off refreshing sleep from their eyes, sprang upright, a marvel of orderliness to behold, old, young, and still unmarried virgins. [695] First they let their hair loose over their shoulders, and secured their fawn-skins, as many of them as had released the fastenings of their knots, tying the dappled hides with serpents licking their jaws. And some, holding in their arms a gazelle or wild [700] wolf-pup, gave them white milk, as many as had abandoned their new-born infants and had their breasts still swollen. They put on garlands of ivy, and oak, and flowering yew. One took her <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a> and struck it against a rock, [705] from which a dewy stream of water sprang forth. Another let her <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a> strike the ground, and there the god sent forth a fountain of wine. All who desired the white drink scratched the earth with the tips of their fingers and obtained streams of milk; [710] and a sweet flow of honey dripped from their ivy <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsoi<\/a>; so that, had you been present and seen this, you would have approached with prayers the god whom you now blame.<\/p>\n<p>We herdsmen and shepherds gathered in order to [715] debate with one another concerning what strange and amazing things they were doing. Someone, a wanderer about the city and practiced in speaking, said to us all: \u201cYou who inhabit the holy plains of the mountains, do you wish to hunt [720] <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>&#8216; mother <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a> out from the Bacchic revelry and do the king a favor?\u201d We thought he spoke well, and lay down in ambush, hiding ourselves in the foliage of bushes. They, at the appointed hour, began to wave the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a> in their revelries, [725] calling on Iacchus,<a class=\"footnote\" title=\"The name Iacchus usually refers to a minor god worshipped by cults of Demeter, but (as in this case) is sometimes used as a synonym for Bacchus because of the similarity of the names.\" id=\"return-footnote-45-6\" href=\"#footnote-45-6\" aria-label=\"Footnote 6\"><sup class=\"footnote\">[6]<\/sup><\/a> the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a>, with a united voice. The whole mountain reveled along with them and the beasts, and nothing was unmoved by their running.<\/p>\n<p><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a> happened to be leaping near me, and I sprang forth, wanting to snatch her, [730] abandoning the ambush where I had hidden myself. But she cried out: \u201cO my fleet hounds, we are hunted by these men; but follow me! follow armed with your <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsoi<\/a> in your hands!\u201d<\/p>\n<p>We fled and escaped [735] from being torn apart by the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>, but they, with unarmed hands, sprang on the heifers grazing on the grass. And you might see one rending asunder a fatted lowing calf, while others tore apart cows. [740] You might see ribs or cloven hooves tossed here and there; caught in the trees they dripped, dabbled in gore. Bulls who before were fierce, and showed their fury with their horns, stumbled to the ground, [745] dragged down by countless young hands. The garment of flesh was torn apart faster than you could blink your royal eyes. And like birds raised in their course, they proceeded along the level plains, which by the streams of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_2331\">Asopus<\/a> [750] produce the bountiful Theban crop. And falling like soldiers upon Hysiae and Erythrae, towns situated below the rock of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithairon<\/a>, they turned everything upside down. They were snatching children from their homes; [755] and whatever they put on their shoulders, whether bronze or iron, was not held on by bonds, but it fell to the ground. They carried fire on their locks, but it did not burn them. Some people in a rage took up arms, being plundered by the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a> [760], and the sight of this was terrible to behold, lord. For their pointed spears drew no blood, but the women, hurling the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsoi<\/a> from their hands, kept wounding them and turned them to flight\u2014women did this to men, not without the help of some god. [765] And they returned where they had come from, to the very fountains which the god had sent forth for them, and washed off the blood, and snakes cleaned the drops from the women&#8217;s cheeks with their tongues.<\/p>\n<p>Receive this god then, whoever he is, [770] into this city, master. For he is great in other respects, and they say this too of him, as I hear, that he gives to mortals the vine that puts an end to grief. Without wine there is no longer <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_882\">Aphrodite<\/a> or any other pleasant thing for men.<\/p>\n<h6>CHORUS LEADER:<\/h6>\n<p>[775] I fear to speak freely to the king, but I will speak nevertheless: Dionysus is inferior to none of the gods.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Already like fire does this insolence of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a> blaze up, a great reproach for the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_2276\">Hellenes<\/a>. [780] But we must not hesitate. Go to the Electran gates, bid all the shield-bearers and riders of swift-footed horses to assemble, as well as all who brandish the light shield and pluck bowstrings with their hands, so that we can make an assault against [785] the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>. For it is indeed too much if we suffer what we are suffering at the hands of women.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, though you hear my words, you obey not at all. Though I suffer ill at your hands, still I say that it is not right for you to raise arms against a god, [790] but to remain calm. <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a> will not allow you to remove the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a> from the joyful mountains.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Do not give me orders, but be content in your escape from prison. Or shall I bring punishment upon you again?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>I would sacrifice to the god rather [795] than kick against his spurs in anger, a mortal against a god.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>I will sacrifice, making a great slaughter of the women, as they deserve, in the glens of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithairon<\/a>.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>You will all flee. And it will be a source of shame that you turn your bronze shields away from the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsoi<\/a> of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[800] This stranger with whom I am engaged in a debate is impossible, and he will not be quiet, whether he is suffering or acting freely.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>My friend, there is still the opportunity to arrange these things well.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Doing what? Being a slave to my slaves?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Without weapons I will bring the women here.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[805] Alas! You are contriving this as a trick against me.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>What sort, if I wish to save you by my contrivances?<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>You have devised this together, so that you may have your revelry forever.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>I certainly did\u2014that is so\u2014with the god.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p><em>(To a servant)<\/em> Bring me my armor. <em>(To Dionysus)<\/em> And you, stop speaking.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[810] Ah! Do you wish to see them sitting together in the mountains?<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Certainly. I&#8217;d give an enormous amount of gold for that.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Why do you desire this so badly?<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>I would be sorry to see them in their drunkenness.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[815] But would you see gladly what is upsetting to you?<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>To be sure, sitting quietly under the pines.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>But they will track you down, even if you go in secret.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>You are right: I will go openly.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Shall I guide you? Will you attempt the journey?<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[820] Lead me as quickly as possible. I grudge you the time.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Put linen clothes on your body, then.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>What is this? Shall I then, instead of a man, look like the women?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Because they will kill you if you are seen there as a man.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Again you speak correctly: how wise you have been all along!<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[825] Dionysus taught me these things fully.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>How can I follow your advice well?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>I will go inside and dress you.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>In what clothing? Female? But shame holds me back.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Are you no longer eager to view the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a>?<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[830] What clothing do you want me to put on my body?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>I will put long hair on your head.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>What is the second part of my outfit?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>A robe down to your feet. And you will wear a headband.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>And what else will you add to this for me?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[835] A <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a> in your hand, and a dappled fawn-skin.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>I could not put on a woman&#8217;s dress.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>But you will shed blood if you fight the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>True. We must go first and spy.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>This is at any rate wiser than hunting trouble with trouble.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[840] And how will I go through the city without being seen by the Thebans?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>We will go on deserted roads. I will lead you.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Anything is better than to be mocked by the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>. We two will go into the house . . . and I will think about what seems like the best plan.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>It will be so; in any case I am ready.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[845] I will go in. For either I will go bearing arms, or I will obey your counsels.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Women, the man is caught in our net. He will go to the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>, where he will pay the penalty with his death. Dionysus, now it is your job; for you are not far off. [850] Let us punish him. First drive him out of his wits, send upon him a dizzying madness, since if he is of sound mind he will not consent to wear women&#8217;s clothing, but driven out of his senses he will put it on. I want him to be a source of laughter to the Thebans, led through the city in [855] women&#8217;s guise after making such terrible threats in the past. But now I will go to fit on <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> the dress he will wear to the house of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_211\">Hades<\/a>, slaughtered by his mother&#8217;s hands. He will recognize the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, [860] Dionysus, who is in fact a god, the most terrible and yet most mild to men.<\/p>\n<h6>CHORUS:<\/h6>\n<p>Shall I move my white foot in the night-long dance, aroused to a frenzy, [865] throwing my head to the dewy air, like a fawn playing in the green pleasures of the meadow, when it has escaped a fearful chase beyond the watchers [870] over the well-woven nets [hunters], and the hunter sets his dogs on their tail with his call, while she [the fawn], with great exertion and a storm-swift running, rushes along the plain by the river, rejoicing [875] in the solitude apart from men and in the thickets of the shady-foliaged woods.<\/p>\n<p>What is wisdom? Or what greater honour do the gods give to mortals than to hold one&#8217;s hand [880] in strength over the head of enemies? What is good is always precious.<\/p>\n<p>Divine strength is woken with difficulty, but is nonetheless certain. It chastises those mortals [885] who honour folly and those who in their insanity do not praise the gods. The gods cunningly conceal the long pace of time and [890] hunt the impious. For it is not right to determine or plan anything beyond the laws. For it is a light expense to hold that whatever is divine has power, [895] and that which has been law for a long time is eternal and has its origin in nature.<\/p>\n<p>What is wisdom? Or what greater honour do the gods give to mortals than to hold one&#8217;s hand [900] in strength over the head of enemies? What is good is always precious.<\/p>\n<p>Happy is he who has fled a storm on the sea, and reached harbor. Happy too is he who has overcome his hardships. [905] One surpasses another in different ways, in wealth or power. There are countless hopes to countless men, and some result in wealth to mortals, while others fail. [910] But I call him blessed whose life is happy day to day.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>You who are eager to see what you should not and hasty in pursuit of what should not to be pursued\u2014I mean you, Pentheus, come forth before the house, be seen by me, [915] wearing the clothing of a woman, of an inspired <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">maenad<\/a>, a spy upon your mother and her company.<\/p>\n<p><em><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> emerges<\/em><\/p>\n<p>In appearance you are like one of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>&#8216; daughters.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Oh look! I think I see two suns, and twin <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>, the seven-gated city. [920] And you seem to lead me, being like a bull and horns seem to grow on your head. But were you ever before a beast? For you have certainly now become a bull.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>The god accompanies us, now at peace with us, even though before he did not favour us. Now you see what you should see.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[925] How do I look? Don&#8217;t I have the posture of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_931\">Ino<\/a>, or of my mother <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a>?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Looking at you I think I see them. But this lock of your hair has come out of place, not the way I arranged it under your headband.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[930] I displaced it indoors, shaking my head forwards and backwards and practicing my Bacchic revelry.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>But I, who should wait on you, will rearrange it. Hold up your head.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Here, you arrange it; for I depend on you, indeed.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[935] Your girdle has come loose, and the pleats of your gown do not extend regularly down around your ankles.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>At least on my right leg, I believe they don&#8217;t. But on this side the robe sits well around the back of my leg.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>You will surely consider me the best of your friends, [940] when contrary to your expectation you see the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a> acting modestly.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>But will I be more like a maenad if I hold the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a> in my right hand, or in my left?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>You must hold it in your right hand and raise your right foot in unison with it. I praise you for having changed your mind.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>[945] Could I carry on my shoulders the glens of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithairon<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a> and all?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>You could if you were willing. The state of mind you had before was unsound, but now you think as you should.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Shall we bring levers? Or shall I pick them up with my hands, [950] putting a shoulder or arm under the mountain-tops?<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>But don&#8217;t destroy the seats of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_217\">Nymphs<\/a> and the places where <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_344\">Pan<\/a> plays his pipes.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Well said. The women are not to be taken by force; I will hide in the pines.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[955] You will hide yourself as you should be hidden, coming as a crafty spy on the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a>.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Oh, yes! I imagine that, like birds, they are in the bushes, held in the sweetest grips of love.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>You have been sent as a guard against this very event. [960] Perhaps you will catch them, if they don\u2019t catch you first.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Bring me through the middle of the Theban land. I am the only man of them who dares to perform this deed.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>You alone bear the burden for this city, you alone. Therefore the labors which are proper await you. [965] Follow me. I am your saving guide: another will lead you down from there.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>Yes, my mother.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>And you will be remarkable to all.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>I am going for this reason.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>You will return here being carried\u2014<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>You talk of a fine reward for me.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>&#8211;In the arms of your mother.<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>You will force me to luxury.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[970] Yes indeed, such luxury!<\/p>\n<h6>PENTHEUS:<\/h6>\n<p>I will get what I deserve.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>You are terrible, terrible, and you go to terrible sufferings, so that you will become famous even in heaven. Reach out your hands, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a>, and you too, her sisters, daughters of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>. I lead this young man [975] to a great contest, and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a> and I will be the victors. The rest, you learn about as it happens.<\/p>\n<h6>CHORUS:<\/h6>\n<p>Go to the mountain, go, fleet hounds of Madness, where the daughters of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> hold their company, and drive them raving [980] against the mad spy on the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a>, the one dressed in women&#8217;s attire. His mother will be the first to see him from a smooth rock or crag, as he lies in ambush, and she will cry out to the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a>: [985] \u201cWho is this seeker of the mountain-going Cadmeans who has come to the mountain, to the mountain, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>? Who gave birth to him? Because he was not born from a woman&#8217;s blood, but is the offspring of some lioness [990] or of Libyan <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_956\">Gorgons<\/a><\/p>\n<p>Let manifest justice go forth, let it go with sword in hand, slaying through the throat [995] this godless, lawless, unjust, earth-born offspring of Echion.<\/p>\n<p>Whoever with wicked mind and unjust rage with regard to your rites, Bacchus, and with regard to those of your mother, comes with raving heart [1000] and mad disposition violently to overcome by force what is invincible: death is the punishment for his purposes, accepting no excuses when the affairs of the gods are concerned. To act like a mortal is a life that is free from pain. [1005] I do not envy wisdom, but rejoice in hunting it. But other things are great and manifest. Oh, for life to flow towards the good, to be pure and pious day and night, and to honour the gods, [1010] banishing customs that are outside of justice.<\/p>\n<p>Let manifest justice go forth, let it go with sword in hand, slaying through the throat [1015] this godless, lawless, unjust, earth-born offspring of Echion.<\/p>\n<p>Appear as a bull or many-headed serpent or raging lion to see. [1020] Go, Bacchus, with smiling face, and throw a deadly noose around the hunter of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a> as he falls beneath the flock of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a>.<\/p>\n<h6>SECOND MESSENGER:<\/h6>\n<p>Oh house once fortunate in Hellas, [1025] house of the Sidonian old man who once sowed in the ground the earth-born harvest of the serpent Ophis, how I groan for you, though I am a slave, but still [the masters&#8217; affairs are a concern to good servants].<\/p>\n<h6>CHORUS LEADER:<\/h6>\n<p>What is it? Do you bring some news from the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>?<\/p>\n<h6>MESSENGER:<\/h6>\n<p>[1030] Pentheus, the child of Echion, is dead.<\/p>\n<h6>CHORUS LEADER:<\/h6>\n<p><em>(Sung) <\/em>Lord Bacchus, truly you appear to be a great god.<\/p>\n<h6>MESSENGER:<\/h6>\n<p>What do you mean? Why have you said this? Do you rejoice at the misfortunes of my master, woman?<\/p>\n<h6>CHORUS LEADER:<\/h6>\n<p><em>(Sung) <\/em>I, a foreign woman, rejoice with foreign songs; [1035] for no longer do I cower in fear of chains.<\/p>\n<h6>MESSENGER:<\/h6>\n<p>Do you think <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a> is so lacking in men?<\/p>\n<h6>CHORUS LEADER:<\/h6>\n<p><em>(Sung) <\/em>Dionysus, Dionysus, not <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>, holds my allegiance.<\/p>\n<h6>MESSENGER:<\/h6>\n<p>You may be forgiven, but still it is not good [1040] to rejoice at troubles once they have actually taken place, women.<\/p>\n<h6>CHORUS LEADER:<\/h6>\n<p><em>(Sung) <\/em>Tell me, speak, what kind of a death did he die, the unjust man who did unjust things?<\/p>\n<h6>MESSENGER:<\/h6>\n<p>When we left the dwellings of the Theban land and crossed the streams of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_2331\">Asopus<\/a>, [1045] we began to ascend the heights of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithairon<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> and I\u2014for I was following my master\u2014and the stranger who was our guide to the sight. First we sat in a grassy vale, [1050] keeping our feet and voices quiet, so that we might see them without being seen. There was a little valley surrounded by cliffs, irrigated with streams, shaded by pine trees, where the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a> were sitting, their hands busy with delightful labors. Some of them were embellishing again [1055] their damaged thyrsus, making it leafy with ivy, while some, like colts freed from the painted yoke, were singing a Bacchic melody to one another. And the unhappy <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> said, not seeing the crowd of women: \u201cStranger, [1060] from where we are standing I cannot see these false <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a>. But on the hill, if I climb a tall pine, I might view properly the shameful acts of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a>.\u201d<\/p>\n<p>And then I saw the stranger perform a marvelous deed. For seizing hold of the high top-most branch of the pine tree, [1065] he pulled it down, pulled it, pulled it to the dark earth. It was bent just as a bow or a curved wheel, when it is marked out by a compass, describes a circular course: in this way the stranger pulled the mountain bough with his hands and bent it to the earth, doing a deed no mortal could. [1070] He sat <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> down on the pine branch, and let it go upright through his hands steadily, taking care not to shake him [ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> ] off. The pine stood firmly upright into the sky, with my master seated on its back. [1075] He was spotted by the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a> more easily than he saw them, because sitting on high he was all but apparent, and the stranger was no longer anywhere to be seen, when a voice, Dionysus as I guess, cried out from the air: \u201cYoung women, [1080] I bring the one who has made you and me and my rites a laughing-stock. Now punish him!\u201d And as he said this a light of holy fire was placed between heaven and earth.<\/p>\n<p>The air became quiet and the woody glen [1085] kept its leaves silent, and you would not have heard the sounds of animals. But they, not having heard the sound clearly, stood upright and looked all around. He repeated his order, and when the daughters of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> recognized the clear command of Bacchus, [1090] they rushed forth, swift as a dove, running with eager speed of feet, his mother <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a>, and her sisters, and all the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>. They leapt through the river valley and mountain cliffs, frantic with the inspiration of the god. [1095] When they saw my master sitting in the pine, first they climbed a rock towering opposite the tree and began to violently throw boulders at him. Some threw pine branches and other women hurled their thyrsoi through the air [1100] at <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, a sad target indeed. But they did not reach him, for the wretched man, caught with no way out, sat at a height too great for their eagerness. Finally, like lightning they smashed oak branches and began to tear up the roots of the tree with ironless levers. [1105] When they did not succeed in their toils, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a> said: \u201cCome, standing round in a circle, each seize a branch, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a>, so that we may catch the beast who has climbed aloft, and so that he does not make public the secret dances of the god.\u201d They applied countless hands [1110] to the pine and dragged it up from the earth. <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> fell crashing to the ground from his lofty seat, wailing greatly: for he knew he was in terrible trouble.<\/p>\n<p>His mother, as priestess, began the slaughter, [1115] and fell upon him. He threw the headband from his head so that the wretched <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a> might recognize and not kill him. Touching her cheek, he said: \u201cIt is I, mother, your son, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, whom you bore in the house of Echion. [1120] Pity me, mother, and do not kill me, your child, for my sins.\u201d<\/p>\n<p>But she, foaming at the mouth and twisting her eyes all about, not thinking as she ought, was possessed by Bacchus, and he did not persuade her. [1125] Seizing his left arm at the elbow and propping her foot against the unfortunate man&#8217;s side, she tore out his shoulder, not by her own strength, but the god gave facility to her hands. <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_931\">Ino<\/a> began to work on the other side, [1130] tearing his flesh, while <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_933\">Autonoe<\/a> and the whole crowd of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a> pressed on. All were making noise together, he [ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> ] groaning as much as he had the life for, while they shouted in victory. One of them bore his arm, another a foot, boot and all. His ribs were stripped bare [1135] from their tearings. The whole band, hands bloodied, were playing a game of catch with <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>&#8216; flesh.<\/p>\n<p>His body lies in different places, part under the rugged rocks, part in the deep foliage of the woods, not easy to be sought. His miserable head, [1140] which his mother happened to take in her hands, she fixed on the end of a <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a> and carries through the midst of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithairon<\/a> like that of a savage lion, leaving her sisters among the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a>&#8216; dances. She is coming inside these walls, preening herself [1145] on the ill-fated prey, calling Bacchus her fellow hunter, her accomplice in the chase, the glorious victor\u2014in whose service she wins a triumph of tears.<\/p>\n<p>And as for me, I will depart out of the way of this calamity before <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a> reaches the house. [1150] Soundness of mind and reverence for the affairs of the gods is best; and this, I think, is the wisest possession for those mortals who adopt it.<\/p>\n<h6>CHORUS:<\/h6>\n<p>Let us honour Bacchus with the dance, let us raise a shout for what has befallen [1155] <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, descendant of the serpent, who assumed female attire and the wand, the beautiful <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a>\u2014certain death\u2014and a bull was the leader of his calamity. [1160] Cadmean <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>, you have accomplished a glorious victory, but one that brings woe and tears. It is a noble contest to cover one&#8217;s dripping hands with the blood of one&#8217;s own son.<\/p>\n<h6>CHORUS LEADER:<\/h6>\n<p>[1165] But, for I see <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>&#8216; mother <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a> coming home, her eyes contorted, receive the revel of the god of joy!<\/p>\n<p><em>Enter Agave<\/em><\/p>\n<h6>AGAVE:<\/h6>\n<p>Asian <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>\u2014<\/p>\n<h6>CHORUS:<\/h6>\n<p>Why do you address me?<\/p>\n<h6>AGAVE:<\/h6>\n<p>I am bringing home from the mountain a [1170] freshly cut tendril to the house, blessed prey.<\/p>\n<h6>CHORUS:<\/h6>\n<p>I see it and will accept you as a fellow reveler.<\/p>\n<h6>AGAVE:<\/h6>\n<p>I caught this young wild lion cub without snares, [1175] as you can see.<\/p>\n<h6>CHORUS:<\/h6>\n<p>From what desert?<\/p>\n<h6>AGAVE:<\/h6>\n<p><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithairon<\/a>\u2014<\/p>\n<h6>CHORUS:<\/h6>\n<p><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithairon<\/a>?<\/p>\n<h6>AGAVE:<\/h6>\n<p>\u2014slew him.<\/p>\n<h6>CHORUS:<\/h6>\n<p>Who struck him?<\/p>\n<h6>AGAVE:<\/h6>\n<p>The honour is mine first. [1180] I am called blessed <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a> in the revels.<\/p>\n<h6>CHORUS:<\/h6>\n<p>Who else?<\/p>\n<h6>AGAVE:<\/h6>\n<p><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus's<\/a>\u2014<\/p>\n<h6>CHORUS:<\/h6>\n<p><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus's<\/a> what?<\/p>\n<p>AGAVE:<\/p>\n<p>His other offspring took hold of this beast after me, after me. This is a lucky catch!<\/p>\n<h6>CHORUS:<\/h6>\n<p>&lt; * &gt;<\/p>\n<h6>AGAVE:<\/h6>\n<p>Share in the feast then.<\/p>\n<h6>CHORUS:<\/h6>\n<p>What? I share in the feast, wretched woman?<\/p>\n<h6>AGAVE:<\/h6>\n<p>[1185] The bull is young; his cheek is just growing downy under his soft-haired crest.<\/p>\n<h6>CHORUS:<\/h6>\n<p>Yes, his hair looks like a wild beast&#8217;s.<\/p>\n<h6>AGAVE:<\/h6>\n<p>Bacchus, a wise huntsman, [1190] wisely set the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a> against this beast.<\/p>\n<h6>CHORUS:<\/h6>\n<p>Our lord is a hunter.<\/p>\n<h6>AGAVE:<\/h6>\n<p>Do you praise me?<\/p>\n<h6>CHORUS:<\/h6>\n<p>I praise you.<\/p>\n<h6>AGAVE:<\/h6>\n<p>Soon the Cadmeans\u2014<\/p>\n<h6>CHORUS:<\/h6>\n<p>[1195] And your son <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, too\u2014<\/p>\n<h6>AGAVE:<\/h6>\n<p>Will praise his mother who has caught this lion-like prey.<\/p>\n<h6>CHORUS:<\/h6>\n<p>Extraordinary.<\/p>\n<h6>AGAVE:<\/h6>\n<p>And extraordinarily caught.<\/p>\n<h6>CHORUS:<\/h6>\n<p>Are you proud?<\/p>\n<h6>AGAVE:<\/h6>\n<p>I am delighted, for I have performed great\u2014yes, great\u2014and notable deeds on this hunt.<\/p>\n<h6>CHORUS LEADER:<\/h6>\n<p>[1200] Now show the citizens, wretched woman, the booty which you have brought in victory.<\/p>\n<h6>AGAVE:<\/h6>\n<p>You who dwell in this fair-towered city of the Theban land, come to see this prey which we the daughters of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> hunted down, [1205] not with thonged Thessalian javelins, or with nets, but with the fingers of our white arms. And then should huntsmen boast and use in vain the work of spear-makers? But we caught and [1210] tore apart the limbs of this beast with our very own hands. Where is my old father? Let him approach. And where is my son <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>? Let him take a ladder and raise its steps against the house so that he can fasten to the triglyphs this [1215] lion&#8217;s head which I have captured and brought here.<\/p>\n<p><em>Enter <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a> and his servants, carrying the remains of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>&#8216; body<\/em><\/p>\n<h6>CADMUS:<\/h6>\n<p>Follow me, carrying the miserable burden of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, follow me, slaves, before the house. Exhausted from countless searches, I am bringing his body, for I discovered it in the folds of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithairon<\/a>, [1220] torn apart; I picked up nothing in the same place, and it was lying in the woods where discovery was difficult. For someone told me of my daughters&#8217; bold deeds, when I had already come within the walls of the city on my return from the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a> with old <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_929\">Teiresias<\/a>. [1225] I turned back to the mountain and now bring here my child who was killed by the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Maenads<\/a>. For I saw <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_933\">Autonoe<\/a>, who once bore <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_934\">Actaeon<\/a> to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_959\">Aristaeus<\/a>, and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_931\">Ino<\/a> with her, still mad in the thicket, wretched creatures. [1230] But someone told me that <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_932\">Agave<\/a> was coming here with Bacchic foot, and this was correct, for I see her\u2014no happy sight!<\/p>\n<h6>AGAVE:<\/h6>\n<p>Father, you may make a great boast, that you have born daughters the best by far of all [1235] mortals. I mean all of us, but myself especially, who have left my shuttle at the loom and gone on to greater things, to catch wild animals with my two hands. And having taken him, I carry these spoils of honour in my arms, as you see, [1240] so that they may hang from your house. You, father, receive them in your hands. Taking pride in my catch, call your friends to a feast. For you are blessed, blessed, now that we have performed these deeds.<\/p>\n<h6>CADMUS:<\/h6>\n<p>O grief beyond measuring, one which I cannot stand to see, [1245] that you have performed murder with miserable hands. Having killed a fine sacrificial victim to the gods, you invite <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a> and me to a banquet. Alas, first for your troubles, then for my own. How justly, yet too severely, [1250] lord <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_919\">Bromius<\/a> the god has destroyed us, though he is a member of our own family.<\/p>\n<h6>AGAVE:<\/h6>\n<p>How morose and sullen in its countenance is man&#8217;s old age! I hope that my son is a good hunter, taking after his mother&#8217;s ways, when he goes after wild beasts [1255] together with the young men of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>. But all he can do is fight with the gods. You must admonish him, father. Who will call him here to my sight, so that he may see how lucky I am?<\/p>\n<h6>CADMUS:<\/h6>\n<p>Alas, alas! When you realize what you have done [1260] you will suffer a terrible pain. But if you remain forever in the state you are in now, though hardly fortunate, you will not realize that you are unfortunate.<\/p>\n<h6>AGAVE:<\/h6>\n<p>But what of these matters is not right, or what is painful?<\/p>\n<h6>CADMUS:<\/h6>\n<p>First cast your eye up to this sky.<\/p>\n<h6>AGAVE:<\/h6>\n<p>[1265] All right; why do you tell me to look at it?<\/p>\n<h6>CADMUS:<\/h6>\n<p>Is it still the same, or does it appear to have changed?<\/p>\n<h6>AGAVE:<\/h6>\n<p>It is brighter than before and more translucent.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Is your soul still quivering?<\/p>\n<h6>AGAVE:<\/h6>\n<p>I don&#8217;t understand your words. I have become somehow [1270] sobered, changing from my former state of mind.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Can you hear and respond clearly?<\/p>\n<h6>AGAVE:<\/h6>\n<p>Yes, for I forget what we said before, father.<\/p>\n<h6>CADMUS:<\/h6>\n<p>To whose house did you come in marriage?<\/p>\n<h6>AGAVE:<\/h6>\n<p>You gave me, as they say, to Echion, the sown man.<\/p>\n<h6>CADMUS:<\/h6>\n<p>[1275] What son did you bear to your husband in the house?<\/p>\n<h6>AGAVE:<\/h6>\n<p><a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>, from my union with his father.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Whose head do you hold in your hands?<\/p>\n<h6>AGAVE:<\/h6>\n<p>A lion&#8217;s, as they who hunted him down said.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Examine it correctly then; it takes but little effort to see.<\/p>\n<h6>AGAVE:<\/h6>\n<p>[1280] Ah! What do I see? What is this that I carry in my hands?<\/p>\n<h6>CADMUS:<\/h6>\n<p>Look at it and learn more clearly.<\/p>\n<h6>AGAVE:<\/h6>\n<p>I see the greatest grief, wretched that I am.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Does it seem to you to be like a lion?<\/p>\n<h6>AGAVE:<\/h6>\n<p>No, but I, wretched, hold the head of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a>.<\/p>\n<h6>CADMUS:<\/h6>\n<p>[1285] Yes, much lamented before you recognized him.<\/p>\n<h6>AGAVE:<\/h6>\n<p>Who killed him? How did he come into my hands?<\/p>\n<h6>CADMUS:<\/h6>\n<p>Miserable truth, how inopportunely you arrive!<\/p>\n<h6>AGAVE:<\/h6>\n<p>Tell me. My heart leaps at what is to come.<\/p>\n<h6>CADMUS:<\/h6>\n<p>You and your sisters killed him.<\/p>\n<h6>AGAVE:<\/h6>\n<p>[1290] Where did he die? Was it here at home, or in what place?<\/p>\n<h6>CADMUS:<\/h6>\n<p>Where formerly dogs divided <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_934\">Actaeon<\/a> among themselves.<\/p>\n<h6>AGAVE:<\/h6>\n<p>And why did this ill-fated man go to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithairon<\/a>?<\/p>\n<h6>CADMUS:<\/h6>\n<p>He went to mock the god and your revelry.<\/p>\n<h6>AGAVE:<\/h6>\n<p>But in what way did we go there?<\/p>\n<h6>CADMUS:<\/h6>\n<p>[1295] You were mad, and the whole city was frantic with Bacchus.<\/p>\n<h6>AGAVE:<\/h6>\n<p>Dionysus destroyed us\u2014now I understand.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Being insulted with insolence, for you did not consider him a god.<\/p>\n<h6>AGAVE:<\/h6>\n<p>And where is the body of my dearest child, father?<\/p>\n<h6>CADMUS:<\/h6>\n<p>I have found it with difficulty and brought it back.<\/p>\n<h6>AGAVE:<\/h6>\n<p>[1300] Are its joints laid properly together?<\/p>\n<h6>CADMUS:<\/h6>\n<p>&lt; * &gt;<\/p>\n<h6>AGAVE:<\/h6>\n<p>What part did <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> have in my folly?<\/p>\n<h6>CADMUS:<\/h6>\n<p>He, like you, did not revere the god. The god therefore joined you all in one punishment, both you and this one here, and so destroyed the house and me, [1305] , who is bereft of my male children and sees this offspring of your womb, wretched woman, most miserably and shamefully killed. He was the hope of our line. You, child [ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> ], who supported the house, son of my daughter, were [1310] an object of fear to the city. Seeing you, no one wished to insult the old man, for you would have given a worthy punishment. But now I, great <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>, who sowed and reaped [1315] a most glorious crop, the Theban people, will be banished from the house without honour. Dearest of men [ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_914\">Pentheus<\/a> ]\u2014for though you are dead I still count you among my dearest, child\u2014no longer will you embrace me, calling me grandfather, touching my chin with your hand, child, and [1320] saying: \u201cWho wrongs you, old man, who dishonours you? Who vexes and troubles your heart? Tell me, father, so that I can punish the one who does you wrong.\u201d But now I am miserable, while you are wretched, your mother is pitiful, and wretched too are your relatives. [1325] If anyone scorns the gods, let him look to the death of this man and acknowledge them.<\/p>\n<h6>CHORUS LEAADER:<\/h6>\n<p>I grieve for you, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>. Your daughter&#8217;s child has a punishment deserved indeed, but grievous to you.<\/p>\n<h6>AGAVE:<\/h6>\n<p>Father, for you see how much my situation has changed .<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[1330]\u00a0<em>(<\/em>To<em> <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_910\">Cadmus<\/a>)<\/em>((lacuna))<em> . . .<\/em>changing your form, you will become a dragon, and your wife, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_958\">Harmonia<\/a>, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_179\">Ares<\/a>&#8216; daughter, whom you (though mortal) held in marriage, will be turned into a beast, and will receive in exchange the form of a serpent. And as the oracle of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> says, you will drive, along with your wife, a chariot of heifers, ruling over barbarians. [1335] You will sack many cities with a force of countless numbers. And when they plunder the oracle of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_183\">Apollo<\/a>, they will have a miserable return, but <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_179\">Ares<\/a> will protect you and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_958\">Harmonia<\/a> and will settle your life in the land of the blessed.<\/p>\n<p>[1340] That is what I, Dionysus, born not from a mortal father, but from <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>, say. And if you had known how to be wise when you did not wish to be, you would have acquired <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a>&#8216; son as an ally, and would now be happy.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Dionysus, we beseech you, we have acted unjustly.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>[1345] You have learned it too late; you did not know it when you should have.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Now we know, but you go too far against us.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Yes, for I, a god by birth, was insulted by you.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Gods should not resemble mortals in their anger.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>My father <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_172\">Zeus<\/a> approved this long ago.<\/p>\n<h6>AGAVE:<\/h6>\n<p>[1350] Alas! A miserable exile has been decreed for us, old man.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Why then do you delay what must necessarily be?<\/p>\n<h6>CADMUS:<\/h6>\n<p>Child, what a terrible disaster we have all come to\u2014unhappy you, your sisters, and unhappy me. I shall reach a foreign land [1355] as an aged immigrant. Still it is foretold that I shall bring into Hellas a motley barbarian army. Leading their spears, I, having the fierce nature of a serpent, will bring my wife <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_958\">Harmonia<\/a>, daughter of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_179\">Ares<\/a>, to the altars and tombs of Hellas. [1360] I will not rest from my troubles in my misery, and I will not sail over the downward flowing <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_795\">Acheron<\/a> and be at peace.<\/p>\n<h6>AGAVE:<\/h6>\n<p>O father, I will go into exile and miss you.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Why do you embrace me with your hands, child, [1365] like a swan for its exhausted gray-haired parent?<\/p>\n<h6>AGAVE:<\/h6>\n<p>For where can I turn, banished from my homeland?<\/p>\n<h6>CADMUS:<\/h6>\n<p>I do not know, child; your father is a poor ally.<\/p>\n<h6>AGAVE:<\/h6>\n<p>Farewell, house, farewell, city of my forefathers. In misfortune I leave you, [1370] a fugitive from my chamber.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Go now, child, to the land of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_959\">Aristaeus<\/a> . . .<\/p>\n<h6>AGAVE:<\/h6>\n<p>I grieve for you, father.<\/p>\n<h6>CADMUS:<\/h6>\n<p>And I for you, child, and I weep for your sisters.<\/p>\n<h6>AGAVE:<\/h6>\n<p>Terribly indeed has [1375] lord Dionysus brought this misery to your home.<\/p>\n<h6>DIONYSUS:<\/h6>\n<p>Yes, for I suffered terrible things at your hands, with my name not honoured in <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_4675\">Thebes<\/a>.<\/p>\n<h6>AGAVE:<\/h6>\n<p>Farewell, my father.<\/p>\n<h6>CADMUS:<\/h6>\n<p>Farewell, unhappy [1380] daughter; and yet you cannot easily fare well.<\/p>\n<h6>AGAVE:<\/h6>\n<p>Lead me, escorts, where I may take my pitiful sisters as companions to my exile. May I go where accursed <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithairon<\/a> may not see me, [1385] and where I cannot see <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_918\">Cithairon<\/a> with my eyes, and where no memorial of a <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_913\">thyrsus<\/a> has been dedicated; let these be the responsibility of other <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_45_887\">Bacchae<\/a>.<\/p>\n<h6>CHORUS:<\/h6>\n<p>Many are the forms of divine things, and the gods bring to pass many things unexpectedly; [1390] what is expected has not been accomplished, but the god has found out a means for doing things unthought of. So too has this event turned out.<\/p>\n<p>&nbsp;<\/p>\n<p>Taken from: <a href=\"http:\/\/www.perseus.tufts.edu\/hopper\/text?doc=Perseus%3Atext%3A1999.01.0092\">http:\/\/www.perseus.tufts.edu\/hopper\/text?doc=Perseus%3Atext%3A1999.01.0092<\/a><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<hr \/>\n<h1><a id=\"art\"><\/a>Art and Symbolism<\/h1>\n<figure id=\"attachment_1030\" aria-describedby=\"caption-attachment-1030\" style=\"width: 1556px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1030\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/367021001-e1613612261139.jpg\" alt=\"Dionysus, bearded and wearing a crown of ivy, stands. In one hand he holds a bunch of grapes from which sprout long vines. In his other hand he holds a cup. At his feet sits a lion, looking up at him attentively.\" width=\"1556\" height=\"1850\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/367021001-e1613612261139.jpg 1556w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/367021001-e1613612261139-252x300.jpg 252w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/367021001-e1613612261139-861x1024.jpg 861w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/367021001-e1613612261139-768x913.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/367021001-e1613612261139-1292x1536.jpg 1292w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/367021001-e1613612261139-65x77.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/367021001-e1613612261139-225x268.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/367021001-e1613612261139-350x416.jpg 350w\" sizes=\"auto, (max-width: 1556px) 100vw, 1556px\" \/><figcaption id=\"caption-attachment-1030\" class=\"wp-caption-text\">Dionysus with a lion, black-figure amphora, ca. 520 BCE (British Museum, London)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">Dionysus is one of the deities whose representation in art changed the most throughout antiquity. In his earliest appearances on vases, Dionysus is usually portrayed as a mature, bearded man holding a wineskin or other drinking implements.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_981\" aria-describedby=\"caption-attachment-981\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-981\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1200px-thumbnail.jpg\" alt=\"Dionysus reclines on a couch. He has an ornate cloth wrapped around his waiste and wears an elaborate headdress. In one hand he holds a thyrsos, and in the other a cup. Three musicians stand around him.\" width=\"1200\" height=\"859\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1200px-thumbnail.jpg 1200w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1200px-thumbnail-300x215.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1200px-thumbnail-1024x733.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1200px-thumbnail-768x550.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1200px-thumbnail-65x47.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1200px-thumbnail-225x161.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1200px-thumbnail-350x251.jpg 350w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-981\" class=\"wp-caption-text\">Dionysus, fragment from red-figure krater (Martin von Wagner Museum, W\u00fcrzburg)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">This way of representing the god never really went out of style; however, later in time another iconography emerged, in which the god appeared as a beardless youth.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_984\" aria-describedby=\"caption-attachment-984\" style=\"width: 285px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-984\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Banquet_Apollo_Dionysos_Hermes_MAN.jpg\" alt=\"Dionysus, youthful with long hair and wearing a crown of laurels, reclines on a bench holding a cup. Apollo and Hermes sit on either side of him.\" width=\"285\" height=\"237\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Banquet_Apollo_Dionysos_Hermes_MAN.jpg 1080w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Banquet_Apollo_Dionysos_Hermes_MAN-300x250.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Banquet_Apollo_Dionysos_Hermes_MAN-1024x853.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Banquet_Apollo_Dionysos_Hermes_MAN-768x640.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Banquet_Apollo_Dionysos_Hermes_MAN-65x54.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Banquet_Apollo_Dionysos_Hermes_MAN-225x188.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Banquet_Apollo_Dionysos_Hermes_MAN-350x292.jpg 350w\" sizes=\"auto, (max-width: 285px) 100vw, 285px\" \/><figcaption id=\"caption-attachment-984\" class=\"wp-caption-text\">Apollo, Dionysus, and Hermes, red-figure situla, ca. 350 BCE (National Archaeological Museum, Madrid)<\/figcaption><\/figure>\n<figure id=\"attachment_985\" aria-describedby=\"caption-attachment-985\" style=\"width: 356px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-985\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/British_Museum_6424678861.jpg\" alt=\"Dionysus, in the nude, reclining. He is youthful with short hair.\" width=\"356\" height=\"237\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/British_Museum_6424678861.jpg 1200w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/British_Museum_6424678861-300x200.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/British_Museum_6424678861-1024x683.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/British_Museum_6424678861-768x512.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/British_Museum_6424678861-65x43.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/British_Museum_6424678861-225x150.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/British_Museum_6424678861-350x233.jpg 350w\" sizes=\"auto, (max-width: 356px) 100vw, 356px\" \/><figcaption id=\"caption-attachment-985\" class=\"wp-caption-text\">Dionysus, Parthenon East Pediment sculpture, ca. 447 BCE (British Museum, London)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">Dionysus&#8217; most common attributes in art are all related to the world of symposia and wine-making: drinking cups and horns, vines, and grapes.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_991\" aria-describedby=\"caption-attachment-991\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-991\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1024px-Dionysos_thiasos_Louvre_MNE938.jpg\" alt=\"Dionysus, bearded and robed and wearing a crown of vines, sits and holds a cup. Vines flow from his hand and swirl around two women and two men who wait on him.\" width=\"1024\" height=\"683\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1024px-Dionysos_thiasos_Louvre_MNE938.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1024px-Dionysos_thiasos_Louvre_MNE938-300x200.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1024px-Dionysos_thiasos_Louvre_MNE938-768x512.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1024px-Dionysos_thiasos_Louvre_MNE938-65x43.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1024px-Dionysos_thiasos_Louvre_MNE938-225x150.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1024px-Dionysos_thiasos_Louvre_MNE938-350x233.jpg 350w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-991\" class=\"wp-caption-text\">Dionysus with his attendants, black-figure krater, ca. 525 BCE (Louvre Museum, Paris)<\/figcaption><\/figure>\n<figure id=\"attachment_1003\" aria-describedby=\"caption-attachment-1003\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1003\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/MosaicEpiphany-of-Dionysus.jpg\" alt=\"Bacchus stands in a chariot pulled by two panthers. An old Silenus stands beside Bacchus. On either side of the chariot are two centaurs, each carrying a large vessel on their shoulder.\" width=\"1200\" height=\"899\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/MosaicEpiphany-of-Dionysus.jpg 1200w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/MosaicEpiphany-of-Dionysus-300x225.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/MosaicEpiphany-of-Dionysus-1024x767.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/MosaicEpiphany-of-Dionysus-768x575.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/MosaicEpiphany-of-Dionysus-65x49.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/MosaicEpiphany-of-Dionysus-225x169.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/MosaicEpiphany-of-Dionysus-350x262.jpg 350w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-1003\" class=\"wp-caption-text\">The Epiphany of Dionysus, Dion mosaic (Archaeological Museum, Dion)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">The god is usually represented wearing a crown of ivy leaves and holding a staff called a thyrsus that was covered with ivy vines surmounted by a pinecone. Dionysus was also often portrayed as riding a leopard (or a panther), or on a chariot dragged by a couple of them or other wild felines.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_978\" aria-describedby=\"caption-attachment-978\" style=\"width: 356px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-978\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1125px-Dionysos_panther_Louvre_K240.jpg\" alt=\"Youthful, long-haired, and crowned Dionysus rides on a panther. He holds a vine in one hand and in the other, a stick with a decapitated head on it. A silenus dances beside him, beating a drum.\" width=\"356\" height=\"284\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1125px-Dionysos_panther_Louvre_K240.jpg 1125w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1125px-Dionysos_panther_Louvre_K240-300x240.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1125px-Dionysos_panther_Louvre_K240-1024x819.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1125px-Dionysos_panther_Louvre_K240-768x614.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1125px-Dionysos_panther_Louvre_K240-65x52.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1125px-Dionysos_panther_Louvre_K240-225x180.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/1125px-Dionysos_panther_Louvre_K240-350x280.jpg 350w\" sizes=\"auto, (max-width: 356px) 100vw, 356px\" \/><figcaption id=\"caption-attachment-978\" class=\"wp-caption-text\">Dionysus on a panther, with a silenus, red-figure krater, ca. 370 BCE (Louvre Museum, Paris)<\/figcaption><\/figure>\n<figure id=\"attachment_974\" aria-describedby=\"caption-attachment-974\" style=\"width: 289px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-974\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Pella_mosaique_2-e1613610743913.jpg\" alt=\"Naked youthful Dionysus, holding a thyrsos and wearing a crown of vines, rides on a leaping leopard.\" width=\"289\" height=\"284\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Pella_mosaique_2-e1613610743913.jpg 783w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Pella_mosaique_2-e1613610743913-300x294.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Pella_mosaique_2-e1613610743913-768x753.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Pella_mosaique_2-e1613610743913-65x64.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Pella_mosaique_2-e1613610743913-225x221.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Pella_mosaique_2-e1613610743913-350x343.jpg 350w\" sizes=\"auto, (max-width: 289px) 100vw, 289px\" \/><figcaption id=\"caption-attachment-974\" class=\"wp-caption-text\">Dionysus riding a leopard, Pellas Mosaic (Archaeological Museum, Pella)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">A particular category of Athenian drinking vessels called &#8216;eye-cups&#8217; featured the god&#8217;s head shown from the front, bearded and crowned with ivy vines, between two eyes.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_963\" aria-describedby=\"caption-attachment-963\" style=\"width: 1846px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-963 size-full\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/DP218570-e1613622912469.jpg\" alt=\"The bearded and crowned head of Dionysus between two large eyes.\" width=\"1846\" height=\"1395\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/DP218570-e1613622912469.jpg 1846w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/DP218570-e1613622912469-300x227.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/DP218570-e1613622912469-1024x774.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/DP218570-e1613622912469-768x580.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/DP218570-e1613622912469-1536x1161.jpg 1536w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/DP218570-e1613622912469-65x49.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/DP218570-e1613622912469-225x170.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/DP218570-e1613622912469-350x264.jpg 350w\" sizes=\"auto, (max-width: 1846px) 100vw, 1846px\" \/><figcaption id=\"caption-attachment-963\" class=\"wp-caption-text\">Dionysus, black-figure eye krater, ca. 520 BCE (Metropolitan Museum, New York)<\/figcaption><\/figure>\n<figure id=\"attachment_987\" aria-describedby=\"caption-attachment-987\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-987 size-full\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Chalkidian_black-figure_eye-cup_with_mask_of_Dionysus_circa_520-510_BC_Staatliche_Antikensammlungen_Munich_8958055886-e1613622933757.jpg\" alt=\"A cup with two large eyes on the outside of the bowl giving the appearance of a face. Between the eyes is the head of Dionysus, bearded and wearing a crown.\" width=\"1200\" height=\"603\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Chalkidian_black-figure_eye-cup_with_mask_of_Dionysus_circa_520-510_BC_Staatliche_Antikensammlungen_Munich_8958055886-e1613622933757.jpg 1200w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Chalkidian_black-figure_eye-cup_with_mask_of_Dionysus_circa_520-510_BC_Staatliche_Antikensammlungen_Munich_8958055886-e1613622933757-300x151.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Chalkidian_black-figure_eye-cup_with_mask_of_Dionysus_circa_520-510_BC_Staatliche_Antikensammlungen_Munich_8958055886-e1613622933757-1024x515.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Chalkidian_black-figure_eye-cup_with_mask_of_Dionysus_circa_520-510_BC_Staatliche_Antikensammlungen_Munich_8958055886-e1613622933757-768x386.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Chalkidian_black-figure_eye-cup_with_mask_of_Dionysus_circa_520-510_BC_Staatliche_Antikensammlungen_Munich_8958055886-e1613622933757-65x33.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Chalkidian_black-figure_eye-cup_with_mask_of_Dionysus_circa_520-510_BC_Staatliche_Antikensammlungen_Munich_8958055886-e1613622933757-225x113.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Chalkidian_black-figure_eye-cup_with_mask_of_Dionysus_circa_520-510_BC_Staatliche_Antikensammlungen_Munich_8958055886-e1613622933757-350x176.jpg 350w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-987\" class=\"wp-caption-text\">Dionysus, black-figure eye cup, ca. 520 BCE (Staatliche Antikensammlungen, Munich)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">Dionysus is one of the few gods to be occasionally portrayed as a child. One of the most common scenes involving him is that of his &#8220;birth&#8221; from Zeus&#8217; thigh, but he could also be shown as a child being held by either Hermes or old Silenus.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_989\" aria-describedby=\"caption-attachment-989\" style=\"width: 298px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-989\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/507px-Hermes_and_the_infant_Dionysus_by_Praxiteles.jpg\" alt=\"Hermes standing in the nude, holding a small infant Dionysus in his left arm.\" width=\"298\" height=\"529\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/507px-Hermes_and_the_infant_Dionysus_by_Praxiteles.jpg 507w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/507px-Hermes_and_the_infant_Dionysus_by_Praxiteles-169x300.jpg 169w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/507px-Hermes_and_the_infant_Dionysus_by_Praxiteles-65x115.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/507px-Hermes_and_the_infant_Dionysus_by_Praxiteles-225x399.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/507px-Hermes_and_the_infant_Dionysus_by_Praxiteles-350x621.jpg 350w\" sizes=\"auto, (max-width: 298px) 100vw, 298px\" \/><figcaption id=\"caption-attachment-989\" class=\"wp-caption-text\">Hermes holding infant Dionysus, marble statue, 4th century BCE (Archaeological Museum, Olympia)<\/figcaption><\/figure>\n<figure id=\"attachment_973\" aria-describedby=\"caption-attachment-973\" style=\"width: 349px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-973\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Papposilenus_Dionysophoros_Louvre_CA463.jpg\" alt=\"An old bearded silenus holding a small infant Dionysus.\" width=\"349\" height=\"529\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Papposilenus_Dionysophoros_Louvre_CA463.jpg 594w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Papposilenus_Dionysophoros_Louvre_CA463-198x300.jpg 198w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Papposilenus_Dionysophoros_Louvre_CA463-65x98.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Papposilenus_Dionysophoros_Louvre_CA463-225x341.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Papposilenus_Dionysophoros_Louvre_CA463-350x530.jpg 350w\" sizes=\"auto, (max-width: 349px) 100vw, 349px\" \/><figcaption id=\"caption-attachment-973\" class=\"wp-caption-text\">Silenus holding infant Dionysus, Tanagra terracotta figure, ca. 4th century BCE (Louvre Museum, Paris)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_3850\" aria-describedby=\"caption-attachment-3850\" style=\"width: 1581px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3850\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/08\/birth-of-dionysus.png\" alt=\"Zeus, nude, sits with the head of child Dionysus emerging from his thig. Hermes stands by, holding a sceptre and caduceus, and wearing chlamys, petasos, and winged boots.\" width=\"1581\" height=\"1368\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/08\/birth-of-dionysus.png 1581w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/08\/birth-of-dionysus-300x260.png 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/08\/birth-of-dionysus-1024x886.png 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/08\/birth-of-dionysus-768x665.png 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/08\/birth-of-dionysus-1536x1329.png 1536w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/08\/birth-of-dionysus-65x56.png 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/08\/birth-of-dionysus-225x195.png 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/08\/birth-of-dionysus-350x303.png 350w\" sizes=\"auto, (max-width: 1581px) 100vw, 1581px\" \/><figcaption id=\"caption-attachment-3850\" class=\"wp-caption-text\">Hermes at the birth of Dionysus, tracing from red-figure lekythos from ca. 470 BCE (accessed via <a href=\"https:\/\/www.theoi.com\/Gallery\/K12.14.html\">Theoi.com\/the Boston Museum of Fine Arts<\/a>)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">Another common theme for Dionysus in art is his attempted kidnapping by Tyrrhenian pirates. This attempt always fails, and the god turns his would-be kidnappers into dolphins.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_994\" aria-describedby=\"caption-attachment-994\" style=\"width: 2560px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-994\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/28584594180_5c066cc496_o-scaled.jpg\" alt=\"Six figures dive through the water. They have human legs but their torsos have transformed into dolphins, except for one diver who has the torso of a human but a dolphin tail. Above the divers, on top of waves, is a large indistinct humanoid dolphin hybrid figure, possibly Dionysus. A vine wraps around the edge of the hydria.\" width=\"2560\" height=\"1728\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/28584594180_5c066cc496_o-scaled.jpg 2560w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/28584594180_5c066cc496_o-300x202.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/28584594180_5c066cc496_o-1024x691.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/28584594180_5c066cc496_o-768x518.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/28584594180_5c066cc496_o-1536x1037.jpg 1536w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/28584594180_5c066cc496_o-2048x1382.jpg 2048w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/28584594180_5c066cc496_o-65x44.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/28584594180_5c066cc496_o-225x152.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/28584594180_5c066cc496_o-350x236.jpg 350w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption id=\"caption-attachment-994\" class=\"wp-caption-text\">The Tyrrhenian sailors transforming into dolphins, black-figure hydria, ca. 500 BCE (Gallerie Nazionali di Arte Antica, Rome)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">When not represented in the company of other deities, the god&#8217;s usual companions in art are satyrs and syleni (goat-men hybrids), Maenads, as well as his wife, the Cretan princess Ariadne.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_968\" aria-describedby=\"caption-attachment-968\" style=\"width: 303px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-968\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00283110_001.jpg\" alt=\"Dionysus, robed and bearded. he wears a crown of vines, and in one hand holds a branch with long vines sprouting from it. A nude satyr stands behind Dionysus, and in front of him is a maenad woman holding a snake.\" width=\"303\" height=\"434\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00283110_001.jpg 698w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00283110_001-209x300.jpg 209w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00283110_001-65x93.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00283110_001-225x322.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00283110_001-350x501.jpg 350w\" sizes=\"auto, (max-width: 303px) 100vw, 303px\" \/><figcaption id=\"caption-attachment-968\" class=\"wp-caption-text\">Dionysus with a satyr and maenad, red-figure amphora, ca. 500 BCE (British Museum, London)<\/figcaption><\/figure>\n<figure id=\"attachment_970\" aria-describedby=\"caption-attachment-970\" style=\"width: 335px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-970\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00430146_001.jpg\" alt=\"Dionysus, bearded, sits beside Ariadne, who is only just barely visible behind him. Two maenads and three satyrs surround the couple, playing music.\" width=\"335\" height=\"434\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00430146_001.jpg 772w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00430146_001-232x300.jpg 232w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00430146_001-768x995.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00430146_001-65x84.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00430146_001-225x291.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/mid_00430146_001-350x453.jpg 350w\" sizes=\"auto, (max-width: 335px) 100vw, 335px\" \/><figcaption id=\"caption-attachment-970\" class=\"wp-caption-text\">Dionysus with Ariadne and attendants, black-figure amphora, ca. 520 BCE (British Museum, London)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1><a id=\"bacchus\"><\/a>Bacchus in Art<\/h1>\n<figure id=\"attachment_1002\" aria-describedby=\"caption-attachment-1002\" style=\"width: 1999px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1002\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dioniso_seduto_officina_neoattica_I_sec_dc_6728-1-scaled.jpg\" alt=\"A youthful Bacchus, seated. He holds a thyrsos in one hand, and in the other holds a cup into which someone is pouring a libation from out of frame. A panther lies under Bacchus' chair.\" width=\"1999\" height=\"2560\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dioniso_seduto_officina_neoattica_I_sec_dc_6728-1-scaled.jpg 1999w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dioniso_seduto_officina_neoattica_I_sec_dc_6728-1-234x300.jpg 234w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dioniso_seduto_officina_neoattica_I_sec_dc_6728-1-800x1024.jpg 800w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dioniso_seduto_officina_neoattica_I_sec_dc_6728-1-768x983.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dioniso_seduto_officina_neoattica_I_sec_dc_6728-1-1199x1536.jpg 1199w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dioniso_seduto_officina_neoattica_I_sec_dc_6728-1-1599x2048.jpg 1599w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dioniso_seduto_officina_neoattica_I_sec_dc_6728-1-65x83.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dioniso_seduto_officina_neoattica_I_sec_dc_6728-1-225x288.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dioniso_seduto_officina_neoattica_I_sec_dc_6728-1-350x448.jpg 350w\" sizes=\"auto, (max-width: 1999px) 100vw, 1999px\" \/><figcaption id=\"caption-attachment-1002\" class=\"wp-caption-text\">Bacchus, Roman relief (Museo Archaeologico, Naples)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">The representation of Bacchus was not radically different from that of his Greek counterpart Dionysus.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_976\" aria-describedby=\"caption-attachment-976\" style=\"width: 519px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-976\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dionysos._House_of_the_Centenary.png\" alt=\"Dionysus, dressed to resemble a bunch of grapes. He holds a thyrsos in on hand and pours a libation from the other. A small leopard frolics at his feet.\" width=\"519\" height=\"876\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dionysos._House_of_the_Centenary.png 519w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dionysos._House_of_the_Centenary-178x300.png 178w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dionysos._House_of_the_Centenary-65x110.png 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dionysos._House_of_the_Centenary-225x380.png 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Dionysos._House_of_the_Centenary-350x591.png 350w\" sizes=\"auto, (max-width: 519px) 100vw, 519px\" \/><figcaption id=\"caption-attachment-976\" class=\"wp-caption-text\">Dionysus, Pompeii fresco, ca. 1st century CE (Museo Archaeologico, Naples)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">The god kept being portrayed as a young man crowned with ivy vines or grape leaves, often holding a thyrsus or drinking vessels, accompanied by maenads and satyrs, and sometimes riding a leopard.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1029\" aria-describedby=\"caption-attachment-1029\" style=\"width: 586px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1029\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Triumph_of_Bacchus_-_Sousse-1.jpg\" alt=\"A parade. At the centre is a chariot pulled by wild cats, in which stand a winged naked man alongside a robed figure holding a large thyrsos. A woman dances and beats a drum in front of the chariot.\" width=\"586\" height=\"426\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Triumph_of_Bacchus_-_Sousse-1.jpg 586w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Triumph_of_Bacchus_-_Sousse-1-300x218.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Triumph_of_Bacchus_-_Sousse-1-65x47.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Triumph_of_Bacchus_-_Sousse-1-225x164.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Triumph_of_Bacchus_-_Sousse-1-350x254.jpg 350w\" sizes=\"auto, (max-width: 586px) 100vw, 586px\" \/><figcaption id=\"caption-attachment-1029\" class=\"wp-caption-text\">Triumph in honour of Bacchus, Roman mosaic, 3rd century CE (Sousse Archaeological Museum)<\/figcaption><\/figure>\n<figure id=\"attachment_998\" aria-describedby=\"caption-attachment-998\" style=\"width: 769px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-998\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Mosaic_in_Musee_gallo-romain_de_Fourviere-scaled-e1613624911315.jpg\" alt=\"Bacchus, in the nude wearing a crown and holding a thyrsos, rides a panther. Around the image of Bacchus are elaborate red and black geometric patterns.\" width=\"769\" height=\"743\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Mosaic_in_Musee_gallo-romain_de_Fourviere-scaled-e1613624911315.jpg 769w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Mosaic_in_Musee_gallo-romain_de_Fourviere-scaled-e1613624911315-300x290.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Mosaic_in_Musee_gallo-romain_de_Fourviere-scaled-e1613624911315-65x63.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Mosaic_in_Musee_gallo-romain_de_Fourviere-scaled-e1613624911315-225x217.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/02\/Mosaic_in_Musee_gallo-romain_de_Fourviere-scaled-e1613624911315-350x338.jpg 350w\" sizes=\"auto, (max-width: 769px) 100vw, 769px\" \/><figcaption id=\"caption-attachment-998\" class=\"wp-caption-text\">Bacchus on a panther, Roman mosaic (Mus\u00e9e Gallo-Romain de Fourvi\u00e8res, Lyon)<\/figcaption><\/figure>\n<hr \/>\n<h1>Media Attributions and Footnotes<\/h1>\n<div class=\"media-attributions clear\" prefix:cc=\"http:\/\/creativecommons.org\/ns#\" prefix:dc=\"http:\/\/purl.org\/dc\/terms\/\"><h2>Media Attributions<\/h2><ul><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Exekias_Dionysos_Staatliche_Antikensammlungen_2044.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Exekias_Dionysos_Staatliche_Antikensammlungen_2044.jpg\" property=\"dc:title\">Exekias Dionysos Staatliche Antikensammlungen 2044<\/a>  &copy;  Matthias Kabel    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/www.britishmuseum.org\/collection\/object\/G_1836-0224-48\"><a rel=\"cc:attributionURL\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/G_1836-0224-48\" property=\"dc:title\">Neck-Amphora 1836,0224.48<\/a>  &copy;  The British Museum    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Chalice_krater_fragment_with_Dionysos_feasting,_attributed_to_the_circle_of_the_Talos_Painter,_c._400_BC,_H_5708_-_Martin_von_Wagner_Museum_-_W%C3%BCrzburg,_Germany_-_DSC05815.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Chalice_krater_fragment_with_Dionysos_feasting,_attributed_to_the_circle_of_the_Talos_Painter,_c._400_BC,_H_5708_-_Martin_von_Wagner_Museum_-_W%C3%BCrzburg,_Germany_-_DSC05815.jpg\" property=\"dc:title\">Chalice krater fragment with Dionysos feasting, attributed to the circle of the Talos Painter, c. 400 BC, H 5708<\/a>      is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Banquet_Apollo_Dionysos_Hermes_MAN.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Banquet_Apollo_Dionysos_Hermes_MAN.jpg\" property=\"dc:title\">Banquet Apollo Dionysos Hermes MAN<\/a>  &copy;  Marie-Lan Nguyen    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY (Attribution)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:British_Museum_(6424678861).jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:British_Museum_(6424678861).jpg\" property=\"dc:title\">Dionysus from the East Pediment of the Parthenon<\/a>  &copy;  Shadowgate    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY (Attribution)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Dionysos_thiasos_Louvre_MNE938.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Dionysos_thiasos_Louvre_MNE938.jpg\" property=\"dc:title\">Dionysos thiasos Louvre MNE938<\/a>  &copy;  Marie-Lan Nguyen    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY (Attribution)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:MosaicEpiphany-of-Dionysus.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:MosaicEpiphany-of-Dionysus.jpg\" property=\"dc:title\">Mosaic: Epiphany of Dionysus<\/a>      is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Dionysos_panther_Louvre_K240.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Dionysos_panther_Louvre_K240.jpg\" property=\"dc:title\">Dionysos Panther Louvre K240<\/a>  &copy;  Marie-Lan Nguyen    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pella_mosa%C3%AFque_2.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pella_mosa%C3%AFque_2.jpg\" property=\"dc:title\">Pella Mosa\u00efque 2<\/a>  &copy;  SunriseHomeland    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/247267\"><a rel=\"cc:attributionURL\" href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/247267\" property=\"dc:title\">Terracotta Column-Krater<\/a>  &copy;  the Metropolitan Museum    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Chalkidian_black-figure_eye-cup_with_mask_of_Dionysus,_circa_520-510_BC,_Staatliche_Antikensammlungen,_Munich_(8958055886).jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Chalkidian_black-figure_eye-cup_with_mask_of_Dionysus,_circa_520-510_BC,_Staatliche_Antikensammlungen,_Munich_(8958055886).jpg\" property=\"dc:title\">Chalkidian black-figure eye kylix with mask of Dionysus, circa 520-510 BC<\/a>  &copy;  Carole Raddato    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hermes_and_the_infant_Dionysus_by_Praxiteles.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hermes_and_the_infant_Dionysus_by_Praxiteles.jpg\" property=\"dc:title\">Hermes and the infant Dionysus by Praxiteles<\/a>  &copy;  Dwaisman    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Papposilenus_Dionysophoros_Louvre_CA463.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Papposilenus_Dionysophoros_Louvre_CA463.jpg\" property=\"dc:title\">Papposilenus Dionysophoros Louvre CA463<\/a>  &copy;  Marie-Lan Nguyen    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li >The Birth of Dionysus (Tracing)  &copy;  Luoyao Zhang    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/www.flickr.com\/photos\/carolemage\/28584594180\/in\/photostream\/\"><a rel=\"cc:attributionURL\" href=\"https:\/\/www.flickr.com\/photos\/carolemage\/28584594180\/in\/photostream\/\" property=\"dc:title\">Etruscan Hydria with black figures attributed to the Micali Painter<\/a>  &copy;  Carole Raddato    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/www.britishmuseum.org\/collection\/object\/G_1843-1103-35\"><a rel=\"cc:attributionURL\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/G_1843-1103-35\" property=\"dc:title\">Amphora 1843,1103.35<\/a>  &copy;  The British Museum    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/www.britishmuseum.org\/collection\/object\/G_1836-0224-38\"><a rel=\"cc:attributionURL\" href=\"https:\/\/www.britishmuseum.org\/collection\/object\/G_1836-0224-38\" property=\"dc:title\">Amphora 1836,0224.38<\/a>  &copy;  The British Museum    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Dioniso_seduto,_officina_neoattica,_I_sec_dc,_6728.JPG\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Dioniso_seduto,_officina_neoattica,_I_sec_dc,_6728.JPG\" property=\"dc:title\">Dioniso seduto, officina neoattica, I sec dc, 6728<\/a>  &copy;  Sailko    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Dionysos._House_of_the_Centenary.png\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Dionysos._House_of_the_Centenary.png\" property=\"dc:title\">Dionysos House of the Centenary<\/a>      is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Triumph_of_Bacchus_-_Sousse.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Triumph_of_Bacchus_-_Sousse.jpg\" property=\"dc:title\">Triumph of Bacchus<\/a>      is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Mosaic_in_Mus%C3%A9e_gallo-romain_de_Fourvi%C3%A8re.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Mosaic_in_Mus%C3%A9e_gallo-romain_de_Fourvi%C3%A8re.jpg\" property=\"dc:title\">Mosaic in Mus\u00e9e gallo-romain de Fourvi\u00e8re<\/a>  &copy;  Ruthven    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><\/ul><\/div><hr class=\"before-footnotes clear\" \/><div class=\"footnotes\"><ol><li id=\"footnote-45-1\">Indicates a gap or missing segment in the text. <a href=\"#return-footnote-45-1\" class=\"return-footnote\" aria-label=\"Return to footnote 1\">&crarr;<\/a><\/li><li id=\"footnote-45-2\">The exclamation \"evoe\" is associated with ecstatic worship of Dionysus, and with being in a Bacchic frenzy. <a href=\"#return-footnote-45-2\" class=\"return-footnote\" aria-label=\"Return to footnote 2\">&crarr;<\/a><\/li><li id=\"footnote-45-3\">Refers to a myth in which Cadmus plants the teeth of a dragon in the ground. Five grown men (including Echion), called <em>spartoi<\/em>, are born from the earth where he sowed the teeth. <a href=\"#return-footnote-45-3\" class=\"return-footnote\" aria-label=\"Return to footnote 3\">&crarr;<\/a><\/li><li id=\"footnote-45-4\">Because part of the story is missing, the details are unclear. Most translations agree that Zeus made a model of Dionysus to give over to Hera so that the real one would be unharmed. Bohn suggests that the \"thigh\" story emerged because of the similarity between the Greek words for \"thigh\" and \"hostage\".  <a href=\"#return-footnote-45-4\" class=\"return-footnote\" aria-label=\"Return to footnote 4\">&crarr;<\/a><\/li><li id=\"footnote-45-5\">The \"land of beautiful horses\" likely refers to Cappadocia, a region in what is now eastern Turkey. Dionysus has travelled west from Cappadocia and Lydia (around the north coast of the Aegean) and down to Thebes.  <a href=\"#return-footnote-45-5\" class=\"return-footnote\" aria-label=\"Return to footnote 5\">&crarr;<\/a><\/li><li id=\"footnote-45-6\">The name Iacchus usually refers to a minor god worshipped by cults of Demeter, but (as in this case) is sometimes used as a synonym for Bacchus because of the similarity of the names. <a href=\"#return-footnote-45-6\" class=\"return-footnote\" aria-label=\"Return to footnote 6\">&crarr;<\/a><\/li><\/ol><\/div><div class=\"glossary\"><span class=\"screen-reader-text\" id=\"definition\">definition<\/span><template id=\"term_45_908\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_908\"><div tabindex=\"-1\"><p>Called Semele (when mortal) or Thyone (after apotheosis).<br \/>\nA princess of Thebes, daughter of Cadmus and Harmonia, and mother of Dionysus. Born a mortal, but made a goddess after her death.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus\/\">chapter 15<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_172\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_172\"><div tabindex=\"-1\"><p>Greek: Zeus<br \/>\nRoman: Jupiter or Jove<br \/>\nGod of the sky, ruler of the Olympian gods.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/zeus\/\">chapter 5<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_4675\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_4675\"><div tabindex=\"-1\"><p>A city in Boeotia. Associated with Dionysus, the house of Cadmus, the Seven Against Thebes, and the myth of Oedipus.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/thebes\/\">chapter 37<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_185\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_185\"><div tabindex=\"-1\"><p>Greek: Hera<br \/>\nRoman: Juno<br \/>\nGoddess of marriage, wife of Zeus.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hera\/\">chapter 6<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_607\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_607\"><div tabindex=\"-1\"><p>A mountain or mountainous region associated with the worship of Dionysus. Nysa is located in different locations according to different authors, but is always outside of Greece (often in Africa).<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#birthplace\">chapter 15<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1204\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1204\"><div tabindex=\"-1\"><p>A sacrifice of a hundred animals.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_169\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_169\"><div tabindex=\"-1\"><p>Greek: Cronus<br \/>\nRoman: Saturn or Saturnus<br \/>\nTitan father of many of the gods, including Zeus and Hera. Son of Gaia and Uranus.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hesiods-theogony\/\">chapter 1<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_628\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_628\"><div tabindex=\"-1\"><p>A mountain in Greece and the mythical home of the gods on this mountain.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_887\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_887\"><div tabindex=\"-1\"><p>Women worshippers of Dionysus, known for acting wildly and in a frenzy.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus\/\">chapter 15<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_217\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_217\"><div tabindex=\"-1\"><p>Minor nature deities.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_371\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_371\"><div tabindex=\"-1\"><p>A Roman god of wine, fertility, and freedom, often conflated or equated with Bacchus.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#bacchusandliber\">chapter 15<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_931\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_931\"><div tabindex=\"-1\"><p>Called Ino (mortal) or Leucothea (after apotheosis).<br \/>\nDaughter of Cadmus, sister of Semele, and mother of Melicertes\/Palaemon. Known for being a maenad and a nurse of Dionysus. Upon her death, she was transformed into a sea goddess and worshipped as \"Leucothea\".<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#Bacchae\">chapter 15<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/jason-and-the-argonauts#phrixusandram\">chapter 18<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_933\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_933\"><div tabindex=\"-1\"><p>A maenad, daughter of Cadmus and Harmonia, and mother of Actaeon. Known for being a nurse of Dionysus.<br \/>\nFeatured <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus\/\">chapter 15<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_932\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_932\"><div tabindex=\"-1\"><p>A leader of the maenads. Daughter of Cadmus and Harmonia, and mother of Pentheus. Known for being a nurse of Dionysus, and for killing her son.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#houseofcadmus\">chapter 15<\/a><em>.<\/em><\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1728\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1728\"><div tabindex=\"-1\"><p>A Phoenician queen, mother of Cadmus and Europa, and wife of either Agenor or Phoenix.<br \/>\nAppears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/theseus#tributetominos\">chapter 22<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_910\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_910\"><div tabindex=\"-1\"><p>Founder and first king of Thebes, husband of Harmonia, and father of Ino, Semele, Agave, and Autonoe.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#dionysusinaction\">chapter 15<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/thebes\/\">chapter 37<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_945\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_945\"><div tabindex=\"-1\"><p>Called Delphi or Pytho.<br \/>\nA panhellenic sanctuary sacred to Apollo as the location of the Delphic Oracle.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/the-oracle-of-delphi\/\">chapter 43<\/a>. Also featured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/apollo#oracles\">chapter 12<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1423\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1423\"><div tabindex=\"-1\"><p>A Phoenician princess, the first queen of Crete, and mother of Minos. Known for being abducted by Zeus in the form of a bull and taken to Crete.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/theseus#tributetominos\">chapter 22<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_173\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_173\"><div tabindex=\"-1\"><p>Greek: Athena<br \/>\nRoman: Minerva<br \/>\nGoddess of warfare, wisdom, and craft.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/athena\/\">chapter 9<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_179\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_179\"><div tabindex=\"-1\"><p>Greek: Ares<br \/>\nRoman: Mars<br \/>\nGod of war.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/ares\/\">chapter 10<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1830\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1830\"><div tabindex=\"-1\"><p>Soldiers grown from dragon teeth planted in the soil. Known for being one of Jason's challenges on his quest for the Golden Fleece, and for appearing in the foundation myth of Thebes.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/jason-and-the-argonauts#goldenfleece\">chapter 18<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/thebes#myth\">chapter 37<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_958\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_958\"><div tabindex=\"-1\"><p>Greek: Harmonia<br \/>\nRoman: Concordia<br \/>\nPersonification of harmony. Wife of Cadmus, and mother of Semele, Ino, Autonoe, and Agave.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#houseofcadmus\">chapter 15<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_882\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_882\"><div tabindex=\"-1\"><p>Greek: Aphrodite<br \/>\nRoman: Venus<br \/>\nGoddess of love and passion.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/aphrodite\/\">chapter 4<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_356\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_356\"><div tabindex=\"-1\"><p>Greek: Hephaestus<br \/>\nRoman: Vulcan<br \/>\nGod of fire, smiths, and craftspeople.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hephaestus\/\">chapter 8<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1955\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1955\"><div tabindex=\"-1\"><p>A king of Boeotia. Son of Aeolus, husband of Nephele, Ino, and Themisto, and father of Phrixus and Melicertes. Known for being cursed by Hera as punishment for helping raise Dionysus.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#houseofcadmus\">chapter 15<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/jason-and-the-argonauts#phrixusandram\">chapter 18<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_959\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_959\"><div tabindex=\"-1\"><p>A god of many minor pastoral crafts. Husband of Autonoe and father of Actaeon.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_210\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_210\"><div tabindex=\"-1\"><p>Greek: Hermes<br \/>\nRoman: Mercury<br \/>\nGod of travelers and trickery.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hermes\/\">chapter 16.<\/a><\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_333\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_333\"><div tabindex=\"-1\"><p>Called Melicertes (before apotheosis) or Palaemon (after apotheosis)<br \/>\nA son of Athamas and Ino. Known for becoming a god after being thrown into the sea by his mother.<br \/>\nAppears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#houseofcadmus\">chapter 15<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/jason-and-the-argonauts#phrixusandram\">chapter 18<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1213\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1213\"><div tabindex=\"-1\"><p>Founder of Ephyre (later Corinth) and son of Aeolus of Thessaly. Known for attempting to cheat death (twice), and for being punished in the underworld to push a boulder up a hill forever. In some traditions, father of Odysseus.<br \/>\nAppears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/the-underworld#criminals\">chapter 41<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_4470\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_4470\"><div tabindex=\"-1\"><p>A group of nymphs of rain thought to have lived in Nysa. Daughters of Atlas. Known for helping raise Dionysus, and for being immortalized by Zeus as a constellation as a reward.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_934\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_934\"><div tabindex=\"-1\"><p>A hero from Thebes and daughter of Autonoe. Known for being killed by his hunting dogs as punishment from Artemis.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/artemis#actaeon\">chapter 13<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1416\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1416\"><div tabindex=\"-1\"><p>A wise centaur, known for training many famous heroes including Jason, Achilles, Theseus, and Perseus.<br \/>\nAppears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/heracles-hercules#apollodorus248\">chapter 17<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/origins-of-the-war#iphigeniaaulis\">chapter 26<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_918\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_918\"><div tabindex=\"-1\"><p>A mountain sacred to Dionysus. Known for being the site of the deaths of Pentheus and Actaeon.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#dionysusinaction\">chapter 15<\/a>. Also appears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/artemis#artemisinaction\">chapter 13<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_180\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_180\"><div tabindex=\"-1\"><p>Greek: Artemis<br \/>\nRoman: Diana<br \/>\nMaiden goddess of wilderness and the hunt, and twin sister of Apollo.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/artemis\/\">chapter 13<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_2368\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_2368\"><div tabindex=\"-1\"><p>A king of Egypt, known for hosting Helen and Paris in Memphis (in some accounts).<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/origins-of-the-war#herodotus\">chapter 26<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_170\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_170\"><div tabindex=\"-1\"><p>Greek: Rhea or Cybele<br \/>\nRoman: Magna Mater, Cybele, or Ops<br \/>\nNature goddesses of various origins who were often equated or conflated. Generally refers to the Titan wife and sister of Cronus, and mother of many of the gods including Zeus and Hera. Her worship often included loud music and wild processions, and she was often associated with Mount Ida.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#cybele\">chapter 15<\/a> (as Cybele). Also appears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hesiods-theogony#theogony\">chapter 1<\/a> (as Rhea).<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1633\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1633\"><div tabindex=\"-1\"><p>A king of Thrace. Known for attempting to ban the worship of Dionysus and being forced to kill his son Dryas as a result.<br \/>\nAppears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#houseofcadmus\">chapter 15<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1551\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1551\"><div tabindex=\"-1\"><p>A nereid, daughter of Nereus, and mother of Achilles. Known for raising Hephaestus.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hephaestus#armourforachilles\">chapter 8<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1431\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1431\"><div tabindex=\"-1\"><p>Called Nereus or \"The Old Man of the Sea.\"<br \/>\nA sea god with shapeshifting and prophetic powers. Father of the Nereids and son of Gaia.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_372\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_372\"><div tabindex=\"-1\"><p>Half-goat, half-human minor woodland deities associated with lust and revelry.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_914\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_914\"><div tabindex=\"-1\"><p>A king of Thebes and son of Agave. Known for being killed by his mother as punishment for refusing to worship Dionysus.<br \/>\nFeatured in\u00a0<a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#Bacchae\">chapter 15<\/a><em>.<\/em><\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_211\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_211\"><div tabindex=\"-1\"><p>Greek: Hades<br \/>\nRoman: Pluto<br \/>\nGod of the underworld. Hades may also refer to the underworld itself, the kingdom of Hades.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/the-underworld\/\">chapter 42<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_183\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_183\"><div tabindex=\"-1\"><p>God of medicine, archery, oracles, and the sun.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/apollo\/\">chapter 12<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_182\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_182\"><div tabindex=\"-1\"><p>Greek: Poseidon<br \/>\nRoman: Neptune<br \/>\nGod of the sea.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/poseidon\/\">chapter 7<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1203\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1203\"><div tabindex=\"-1\"><p>A mythical people who lived in the north, often associated with Apollo.<br \/>\nAppear in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/perseus#pindarpythian10\">chapter 21<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1623\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1623\"><div tabindex=\"-1\"><p>Consort of Cybele and one of the Galli. In some traditions a mortal, in others a Phrygian plant god. Known for being forced by Cybele to castrate himself.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#catullus\">chapter 15<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1624\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1624\"><div tabindex=\"-1\"><p>A group of eunuch priests of Cybele and Attis.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#cybele\">chapter 15<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_187\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_187\"><div tabindex=\"-1\"><p>The name for 2 sacred mountains: Ida in Crete, and Ida in Anatolia. Mount Ida in Crete is sacred to Zeus as his birthplace, while Ida in Anatolia is sacred to Cybele. The two are sometimes conflated.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_189\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_189\"><div tabindex=\"-1\"><p>Called the Charites or Graces; three goddesses of beauty, charm, and grace.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_913\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_913\"><div tabindex=\"-1\"><p>A staff adorned with vines and plants, carried by Dionysus and his worshippers.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#art\">chapter 15<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1632\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1632\"><div tabindex=\"-1\"><p>A princess of Crete, daughter of Pasiphae and Minos, and wife of Dionysus. Known for helping Theseus defeat the Minotaur.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/theseus#ariadne\">chapter 22<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_601\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_601\"><div tabindex=\"-1\"><p>Giant humanoids, often with snake-like limbs and features. Offspring of Gaia, born where the blood of Uranus landed on the earth. Known for their role in the Gigantomachy.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hesiods-theogony\/\">chapter 1<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1228\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1228\"><div tabindex=\"-1\"><p>The three-headed dog guardian of the underworld, and a son of Echidna. Known for being captured by Heracles in his 12 Labours.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/heracles-hercules#cerberus\">chapter 17<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1477\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1477\"><div tabindex=\"-1\"><p>A queen of Thebes and wife of Lycus, or a spring near Thebes where Dirce became a nymph after her death. Known for helping raise Heracles and Dionysus.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/thebes#apollodorus3\">chapter 37<\/a>. Also appears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#Bacchae\">chapter 15<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/heracles-hercules#pindarpythian9\">chapter 17<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_911\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_911\"><div tabindex=\"-1\"><p>A river near Thebes, or the personification of this river.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_2276\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_2276\"><div tabindex=\"-1\"><p>A term to describe all the Greeks and people of Greek origin, notably the Greek armies in Homer's <em>Iliad.<\/em><\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_919\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_919\"><div tabindex=\"-1\"><p>Epithet for Dionysus (see <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus\/\">chapter 15<\/a>), meaning \"loud\" or \"roaring.\"<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_605\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_605\"><div tabindex=\"-1\"><p>The Moirai or Fates: Clotho, Lachesis, and Atropos<br \/>\nThree goddesses who appear as old women and control the destinies of living things.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_926\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_926\"><div tabindex=\"-1\"><p>Called Curetes or Corybantes.<br \/>\nWorshippers of the goddess Cybele, known for playing loud music and associated with Mount Ida.<br \/>\nAppear in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#Bacchae\">chapter 15<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_1727\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_1727\"><div tabindex=\"-1\"><p>A Phoenician king, son of Poseidon, and father of Cadmus and Europa (in some traditions).<br \/>\nAppears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/theseus#apollodorus3\">chapter 22<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_929\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_929\"><div tabindex=\"-1\"><p>A seer and priest of Apollo from Thebes, and son of Chariclo. Lives for many generations, and known for his roles in many myths.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus#Bacchae\">chapter 15<\/a>. Also appears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/athena#callimachus\">chapter 9<\/a>,\u00a0 <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/heracles-hercules#alcmeneandamphitryon\">chapter 17<\/a>, <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/after-the-war#odyssey23\">chapter 30<\/a>, and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/the-underworld#odyssey11\">chapter 41<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_351\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_351\"><div tabindex=\"-1\"><p>Greek: Demeter<br \/>\nRoman: Ceres<br \/>\nGoddess of agriculture.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/demeter-and-persephone\/\">chapter 10<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_946\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_946\"><div tabindex=\"-1\"><p>Epithet for Apollo (see <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/apollo\/\">chapter 12<\/a>), meaning \"bright one.\"<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_947\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_947\"><div tabindex=\"-1\"><p>A group of love deities associated with Aphrodite.<br \/>\nAppear in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/aphrodite#bion\">chapter 4<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_348\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_348\"><div tabindex=\"-1\"><p>Nine deities of art, music, poetry, and creativity; daughters of Zeus and Mnemosyne.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_161\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_161\"><div tabindex=\"-1\"><p>Personification of (sexual) desire, and one of the Erotes.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_948\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_948\"><div tabindex=\"-1\"><p>Greek: Eirene<br \/>\nRoman: Pax<br \/>\nPersonification of peace and one of the Horae.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_774\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_774\"><div tabindex=\"-1\"><p>A large river in Greece, or the god personifying this river. Known for fighting Heracles for the marriage of Deianira.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/heracles-hercules#deianeira\">chapter 17<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_949\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_949\"><div tabindex=\"-1\"><p>A song sung in honour of Dionysus, or an epithet for Dionysus (see <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/dionysus\/\">chapter 15<\/a>).<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_950\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_950\"><div tabindex=\"-1\"><p>A hero and Argonaut, and brother of Linus. Known for his ability to charm all with his lyre music, and for his attempt to rescue his lover Eurydice from the Underworld.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/the-underworld#orpheus\">chapter 41<\/a>. Appears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/jason-and-the-argonauts#apollodorus\">chapter 18<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/medea#sirens\">chapter 19<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_951\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_951\"><div tabindex=\"-1\"><p>A river in Macedonia, or the personification of this river.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_2331\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_2331\"><div tabindex=\"-1\"><p>May refer to four different rivers of the same name, or to their personifications as a river god.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_344\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_344\"><div tabindex=\"-1\"><p>God of shepherds, the wild, and wild music.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_956\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_956\"><div tabindex=\"-1\"><p>Three women with snakes for hair, named Stheno, Euryale, and Medusa. The singular (\"Gorgon\" or \"Gorgo\") may also be used as a proper noun referring to Medusa alone.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/medusa\/\">chapter 20<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/perseus#adventures\">chapter 21<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_45_795\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_45_795\"><div tabindex=\"-1\"><p>One of the five rivers of the underworld, or the personification of this river.<br \/>\nAppears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/the-underworld\/\">chapter 41<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><\/div>","protected":false},"author":777,"menu_order":2,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-45","chapter","type-chapter","status-publish","hentry"],"part":55,"_links":{"self":[{"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/chapters\/45","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/wp\/v2\/users\/777"}],"version-history":[{"count":27,"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/chapters\/45\/revisions"}],"predecessor-version":[{"id":6167,"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/chapters\/45\/revisions\/6167"}],"part":[{"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/parts\/55"}],"metadata":[{"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/chapters\/45\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/wp\/v2\/media?parent=45"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/chapter-type?post=45"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/wp\/v2\/contributor?post=45"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/wp\/v2\/license?post=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}