{"id":47,"date":"2020-09-22T15:01:33","date_gmt":"2020-09-22T19:01:33","guid":{"rendered":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/?post_type=chapter&#038;p=47"},"modified":"2025-11-03T12:07:03","modified_gmt":"2025-11-03T17:07:03","slug":"hermes","status":"publish","type":"chapter","link":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hermes\/","title":{"raw":"Hermes","rendered":"Hermes"},"content":{"raw":"[caption id=\"attachment_1131\" align=\"alignnone\" width=\"2560\"]<img class=\"size-full wp-image-1131\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Ambrosios_Painter_ARV_173_2_Hermes_-_komos_04-scaled.jpg\" alt=\"Hermes running. He is a bearded man wearing a chlamys cloak, petasos hat, and winged boots. He holds a scepter over one shoulder.\" width=\"2560\" height=\"2560\" \/> Hermes, red-figure kylix, ca. 510 BCE (Staatliche Antikensammlungen, Munich)[\/caption]\r\n\r\n<hr \/>\r\n\r\n<h1 style=\"text-align: left\"><a id=\"origins\"><\/a>Origins<\/h1>\r\n<div class=\"textbox textbox--examples\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">Sections &amp; Primary Sources<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n\r\n<a href=\"#zeusandmaia\">Zeus and Maia<\/a>\r\n<ul>\r\n \t<li><a href=\"#hh18\">Homeric Hymn 18, \"To Hermes\"<\/a><\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_1094\" align=\"alignnone\" width=\"2331\"]<img class=\"size-full wp-image-1094\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Maia_Staatliche_Antikensammlungen_2304.jpg\" alt=\"Bearded Hermes standing beside his mother Maia. Hermes holds a strange scroll or bundle of sticks in his hand.\" width=\"2331\" height=\"1704\" \/> Hermes and Maia, red-figure amphora, ca. 500 BCE (Staatliche Antikensammlungen, Munich)[\/caption]\r\n<h2><a id=\"zeusandmaia\"><\/a>Zeus and Maia<\/h2>\r\n<p style=\"text-align: justify\">Hermes was another son of Zeus and one of the twelve Olympians. He was born of the sexual union between Zeus and the nymph Maia, who lived in a cave on Mount Cyllene, in the northern Peloponnese. He was the messenger of the Olympians, a god of crossroads, and a trickster. He wore a special, large brimmed hat and winged sandals. He is also given the epithet Argeiphontes, meaning \"Slayer of Argus,\" since he killed the one-hundred-eyed-giant, Argus. In Roman myth, Hermes is called Mercury.<\/p>\r\n\r\n<div class=\"textbox shaded\">\r\n<h3><a id=\"hh18\"><\/a>Homeric Hymn 18, \"To Hermes\" (trans. H. G. Evelyn-White, adapted by P. Rogak)<\/h3>\r\n<h4>Greek hymn, 7th century BCE<\/h4>\r\n<div class=\"textbox\">This 7th century BCE Homeric Hymn to Hermes gives a brief version of the god's origin.<\/div>\r\n&nbsp;\r\n\r\n[1] I sing of Cyllenian Hermes, the Slayer of [pb_glossary id=\"641\"]Argus[\/pb_glossary], lord of Cyllene and Arcadia rich in flocks, luck-bringing messenger of the undying gods. He was born of [pb_glossary id=\"1086\"]Maia[\/pb_glossary], a shy goddess and the daughter of [pb_glossary id=\"1085\"]Atlas[\/pb_glossary], when she slept with [pb_glossary id=\"172\"]Zeus[\/pb_glossary]. She [ [pb_glossary id=\"1086\"]Maia[\/pb_glossary] ] always avoided the crowds of the blessed gods, and lived in a shadowy cave. And there the Son of [pb_glossary id=\"169\"]Cronus[\/pb_glossary] [Zeus] used to sleep with the rich-tressed [pb_glossary id=\"217\"]nymph[\/pb_glossary] at dead of night, while white-armed [pb_glossary id=\"185\"]Hera[\/pb_glossary] lay in sweet sleep: and no undying god, nor any mortal, knew about it. And so hail to you, Son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] and [pb_glossary id=\"1086\"]Maia[\/pb_glossary]; with you I have begun: now I will turn to another song! Hail, Hermes, giver of grace, guide, and giver of good things!\r\n\r\n&nbsp;\r\n\r\nTaken from: <a href=\"https:\/\/www.theoi.com\/Text\/HomericHymns3.html#18\">https:\/\/www.theoi.com\/Text\/HomericHymns3.html#18<\/a>\r\n\r\n<\/div>\r\n\r\n<hr \/>\r\n\r\n<h1>Hermes in Action<\/h1>\r\n<div class=\"textbox textbox--examples\"><header class=\"textbox__header\">\r\n<p class=\"textbox__title\">Sections &amp; Primary Sources<\/p>\r\n\r\n<\/header>\r\n<div class=\"textbox__content\">\r\n\r\n<a href=\"#inventionoflyre\">Hermes and the Invention of the Lyre<\/a>\r\n<ul>\r\n \t<li><a href=\"#hh4\">Homeric Hymn 4, \"To Hermes\"<\/a><\/li>\r\n<\/ul>\r\n<a href=\"#argeiphontes\">Hermes Argeiphontes<\/a>\r\n\r\n<a href=\"#hermaphroditus\">Hermaphroditus<\/a>\r\n<ul>\r\n \t<li><a href=\"#ovid\">Ovid,\u00a0<em>Metamorphoses,\u00a0<\/em>4.274-388<\/a><\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<h2><a id=\"inventionoflyre\"><\/a>Hermes and the Invention of the Lyre<\/h2>\r\n<div class=\"textbox shaded\">\r\n<h3><a id=\"hh4\"><\/a>Homeric Hymn 4, \"To Hermes\" (trans. H. G. Evelyn-White, adapted by L. Zhang and P. Rogak)<\/h3>\r\n<h4>Greek hymn, 7th century BCE<\/h4>\r\n<div class=\"textbox\">This longer Homeric Hymn to Hermes is about the first trick that Hermes plays on his brother Apollo shortly after his birth, while he is still a young infant. This trick establishes Hermes reputation as a trickster god and also cements the friendship between Hermes and Apollo. Further, it functions as an <em>etiological myth\u00a0<\/em>for the lyre, the popular stringed instrument of ancient Greece and important accouterment of Apollo.<\/div>\r\n&nbsp;\r\n\r\n[1] [pb_glossary id=\"348\"]Muse[\/pb_glossary], sing of Hermes, the son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] and [pb_glossary id=\"1086\"]Maia[\/pb_glossary], lord of Cyllene and of Arcadia rich in flocks, the luck-bringing messenger of the immortals whom [pb_glossary id=\"1086\"]Maia[\/pb_glossary] bore, the rich-haired [pb_glossary id=\"217\"]nymph[\/pb_glossary], when she was joined in love with [pb_glossary id=\"172\"]Zeus[\/pb_glossary], -- a shy goddess, for she avoided the company of the blessed gods, and lived within a deep, shady cave. There the son of [pb_glossary id=\"169\"]Cronus[\/pb_glossary] used to lie with the rich-haired [pb_glossary id=\"217\"]nymph[\/pb_glossary], unseen by deathless gods and mortal men, at dead of night while sweet sleep held white-armed [pb_glossary id=\"185\"]Hera[\/pb_glossary] tight. And when the purpose of great [pb_glossary id=\"172\"]Zeus[\/pb_glossary] was fixed in heaven, she was delivered and a notable thing came to pass. For then she [ [pb_glossary id=\"1086\"]Maia[\/pb_glossary] ] gave birth to a son, of many shifts, consistently cunning, a robber, a cattle driver, a bringer of dreams, a watcher by night, a thief at the gates, one who was soon to show forth wonderful deeds among the deathless gods. Born at dawn, at midday he played on the lyre, and in the evening he stole the cattle of far-shooting [pb_glossary id=\"183\"]Apollo[\/pb_glossary] on the fourth day of the month; for on that day queenly [pb_glossary id=\"1086\"]Maia[\/pb_glossary] gave birth to him. As soon as he had leaped from his mother's heavenly womb, he did not lie and wait long in his holy cradle, but he sprang up and sought the oxen of [pb_glossary id=\"183\"]Apollo[\/pb_glossary]. But as he stepped over the threshold of the high-roofed cave, he found a tortoise there and gained endless delight. For it was Hermes who first made the tortoise a singer.[footnote]Lyres were typically made of tortoise shells, or of wood stylized to mimic a tortoise shell.[\/footnote] The creature crossed his path at the courtyard gate, where it was feeding on the rich grass in front of the dwelling, waddling along.\r\n\r\n[28] When he saw it, the luck-bringing son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] laughed and said, \"An omen of great luck for me so soon! I do not reject it. Hail, comrade of the feast, lovely in shape, sounding at the dance! With joy I meet you! Where did you get that rich ornament, that spangled shell -- a tortoise living in the mountains? But I will take you and carry you in: you will help me and I will do you no disgrace, though first of all you must do something of profit to me. It is better to be at home: harm may come out of doors. Living, you shall be a spell against mischievous witchcraft;[footnote]Some writers considered tortoises to be protective talismans.[\/footnote] but if you die, then you shall make sweetest song.\"\r\n\r\n[39] Thus speaking, he took up the tortoise in both hands and went back into the house carrying his charming toy. Then he cut off its limbs and scooped out the marrow of the mountain-tortoise with a scoop of grey iron. Like a swift thought that darts through the heart of a man when many worries haunt him, or like bright glances that flash from the eye, so glorious Hermes planned both thought and deed at once. He cut stalks of reed to measure and fixed them, fastening their ends across the back and through the shell of the tortoise, and then stretched ox hide all over it by his skill. Also he put in the horns and fitted a cross-piece upon the two of them, and stretched seven strings of sheep-gut. But when he had made it, he tested each string in turn with the key, as he held the lovely thing. At the touch of his hand it sounded marvelously; and, as he tried it, the god sang sweet random snatches [of songs], like how youths exchange taunts at festivals. He sang of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] the son of [pb_glossary id=\"169\"]Cronus[\/pb_glossary], and of neat-footed [pb_glossary id=\"1086\"]Maia[\/pb_glossary], and the conversation which they had before when they were together in love, telling all the glorious tale of his own conceiving. He celebrated, too, the handmaids of the [pb_glossary id=\"217\"]nymph[\/pb_glossary], and her bright home, and the tripods all about the house, and the abundant cauldrons.\r\n\r\n[62] But while he was singing of all these things, his heart was bent on other matters. And he took the hollow lyre and laid it in his sacred cradle, and sprang from the sweet-smelling hall to a watch-place, pondering sheer trickery in his heart -- deeds like those that dishonourable people pursue in the dark night-time; for he longed to taste meat.\r\n\r\n[68] The [pb_glossary id=\"876\"]Sun[\/pb_glossary] was going down beneath the earth towards [pb_glossary id=\"216\"]Ocean[\/pb_glossary] with his horses and chariot when Hermes came hurrying to the shadowy mountains of Pieria, where the divine cattle of the blessed gods had their steads and grazed the pleasant, unmown meadows. Of these the Son of [pb_glossary id=\"1086\"]Maia[\/pb_glossary], the sharp-eyed [pb_glossary id=\"647\"]Slayer of Argus[\/pb_glossary] then cut off from the herd fifty loud-lowing cattle, and drove them straggling-wise across a sandy place, turning their hoof-prints aside. Also, he thought of a crafty ruse and reversed the marks of their hoofs, making the front behind and the hind before, while he himself walked the other way. Then he wove sandals with wicker-work by the sand of the sea, wonderful things, unthought of, unimagined; for he mixed together tamarisk and myrtle-twigs, fastening together an armful of their fresh, young wood, and tied them, leaves and all securely under his feet as light sandals. The glorious [pb_glossary id=\"647\"]Slayer of Argus[\/pb_glossary] plucked the brushwood in Pieria, as he was preparing for his journey, making his clever device like one making haste for a long journey.\r\n\r\n[87] But an old man tilling his flowering vineyard saw him as he was hurrying down the plain through grassy Onchestus. So the Son of [pb_glossary id=\"1086\"]Maia[\/pb_glossary] began and said to him, \"Old man, digging about your vines with bowed shoulders, surely you shall have much wine when all these bear fruit, if you obey me and strictly remember not to have seen what you have seen, and not to have heard what you have heard, and to keep silent when nothing of your own is harmed.\"\r\n\r\n[94] When he had said this much, he hurried the strong cattle on together: through many shadowy mountains and echoing gorges and flowery plains glorious Hermes drove them. And now the divine night, his dark ally, was mostly passed, and dawn that sets folk to work was quickly coming on, while bright [pb_glossary id=\"1537\"]Selene[\/pb_glossary], daughter of the lord [pb_glossary id=\"1538\"]Pallas[\/pb_glossary], Megamedes' son, had just climbed her watch-post, when the strong Son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] drove the wide-browed cattle of [pb_glossary id=\"946\"]Phoebus[\/pb_glossary] [pb_glossary id=\"183\"]Apollo[\/pb_glossary] to the river Alpheus. And they came unwearied to the high-roofed sheds and the drinking-troughs that were by the noble meadow. Then, after he had well-fed the loud-bellowing cattle with fodder and driven them into the cowshed, close-packed and chewing lotus, he began to seek the art of fire. He chose a stout laurel branch and trimmed it with the knife ((lacuna))[footnote]Indicates a gap or missing segment in the text[\/footnote] . . .held firmly in his hand: and the hot smoke rose up. For it was Hermes who first invented fire-sticks and fire. Next he took many dried sticks and piled them thick and plenty in a sunken trench: and flame began to glow, spreading afar the blast of fierce-burning fire.\r\n\r\n[115] And while the strength of glorious [pb_glossary id=\"356\"]Hephaestus[\/pb_glossary] was beginning to kindle the fire, he dragged out two lowing, horned cows close to the fire; for great strength was with him. He threw them both panting upon their backs on the ground, and rolled them on their sides, bending their necks over, and pierced their vital chord. Then he went on from task to task: first he cut up the rich, fatty meat, and pierced it with wooden spits, and roasted flesh and the honourable backbone and the abdomen full of dark blood all together. He laid them there upon the ground, and spread out the hides on a rugged rock: and so they are still there many ages afterwards, a long, long time after all this, and are continually. Next, glad-hearted Hermes dragged the rich meats he had prepared and put them on a smooth, flat stone, and divided them into twelve portions distributed by lot, making each portion wholly honourable. Then glorious Hermes longed for the sacrificial meat, for the sweet flavour wearied him, god though he was; nevertheless his proud heart did not give in to devouring the flesh, although he greatly desired to. But he put away the fat and all the flesh in the high-roofed cowshed, placing them high up to be a token of his youthful theft. And after that he gathered dry sticks and utterly destroyed with fire all the hoofs and all the heads.\r\n\r\n[138] And when the god had duly finished all, he threw his sandals into deep-eddying Alpheus, and quenched the embers, covering the black ashes with sand, and so spent the night while [pb_glossary id=\"1537\"]Selene[\/pb_glossary]'s soft light shone down. Then the god went straight back again at dawn to the bright crests of Cyllene, and no one met him on the long journey either of the blessed gods or mortal men, nor did any dog bark. And luck-bringing Hermes, the son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary], passed edgeways through the key-hole of the hall like the autumn breeze, even as mist: straight through the cave he went and came to the rich inner chamber, walking softly, and making no noise as one might upon the floor. Then glorious Hermes went hurriedly to his cradle, wrapping his swaddling clothes about his shoulders as though he were a weak baby, and lay playing with the covering about his knees; but at his left hand he kept close his sweet lyre.\r\n\r\n[155] But the god did not pass unseen by the goddess his mother; but she said to him, \"How now, you rogue! Where did you come from back so at night-time, you who wears shamelessness as a garment? And now I surely believe the son of [pb_glossary id=\"191\"]Leto[\/pb_glossary] will soon have you thrown out of doors with unbreakable cords about your ribs, or you will live a rogue's life in the narrow valleys robbing with your wits alone. Go to, then; your father got you to be a great worry to mortal men and deathless gods.\"\r\n\r\n[162] Then Hermes answered her with crafty words, \"Mother, why do you seek to frighten me like a feeble child whose heart knows few words of blame, a fearful baby that fears its mother's scolding? Nay, but I will try whatever plan is best, and so feed myself and you continually. We will not be content to remain here, as you bid, the only ones of all the gods not fed with offerings and prayers. Better to live in fellowship with the deathless gods continually, rich, wealthy, and enjoying stories of grain, than to sit always in a gloomy cave: and, as regards honour, I too will enter upon the rite that [pb_glossary id=\"183\"]Apollo[\/pb_glossary] has. If my father will not give it to me, I will seek -- and I am able -- to be a prince of robbers. And if [pb_glossary id=\"191\"]Leto[\/pb_glossary]'s most glorious son shall seek me out, I think another and a greater loss will befall him. For I will go to [pb_glossary id=\"945\"]Pytho[\/pb_glossary] to break into his great house, and will plunder therefrom splendid tripods, and cauldrons, and gold, and plenty of bright iron, and much apparel; and you will see it if you want.\"\r\n\r\n[182] With such words they spoke together, the son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] who holds the [pb_glossary id=\"168\"]aegis[\/pb_glossary], and the lady [pb_glossary id=\"1086\"]Maia[\/pb_glossary]. Now [pb_glossary id=\"215\"]Eos[\/pb_glossary] the early-born was rising from deep-flowing [pb_glossary id=\"216\"]Ocean[\/pb_glossary], bringing light to men, when [pb_glossary id=\"183\"]Apollo[\/pb_glossary], as he went, came to Onchestus, the lovely grove and sacred place of the loud-roaring Holder of the Earth [ [pb_glossary id=\"182\"]Poseidon[\/pb_glossary] ]. There he found an old man grazing his beast along the pathway from his court-yard fence, and the all-glorious Son of [pb_glossary id=\"191\"]Leto[\/pb_glossary] began and said to him, \"Old man, weeder of grassy Onchestus, I am come here from Pieria seeking cattle, cows all of them, all with curving horns, from my herd. The black bull was grazing alone away from the rest, but fierce-eyed hounds followed the cows, four of them, all of one mind, like men. These were left behind, the dogs and the bull -- which is great wonder; but the cows strayed out of the soft meadow, away from the pasture when the sun was just going down. Now tell me this, old man born long ago: have you seen anyone going by behind those cows?\"\r\n\r\n[201] Then the old man answered him and said, \"My son, it is hard to tell all that one's eyes see; for many wayfarers pass back and forth this way, some bent on much evil, and some on good: it is difficult to know each one. However, I was digging about my plot of vineyard all day long until the sun went down, and I thought, good sir, but I do not know for certain, that I marked a child, whoever the child was, that followed long-horned cattle -- an infant who had a staff and kept walking from side to side: he was driving them backwards way, with their heads toward him.\"\r\n\r\n[212] So said the old man. And when [pb_glossary id=\"183\"]Apollo[\/pb_glossary] heard this report, he went yet more quickly on his way, and presently, seeing a long-winged bird, he knew at once by that omen that thief was the child of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] the son of [pb_glossary id=\"169\"]Cronus[\/pb_glossary]. So the lord [pb_glossary id=\"183\"]Apollo[\/pb_glossary], son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary], hurried on to goodly Pylos seeking his shambling oxen, and he had his broad shoulders covered with a dark cloud. But when the Far-Shooter saw the tracks, he cried, \"Oh, oh! Truly this is a great wonder that my eyes behold! These are indeed the tracks of straight-horned oxen, but they are turned backwards towards the flowery meadow. But these others are not the footprints of man or woman or grey wolves or bears or lions, nor do I think they are the tracks of a rough-maned [pb_glossary id=\"1398\"]Centaur[\/pb_glossary] -- whoever it is that with swift feet makes such monstrous footprints; wonderful are the tracks on this side of the way, but yet more wonderfully are those on that.\"\r\n\r\n[227] When he had so said, the lord [pb_glossary id=\"183\"]Apollo[\/pb_glossary], the Son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] hurried on and came to the forest-clad mountain of Cyllene and the deep-shadowed cave in the rock where the divine nymph brought forth the child of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] who is the son of [pb_glossary id=\"169\"]Cronus[\/pb_glossary]. A sweet odour spread over the lovely hill, and many thin-shanked sheep were grazing on the grass. Then far-shooting [pb_glossary id=\"183\"]Apollo[\/pb_glossary] himself stepped down in haste over the stone threshold into the dusky cave.\r\n\r\n[235] Now when the Son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] and [pb_glossary id=\"1086\"]Maia[\/pb_glossary] saw [pb_glossary id=\"183\"]Apollo[\/pb_glossary] in a rage about his cattle, he snuggled down in his fragrant swaddling-clothes; and as wood-ash covers over the deep embers of tree-stumps, so Hermes cuddled himself up when he saw the Far-Shooter. He squeezed head and hands and feet together in a small space, like a new born child seeking sweet sleep, though in truth he was wide awake, and he kept his lyre under his armpit. But the Son of [pb_glossary id=\"191\"]Leto[\/pb_glossary] was aware and did not fail to perceive the beautiful mountain-[pb_glossary id=\"217\"]nymph[\/pb_glossary] and her dear son, albeit a little child and swathed so craftily. He looked in every corner of the great dwelling and, taking a bright key, he opened three closets full of nectar and lovely ambrosia. And much gold and silver was stored in them, and many garments of the [pb_glossary id=\"217\"]nymph[\/pb_glossary], some purple and some silvery white, such as are kept in the sacred houses of the blessed gods.\r\n\r\n[252] Then, after the Son of [pb_glossary id=\"191\"]Leto[\/pb_glossary] had searched out the recesses of the great house, he spoke to glorious Hermes, \"Child, lying in the cradle, make haste and tell me of my cattle, or we two will soon fall out angrily. For I will take and cast you into dusty [pb_glossary id=\"367\"]Tartarus[\/pb_glossary] and awful hopeless darkness, and neither your mother nor your father shall free you or bring you up again to the light, but you will wander under the earth and be the leader amongst little folk.\"\r\n\r\n[260] Then Hermes answered him with crafty words, \"Son of [pb_glossary id=\"191\"]Leto[\/pb_glossary], what harsh words are these you have spoken? And is it cattle of the field you have come here to seek? I have not seen them. I have not heard of them. No one has told me of them. I cannot give news of them, nor win the reward for news. Am I like a cattle-lifter, a strong person? This is no task for me: rather I care for other things: I care for sleep, and milk of my mother's breast, and wrappings round my shoulders, and warm baths. Let no one hear the cause of this dispute; for this would be a great wonder indeed among the deathless gods, that a child newly born should pass in through the forepart of the house with cattle of the field: by saying so you speak extravagantly. I was born yesterday, and my feet are soft and the ground beneath is rough; nevertheless, if you will have it so, I will swear a great oath by my father's head and vow that neither am I guilty myself, neither have I seen any other who stole your cows -- whatever cows may be; for I know them only by hearsay.\"\r\n\r\n[278] So, then, said Hermes, shooting quick glances from his eyes: and he kept raising his brows and looking this way and that, whistling long and listening to [pb_glossary id=\"183\"]Apollo[\/pb_glossary]'s story as to an idle tale. But far-working [pb_glossary id=\"183\"]Apollo[\/pb_glossary] laughed softly and said to him, \"O rogue, deceiver, crafty in heart, you talk so innocently that I most surely believe that you have broken into many a well- built house and stripped more than one poor wretch bare this night, gathering his goods together all over the house without noise. You will plague many lonely herdsmen in mountain glades, when you come upon herds and thick-fleeced sheep, and have a hankering after flesh. But come now, if you would not sleep your last and latest sleep, get out of your cradle, you comrade of dark night. Surely hereafter this shall be your title amongst the deathless gods, to be called the prince of robbers continually.\"\r\n\r\n[293] So said [pb_glossary id=\"946\"]Phoebus[\/pb_glossary] [pb_glossary id=\"183\"]Apollo[\/pb_glossary], and took the child and began to carry him. But at that moment the strong [pb_glossary id=\"647\"]Slayer of Argus[\/pb_glossary] executed his plan: while [pb_glossary id=\"183\"]Apollo[\/pb_glossary] held him in his hands, he sent forth an omen, a hard-working serf, a common messenger [this is referring to a fart], and then sneezed immediately after. And when [pb_glossary id=\"183\"]Apollo[\/pb_glossary] heard it, he dropped glorious Hermes out of his hands on the ground. Then, sitting down before him, though he was eager to go on his way, he spoke mockingly to Hermes, \"Fear not, little swaddling baby, son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] and [pb_glossary id=\"1086\"]Maia[\/pb_glossary]. I shall find the strong cattle presently by these omens, and you shall lead the way.\"\r\n\r\n[304] When [pb_glossary id=\"183\"]Apollo[\/pb_glossary] had said this, Cyllenian Hermes sprang up quickly, jumping hastily. With both hands he pushed the covering that he had wrapped around his shoulders up to his ears and said, \"Where are you carrying me, Far-Worker, hastiest of all the gods? Is it because of your cattle that you are so angry and harass me? O dear, I wish that all the oxen in the world would die; for it is not I who stole your cows, nor did I see another person steal them -- whatever cows are, since I have only ever heard stories about them. No, go on and take it up with [pb_glossary id=\"172\"]Zeus[\/pb_glossary], the Son of [pb_glossary id=\"169\"]Cronus[\/pb_glossary].\"\r\n\r\n[313] So Hermes the shepherd and [pb_glossary id=\"191\"]Leto[\/pb_glossary]'s glorious son kept stubbornly disputing each part of their argument: [pb_glossary id=\"183\"]Apollo[\/pb_glossary], speaking truly ((lacuna)) . . . unfairly sought to seize glorious Hermes because of the cows; but he, the Cyllenian, tried to deceive the God of the Silver Bow [Apollo] with tricks and cunning words. Even though he [Hermes] had many tricks, he found that the other [ [pb_glossary id=\"183\"]Apollo[\/pb_glossary] ] had as many cunning devices, and he began to walk across the sand, himself in front, while the Son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] and [pb_glossary id=\"191\"]Leto[\/pb_glossary] came behind. Soon these lovely children of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] came to the top of fragrant [pb_glossary id=\"628\"]Olympus[\/pb_glossary], to their father, the Son of [pb_glossary id=\"169\"]Cronus[\/pb_glossary]; for the scales of judgement were set up there for both of them. There was an assembly on snowy [pb_glossary id=\"628\"]Olympus[\/pb_glossary], and the immortals who do not die were gathering in the hour after the rising of gold-throned [pb_glossary id=\"215\"]Dawn[\/pb_glossary].\r\n\r\n[327] Then Hermes and [pb_glossary id=\"183\"]Apollo[\/pb_glossary] of the Silver Bow stood at the knees of [pb_glossary id=\"172\"]Zeus[\/pb_glossary]: and [pb_glossary id=\"172\"]Zeus[\/pb_glossary] who thunders on high spoke to his glorious son and asked him, \"[pb_glossary id=\"946\"]Phoebus[\/pb_glossary], where do you come from, driving this great spoil, a newborn child that has the look of a herald? This is a heavy matter that has come before the council of the gods.\"\r\n\r\n[333] Then the lord, far-working [pb_glossary id=\"183\"]Apollo[\/pb_glossary], answered him, \"O my father, you shall soon hear no innocent tale, though you reproach me that I alone am fond of robbery. Here is a child, a burgling robber, whom I found after a long journey in the hills of Cyllene: for my part I have never seen one so cheeky either among the gods or all men that catch folk unawares throughout the world. He stole away my cows from their meadow and drove them off in the evening along the shore of the loud-roaring sea, making straight for Pylos. There were double tracks, and wonderful they were, such as one might marvel at, the doing of a clever sprite; for as for the cows, the dark dust kept and showed their footprints leading towards the flowery meadow; but he himself -- bewildering creature -- crossed the sandy ground outside the path, not on his feet nor yet on his hands; but, furnished with some other means he trudged his way -- wonder of wonders! -- as though one walked on slender oak-trees. Now while he followed the cattle across sandy ground, all the tracks showed quite clearly in the dust; but when he had finished the long way across the sand, presently the cows' track and his own could not be traced over the hard ground. But a mortal man noticed him as he drove the wide-browed cattle straight towards Pylos. And as soon as he had shut them up quietly, and had gone home by crafty turns and twists, he lay down in his cradle in the gloom of a dim cave, as still as dark night, so that not even an eagle keenly gazing would have spied him. Much he rubbed his eyes with his hands as he prepared his lie, and he immediately said emphatically: \"I have not seen them: I have not heard of them: no man has told me of them. I could not tell you of them, nor win the reward of telling.'\"\r\n\r\n[365] When he had so spoken, [pb_glossary id=\"946\"]Phoebus[\/pb_glossary] [pb_glossary id=\"183\"]Apollo[\/pb_glossary] sat down. But Hermes on his part answered and said, pointing at the Son of [pb_glossary id=\"169\"]Cronus[\/pb_glossary], the lord of all the gods, \"[pb_glossary id=\"172\"]Zeus[\/pb_glossary], my father, indeed I will speak truth to you; for I am truthful and I cannot tell a lie. He came to our house today looking for his shambling cows, as the sun was newly rising. He brought no witnesses with him nor any of the blessed gods who had seen the theft, but with great violence ordered me to confess, threatening much to throw me into wide [pb_glossary id=\"367\"]Tartarus[\/pb_glossary]. For he has the rich bloom of glorious youth, while I was born but yesterday -- as he too knows -- nor am I like a cattle-lifter, a sturdy fellow. Believe my tale (for you claim to be my own father), that I did not drive his cows to my house -- so may I prosper -- nor crossed the threshold: this I say truly. I reverence [pb_glossary id=\"876\"]Helios[\/pb_glossary] greatly and the other gods, and you I love and him I dread. You yourself know that I am not guilty: and I will swear a great oath upon it: -- No! by these rich-decked porticoes of the gods. And some day I will punish him, strong as he is, for this pitiless inquisition; but now do you help the younger.\"\r\n\r\n[387] So spoke the Cyllenian, the [pb_glossary id=\"647\"]Slayer of Argus[\/pb_glossary], while he kept shooting sidelong glances and kept his swaddling-clothes upon his arm, and did not cast them away. But [pb_glossary id=\"172\"]Zeus[\/pb_glossary] laughed out loud to see his evil-plotting child well and cunningly denying guilt about the cattle. And he asked them both to be of one mind and search for the cattle, and asked guiding Hermes to lead the way and, without mischievousness of heart, to show the place where now he had hidden the strong cattle. Then the Son of [pb_glossary id=\"169\"]Cronus[\/pb_glossary] bowed his head: and goodly Hermes obeyed him; for the will of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] who holds the [pb_glossary id=\"168\"]aegis[\/pb_glossary] easily prevailed with him.\r\n\r\n[397] Then the two all-glorious children of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] hastened both to sandy Pylos, and reached the ford of Alpheus, and came to the fields and the high-roofed cowshed where the beasts were protected at night-time. Now while Hermes went to the cave in the rock and began to drive out the strong cattle, the son of [pb_glossary id=\"191\"]Leto[\/pb_glossary], looking aside, saw the cowhides on the sheer rock. And he asked glorious Hermes at once, \"How were you able, you crafty rogue, to flay two cows, new-born and babyish as you are? For my part, I dread the strength that will be yours: there is no need you should keep growing long, Cyllenian, son of [pb_glossary id=\"1086\"]Maia[\/pb_glossary]!\"\r\n\r\n[409] So saying, [pb_glossary id=\"183\"]Apollo[\/pb_glossary] twisted strong osier branches with his hands meaning to bind Hermes with firm bands; but the bands would not hold him, and the branches of osier fell far from him and began to grow at once from the ground beneath their feet in that very place. And intertwining with one another, they quickly grew and covered all the wild-roving cattle by the will of thievish Hermes, so that [pb_glossary id=\"183\"]Apollo[\/pb_glossary] was astonished as he watched.\r\n\r\n[414] Then the strong [pb_glossary id=\"647\"]slayer of Argus[\/pb_glossary] looked furtively upon the ground with eyes flashing fire ((lacuna)) . . . desiring to hide ((lacuna)) . . . Very easily he softened the son of all-glorious [pb_glossary id=\"191\"]Leto[\/pb_glossary] as he wanted, stern though the Far-shooter was. He took the lyre upon his left arm and tried each string in turn with the key, so that it sounded awesomely at his touch. And [pb_glossary id=\"946\"]Phoebus[\/pb_glossary] [pb_glossary id=\"183\"]Apollo[\/pb_glossary] laughed for joy; for the sweet throb of the marvelous music went to his heart, and a soft longing took hold on his soul as he listened. Then the son of [pb_glossary id=\"1086\"]Maia[\/pb_glossary], harping sweetly upon his lyre, took courage and stood at the left hand of [pb_glossary id=\"946\"]Phoebus[\/pb_glossary] [pb_glossary id=\"183\"]Apollo[\/pb_glossary]; and soon, while he played shrilly on his lyre, he lifted up his voice and sang, and lovely was the sound of his voice that followed. He sang the story of the deathless gods and of the dark earth, how at the first they came to be, and how each one received his portion. First among the gods he honoured Mnemosyne, mother of the [pb_glossary id=\"348\"]Muses[\/pb_glossary], in his song; for the son of [pb_glossary id=\"1086\"]Maia[\/pb_glossary] was of her following. And next the goodly son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] hymned the rest of the immortals according to their order in age, and told how each was born, mentioning all in order as he struck the lyre upon his arm.\r\n\r\n[433] But [pb_glossary id=\"183\"]Apollo[\/pb_glossary] was seized with a longing not to be appeased, and he opened his mouth and spoke winged words to Hermes, \"Slayer of oxen, trickster, busy one, comrade of the feast, this song of yours is worth fifty cows, and I believe that soon we shall settle our quarrel peacefully. But come now, tell me this, resourceful son of [pb_glossary id=\"1086\"]Maia[\/pb_glossary]: has this marvelous thing been with you from your birth, or did some god or mortal man give it to you -- a noble gift -- and teach you heavenly song? For wonderful is this new-uttered sound I hear, the like of which I vow that no man nor god dwelling on [pb_glossary id=\"628\"]Olympus[\/pb_glossary] ever yet has known but you, O thievish son of [pb_glossary id=\"1086\"]Maia[\/pb_glossary]. What skill is this? What song for desperate cares? What way of song? For truly here are three things to hand all at once from which to choose, -- mirth, and love, and sweet sleep. And though I am a follower of the Olympian [pb_glossary id=\"348\"]Muses[\/pb_glossary] who love dances and the bright path of song -- the full-toned chant and ravishing thrill of flutes -- yet I never cared for any of those feats of skill at young men's revels, as I do now for this: I am filled with wonder, O son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary], at your sweet playing. But now, since you, though little, have such glorious skill, sit down, dear boy, and respect the words of your elders. For now you shall have renown among the deathless gods, you and your mother also. This I will declare to you exactly: by this shaft of cornel wood [the caduceus] I will surely make you a leader renowned among the deathless gods, and fortunate, and will give you glorious gifts and will not deceive you from first to last.\"\r\n\r\n[463] Then Hermes answered him with artful words, \"You question me carefully, O Far-worker; yet I am not jealous that you should enter upon my art: this day you shall know it. For I seek to be friendly with you both in thought and word. Now you well know all things in your heart, since you sit foremost among the deathless gods, O son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary], and are goodly and strong. And wise [pb_glossary id=\"172\"]Zeus[\/pb_glossary] loves you as all right is, and has given you splendid gifts. And they say that from the teachings of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] you have learned both the honours due to the gods, O Far-worker, and oracles from [pb_glossary id=\"172\"]Zeus[\/pb_glossary], even all his ordinances. Of all these I myself have already learned that you have great wealth. Now, you are free to learn whatever you please; but since, as it seems, your heart is so strongly set on playing the lyre, chant, and play upon it, and give yourself to merriment, taking this as a gift from me, and do you, my friend, bestow glory on me. Sing well with this clear-voiced companion in your hands; for you are skilled in good, well-ordered words. From now on bring it confidently to rich feasts and lovely dances and glorious revels, a joy by night and by day. Whoever with wit and wisdom asks of it cunningly, [the lyre] it teaches through its sound all manner of things that delight the mind, being easily played with gentle familiarities, for it hates laborious drudgery; but whoever in ignorance asks of it violently, to him it chatters only vanity and foolishness. But you are able to learn whatever you please. So then, I will give you this lyre, glorious son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary], while I for my part will graze down with wild-roving cattle the pastures on hill and horse-feeding plain: so the cows covered by the bulls will produce many calves, both males and females. And now there is no need for you, bargainer though you are, to be furiously angry.\"\r\n\r\n[496] When Hermes had said this, he held out the lyre: and [pb_glossary id=\"946\"]Phoebus[\/pb_glossary] [pb_glossary id=\"183\"]Apollo[\/pb_glossary] took it, and readily put his shining whip in Hermes' hand, and ordained him keeper of herds. The son of [pb_glossary id=\"1086\"]Maia[\/pb_glossary] received it joyfully, while the glorious son of [pb_glossary id=\"191\"]Leto[\/pb_glossary], the lord far-working [pb_glossary id=\"183\"]Apollo[\/pb_glossary], took the lyre upon his left arm and tried each string with the key. Awesomely it sounded at the touch of the god, while he sang sweetly to its note.\r\n\r\n[503] Afterwards they two, the all-glorious sons of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] turned the cows back towards the sacred meadow, but themselves rushed back to snowy [pb_glossary id=\"628\"]Olympus[\/pb_glossary], delighting in the lyre. Then wise [pb_glossary id=\"172\"]Zeus[\/pb_glossary] was glad and made them both friends. And Hermes loved the son of [pb_glossary id=\"191\"]Leto[\/pb_glossary] continually, even as he does now, when he had given the lyre as token to the Far-shooter, who played it skillfully, holding it upon his arm. But for himself Hermes found out another cunning art and made himself the pipes whose sound is heard afar.\r\n\r\n[513] Then the son of [pb_glossary id=\"191\"]Leto[\/pb_glossary] said to Hermes, \"Son of [pb_glossary id=\"1086\"]Maia[\/pb_glossary], guide and cunning one, I fear you may steal from me the lyre and my curved bow together; for you have an office from [pb_glossary id=\"172\"]Zeus[\/pb_glossary], to establish deeds of barter amongst men throughout the fruitful earth. Now if you would only swear me the great oath of the gods, either by nodding your head, or by the potent water of [pb_glossary id=\"361\"]Styx[\/pb_glossary], you would do all that can please and ease my heart.\"\r\n\r\n[521] Then [pb_glossary id=\"1086\"]Maia[\/pb_glossary]'s son nodded his head and promised that he would never steal anything of all the Far-shooter possessed, and would never go near his strong house; but [pb_glossary id=\"183\"]Apollo[\/pb_glossary], son of [pb_glossary id=\"191\"]Leto[\/pb_glossary], swore to be fellow and friend to Hermes, vowing that he would love no other among the immortals, neither god nor man sprung from [pb_glossary id=\"172\"]Zeus[\/pb_glossary], better than Hermes: and the Father sent forth an eagle in confirmation. And [pb_glossary id=\"183\"]Apollo[\/pb_glossary] swore also, \"Truly I will make you only to be an omen for the immortals and all alike, trusted and honoured by my heart. Furthermore, I will give you a splendid staff of riches and wealth: it is of gold, with three branches, and will keep you scatheless, accomplishing every task, whether of words or deeds that are good, which I claim to know through the teachings of [pb_glossary id=\"172\"]Zeus[\/pb_glossary]. But as for sooth-saying, noble, heaven-born child, of which you ask, it is not lawful for you to learn it, nor for any other of the deathless gods: only the mind of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] knows that. I am pledged and have vowed and sworn a strong oath that no other of the eternal gods save I should know the wise-hearted counsel of [pb_glossary id=\"172\"]Zeus[\/pb_glossary]. And do not, my brother, bearer of the golden wand, ask me to tell you those decrees which all-seeing [pb_glossary id=\"172\"]Zeus[\/pb_glossary] intends. As for men, I will harm one and profit another, sorely perplexing the tribes of unenviable men. Whoever comes guided by the call and flight of birds of sure omen, that man shall have advantage through my voice, and I will not deceive him. But whoever trusts idly-chattering birds and seeks to invoke my prophetic art against my will, and to understand more than the eternal gods, I declare that he shall come on a futile journey; yet his gifts I would take.\r\n\r\n[550] \"But I will tell you another thing, Son of all-glorious [pb_glossary id=\"1086\"]Maia[\/pb_glossary] and [pb_glossary id=\"172\"]Zeus[\/pb_glossary] who holds the [pb_glossary id=\"168\"]aegis[\/pb_glossary], luck-bringing genius of the gods. There are certain holy ones, sisters born -- three virgins gifted with wings: their heads are besprinkled with white meal, and they dwell under a ridge of Parnassus. These are teachers of divination apart from me, the art which I practiced while still a boy following herds, though my father paid no attention to it. From their home they fly now here, now there, feeding on honey-comb and bringing all things to pass. And when they are inspired through eating yellow honey, they are willing to speak truth; but if they are deprived of the gods' sweet food, then they speak falsely, as they swarm in and out together. These, then, I give you; enquire of them strictly and delight your heart: and if you should teach any mortal to do so, often will he hear your response -- if he has good fortune. Take these, Son of [pb_glossary id=\"1086\"]Maia[\/pb_glossary], and tend the wild roving, horned oxen and horses and patient mules.\"\r\n\r\n[568] So he spoke. And from heaven father [pb_glossary id=\"172\"]Zeus[\/pb_glossary] himself gave confirmation to his words, and commanded that glorious Hermes should be lord over all birds of omen and grim-eyed lions, and boars with gleaming tusks, and over dogs and all flocks that the wide earth nourishes, and over all sheep; also that he only should be the appointed messenger to [pb_glossary id=\"211\"]Hades[\/pb_glossary], who, though he takes no gifts, will give him no small prize.\r\n\r\n[574] Thus the lord [pb_glossary id=\"183\"]Apollo[\/pb_glossary] showed his kindness for the Son of [pb_glossary id=\"1086\"]Maia[\/pb_glossary] by all manner of friendship: and the Son of [pb_glossary id=\"169\"]Cronus[\/pb_glossary] gave him grace besides. He consorts with all mortals and immortals: a little he profits, but continually throughout the dark night he tricks the tribes of mortal men.\r\n\r\n[579] And so, farewell, Son of [pb_glossary id=\"172\"]Zeus[\/pb_glossary] and [pb_glossary id=\"1086\"]Maia[\/pb_glossary]; but I will remember you and another song also.\r\n\r\n&nbsp;\r\n\r\nTaken from: <a href=\"https:\/\/www.theoi.com\/Text\/HomericHymns2.html\">https:\/\/www.theoi.com\/Text\/HomericHymns2.html<\/a>\r\n\r\n<\/div>\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<hr \/>\r\n\r\n<h2><a id=\"argeiphontes\"><\/a>Hermes Argeiphontes<\/h2>\r\n<em>[content warning for the following section: sexual violence]<\/em>\r\n<p style=\"text-align: justify\">Zeus often employed Hermes not only in sending messages but in performing tasks that Zeus was not able to do himself. One such instance was with Io, a mortal woman and priestess of Hera, whom Zeus lusted after. Zeus sent Io dreams commanding her to join him in the fields where her father kept his herds and flocks. She resisted these dreams, but eventually was compelled to come to the meadow. When she realized what Zeus wanted from her, she ran away. Zeus pursued and raped her. Hera, eager to catch her husband in the act of cheating, came down from Olympus to confront him. Zeus quickly changed Io into a cow to hide his promiscuity from his wife. Hera, who knew that the cow was really Io, asked him to give her the beautiful cow as a present. He had to acquiesce in order to not give away his deception. Hera placed Io in a grove, guarded by Argus Panoptes (Argus \"all-eyes\"), a hundred-eyed monster.<\/p>\r\n<p style=\"text-align: justify\">Zeus sent Hermes to get Io, but not even the trickster could steal her away, since Argus was able to make his eyes sleep in shifts and constantly be on guard. Hermes decided to disguise himself as a goatherd. He sat down by Argus and gently played his panpipes until all of Argus\u2019 eyes had closed in sleep. Then, Hermes took up his sword and cut off the head of the monster, earning his name Argeiphontes, \"Slayer of Argus.\"<\/p>\r\nFor more on the myth of Hera, Io, and Zeus, see <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hera#argos\">chapter 6<\/a>.\r\n<h2><a id=\"hermaphroditus\"><\/a>Hermaphroditus<\/h2>\r\n<p style=\"text-align: justify\">Hermes had many children by many different goddesses and mortal women. One of his offspring was Hermaphroditus, born from his sexual union with Aphrodite.<\/p>\r\n&nbsp;\r\n<div class=\"textbox shaded\">\r\n<h3><a id=\"ovid\"><\/a>Ovid,\u00a0<em>Metamorphoses,<\/em> Book 4 (trans. A. S. Kline, adapted by P. Rogak)<\/h3>\r\n<h4>Latin narrative poem, 1st century CE<\/h4>\r\n<h5>[content warning for the following source: sexual assault (346-388), femme- and intersex-phobic language]<\/h5>\r\n<div class=\"textbox\">The story of Hermaphroditus, here told by Ovid as part of his\u00a0<em>Metamorphoses<\/em>,\u00a0is the <em>etiological myth<\/em> for the origin of intersex people.<\/div>\r\n[274-316] \u201cNow you will hear where the pool of [pb_glossary id=\"1078\"]Salmacis[\/pb_glossary] got its bad reputation from, how its strength-draining waters weaken people, and soften the limbs they touch. The reason for it is hidden, but the fountain\u2019s effect is widely known. The [pb_glossary id=\"1081\"]Naiads[\/pb_glossary] nursed a child born of Hermes, and a goddess, [pb_glossary id=\"167\"]Cytherean[\/pb_glossary] [pb_glossary id=\"882\"]Aphrodite[\/pb_glossary], in [pb_glossary id=\"187\"]Mount Ida[\/pb_glossary]\u2019s caves. His features were such that, in them, both mother and father could be seen: and from them he took his name, [pb_glossary id=\"1082\"]Hermaphroditus[\/pb_glossary].\r\n\r\nWhen Hermes was fifteen years old, he left his native mountains and [pb_glossary id=\"187\"]Ida[\/pb_glossary], his nursery. He delighted in wandering in unknown lands, and gazing at unknown rivers, his enthusiasm making it easy to travel. He even reached the Lycian cities, and the Carians by Lycia. Here he saw a pool of water, clear to its very depths. There were no marsh reeds around it, no sterile sedge, no spikes of rushes: it is crystal liquid. The edges of the pool are bordered by fresh turf, and the grass is always green. A [pb_glossary id=\"217\"]nymph[\/pb_glossary] lives there, but she is not skilled at the chase, or used to flexing the bow, or the effort of running, the only [pb_glossary id=\"1081\"]Naiad[\/pb_glossary] not known by swift-footed [pb_glossary id=\"180\"]Diana[\/pb_glossary].\r\n\r\n\u201cOften, it\u2019s said, her sisters would tell her \u2018[pb_glossary id=\"1078\"]Salmacis[\/pb_glossary], take up the hunting-spear or the painted quiver and vary your idleness with some hard work, hunting!\u2019 But she takes up neither the hunting spear nor the painted quiver, and will not vary her idleness with the hardship of hunting. She only bathes her shapely limbs in the pool, often combs out her hair, with a comb that is made of boxwood from Cytorus, and looks in the water to see what suits it best. Then draped in a translucent robe, she lies down on the soft leaves, or in the soft grass. Often she gathers flowers. And she was also busy gathering them, then, when she saw the boy, and what she saw she longed to have.\r\n\r\n[317-345] \u201cShe did not go near him yet, though she was quick to go to him, waiting until she had calmed herself, checked her appearance, composed her expression, and merited being seen as beautiful. Then she began to say \u2018Youth, O most worthy to be thought a god, if you are a god, you must be [pb_glossary id=\"158\"]Cupid[\/pb_glossary], or, if you are mortal, whoever engendered you is blessed, and any brother of yours is happy, any sister fortunate, if you have sisters, and even the nurse who suckled you at her breast. But far beyond them, and far more blessed is she, if there is a she, promised to you, whom you think worthy of marriage. If there is someone, let mine be a stolen pleasure, if not, I will be the one, and let us enter into marriage together.\u2019\r\n\r\n\u201cAfter this the [pb_glossary id=\"1081\"]naiad[\/pb_glossary] was silent. A red flush branded the boy\u2019s face. He did not know what love was, though the blush was very becoming. Apples are tinged with this colour, hanging in a sunlit tree, or ivory painted with red, or the moon, eclipsed, blushing in her brightness, while the bronze shields clash, in vain, to rescue her. The [pb_glossary id=\"217\"]nymph[\/pb_glossary] begged endlessly for at least a sisterly kiss, and, about to throw her arms round his ivory-white neck, he said \u2018Stop this, or shall I go, and leave this place, and you?\u2019 [pb_glossary id=\"1078\"]Salmacis[\/pb_glossary], afraid, turning away, pretended to go, saying, \u2018I freely surrender this place to you, be my guest.\u2019 But she still looked back, and hid herself among bushes in the secluded woods, on her bended knees. But he, obviously at leisure, as if unobserved, walks here and there on the grass and playfully, at the end of his walk, dips his feet and ankles in the pool. Then, quickly captured by the coolness of the enticing water, he stripped the soft clothes from his slender body.\r\n\r\n[346-388] \u201cThen she [ [pb_glossary id=\"1078\"]Salmacis[\/pb_glossary] ] was truly pleased. And [pb_glossary id=\"1078\"]Salmacis[\/pb_glossary] was inflamed with desire for his naked form. The [pb_glossary id=\"217\"]nymph[\/pb_glossary]\u2019s eyes blazed with passion, as when [pb_glossary id=\"946\"]Phoebus[\/pb_glossary]\u2019s likeness is reflected from a mirror that faces his brightest unclouded orb [the sun]. She can scarcely wait, scarcely contain her delight, now longing to hold him, now unable to keep her love to herself. He, clapping his open palms to his side, dives into the pool, and leading with one arm and then the other, he gleams through the pure water, as if one sheathed an ivory statue or bright lilies behind clear glass. \u2018I have won, he is mine\u2019, the [pb_glossary id=\"1081\"]naiad[\/pb_glossary] cries, and flinging aside all her garments, she throws herself into the midst of the water.\r\n\r\n\u201cShe held him to her, struggling, snatching kisses from the fight, putting her hands beneath him, touching his unwilling breast, overwhelming the youth from this side and that. At last, she entwines herself face to face with his beauty, like a snake, lifted by the king of birds and caught up into the air, as [pb_glossary id=\"1082\"]Hermaphroditus[\/pb_glossary] tries to slip away. Hanging there she winds around his head and feet and entangles his spreading wings in her coils. Or as ivy often interlaces tall tree trunks. Or as the cuttlefish holds the prey that it has surprised, underwater, wrapping its tentacles everywhere.\r\n\r\n\u201c[ [pb_glossary id=\"1082\"]Hermaphroditus[\/pb_glossary] ] the descendant of [pb_glossary id=\"1085\"]Atlas[\/pb_glossary] holds out, denying the [pb_glossary id=\"217\"]nymph[\/pb_glossary]\u2019s wished-for pleasure: she hugs him, and clings, as though she is joined to his whole body. \u2018It is right to struggle, stubborn one,\u2019 she says, \u2018but you will still not escape. Grant this, you gods, that no day comes to part me from him, or him from me.\u2019 Her prayer reached the gods. Now the entwined bodies of the two were joined together, and one form covered both. Just as when someone grafts a twig into the bark, they see both grow joined together, and develop as one, so when they were mated together in a close embrace, they were not two, but a two-fold form, so that they could not be called male or female, and seemed neither or either.\r\n\r\n\u201cWhen he saw now that the clear waters which he had penetrated as a man, had made him a creature of both sexes, and his limbs had been softened there, [pb_glossary id=\"1082\"]Hermaphroditus[\/pb_glossary], stretching out his hands, said, but not in a man\u2019s voice, \u2018Father and mother, grant this gift to your son, who bears both your names: whoever comes to these fountains as a man, let him leave them half a man, and weaken suddenly at the touch of these waters!\u2019 Both his parents moved by this, granted the prayer of their twin-formed son, and contaminated the pool with a damaging drug.\u201d\r\n\r\n&nbsp;\r\n\r\nTaken from: <a href=\"https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/Metamorph4.php#anchor_Toc64106260\">https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/Metamorph4.php#anchor_Toc64106260<\/a>\r\n<p class=\"text-center\">Translated by A. S. Kline \u00a9\u00a0<a title=\"Copyright\" href=\"https:\/\/www.poetryintranslation.com\/Admin\/Copyright.php\">Copyright<\/a> 2000 All Rights Reserved.<\/p>\r\n\r\n<\/div>\r\n&nbsp;\r\n\r\n<hr \/>\r\n\r\n<h1 style=\"text-align: left\"><a id=\"art\"><\/a>Art and Symbolism<\/h1>\r\n[caption id=\"attachment_1111\" align=\"alignnone\" width=\"1200\"]<img class=\"size-full wp-image-1111\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Zeus_sending_forth_Hermes_and_Iris.jpg\" alt=\"Zeus, with a scepter and thunderbolt, dispatches his messengers. To Zeus' left is Hermes, a bearded man in a cloak, while to the right is Iris, a winged woman.\" width=\"1200\" height=\"755\" \/> Hermes, Zeus, and Iris, tracing from red-figure stamnos from ca. 480 BCE.[\/caption]\r\n<p style=\"text-align: justify\">In Greek art, Hermes could be represented either as a bearded man or a beardless youth. His most recognizable attributes were the large-brim hat (<em>petasos<\/em>), the herald sceptre (<em>kerykeion<\/em>), and the winged sandals (<em>talaria<\/em>).<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_1104\" align=\"alignright\" width=\"436\"]<img class=\" wp-image-1104\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Venusia_AE_Semis_98000312.jpg\" alt=\"Side 1: The head of Hemes wearing a winged petasos. Side 2: a winged boot and scepter.\" width=\"436\" height=\"200\" \/> Hermes and a winged boot, Apulian coin, 2nd century BCE (Classical Numismatic Group)[\/caption]\r\n\r\n[caption id=\"attachment_1093\" align=\"alignnone\" width=\"200\"]<img class=\" wp-image-1093\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Man_wearing_Petasos_Coinage_of_Kapsa_Macedon_circa_400_BCE.jpg\" alt=\"Profile of a man wearing a rounded, wide-brimmed petasos hat.\" width=\"200\" height=\"200\" \/> Man in a petasos, Macedonian coin, ca. 400 BCE (Classical Numismatic Group)[\/caption]\r\n<p style=\"text-align: justify\">The god could also be portrayed wearing a short cloak usually donned by travelers, or more conventional clothes.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_1127\" align=\"alignleft\" width=\"317\"]<img class=\" wp-image-1127\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Lekythos_Hermes_Herse_MAN-scaled.jpg\" alt=\"Hermes, a bearded man, grabs the arm of a young woman.\" width=\"317\" height=\"475\" \/> Hermes pursuing a woman, red-figure lekythos, ca. 470 BCE (National Archaeology Museum, Madrid)[\/caption]\r\n\r\n[caption id=\"attachment_1103\" align=\"alignright\" width=\"317\"]<img class=\" wp-image-1103\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Berlin_Painter_ARV_196_1_satyr_Hermes_deer_-_satyr_03.jpg\" alt=\"Hermes running, wearing a winged helm and a chlamys, and carrying a lyre. A satyr runs beside him. At their feet is a spotted deer.\" width=\"317\" height=\"475\" \/> Hermes with a satyr, red-figure amphora, ca. 490 BCE (Altes Museum, Berlin)[\/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<p style=\"text-align: justify\">One of the god's epithets, <em>psychopompos<\/em> ('conductor of souls') was also part of his artistic representations, as Hermes was often shown on funerary stelae and vessels while escorting the deceased to the Underworld. Similarly, as another one of his epithets was <em>kriophoros<\/em> ('bearer of rams'), he could also be portrayed carrying a ram on his shoulders.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_1107\" align=\"alignright\" width=\"355\"]<img class=\" wp-image-1107\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-thumbnail.jpg\" alt=\"Hermes, young and nude, wearing a chlamys and winged shoes, leads a young woman by the hand. To the left stand two older male relatives.\" width=\"355\" height=\"536\" \/> Hermes Psychopomp leading a woman to Hades, relief funerary lekythos, ca. 420 BCE (National Archaeological Museum, Athens)[\/caption]\r\n\r\n[caption id=\"attachment_1098\" align=\"alignleft\" width=\"288\"]<img class=\" wp-image-1098\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/600px-Hermes_kriophoros_Louvre_F159-e1614733568154.jpg\" alt=\"Hermes running, carrying a ram over his shoulders.\" width=\"288\" height=\"537\" \/> Hermes Kriophoros, black-figure olpe, ca. 510 BCE (Louvre Museum, Paris)[\/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n[caption id=\"attachment_1105\" align=\"aligncenter\" width=\"822\"]<img class=\"size-full wp-image-1105\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Early_classical_white_ground_lekythos_ARV_extra_Hermes_Psychopompos_leading_deceased_woman_to_Charon_02-e1614733738524.jpg\" alt=\"Fragmentary image of bearded Hermes with a scepter and chlamys.\" width=\"822\" height=\"768\" \/> Hermes Psychopomp, white-ground lekythos, ca. 450 BCE (Staatliche Antikensammlungen, Munich)[\/caption]\r\n<p style=\"text-align: justify\">Hermes usually appeared in depictions of the myth of Io and Argus, as he was the one who put the monstrous guardian to sleep and then slayed him.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_1096\" align=\"alignnone\" width=\"1129\"]<img class=\"size-full wp-image-1096\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Argus.jpg\" alt=\"Argus, naked but with eyes all over his body, is fallen to one knee. Hermes stands above him, grabbing him by the beard in one hand and lunging with a sword in the other. Zeus sits by and watches, and the cow Io stands behind the scene.\" width=\"1129\" height=\"489\" \/> Hermes kills Argus, with Zeus and the cow Io, tracing from red-figure vase from the 5th century BCE.[\/caption]\r\n\r\n[caption id=\"attachment_1097\" align=\"alignnone\" width=\"1126\"]<img class=\"wp-image-1097 size-full\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Staatliche_Antikensammlungen_585-e1614733080881.jpg\" alt=\"The cow Io stands by a tree. Hermes sneaks towards her. A dog stands between them, looking up at Hermes.\" width=\"1126\" height=\"696\" \/> Hermes and the cow Io, black-figure amphora, ca. 540 BCE (Staatliche Antikensammlungen, Munich)[\/caption]\r\n<p style=\"text-align: justify\">He could also be represented while escorting Athena, Aphrodite, and Hera in the scene of the judgement of Paris.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_1091\" align=\"alignright\" width=\"375\"]<img class=\" wp-image-1091\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1280px-Judgement_of_Paris_Louvre_F287-e1614733242443.jpg\" alt=\"Hermes stands between Athena, Hera, and Aphrodite.\" width=\"375\" height=\"286\" \/> Hermes at the judgment of Paris with Athena, Hera, and Aphrodite, black-figure hydria, ca. 520 BCE (Louvre Museum, Paris)[\/caption]\r\n\r\n[caption id=\"attachment_1117\" align=\"alignnone\" width=\"286\"]<img class=\" wp-image-1117\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Judgement_of_Paris_Dolon_Painter_CdM_Paris_DeRidder422_n1.jpg\" alt=\"Hermes stands before Paris. Hermes leans against a tree with one arm, and with the other points his scepter at Paris, who is seated holding a spear.\" width=\"286\" height=\"286\" \/> Hermes at the judgment of Paris, red-figure krater, ca. 380 BCE (Cabinet des M\u00e9dailles, Paris)[\/caption]\r\n<p style=\"text-align: justify\"><em>Hermai <\/em>or herms,\u00a0quadrangular pillars set up at crossroads, were sacred to the god as protector of travels and boundaries, and were most often surmounted by a head of the bearded variety. An erect phallus, thought to ward off bad luck and favour fertility, was also added to the front of these pillars.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_1121\" align=\"alignnone\" width=\"2560\"]<img class=\"size-full wp-image-1121\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/01241101-scaled.jpg\" alt=\"An altar before a herm. to the left of the altar, a man makes offerings of a cup and basket. To the right stands another man with a staff.\" width=\"2560\" height=\"1802\" \/> Two men making offerings on an altar before a herm, red-figure krater, ca. 480 BCE (J. Paul Getty Museum, Los Angeles)[\/caption]\r\n\r\n[caption id=\"attachment_1114\" align=\"alignleft\" width=\"354\"]<img class=\"wp-image-1114\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/598px-Hermes_ithyphallicus_Herm_520_BC_NAMA_3728_102564-e1614734538129.jpg\" alt=\"A Herm: a rectangular block of marble with the head of Hermes atop it. On the centre of the block is an erect penis.\" width=\"354\" height=\"761\" \/> Herm of Hermes, Sifnos, ca. 520 BCE (National Archaeological Museum, Athens)[\/caption]\r\n\r\n[caption id=\"attachment_1095\" align=\"alignright\" width=\"283\"]<img class=\" wp-image-1095\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Herma_Hermes_Getty_Villa_79.AA_.132-e1614734981705.jpg\" alt=\"A tall rectangular prism with the bearded head of Hermes atop it.\" width=\"283\" height=\"760\" \/> Herm of Hermes, 1st century CE Roman copy of Greek original (Getty Villa, Los Angeles)[\/caption]\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<hr \/>\r\n\r\n<h1 style=\"text-align: justify\"><a id=\"mercury\"><\/a>Mercury<\/h1>\r\n[caption id=\"attachment_1100\" align=\"alignnone\" width=\"1200\"]<img class=\"size-full wp-image-1100\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Sabratha_-_Museum_Wandmalerei_Bust_of_Mercury.jpg\" alt=\"Head and torso of Mercury. He wears a winged hat and carries a sceptre with two snakes on the end of it.\" width=\"1200\" height=\"858\" \/> Mercury, Sabratha fresco (Sabratha Museum)[\/caption]\r\n<p style=\"text-align: justify\">In Roman art, Mercury was represented as the youthful version of his Greek counterpart Hermes. The most common iconography remained that of a young, beardless man wearing the hat and winged sandals (and at times a winged hat) and carrying the sceptre.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_1102\" align=\"alignright\" width=\"420\"]<img class=\" wp-image-1102\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/834px-Casa_dei_vettii_vestibolo_oechus_affrescato_sul_peristilio_issione_legato_alla_ruota_da_vulcano_alla_presenza_di_giunone_01.jpg\" alt=\"Hera sits on a throne, with Iris standing beside her. In front of Hera is Hermes, a naked young man with a scepter. Hermes has one hand on a large wheel (partly out of frame), to which is strapped Ixion. Hephaestus stands behind Hemes. A young woman with her head veiled sits at Hermes' feet.\" width=\"420\" height=\"453\" \/> Hermes at the punishment of Ixion, Pompeii fresco, 1st century CE[\/caption]\r\n\r\n[caption id=\"attachment_1119\" align=\"alignnone\" width=\"207\"]<img class=\" wp-image-1119\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Ingenui_Pio-Clementino_Inv544-scaled.jpg\" alt=\"Hermes as a young man. He is naked except for a chlamys cloak draped over his left shoulder, and a petasos hat. He holds a winged sceptre in his left hand.\" width=\"207\" height=\"453\" \/> Hermes Ingenui, marble statue, 2nd century copy of 5th century Greek statue (Vatican Museums, Vatican City)[\/caption]\r\n<p style=\"text-align: justify\">An interesting artistic variation was that of Hermanubis, a fusion between Mercury\/Hermes and the jackal-headed Egyptian god Anubis, who was also a god of the Underworld. This [pb_glossary id=\"5728\"]syncretic[\/pb_glossary] god maintained the youthful body and attributes of Mercury, but was represented with the head of a jackal.<\/p>\r\n&nbsp;\r\n\r\n[caption id=\"attachment_1112\" align=\"alignright\" width=\"282\"]<img class=\" wp-image-1112\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Anubis_Anzio_Villa_Pamphili_1st-2nd_century_AD_Pario_marble_-_Museo_Gregoriano_Egizio_-_Vatican_Museums_-_DSC00818.jpg\" alt=\"Hermanubis, a person with the head of a jackal. He wears a tunic and chlamys, and carries a winged scepter twined with snakes.\" width=\"282\" height=\"423\" \/> Hermanubis, marble statue (Vatican Museums, Vatican City)[\/caption]\r\n\r\n[caption id=\"attachment_1113\" align=\"alignnone\" width=\"338\"]<img class=\" wp-image-1113\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/719px-Pompei_Nimes_12a.jpg\" alt=\"Hermanubis, a person with the head of a jackal, wearing a chlamys. The arms of the statue are missing.\" width=\"338\" height=\"423\" \/> Hermanubis, marble statue, 1st century CE (Museo Archeologico dei Campi Flegrei nel Castello di Baia, Naples)[\/caption]\r\n\r\n&nbsp;\r\n\r\n<hr \/>\r\n\r\n<h1>Media Attributions and Footnotes<\/h1>","rendered":"<figure id=\"attachment_1131\" aria-describedby=\"caption-attachment-1131\" style=\"width: 2560px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1131\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Ambrosios_Painter_ARV_173_2_Hermes_-_komos_04-scaled.jpg\" alt=\"Hermes running. He is a bearded man wearing a chlamys cloak, petasos hat, and winged boots. He holds a scepter over one shoulder.\" width=\"2560\" height=\"2560\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Ambrosios_Painter_ARV_173_2_Hermes_-_komos_04-scaled.jpg 2560w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Ambrosios_Painter_ARV_173_2_Hermes_-_komos_04-300x300.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Ambrosios_Painter_ARV_173_2_Hermes_-_komos_04-1024x1024.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Ambrosios_Painter_ARV_173_2_Hermes_-_komos_04-150x150.jpg 150w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Ambrosios_Painter_ARV_173_2_Hermes_-_komos_04-768x768.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Ambrosios_Painter_ARV_173_2_Hermes_-_komos_04-1536x1536.jpg 1536w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Ambrosios_Painter_ARV_173_2_Hermes_-_komos_04-2048x2048.jpg 2048w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Ambrosios_Painter_ARV_173_2_Hermes_-_komos_04-65x65.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Ambrosios_Painter_ARV_173_2_Hermes_-_komos_04-225x225.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Ambrosios_Painter_ARV_173_2_Hermes_-_komos_04-350x350.jpg 350w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption id=\"caption-attachment-1131\" class=\"wp-caption-text\">Hermes, red-figure kylix, ca. 510 BCE (Staatliche Antikensammlungen, Munich)<\/figcaption><\/figure>\n<hr \/>\n<h1 style=\"text-align: left\"><a id=\"origins\"><\/a>Origins<\/h1>\n<div class=\"textbox textbox--examples\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">Sections &amp; Primary Sources<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<p><a href=\"#zeusandmaia\">Zeus and Maia<\/a><\/p>\n<ul>\n<li><a href=\"#hh18\">Homeric Hymn 18, &#8220;To Hermes&#8221;<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1094\" aria-describedby=\"caption-attachment-1094\" style=\"width: 2331px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1094\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Maia_Staatliche_Antikensammlungen_2304.jpg\" alt=\"Bearded Hermes standing beside his mother Maia. Hermes holds a strange scroll or bundle of sticks in his hand.\" width=\"2331\" height=\"1704\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Maia_Staatliche_Antikensammlungen_2304.jpg 2331w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Maia_Staatliche_Antikensammlungen_2304-300x219.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Maia_Staatliche_Antikensammlungen_2304-1024x749.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Maia_Staatliche_Antikensammlungen_2304-768x561.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Maia_Staatliche_Antikensammlungen_2304-1536x1123.jpg 1536w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Maia_Staatliche_Antikensammlungen_2304-2048x1497.jpg 2048w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Maia_Staatliche_Antikensammlungen_2304-65x48.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Maia_Staatliche_Antikensammlungen_2304-225x164.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Maia_Staatliche_Antikensammlungen_2304-350x256.jpg 350w\" sizes=\"auto, (max-width: 2331px) 100vw, 2331px\" \/><figcaption id=\"caption-attachment-1094\" class=\"wp-caption-text\">Hermes and Maia, red-figure amphora, ca. 500 BCE (Staatliche Antikensammlungen, Munich)<\/figcaption><\/figure>\n<h2><a id=\"zeusandmaia\"><\/a>Zeus and Maia<\/h2>\n<p style=\"text-align: justify\">Hermes was another son of Zeus and one of the twelve Olympians. He was born of the sexual union between Zeus and the nymph Maia, who lived in a cave on Mount Cyllene, in the northern Peloponnese. He was the messenger of the Olympians, a god of crossroads, and a trickster. He wore a special, large brimmed hat and winged sandals. He is also given the epithet Argeiphontes, meaning &#8220;Slayer of Argus,&#8221; since he killed the one-hundred-eyed-giant, Argus. In Roman myth, Hermes is called Mercury.<\/p>\n<div class=\"textbox shaded\">\n<h3><a id=\"hh18\"><\/a>Homeric Hymn 18, &#8220;To Hermes&#8221; (trans. H. G. Evelyn-White, adapted by P. Rogak)<\/h3>\n<h4>Greek hymn, 7th century BCE<\/h4>\n<div class=\"textbox\">This 7th century BCE Homeric Hymn to Hermes gives a brief version of the god&#8217;s origin.<\/div>\n<p>&nbsp;<\/p>\n<p>[1] I sing of Cyllenian Hermes, the Slayer of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_641\">Argus<\/a>, lord of Cyllene and Arcadia rich in flocks, luck-bringing messenger of the undying gods. He was born of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>, a shy goddess and the daughter of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1085\">Atlas<\/a>, when she slept with <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>. She [ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a> ] always avoided the crowds of the blessed gods, and lived in a shadowy cave. And there the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_169\">Cronus<\/a> [Zeus] used to sleep with the rich-tressed <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_217\">nymph<\/a> at dead of night, while white-armed <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_185\">Hera<\/a> lay in sweet sleep: and no undying god, nor any mortal, knew about it. And so hail to you, Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>; with you I have begun: now I will turn to another song! Hail, Hermes, giver of grace, guide, and giver of good things!<\/p>\n<p>&nbsp;<\/p>\n<p>Taken from: <a href=\"https:\/\/www.theoi.com\/Text\/HomericHymns3.html#18\">https:\/\/www.theoi.com\/Text\/HomericHymns3.html#18<\/a><\/p>\n<\/div>\n<hr \/>\n<h1>Hermes in Action<\/h1>\n<div class=\"textbox textbox--examples\">\n<header class=\"textbox__header\">\n<p class=\"textbox__title\">Sections &amp; Primary Sources<\/p>\n<\/header>\n<div class=\"textbox__content\">\n<p><a href=\"#inventionoflyre\">Hermes and the Invention of the Lyre<\/a><\/p>\n<ul>\n<li><a href=\"#hh4\">Homeric Hymn 4, &#8220;To Hermes&#8221;<\/a><\/li>\n<\/ul>\n<p><a href=\"#argeiphontes\">Hermes Argeiphontes<\/a><\/p>\n<p><a href=\"#hermaphroditus\">Hermaphroditus<\/a><\/p>\n<ul>\n<li><a href=\"#ovid\">Ovid,\u00a0<em>Metamorphoses,\u00a0<\/em>4.274-388<\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<h2><a id=\"inventionoflyre\"><\/a>Hermes and the Invention of the Lyre<\/h2>\n<div class=\"textbox shaded\">\n<h3><a id=\"hh4\"><\/a>Homeric Hymn 4, &#8220;To Hermes&#8221; (trans. H. G. Evelyn-White, adapted by L. Zhang and P. Rogak)<\/h3>\n<h4>Greek hymn, 7th century BCE<\/h4>\n<div class=\"textbox\">This longer Homeric Hymn to Hermes is about the first trick that Hermes plays on his brother Apollo shortly after his birth, while he is still a young infant. This trick establishes Hermes reputation as a trickster god and also cements the friendship between Hermes and Apollo. Further, it functions as an <em>etiological myth\u00a0<\/em>for the lyre, the popular stringed instrument of ancient Greece and important accouterment of Apollo.<\/div>\n<p>&nbsp;<\/p>\n<p>[1] <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_348\">Muse<\/a>, sing of Hermes, the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>, lord of Cyllene and of Arcadia rich in flocks, the luck-bringing messenger of the immortals whom <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a> bore, the rich-haired <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_217\">nymph<\/a>, when she was joined in love with <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>, &#8212; a shy goddess, for she avoided the company of the blessed gods, and lived within a deep, shady cave. There the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_169\">Cronus<\/a> used to lie with the rich-haired <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_217\">nymph<\/a>, unseen by deathless gods and mortal men, at dead of night while sweet sleep held white-armed <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_185\">Hera<\/a> tight. And when the purpose of great <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> was fixed in heaven, she was delivered and a notable thing came to pass. For then she [ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a> ] gave birth to a son, of many shifts, consistently cunning, a robber, a cattle driver, a bringer of dreams, a watcher by night, a thief at the gates, one who was soon to show forth wonderful deeds among the deathless gods. Born at dawn, at midday he played on the lyre, and in the evening he stole the cattle of far-shooting <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> on the fourth day of the month; for on that day queenly <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a> gave birth to him. As soon as he had leaped from his mother&#8217;s heavenly womb, he did not lie and wait long in his holy cradle, but he sprang up and sought the oxen of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a>. But as he stepped over the threshold of the high-roofed cave, he found a tortoise there and gained endless delight. For it was Hermes who first made the tortoise a singer.<a class=\"footnote\" title=\"Lyres were typically made of tortoise shells, or of wood stylized to mimic a tortoise shell.\" id=\"return-footnote-47-1\" href=\"#footnote-47-1\" aria-label=\"Footnote 1\"><sup class=\"footnote\">[1]<\/sup><\/a> The creature crossed his path at the courtyard gate, where it was feeding on the rich grass in front of the dwelling, waddling along.<\/p>\n<p>[28] When he saw it, the luck-bringing son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> laughed and said, &#8220;An omen of great luck for me so soon! I do not reject it. Hail, comrade of the feast, lovely in shape, sounding at the dance! With joy I meet you! Where did you get that rich ornament, that spangled shell &#8212; a tortoise living in the mountains? But I will take you and carry you in: you will help me and I will do you no disgrace, though first of all you must do something of profit to me. It is better to be at home: harm may come out of doors. Living, you shall be a spell against mischievous witchcraft;<a class=\"footnote\" title=\"Some writers considered tortoises to be protective talismans.\" id=\"return-footnote-47-2\" href=\"#footnote-47-2\" aria-label=\"Footnote 2\"><sup class=\"footnote\">[2]<\/sup><\/a> but if you die, then you shall make sweetest song.&#8221;<\/p>\n<p>[39] Thus speaking, he took up the tortoise in both hands and went back into the house carrying his charming toy. Then he cut off its limbs and scooped out the marrow of the mountain-tortoise with a scoop of grey iron. Like a swift thought that darts through the heart of a man when many worries haunt him, or like bright glances that flash from the eye, so glorious Hermes planned both thought and deed at once. He cut stalks of reed to measure and fixed them, fastening their ends across the back and through the shell of the tortoise, and then stretched ox hide all over it by his skill. Also he put in the horns and fitted a cross-piece upon the two of them, and stretched seven strings of sheep-gut. But when he had made it, he tested each string in turn with the key, as he held the lovely thing. At the touch of his hand it sounded marvelously; and, as he tried it, the god sang sweet random snatches [of songs], like how youths exchange taunts at festivals. He sang of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_169\">Cronus<\/a>, and of neat-footed <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>, and the conversation which they had before when they were together in love, telling all the glorious tale of his own conceiving. He celebrated, too, the handmaids of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_217\">nymph<\/a>, and her bright home, and the tripods all about the house, and the abundant cauldrons.<\/p>\n<p>[62] But while he was singing of all these things, his heart was bent on other matters. And he took the hollow lyre and laid it in his sacred cradle, and sprang from the sweet-smelling hall to a watch-place, pondering sheer trickery in his heart &#8212; deeds like those that dishonourable people pursue in the dark night-time; for he longed to taste meat.<\/p>\n<p>[68] The <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_876\">Sun<\/a> was going down beneath the earth towards <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_216\">Ocean<\/a> with his horses and chariot when Hermes came hurrying to the shadowy mountains of Pieria, where the divine cattle of the blessed gods had their steads and grazed the pleasant, unmown meadows. Of these the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>, the sharp-eyed <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_647\">Slayer of Argus<\/a> then cut off from the herd fifty loud-lowing cattle, and drove them straggling-wise across a sandy place, turning their hoof-prints aside. Also, he thought of a crafty ruse and reversed the marks of their hoofs, making the front behind and the hind before, while he himself walked the other way. Then he wove sandals with wicker-work by the sand of the sea, wonderful things, unthought of, unimagined; for he mixed together tamarisk and myrtle-twigs, fastening together an armful of their fresh, young wood, and tied them, leaves and all securely under his feet as light sandals. The glorious <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_647\">Slayer of Argus<\/a> plucked the brushwood in Pieria, as he was preparing for his journey, making his clever device like one making haste for a long journey.<\/p>\n<p>[87] But an old man tilling his flowering vineyard saw him as he was hurrying down the plain through grassy Onchestus. So the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a> began and said to him, &#8220;Old man, digging about your vines with bowed shoulders, surely you shall have much wine when all these bear fruit, if you obey me and strictly remember not to have seen what you have seen, and not to have heard what you have heard, and to keep silent when nothing of your own is harmed.&#8221;<\/p>\n<p>[94] When he had said this much, he hurried the strong cattle on together: through many shadowy mountains and echoing gorges and flowery plains glorious Hermes drove them. And now the divine night, his dark ally, was mostly passed, and dawn that sets folk to work was quickly coming on, while bright <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1537\">Selene<\/a>, daughter of the lord <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1538\">Pallas<\/a>, Megamedes&#8217; son, had just climbed her watch-post, when the strong Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> drove the wide-browed cattle of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_946\">Phoebus<\/a> <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> to the river Alpheus. And they came unwearied to the high-roofed sheds and the drinking-troughs that were by the noble meadow. Then, after he had well-fed the loud-bellowing cattle with fodder and driven them into the cowshed, close-packed and chewing lotus, he began to seek the art of fire. He chose a stout laurel branch and trimmed it with the knife ((lacuna))<a class=\"footnote\" title=\"Indicates a gap or missing segment in the text\" id=\"return-footnote-47-3\" href=\"#footnote-47-3\" aria-label=\"Footnote 3\"><sup class=\"footnote\">[3]<\/sup><\/a> . . .held firmly in his hand: and the hot smoke rose up. For it was Hermes who first invented fire-sticks and fire. Next he took many dried sticks and piled them thick and plenty in a sunken trench: and flame began to glow, spreading afar the blast of fierce-burning fire.<\/p>\n<p>[115] And while the strength of glorious <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_356\">Hephaestus<\/a> was beginning to kindle the fire, he dragged out two lowing, horned cows close to the fire; for great strength was with him. He threw them both panting upon their backs on the ground, and rolled them on their sides, bending their necks over, and pierced their vital chord. Then he went on from task to task: first he cut up the rich, fatty meat, and pierced it with wooden spits, and roasted flesh and the honourable backbone and the abdomen full of dark blood all together. He laid them there upon the ground, and spread out the hides on a rugged rock: and so they are still there many ages afterwards, a long, long time after all this, and are continually. Next, glad-hearted Hermes dragged the rich meats he had prepared and put them on a smooth, flat stone, and divided them into twelve portions distributed by lot, making each portion wholly honourable. Then glorious Hermes longed for the sacrificial meat, for the sweet flavour wearied him, god though he was; nevertheless his proud heart did not give in to devouring the flesh, although he greatly desired to. But he put away the fat and all the flesh in the high-roofed cowshed, placing them high up to be a token of his youthful theft. And after that he gathered dry sticks and utterly destroyed with fire all the hoofs and all the heads.<\/p>\n<p>[138] And when the god had duly finished all, he threw his sandals into deep-eddying Alpheus, and quenched the embers, covering the black ashes with sand, and so spent the night while <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1537\">Selene<\/a>&#8216;s soft light shone down. Then the god went straight back again at dawn to the bright crests of Cyllene, and no one met him on the long journey either of the blessed gods or mortal men, nor did any dog bark. And luck-bringing Hermes, the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>, passed edgeways through the key-hole of the hall like the autumn breeze, even as mist: straight through the cave he went and came to the rich inner chamber, walking softly, and making no noise as one might upon the floor. Then glorious Hermes went hurriedly to his cradle, wrapping his swaddling clothes about his shoulders as though he were a weak baby, and lay playing with the covering about his knees; but at his left hand he kept close his sweet lyre.<\/p>\n<p>[155] But the god did not pass unseen by the goddess his mother; but she said to him, &#8220;How now, you rogue! Where did you come from back so at night-time, you who wears shamelessness as a garment? And now I surely believe the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a> will soon have you thrown out of doors with unbreakable cords about your ribs, or you will live a rogue&#8217;s life in the narrow valleys robbing with your wits alone. Go to, then; your father got you to be a great worry to mortal men and deathless gods.&#8221;<\/p>\n<p>[162] Then Hermes answered her with crafty words, &#8220;Mother, why do you seek to frighten me like a feeble child whose heart knows few words of blame, a fearful baby that fears its mother&#8217;s scolding? Nay, but I will try whatever plan is best, and so feed myself and you continually. We will not be content to remain here, as you bid, the only ones of all the gods not fed with offerings and prayers. Better to live in fellowship with the deathless gods continually, rich, wealthy, and enjoying stories of grain, than to sit always in a gloomy cave: and, as regards honour, I too will enter upon the rite that <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> has. If my father will not give it to me, I will seek &#8212; and I am able &#8212; to be a prince of robbers. And if <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a>&#8216;s most glorious son shall seek me out, I think another and a greater loss will befall him. For I will go to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_945\">Pytho<\/a> to break into his great house, and will plunder therefrom splendid tripods, and cauldrons, and gold, and plenty of bright iron, and much apparel; and you will see it if you want.&#8221;<\/p>\n<p>[182] With such words they spoke together, the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> who holds the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_168\">aegis<\/a>, and the lady <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>. Now <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_215\">Eos<\/a> the early-born was rising from deep-flowing <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_216\">Ocean<\/a>, bringing light to men, when <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a>, as he went, came to Onchestus, the lovely grove and sacred place of the loud-roaring Holder of the Earth [ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_182\">Poseidon<\/a> ]. There he found an old man grazing his beast along the pathway from his court-yard fence, and the all-glorious Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a> began and said to him, &#8220;Old man, weeder of grassy Onchestus, I am come here from Pieria seeking cattle, cows all of them, all with curving horns, from my herd. The black bull was grazing alone away from the rest, but fierce-eyed hounds followed the cows, four of them, all of one mind, like men. These were left behind, the dogs and the bull &#8212; which is great wonder; but the cows strayed out of the soft meadow, away from the pasture when the sun was just going down. Now tell me this, old man born long ago: have you seen anyone going by behind those cows?&#8221;<\/p>\n<p>[201] Then the old man answered him and said, &#8220;My son, it is hard to tell all that one&#8217;s eyes see; for many wayfarers pass back and forth this way, some bent on much evil, and some on good: it is difficult to know each one. However, I was digging about my plot of vineyard all day long until the sun went down, and I thought, good sir, but I do not know for certain, that I marked a child, whoever the child was, that followed long-horned cattle &#8212; an infant who had a staff and kept walking from side to side: he was driving them backwards way, with their heads toward him.&#8221;<\/p>\n<p>[212] So said the old man. And when <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> heard this report, he went yet more quickly on his way, and presently, seeing a long-winged bird, he knew at once by that omen that thief was the child of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_169\">Cronus<\/a>. So the lord <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a>, son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>, hurried on to goodly Pylos seeking his shambling oxen, and he had his broad shoulders covered with a dark cloud. But when the Far-Shooter saw the tracks, he cried, &#8220;Oh, oh! Truly this is a great wonder that my eyes behold! These are indeed the tracks of straight-horned oxen, but they are turned backwards towards the flowery meadow. But these others are not the footprints of man or woman or grey wolves or bears or lions, nor do I think they are the tracks of a rough-maned <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1398\">Centaur<\/a> &#8212; whoever it is that with swift feet makes such monstrous footprints; wonderful are the tracks on this side of the way, but yet more wonderfully are those on that.&#8221;<\/p>\n<p>[227] When he had so said, the lord <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a>, the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> hurried on and came to the forest-clad mountain of Cyllene and the deep-shadowed cave in the rock where the divine nymph brought forth the child of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> who is the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_169\">Cronus<\/a>. A sweet odour spread over the lovely hill, and many thin-shanked sheep were grazing on the grass. Then far-shooting <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> himself stepped down in haste over the stone threshold into the dusky cave.<\/p>\n<p>[235] Now when the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a> saw <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> in a rage about his cattle, he snuggled down in his fragrant swaddling-clothes; and as wood-ash covers over the deep embers of tree-stumps, so Hermes cuddled himself up when he saw the Far-Shooter. He squeezed head and hands and feet together in a small space, like a new born child seeking sweet sleep, though in truth he was wide awake, and he kept his lyre under his armpit. But the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a> was aware and did not fail to perceive the beautiful mountain-<a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_217\">nymph<\/a> and her dear son, albeit a little child and swathed so craftily. He looked in every corner of the great dwelling and, taking a bright key, he opened three closets full of nectar and lovely ambrosia. And much gold and silver was stored in them, and many garments of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_217\">nymph<\/a>, some purple and some silvery white, such as are kept in the sacred houses of the blessed gods.<\/p>\n<p>[252] Then, after the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a> had searched out the recesses of the great house, he spoke to glorious Hermes, &#8220;Child, lying in the cradle, make haste and tell me of my cattle, or we two will soon fall out angrily. For I will take and cast you into dusty <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_367\">Tartarus<\/a> and awful hopeless darkness, and neither your mother nor your father shall free you or bring you up again to the light, but you will wander under the earth and be the leader amongst little folk.&#8221;<\/p>\n<p>[260] Then Hermes answered him with crafty words, &#8220;Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a>, what harsh words are these you have spoken? And is it cattle of the field you have come here to seek? I have not seen them. I have not heard of them. No one has told me of them. I cannot give news of them, nor win the reward for news. Am I like a cattle-lifter, a strong person? This is no task for me: rather I care for other things: I care for sleep, and milk of my mother&#8217;s breast, and wrappings round my shoulders, and warm baths. Let no one hear the cause of this dispute; for this would be a great wonder indeed among the deathless gods, that a child newly born should pass in through the forepart of the house with cattle of the field: by saying so you speak extravagantly. I was born yesterday, and my feet are soft and the ground beneath is rough; nevertheless, if you will have it so, I will swear a great oath by my father&#8217;s head and vow that neither am I guilty myself, neither have I seen any other who stole your cows &#8212; whatever cows may be; for I know them only by hearsay.&#8221;<\/p>\n<p>[278] So, then, said Hermes, shooting quick glances from his eyes: and he kept raising his brows and looking this way and that, whistling long and listening to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a>&#8216;s story as to an idle tale. But far-working <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> laughed softly and said to him, &#8220;O rogue, deceiver, crafty in heart, you talk so innocently that I most surely believe that you have broken into many a well- built house and stripped more than one poor wretch bare this night, gathering his goods together all over the house without noise. You will plague many lonely herdsmen in mountain glades, when you come upon herds and thick-fleeced sheep, and have a hankering after flesh. But come now, if you would not sleep your last and latest sleep, get out of your cradle, you comrade of dark night. Surely hereafter this shall be your title amongst the deathless gods, to be called the prince of robbers continually.&#8221;<\/p>\n<p>[293] So said <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_946\">Phoebus<\/a> <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a>, and took the child and began to carry him. But at that moment the strong <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_647\">Slayer of Argus<\/a> executed his plan: while <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> held him in his hands, he sent forth an omen, a hard-working serf, a common messenger [this is referring to a fart], and then sneezed immediately after. And when <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> heard it, he dropped glorious Hermes out of his hands on the ground. Then, sitting down before him, though he was eager to go on his way, he spoke mockingly to Hermes, &#8220;Fear not, little swaddling baby, son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>. I shall find the strong cattle presently by these omens, and you shall lead the way.&#8221;<\/p>\n<p>[304] When <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> had said this, Cyllenian Hermes sprang up quickly, jumping hastily. With both hands he pushed the covering that he had wrapped around his shoulders up to his ears and said, &#8220;Where are you carrying me, Far-Worker, hastiest of all the gods? Is it because of your cattle that you are so angry and harass me? O dear, I wish that all the oxen in the world would die; for it is not I who stole your cows, nor did I see another person steal them &#8212; whatever cows are, since I have only ever heard stories about them. No, go on and take it up with <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>, the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_169\">Cronus<\/a>.&#8221;<\/p>\n<p>[313] So Hermes the shepherd and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a>&#8216;s glorious son kept stubbornly disputing each part of their argument: <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a>, speaking truly ((lacuna)) . . . unfairly sought to seize glorious Hermes because of the cows; but he, the Cyllenian, tried to deceive the God of the Silver Bow [Apollo] with tricks and cunning words. Even though he [Hermes] had many tricks, he found that the other [ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> ] had as many cunning devices, and he began to walk across the sand, himself in front, while the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a> came behind. Soon these lovely children of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> came to the top of fragrant <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_628\">Olympus<\/a>, to their father, the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_169\">Cronus<\/a>; for the scales of judgement were set up there for both of them. There was an assembly on snowy <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_628\">Olympus<\/a>, and the immortals who do not die were gathering in the hour after the rising of gold-throned <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_215\">Dawn<\/a>.<\/p>\n<p>[327] Then Hermes and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> of the Silver Bow stood at the knees of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>: and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> who thunders on high spoke to his glorious son and asked him, &#8220;<a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_946\">Phoebus<\/a>, where do you come from, driving this great spoil, a newborn child that has the look of a herald? This is a heavy matter that has come before the council of the gods.&#8221;<\/p>\n<p>[333] Then the lord, far-working <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a>, answered him, &#8220;O my father, you shall soon hear no innocent tale, though you reproach me that I alone am fond of robbery. Here is a child, a burgling robber, whom I found after a long journey in the hills of Cyllene: for my part I have never seen one so cheeky either among the gods or all men that catch folk unawares throughout the world. He stole away my cows from their meadow and drove them off in the evening along the shore of the loud-roaring sea, making straight for Pylos. There were double tracks, and wonderful they were, such as one might marvel at, the doing of a clever sprite; for as for the cows, the dark dust kept and showed their footprints leading towards the flowery meadow; but he himself &#8212; bewildering creature &#8212; crossed the sandy ground outside the path, not on his feet nor yet on his hands; but, furnished with some other means he trudged his way &#8212; wonder of wonders! &#8212; as though one walked on slender oak-trees. Now while he followed the cattle across sandy ground, all the tracks showed quite clearly in the dust; but when he had finished the long way across the sand, presently the cows&#8217; track and his own could not be traced over the hard ground. But a mortal man noticed him as he drove the wide-browed cattle straight towards Pylos. And as soon as he had shut them up quietly, and had gone home by crafty turns and twists, he lay down in his cradle in the gloom of a dim cave, as still as dark night, so that not even an eagle keenly gazing would have spied him. Much he rubbed his eyes with his hands as he prepared his lie, and he immediately said emphatically: &#8220;I have not seen them: I have not heard of them: no man has told me of them. I could not tell you of them, nor win the reward of telling.'&#8221;<\/p>\n<p>[365] When he had so spoken, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_946\">Phoebus<\/a> <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> sat down. But Hermes on his part answered and said, pointing at the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_169\">Cronus<\/a>, the lord of all the gods, &#8220;<a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>, my father, indeed I will speak truth to you; for I am truthful and I cannot tell a lie. He came to our house today looking for his shambling cows, as the sun was newly rising. He brought no witnesses with him nor any of the blessed gods who had seen the theft, but with great violence ordered me to confess, threatening much to throw me into wide <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_367\">Tartarus<\/a>. For he has the rich bloom of glorious youth, while I was born but yesterday &#8212; as he too knows &#8212; nor am I like a cattle-lifter, a sturdy fellow. Believe my tale (for you claim to be my own father), that I did not drive his cows to my house &#8212; so may I prosper &#8212; nor crossed the threshold: this I say truly. I reverence <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_876\">Helios<\/a> greatly and the other gods, and you I love and him I dread. You yourself know that I am not guilty: and I will swear a great oath upon it: &#8212; No! by these rich-decked porticoes of the gods. And some day I will punish him, strong as he is, for this pitiless inquisition; but now do you help the younger.&#8221;<\/p>\n<p>[387] So spoke the Cyllenian, the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_647\">Slayer of Argus<\/a>, while he kept shooting sidelong glances and kept his swaddling-clothes upon his arm, and did not cast them away. But <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> laughed out loud to see his evil-plotting child well and cunningly denying guilt about the cattle. And he asked them both to be of one mind and search for the cattle, and asked guiding Hermes to lead the way and, without mischievousness of heart, to show the place where now he had hidden the strong cattle. Then the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_169\">Cronus<\/a> bowed his head: and goodly Hermes obeyed him; for the will of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> who holds the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_168\">aegis<\/a> easily prevailed with him.<\/p>\n<p>[397] Then the two all-glorious children of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> hastened both to sandy Pylos, and reached the ford of Alpheus, and came to the fields and the high-roofed cowshed where the beasts were protected at night-time. Now while Hermes went to the cave in the rock and began to drive out the strong cattle, the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a>, looking aside, saw the cowhides on the sheer rock. And he asked glorious Hermes at once, &#8220;How were you able, you crafty rogue, to flay two cows, new-born and babyish as you are? For my part, I dread the strength that will be yours: there is no need you should keep growing long, Cyllenian, son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>!&#8221;<\/p>\n<p>[409] So saying, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> twisted strong osier branches with his hands meaning to bind Hermes with firm bands; but the bands would not hold him, and the branches of osier fell far from him and began to grow at once from the ground beneath their feet in that very place. And intertwining with one another, they quickly grew and covered all the wild-roving cattle by the will of thievish Hermes, so that <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> was astonished as he watched.<\/p>\n<p>[414] Then the strong <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_647\">slayer of Argus<\/a> looked furtively upon the ground with eyes flashing fire ((lacuna)) . . . desiring to hide ((lacuna)) . . . Very easily he softened the son of all-glorious <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a> as he wanted, stern though the Far-shooter was. He took the lyre upon his left arm and tried each string in turn with the key, so that it sounded awesomely at his touch. And <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_946\">Phoebus<\/a> <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> laughed for joy; for the sweet throb of the marvelous music went to his heart, and a soft longing took hold on his soul as he listened. Then the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>, harping sweetly upon his lyre, took courage and stood at the left hand of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_946\">Phoebus<\/a> <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a>; and soon, while he played shrilly on his lyre, he lifted up his voice and sang, and lovely was the sound of his voice that followed. He sang the story of the deathless gods and of the dark earth, how at the first they came to be, and how each one received his portion. First among the gods he honoured Mnemosyne, mother of the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_348\">Muses<\/a>, in his song; for the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a> was of her following. And next the goodly son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> hymned the rest of the immortals according to their order in age, and told how each was born, mentioning all in order as he struck the lyre upon his arm.<\/p>\n<p>[433] But <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> was seized with a longing not to be appeased, and he opened his mouth and spoke winged words to Hermes, &#8220;Slayer of oxen, trickster, busy one, comrade of the feast, this song of yours is worth fifty cows, and I believe that soon we shall settle our quarrel peacefully. But come now, tell me this, resourceful son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>: has this marvelous thing been with you from your birth, or did some god or mortal man give it to you &#8212; a noble gift &#8212; and teach you heavenly song? For wonderful is this new-uttered sound I hear, the like of which I vow that no man nor god dwelling on <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_628\">Olympus<\/a> ever yet has known but you, O thievish son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>. What skill is this? What song for desperate cares? What way of song? For truly here are three things to hand all at once from which to choose, &#8212; mirth, and love, and sweet sleep. And though I am a follower of the Olympian <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_348\">Muses<\/a> who love dances and the bright path of song &#8212; the full-toned chant and ravishing thrill of flutes &#8212; yet I never cared for any of those feats of skill at young men&#8217;s revels, as I do now for this: I am filled with wonder, O son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>, at your sweet playing. But now, since you, though little, have such glorious skill, sit down, dear boy, and respect the words of your elders. For now you shall have renown among the deathless gods, you and your mother also. This I will declare to you exactly: by this shaft of cornel wood [the caduceus] I will surely make you a leader renowned among the deathless gods, and fortunate, and will give you glorious gifts and will not deceive you from first to last.&#8221;<\/p>\n<p>[463] Then Hermes answered him with artful words, &#8220;You question me carefully, O Far-worker; yet I am not jealous that you should enter upon my art: this day you shall know it. For I seek to be friendly with you both in thought and word. Now you well know all things in your heart, since you sit foremost among the deathless gods, O son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>, and are goodly and strong. And wise <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> loves you as all right is, and has given you splendid gifts. And they say that from the teachings of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> you have learned both the honours due to the gods, O Far-worker, and oracles from <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>, even all his ordinances. Of all these I myself have already learned that you have great wealth. Now, you are free to learn whatever you please; but since, as it seems, your heart is so strongly set on playing the lyre, chant, and play upon it, and give yourself to merriment, taking this as a gift from me, and do you, my friend, bestow glory on me. Sing well with this clear-voiced companion in your hands; for you are skilled in good, well-ordered words. From now on bring it confidently to rich feasts and lovely dances and glorious revels, a joy by night and by day. Whoever with wit and wisdom asks of it cunningly, [the lyre] it teaches through its sound all manner of things that delight the mind, being easily played with gentle familiarities, for it hates laborious drudgery; but whoever in ignorance asks of it violently, to him it chatters only vanity and foolishness. But you are able to learn whatever you please. So then, I will give you this lyre, glorious son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>, while I for my part will graze down with wild-roving cattle the pastures on hill and horse-feeding plain: so the cows covered by the bulls will produce many calves, both males and females. And now there is no need for you, bargainer though you are, to be furiously angry.&#8221;<\/p>\n<p>[496] When Hermes had said this, he held out the lyre: and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_946\">Phoebus<\/a> <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> took it, and readily put his shining whip in Hermes&#8217; hand, and ordained him keeper of herds. The son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a> received it joyfully, while the glorious son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a>, the lord far-working <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a>, took the lyre upon his left arm and tried each string with the key. Awesomely it sounded at the touch of the god, while he sang sweetly to its note.<\/p>\n<p>[503] Afterwards they two, the all-glorious sons of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> turned the cows back towards the sacred meadow, but themselves rushed back to snowy <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_628\">Olympus<\/a>, delighting in the lyre. Then wise <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> was glad and made them both friends. And Hermes loved the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a> continually, even as he does now, when he had given the lyre as token to the Far-shooter, who played it skillfully, holding it upon his arm. But for himself Hermes found out another cunning art and made himself the pipes whose sound is heard afar.<\/p>\n<p>[513] Then the son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a> said to Hermes, &#8220;Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>, guide and cunning one, I fear you may steal from me the lyre and my curved bow together; for you have an office from <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>, to establish deeds of barter amongst men throughout the fruitful earth. Now if you would only swear me the great oath of the gods, either by nodding your head, or by the potent water of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_361\">Styx<\/a>, you would do all that can please and ease my heart.&#8221;<\/p>\n<p>[521] Then <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>&#8216;s son nodded his head and promised that he would never steal anything of all the Far-shooter possessed, and would never go near his strong house; but <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a>, son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_191\">Leto<\/a>, swore to be fellow and friend to Hermes, vowing that he would love no other among the immortals, neither god nor man sprung from <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>, better than Hermes: and the Father sent forth an eagle in confirmation. And <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> swore also, &#8220;Truly I will make you only to be an omen for the immortals and all alike, trusted and honoured by my heart. Furthermore, I will give you a splendid staff of riches and wealth: it is of gold, with three branches, and will keep you scatheless, accomplishing every task, whether of words or deeds that are good, which I claim to know through the teachings of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>. But as for sooth-saying, noble, heaven-born child, of which you ask, it is not lawful for you to learn it, nor for any other of the deathless gods: only the mind of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> knows that. I am pledged and have vowed and sworn a strong oath that no other of the eternal gods save I should know the wise-hearted counsel of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a>. And do not, my brother, bearer of the golden wand, ask me to tell you those decrees which all-seeing <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> intends. As for men, I will harm one and profit another, sorely perplexing the tribes of unenviable men. Whoever comes guided by the call and flight of birds of sure omen, that man shall have advantage through my voice, and I will not deceive him. But whoever trusts idly-chattering birds and seeks to invoke my prophetic art against my will, and to understand more than the eternal gods, I declare that he shall come on a futile journey; yet his gifts I would take.<\/p>\n<p>[550] &#8220;But I will tell you another thing, Son of all-glorious <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> who holds the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_168\">aegis<\/a>, luck-bringing genius of the gods. There are certain holy ones, sisters born &#8212; three virgins gifted with wings: their heads are besprinkled with white meal, and they dwell under a ridge of Parnassus. These are teachers of divination apart from me, the art which I practiced while still a boy following herds, though my father paid no attention to it. From their home they fly now here, now there, feeding on honey-comb and bringing all things to pass. And when they are inspired through eating yellow honey, they are willing to speak truth; but if they are deprived of the gods&#8217; sweet food, then they speak falsely, as they swarm in and out together. These, then, I give you; enquire of them strictly and delight your heart: and if you should teach any mortal to do so, often will he hear your response &#8212; if he has good fortune. Take these, Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>, and tend the wild roving, horned oxen and horses and patient mules.&#8221;<\/p>\n<p>[568] So he spoke. And from heaven father <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> himself gave confirmation to his words, and commanded that glorious Hermes should be lord over all birds of omen and grim-eyed lions, and boars with gleaming tusks, and over dogs and all flocks that the wide earth nourishes, and over all sheep; also that he only should be the appointed messenger to <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_211\">Hades<\/a>, who, though he takes no gifts, will give him no small prize.<\/p>\n<p>[574] Thus the lord <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_183\">Apollo<\/a> showed his kindness for the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a> by all manner of friendship: and the Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_169\">Cronus<\/a> gave him grace besides. He consorts with all mortals and immortals: a little he profits, but continually throughout the dark night he tricks the tribes of mortal men.<\/p>\n<p>[579] And so, farewell, Son of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_172\">Zeus<\/a> and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1086\">Maia<\/a>; but I will remember you and another song also.<\/p>\n<p>&nbsp;<\/p>\n<p>Taken from: <a href=\"https:\/\/www.theoi.com\/Text\/HomericHymns2.html\">https:\/\/www.theoi.com\/Text\/HomericHymns2.html<\/a><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h2><a id=\"argeiphontes\"><\/a>Hermes Argeiphontes<\/h2>\n<p><em>[content warning for the following section: sexual violence]<\/em><\/p>\n<p style=\"text-align: justify\">Zeus often employed Hermes not only in sending messages but in performing tasks that Zeus was not able to do himself. One such instance was with Io, a mortal woman and priestess of Hera, whom Zeus lusted after. Zeus sent Io dreams commanding her to join him in the fields where her father kept his herds and flocks. She resisted these dreams, but eventually was compelled to come to the meadow. When she realized what Zeus wanted from her, she ran away. Zeus pursued and raped her. Hera, eager to catch her husband in the act of cheating, came down from Olympus to confront him. Zeus quickly changed Io into a cow to hide his promiscuity from his wife. Hera, who knew that the cow was really Io, asked him to give her the beautiful cow as a present. He had to acquiesce in order to not give away his deception. Hera placed Io in a grove, guarded by Argus Panoptes (Argus &#8220;all-eyes&#8221;), a hundred-eyed monster.<\/p>\n<p style=\"text-align: justify\">Zeus sent Hermes to get Io, but not even the trickster could steal her away, since Argus was able to make his eyes sleep in shifts and constantly be on guard. Hermes decided to disguise himself as a goatherd. He sat down by Argus and gently played his panpipes until all of Argus\u2019 eyes had closed in sleep. Then, Hermes took up his sword and cut off the head of the monster, earning his name Argeiphontes, &#8220;Slayer of Argus.&#8221;<\/p>\n<p>For more on the myth of Hera, Io, and Zeus, see <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hera#argos\">chapter 6<\/a>.<\/p>\n<h2><a id=\"hermaphroditus\"><\/a>Hermaphroditus<\/h2>\n<p style=\"text-align: justify\">Hermes had many children by many different goddesses and mortal women. One of his offspring was Hermaphroditus, born from his sexual union with Aphrodite.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"textbox shaded\">\n<h3><a id=\"ovid\"><\/a>Ovid,\u00a0<em>Metamorphoses,<\/em> Book 4 (trans. A. S. Kline, adapted by P. Rogak)<\/h3>\n<h4>Latin narrative poem, 1st century CE<\/h4>\n<h5>[content warning for the following source: sexual assault (346-388), femme- and intersex-phobic language]<\/h5>\n<div class=\"textbox\">The story of Hermaphroditus, here told by Ovid as part of his\u00a0<em>Metamorphoses<\/em>,\u00a0is the <em>etiological myth<\/em> for the origin of intersex people.<\/div>\n<p>[274-316] \u201cNow you will hear where the pool of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1078\">Salmacis<\/a> got its bad reputation from, how its strength-draining waters weaken people, and soften the limbs they touch. The reason for it is hidden, but the fountain\u2019s effect is widely known. The <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1081\">Naiads<\/a> nursed a child born of Hermes, and a goddess, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_167\">Cytherean<\/a> <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_882\">Aphrodite<\/a>, in <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_187\">Mount Ida<\/a>\u2019s caves. His features were such that, in them, both mother and father could be seen: and from them he took his name, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1082\">Hermaphroditus<\/a>.<\/p>\n<p>When Hermes was fifteen years old, he left his native mountains and <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_187\">Ida<\/a>, his nursery. He delighted in wandering in unknown lands, and gazing at unknown rivers, his enthusiasm making it easy to travel. He even reached the Lycian cities, and the Carians by Lycia. Here he saw a pool of water, clear to its very depths. There were no marsh reeds around it, no sterile sedge, no spikes of rushes: it is crystal liquid. The edges of the pool are bordered by fresh turf, and the grass is always green. A <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_217\">nymph<\/a> lives there, but she is not skilled at the chase, or used to flexing the bow, or the effort of running, the only <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1081\">Naiad<\/a> not known by swift-footed <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_180\">Diana<\/a>.<\/p>\n<p>\u201cOften, it\u2019s said, her sisters would tell her \u2018<a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1078\">Salmacis<\/a>, take up the hunting-spear or the painted quiver and vary your idleness with some hard work, hunting!\u2019 But she takes up neither the hunting spear nor the painted quiver, and will not vary her idleness with the hardship of hunting. She only bathes her shapely limbs in the pool, often combs out her hair, with a comb that is made of boxwood from Cytorus, and looks in the water to see what suits it best. Then draped in a translucent robe, she lies down on the soft leaves, or in the soft grass. Often she gathers flowers. And she was also busy gathering them, then, when she saw the boy, and what she saw she longed to have.<\/p>\n<p>[317-345] \u201cShe did not go near him yet, though she was quick to go to him, waiting until she had calmed herself, checked her appearance, composed her expression, and merited being seen as beautiful. Then she began to say \u2018Youth, O most worthy to be thought a god, if you are a god, you must be <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_158\">Cupid<\/a>, or, if you are mortal, whoever engendered you is blessed, and any brother of yours is happy, any sister fortunate, if you have sisters, and even the nurse who suckled you at her breast. But far beyond them, and far more blessed is she, if there is a she, promised to you, whom you think worthy of marriage. If there is someone, let mine be a stolen pleasure, if not, I will be the one, and let us enter into marriage together.\u2019<\/p>\n<p>\u201cAfter this the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1081\">naiad<\/a> was silent. A red flush branded the boy\u2019s face. He did not know what love was, though the blush was very becoming. Apples are tinged with this colour, hanging in a sunlit tree, or ivory painted with red, or the moon, eclipsed, blushing in her brightness, while the bronze shields clash, in vain, to rescue her. The <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_217\">nymph<\/a> begged endlessly for at least a sisterly kiss, and, about to throw her arms round his ivory-white neck, he said \u2018Stop this, or shall I go, and leave this place, and you?\u2019 <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1078\">Salmacis<\/a>, afraid, turning away, pretended to go, saying, \u2018I freely surrender this place to you, be my guest.\u2019 But she still looked back, and hid herself among bushes in the secluded woods, on her bended knees. But he, obviously at leisure, as if unobserved, walks here and there on the grass and playfully, at the end of his walk, dips his feet and ankles in the pool. Then, quickly captured by the coolness of the enticing water, he stripped the soft clothes from his slender body.<\/p>\n<p>[346-388] \u201cThen she [ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1078\">Salmacis<\/a> ] was truly pleased. And <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1078\">Salmacis<\/a> was inflamed with desire for his naked form. The <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_217\">nymph<\/a>\u2019s eyes blazed with passion, as when <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_946\">Phoebus<\/a>\u2019s likeness is reflected from a mirror that faces his brightest unclouded orb [the sun]. She can scarcely wait, scarcely contain her delight, now longing to hold him, now unable to keep her love to herself. He, clapping his open palms to his side, dives into the pool, and leading with one arm and then the other, he gleams through the pure water, as if one sheathed an ivory statue or bright lilies behind clear glass. \u2018I have won, he is mine\u2019, the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1081\">naiad<\/a> cries, and flinging aside all her garments, she throws herself into the midst of the water.<\/p>\n<p>\u201cShe held him to her, struggling, snatching kisses from the fight, putting her hands beneath him, touching his unwilling breast, overwhelming the youth from this side and that. At last, she entwines herself face to face with his beauty, like a snake, lifted by the king of birds and caught up into the air, as <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1082\">Hermaphroditus<\/a> tries to slip away. Hanging there she winds around his head and feet and entangles his spreading wings in her coils. Or as ivy often interlaces tall tree trunks. Or as the cuttlefish holds the prey that it has surprised, underwater, wrapping its tentacles everywhere.<\/p>\n<p>\u201c[ <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1082\">Hermaphroditus<\/a> ] the descendant of <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1085\">Atlas<\/a> holds out, denying the <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_217\">nymph<\/a>\u2019s wished-for pleasure: she hugs him, and clings, as though she is joined to his whole body. \u2018It is right to struggle, stubborn one,\u2019 she says, \u2018but you will still not escape. Grant this, you gods, that no day comes to part me from him, or him from me.\u2019 Her prayer reached the gods. Now the entwined bodies of the two were joined together, and one form covered both. Just as when someone grafts a twig into the bark, they see both grow joined together, and develop as one, so when they were mated together in a close embrace, they were not two, but a two-fold form, so that they could not be called male or female, and seemed neither or either.<\/p>\n<p>\u201cWhen he saw now that the clear waters which he had penetrated as a man, had made him a creature of both sexes, and his limbs had been softened there, <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_1082\">Hermaphroditus<\/a>, stretching out his hands, said, but not in a man\u2019s voice, \u2018Father and mother, grant this gift to your son, who bears both your names: whoever comes to these fountains as a man, let him leave them half a man, and weaken suddenly at the touch of these waters!\u2019 Both his parents moved by this, granted the prayer of their twin-formed son, and contaminated the pool with a damaging drug.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>Taken from: <a href=\"https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/Metamorph4.php#anchor_Toc64106260\">https:\/\/www.poetryintranslation.com\/PITBR\/Latin\/Metamorph4.php#anchor_Toc64106260<\/a><\/p>\n<p class=\"text-center\">Translated by A. S. Kline \u00a9\u00a0<a title=\"Copyright\" href=\"https:\/\/www.poetryintranslation.com\/Admin\/Copyright.php\">Copyright<\/a> 2000 All Rights Reserved.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1 style=\"text-align: left\"><a id=\"art\"><\/a>Art and Symbolism<\/h1>\n<figure id=\"attachment_1111\" aria-describedby=\"caption-attachment-1111\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1111\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Zeus_sending_forth_Hermes_and_Iris.jpg\" alt=\"Zeus, with a scepter and thunderbolt, dispatches his messengers. To Zeus' left is Hermes, a bearded man in a cloak, while to the right is Iris, a winged woman.\" width=\"1200\" height=\"755\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Zeus_sending_forth_Hermes_and_Iris.jpg 1200w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Zeus_sending_forth_Hermes_and_Iris-300x189.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Zeus_sending_forth_Hermes_and_Iris-1024x644.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Zeus_sending_forth_Hermes_and_Iris-768x483.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Zeus_sending_forth_Hermes_and_Iris-65x41.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Zeus_sending_forth_Hermes_and_Iris-225x142.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Zeus_sending_forth_Hermes_and_Iris-350x220.jpg 350w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-1111\" class=\"wp-caption-text\">Hermes, Zeus, and Iris, tracing from red-figure stamnos from ca. 480 BCE.<\/figcaption><\/figure>\n<p style=\"text-align: justify\">In Greek art, Hermes could be represented either as a bearded man or a beardless youth. His most recognizable attributes were the large-brim hat (<em>petasos<\/em>), the herald sceptre (<em>kerykeion<\/em>), and the winged sandals (<em>talaria<\/em>).<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1104\" aria-describedby=\"caption-attachment-1104\" style=\"width: 436px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1104\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Venusia_AE_Semis_98000312.jpg\" alt=\"Side 1: The head of Hemes wearing a winged petasos. Side 2: a winged boot and scepter.\" width=\"436\" height=\"200\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Venusia_AE_Semis_98000312.jpg 800w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Venusia_AE_Semis_98000312-300x138.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Venusia_AE_Semis_98000312-768x353.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Venusia_AE_Semis_98000312-65x30.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Venusia_AE_Semis_98000312-225x104.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Venusia_AE_Semis_98000312-350x161.jpg 350w\" sizes=\"auto, (max-width: 436px) 100vw, 436px\" \/><figcaption id=\"caption-attachment-1104\" class=\"wp-caption-text\">Hermes and a winged boot, Apulian coin, 2nd century BCE (Classical Numismatic Group)<\/figcaption><\/figure>\n<figure id=\"attachment_1093\" aria-describedby=\"caption-attachment-1093\" style=\"width: 200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1093\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Man_wearing_Petasos_Coinage_of_Kapsa_Macedon_circa_400_BCE.jpg\" alt=\"Profile of a man wearing a rounded, wide-brimmed petasos hat.\" width=\"200\" height=\"200\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Man_wearing_Petasos_Coinage_of_Kapsa_Macedon_circa_400_BCE.jpg 310w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Man_wearing_Petasos_Coinage_of_Kapsa_Macedon_circa_400_BCE-300x300.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Man_wearing_Petasos_Coinage_of_Kapsa_Macedon_circa_400_BCE-150x150.jpg 150w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Man_wearing_Petasos_Coinage_of_Kapsa_Macedon_circa_400_BCE-65x65.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Man_wearing_Petasos_Coinage_of_Kapsa_Macedon_circa_400_BCE-225x224.jpg 225w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><figcaption id=\"caption-attachment-1093\" class=\"wp-caption-text\">Man in a petasos, Macedonian coin, ca. 400 BCE (Classical Numismatic Group)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">The god could also be portrayed wearing a short cloak usually donned by travelers, or more conventional clothes.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1127\" aria-describedby=\"caption-attachment-1127\" style=\"width: 317px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1127\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Lekythos_Hermes_Herse_MAN-scaled.jpg\" alt=\"Hermes, a bearded man, grabs the arm of a young woman.\" width=\"317\" height=\"475\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Lekythos_Hermes_Herse_MAN-scaled.jpg 1706w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Lekythos_Hermes_Herse_MAN-200x300.jpg 200w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Lekythos_Hermes_Herse_MAN-683x1024.jpg 683w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Lekythos_Hermes_Herse_MAN-768x1152.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Lekythos_Hermes_Herse_MAN-1024x1536.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Lekythos_Hermes_Herse_MAN-1365x2048.jpg 1365w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Lekythos_Hermes_Herse_MAN-65x98.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Lekythos_Hermes_Herse_MAN-225x338.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Lekythos_Hermes_Herse_MAN-350x525.jpg 350w\" sizes=\"auto, (max-width: 317px) 100vw, 317px\" \/><figcaption id=\"caption-attachment-1127\" class=\"wp-caption-text\">Hermes pursuing a woman, red-figure lekythos, ca. 470 BCE (National Archaeology Museum, Madrid)<\/figcaption><\/figure>\n<figure id=\"attachment_1103\" aria-describedby=\"caption-attachment-1103\" style=\"width: 317px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1103\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Berlin_Painter_ARV_196_1_satyr_Hermes_deer_-_satyr_03.jpg\" alt=\"Hermes running, wearing a winged helm and a chlamys, and carrying a lyre. A satyr runs beside him. At their feet is a spotted deer.\" width=\"317\" height=\"475\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Berlin_Painter_ARV_196_1_satyr_Hermes_deer_-_satyr_03.jpg 800w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Berlin_Painter_ARV_196_1_satyr_Hermes_deer_-_satyr_03-200x300.jpg 200w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Berlin_Painter_ARV_196_1_satyr_Hermes_deer_-_satyr_03-683x1024.jpg 683w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Berlin_Painter_ARV_196_1_satyr_Hermes_deer_-_satyr_03-768x1152.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Berlin_Painter_ARV_196_1_satyr_Hermes_deer_-_satyr_03-65x98.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Berlin_Painter_ARV_196_1_satyr_Hermes_deer_-_satyr_03-225x338.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Berlin_Painter_ARV_196_1_satyr_Hermes_deer_-_satyr_03-350x525.jpg 350w\" sizes=\"auto, (max-width: 317px) 100vw, 317px\" \/><figcaption id=\"caption-attachment-1103\" class=\"wp-caption-text\">Hermes with a satyr, red-figure amphora, ca. 490 BCE (Altes Museum, Berlin)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify\">One of the god&#8217;s epithets, <em>psychopompos<\/em> (&#8216;conductor of souls&#8217;) was also part of his artistic representations, as Hermes was often shown on funerary stelae and vessels while escorting the deceased to the Underworld. Similarly, as another one of his epithets was <em>kriophoros<\/em> (&#8216;bearer of rams&#8217;), he could also be portrayed carrying a ram on his shoulders.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1107\" aria-describedby=\"caption-attachment-1107\" style=\"width: 355px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1107\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-thumbnail.jpg\" alt=\"Hermes, young and nude, wearing a chlamys and winged shoes, leads a young woman by the hand. To the left stand two older male relatives.\" width=\"355\" height=\"536\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-thumbnail.jpg 800w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-thumbnail-199x300.jpg 199w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-thumbnail-678x1024.jpg 678w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-thumbnail-768x1160.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-thumbnail-65x98.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-thumbnail-225x340.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-thumbnail-350x529.jpg 350w\" sizes=\"auto, (max-width: 355px) 100vw, 355px\" \/><figcaption id=\"caption-attachment-1107\" class=\"wp-caption-text\">Hermes Psychopomp leading a woman to Hades, relief funerary lekythos, ca. 420 BCE (National Archaeological Museum, Athens)<\/figcaption><\/figure>\n<figure id=\"attachment_1098\" aria-describedby=\"caption-attachment-1098\" style=\"width: 288px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1098\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/600px-Hermes_kriophoros_Louvre_F159-e1614733568154.jpg\" alt=\"Hermes running, carrying a ram over his shoulders.\" width=\"288\" height=\"537\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/600px-Hermes_kriophoros_Louvre_F159-e1614733568154.jpg 483w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/600px-Hermes_kriophoros_Louvre_F159-e1614733568154-161x300.jpg 161w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/600px-Hermes_kriophoros_Louvre_F159-e1614733568154-65x121.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/600px-Hermes_kriophoros_Louvre_F159-e1614733568154-225x419.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/600px-Hermes_kriophoros_Louvre_F159-e1614733568154-350x652.jpg 350w\" sizes=\"auto, (max-width: 288px) 100vw, 288px\" \/><figcaption id=\"caption-attachment-1098\" class=\"wp-caption-text\">Hermes Kriophoros, black-figure olpe, ca. 510 BCE (Louvre Museum, Paris)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1105\" aria-describedby=\"caption-attachment-1105\" style=\"width: 822px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1105\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Early_classical_white_ground_lekythos_ARV_extra_Hermes_Psychopompos_leading_deceased_woman_to_Charon_02-e1614733738524.jpg\" alt=\"Fragmentary image of bearded Hermes with a scepter and chlamys.\" width=\"822\" height=\"768\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Early_classical_white_ground_lekythos_ARV_extra_Hermes_Psychopompos_leading_deceased_woman_to_Charon_02-e1614733738524.jpg 822w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Early_classical_white_ground_lekythos_ARV_extra_Hermes_Psychopompos_leading_deceased_woman_to_Charon_02-e1614733738524-300x280.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Early_classical_white_ground_lekythos_ARV_extra_Hermes_Psychopompos_leading_deceased_woman_to_Charon_02-e1614733738524-768x718.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Early_classical_white_ground_lekythos_ARV_extra_Hermes_Psychopompos_leading_deceased_woman_to_Charon_02-e1614733738524-65x61.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Early_classical_white_ground_lekythos_ARV_extra_Hermes_Psychopompos_leading_deceased_woman_to_Charon_02-e1614733738524-225x210.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Early_classical_white_ground_lekythos_ARV_extra_Hermes_Psychopompos_leading_deceased_woman_to_Charon_02-e1614733738524-350x327.jpg 350w\" sizes=\"auto, (max-width: 822px) 100vw, 822px\" \/><figcaption id=\"caption-attachment-1105\" class=\"wp-caption-text\">Hermes Psychopomp, white-ground lekythos, ca. 450 BCE (Staatliche Antikensammlungen, Munich)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">Hermes usually appeared in depictions of the myth of Io and Argus, as he was the one who put the monstrous guardian to sleep and then slayed him.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1096\" aria-describedby=\"caption-attachment-1096\" style=\"width: 1129px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1096\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Argus.jpg\" alt=\"Argus, naked but with eyes all over his body, is fallen to one knee. Hermes stands above him, grabbing him by the beard in one hand and lunging with a sword in the other. Zeus sits by and watches, and the cow Io stands behind the scene.\" width=\"1129\" height=\"489\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Argus.jpg 1129w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Argus-300x130.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Argus-1024x444.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Argus-768x333.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Argus-65x28.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Argus-225x97.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Argus-350x152.jpg 350w\" sizes=\"auto, (max-width: 1129px) 100vw, 1129px\" \/><figcaption id=\"caption-attachment-1096\" class=\"wp-caption-text\">Hermes kills Argus, with Zeus and the cow Io, tracing from red-figure vase from the 5th century BCE.<\/figcaption><\/figure>\n<figure id=\"attachment_1097\" aria-describedby=\"caption-attachment-1097\" style=\"width: 1126px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1097 size-full\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Staatliche_Antikensammlungen_585-e1614733080881.jpg\" alt=\"The cow Io stands by a tree. Hermes sneaks towards her. A dog stands between them, looking up at Hermes.\" width=\"1126\" height=\"696\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Staatliche_Antikensammlungen_585-e1614733080881.jpg 1126w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Staatliche_Antikensammlungen_585-e1614733080881-300x185.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Staatliche_Antikensammlungen_585-e1614733080881-1024x633.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Staatliche_Antikensammlungen_585-e1614733080881-768x475.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Staatliche_Antikensammlungen_585-e1614733080881-65x40.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Staatliche_Antikensammlungen_585-e1614733080881-225x139.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Io_Staatliche_Antikensammlungen_585-e1614733080881-350x216.jpg 350w\" sizes=\"auto, (max-width: 1126px) 100vw, 1126px\" \/><figcaption id=\"caption-attachment-1097\" class=\"wp-caption-text\">Hermes and the cow Io, black-figure amphora, ca. 540 BCE (Staatliche Antikensammlungen, Munich)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">He could also be represented while escorting Athena, Aphrodite, and Hera in the scene of the judgement of Paris.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1091\" aria-describedby=\"caption-attachment-1091\" style=\"width: 375px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1091\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1280px-Judgement_of_Paris_Louvre_F287-e1614733242443.jpg\" alt=\"Hermes stands between Athena, Hera, and Aphrodite.\" width=\"375\" height=\"286\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1280px-Judgement_of_Paris_Louvre_F287-e1614733242443.jpg 1116w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1280px-Judgement_of_Paris_Louvre_F287-e1614733242443-300x229.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1280px-Judgement_of_Paris_Louvre_F287-e1614733242443-1024x781.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1280px-Judgement_of_Paris_Louvre_F287-e1614733242443-768x586.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1280px-Judgement_of_Paris_Louvre_F287-e1614733242443-65x50.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1280px-Judgement_of_Paris_Louvre_F287-e1614733242443-225x172.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1280px-Judgement_of_Paris_Louvre_F287-e1614733242443-350x267.jpg 350w\" sizes=\"auto, (max-width: 375px) 100vw, 375px\" \/><figcaption id=\"caption-attachment-1091\" class=\"wp-caption-text\">Hermes at the judgment of Paris with Athena, Hera, and Aphrodite, black-figure hydria, ca. 520 BCE (Louvre Museum, Paris)<\/figcaption><\/figure>\n<figure id=\"attachment_1117\" aria-describedby=\"caption-attachment-1117\" style=\"width: 286px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1117\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Judgement_of_Paris_Dolon_Painter_CdM_Paris_DeRidder422_n1.jpg\" alt=\"Hermes stands before Paris. Hermes leans against a tree with one arm, and with the other points his scepter at Paris, who is seated holding a spear.\" width=\"286\" height=\"286\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Judgement_of_Paris_Dolon_Painter_CdM_Paris_DeRidder422_n1.jpg 800w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Judgement_of_Paris_Dolon_Painter_CdM_Paris_DeRidder422_n1-300x300.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Judgement_of_Paris_Dolon_Painter_CdM_Paris_DeRidder422_n1-150x150.jpg 150w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Judgement_of_Paris_Dolon_Painter_CdM_Paris_DeRidder422_n1-768x768.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Judgement_of_Paris_Dolon_Painter_CdM_Paris_DeRidder422_n1-65x65.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Judgement_of_Paris_Dolon_Painter_CdM_Paris_DeRidder422_n1-225x225.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Judgement_of_Paris_Dolon_Painter_CdM_Paris_DeRidder422_n1-350x350.jpg 350w\" sizes=\"auto, (max-width: 286px) 100vw, 286px\" \/><figcaption id=\"caption-attachment-1117\" class=\"wp-caption-text\">Hermes at the judgment of Paris, red-figure krater, ca. 380 BCE (Cabinet des M\u00e9dailles, Paris)<\/figcaption><\/figure>\n<p style=\"text-align: justify\"><em>Hermai <\/em>or herms,\u00a0quadrangular pillars set up at crossroads, were sacred to the god as protector of travels and boundaries, and were most often surmounted by a head of the bearded variety. An erect phallus, thought to ward off bad luck and favour fertility, was also added to the front of these pillars.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1121\" aria-describedby=\"caption-attachment-1121\" style=\"width: 2560px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1121\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/01241101-scaled.jpg\" alt=\"An altar before a herm. to the left of the altar, a man makes offerings of a cup and basket. To the right stands another man with a staff.\" width=\"2560\" height=\"1802\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/01241101-scaled.jpg 2560w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/01241101-300x211.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/01241101-1024x721.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/01241101-768x541.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/01241101-1536x1081.jpg 1536w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/01241101-2048x1442.jpg 2048w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/01241101-65x46.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/01241101-225x158.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/01241101-350x246.jpg 350w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption id=\"caption-attachment-1121\" class=\"wp-caption-text\">Two men making offerings on an altar before a herm, red-figure krater, ca. 480 BCE (J. Paul Getty Museum, Los Angeles)<\/figcaption><\/figure>\n<figure id=\"attachment_1114\" aria-describedby=\"caption-attachment-1114\" style=\"width: 354px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1114\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/598px-Hermes_ithyphallicus_Herm_520_BC_NAMA_3728_102564-e1614734538129.jpg\" alt=\"A Herm: a rectangular block of marble with the head of Hermes atop it. On the centre of the block is an erect penis.\" width=\"354\" height=\"761\" \/><figcaption id=\"caption-attachment-1114\" class=\"wp-caption-text\">Herm of Hermes, Sifnos, ca. 520 BCE (National Archaeological Museum, Athens)<\/figcaption><\/figure>\n<figure id=\"attachment_1095\" aria-describedby=\"caption-attachment-1095\" style=\"width: 283px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1095\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Herma_Hermes_Getty_Villa_79.AA_.132-e1614734981705.jpg\" alt=\"A tall rectangular prism with the bearded head of Hermes atop it.\" width=\"283\" height=\"760\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Herma_Hermes_Getty_Villa_79.AA_.132-e1614734981705.jpg 834w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Herma_Hermes_Getty_Villa_79.AA_.132-e1614734981705-112x300.jpg 112w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Herma_Hermes_Getty_Villa_79.AA_.132-e1614734981705-381x1024.jpg 381w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Herma_Hermes_Getty_Villa_79.AA_.132-e1614734981705-768x2065.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Herma_Hermes_Getty_Villa_79.AA_.132-e1614734981705-571x1536.jpg 571w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Herma_Hermes_Getty_Villa_79.AA_.132-e1614734981705-762x2048.jpg 762w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Herma_Hermes_Getty_Villa_79.AA_.132-e1614734981705-65x175.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Herma_Hermes_Getty_Villa_79.AA_.132-e1614734981705-225x605.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Herma_Hermes_Getty_Villa_79.AA_.132-e1614734981705-350x941.jpg 350w\" sizes=\"auto, (max-width: 283px) 100vw, 283px\" \/><figcaption id=\"caption-attachment-1095\" class=\"wp-caption-text\">Herm of Hermes, 1st century CE Roman copy of Greek original (Getty Villa, Los Angeles)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1 style=\"text-align: justify\"><a id=\"mercury\"><\/a>Mercury<\/h1>\n<figure id=\"attachment_1100\" aria-describedby=\"caption-attachment-1100\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1100\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Sabratha_-_Museum_Wandmalerei_Bust_of_Mercury.jpg\" alt=\"Head and torso of Mercury. He wears a winged hat and carries a sceptre with two snakes on the end of it.\" width=\"1200\" height=\"858\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Sabratha_-_Museum_Wandmalerei_Bust_of_Mercury.jpg 1200w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Sabratha_-_Museum_Wandmalerei_Bust_of_Mercury-300x215.jpg 300w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Sabratha_-_Museum_Wandmalerei_Bust_of_Mercury-1024x732.jpg 1024w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Sabratha_-_Museum_Wandmalerei_Bust_of_Mercury-768x549.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Sabratha_-_Museum_Wandmalerei_Bust_of_Mercury-65x46.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Sabratha_-_Museum_Wandmalerei_Bust_of_Mercury-225x161.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/1200px-Sabratha_-_Museum_Wandmalerei_Bust_of_Mercury-350x250.jpg 350w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-1100\" class=\"wp-caption-text\">Mercury, Sabratha fresco (Sabratha Museum)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">In Roman art, Mercury was represented as the youthful version of his Greek counterpart Hermes. The most common iconography remained that of a young, beardless man wearing the hat and winged sandals (and at times a winged hat) and carrying the sceptre.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1102\" aria-describedby=\"caption-attachment-1102\" style=\"width: 420px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1102\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/834px-Casa_dei_vettii_vestibolo_oechus_affrescato_sul_peristilio_issione_legato_alla_ruota_da_vulcano_alla_presenza_di_giunone_01.jpg\" alt=\"Hera sits on a throne, with Iris standing beside her. In front of Hera is Hermes, a naked young man with a scepter. Hermes has one hand on a large wheel (partly out of frame), to which is strapped Ixion. Hephaestus stands behind Hemes. A young woman with her head veiled sits at Hermes' feet.\" width=\"420\" height=\"453\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/834px-Casa_dei_vettii_vestibolo_oechus_affrescato_sul_peristilio_issione_legato_alla_ruota_da_vulcano_alla_presenza_di_giunone_01.jpg 834w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/834px-Casa_dei_vettii_vestibolo_oechus_affrescato_sul_peristilio_issione_legato_alla_ruota_da_vulcano_alla_presenza_di_giunone_01-278x300.jpg 278w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/834px-Casa_dei_vettii_vestibolo_oechus_affrescato_sul_peristilio_issione_legato_alla_ruota_da_vulcano_alla_presenza_di_giunone_01-768x829.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/834px-Casa_dei_vettii_vestibolo_oechus_affrescato_sul_peristilio_issione_legato_alla_ruota_da_vulcano_alla_presenza_di_giunone_01-65x70.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/834px-Casa_dei_vettii_vestibolo_oechus_affrescato_sul_peristilio_issione_legato_alla_ruota_da_vulcano_alla_presenza_di_giunone_01-225x243.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/834px-Casa_dei_vettii_vestibolo_oechus_affrescato_sul_peristilio_issione_legato_alla_ruota_da_vulcano_alla_presenza_di_giunone_01-350x378.jpg 350w\" sizes=\"auto, (max-width: 420px) 100vw, 420px\" \/><figcaption id=\"caption-attachment-1102\" class=\"wp-caption-text\">Hermes at the punishment of Ixion, Pompeii fresco, 1st century CE<\/figcaption><\/figure>\n<figure id=\"attachment_1119\" aria-describedby=\"caption-attachment-1119\" style=\"width: 207px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1119\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Ingenui_Pio-Clementino_Inv544-scaled.jpg\" alt=\"Hermes as a young man. He is naked except for a chlamys cloak draped over his left shoulder, and a petasos hat. He holds a winged sceptre in his left hand.\" width=\"207\" height=\"453\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Ingenui_Pio-Clementino_Inv544-scaled.jpg 1170w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Ingenui_Pio-Clementino_Inv544-137x300.jpg 137w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Ingenui_Pio-Clementino_Inv544-468x1024.jpg 468w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Ingenui_Pio-Clementino_Inv544-768x1680.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Ingenui_Pio-Clementino_Inv544-702x1536.jpg 702w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Ingenui_Pio-Clementino_Inv544-936x2048.jpg 936w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Ingenui_Pio-Clementino_Inv544-65x142.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Ingenui_Pio-Clementino_Inv544-225x492.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/Hermes_Ingenui_Pio-Clementino_Inv544-350x766.jpg 350w\" sizes=\"auto, (max-width: 207px) 100vw, 207px\" \/><figcaption id=\"caption-attachment-1119\" class=\"wp-caption-text\">Hermes Ingenui, marble statue, 2nd century copy of 5th century Greek statue (Vatican Museums, Vatican City)<\/figcaption><\/figure>\n<p style=\"text-align: justify\">An interesting artistic variation was that of Hermanubis, a fusion between Mercury\/Hermes and the jackal-headed Egyptian god Anubis, who was also a god of the Underworld. This <a class=\"glossary-term\" aria-haspopup=\"dialog\" aria-describedby=\"definition\" href=\"#term_47_5728\">syncretic<\/a> god maintained the youthful body and attributes of Mercury, but was represented with the head of a jackal.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1112\" aria-describedby=\"caption-attachment-1112\" style=\"width: 282px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1112\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Anubis_Anzio_Villa_Pamphili_1st-2nd_century_AD_Pario_marble_-_Museo_Gregoriano_Egizio_-_Vatican_Museums_-_DSC00818.jpg\" alt=\"Hermanubis, a person with the head of a jackal. He wears a tunic and chlamys, and carries a winged scepter twined with snakes.\" width=\"282\" height=\"423\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Anubis_Anzio_Villa_Pamphili_1st-2nd_century_AD_Pario_marble_-_Museo_Gregoriano_Egizio_-_Vatican_Museums_-_DSC00818.jpg 800w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Anubis_Anzio_Villa_Pamphili_1st-2nd_century_AD_Pario_marble_-_Museo_Gregoriano_Egizio_-_Vatican_Museums_-_DSC00818-200x300.jpg 200w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Anubis_Anzio_Villa_Pamphili_1st-2nd_century_AD_Pario_marble_-_Museo_Gregoriano_Egizio_-_Vatican_Museums_-_DSC00818-683x1024.jpg 683w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Anubis_Anzio_Villa_Pamphili_1st-2nd_century_AD_Pario_marble_-_Museo_Gregoriano_Egizio_-_Vatican_Museums_-_DSC00818-768x1152.jpg 768w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Anubis_Anzio_Villa_Pamphili_1st-2nd_century_AD_Pario_marble_-_Museo_Gregoriano_Egizio_-_Vatican_Museums_-_DSC00818-65x98.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Anubis_Anzio_Villa_Pamphili_1st-2nd_century_AD_Pario_marble_-_Museo_Gregoriano_Egizio_-_Vatican_Museums_-_DSC00818-225x338.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/800px-Anubis_Anzio_Villa_Pamphili_1st-2nd_century_AD_Pario_marble_-_Museo_Gregoriano_Egizio_-_Vatican_Museums_-_DSC00818-350x525.jpg 350w\" sizes=\"auto, (max-width: 282px) 100vw, 282px\" \/><figcaption id=\"caption-attachment-1112\" class=\"wp-caption-text\">Hermanubis, marble statue (Vatican Museums, Vatican City)<\/figcaption><\/figure>\n<figure id=\"attachment_1113\" aria-describedby=\"caption-attachment-1113\" style=\"width: 338px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1113\" src=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/719px-Pompei_Nimes_12a.jpg\" alt=\"Hermanubis, a person with the head of a jackal, wearing a chlamys. The arms of the statue are missing.\" width=\"338\" height=\"423\" srcset=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/719px-Pompei_Nimes_12a.jpg 719w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/719px-Pompei_Nimes_12a-240x300.jpg 240w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/719px-Pompei_Nimes_12a-65x81.jpg 65w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/719px-Pompei_Nimes_12a-225x281.jpg 225w, https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-content\/uploads\/sites\/1141\/2021\/03\/719px-Pompei_Nimes_12a-350x438.jpg 350w\" sizes=\"auto, (max-width: 338px) 100vw, 338px\" \/><figcaption id=\"caption-attachment-1113\" class=\"wp-caption-text\">Hermanubis, marble statue, 1st century CE (Museo Archeologico dei Campi Flegrei nel Castello di Baia, Naples)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<hr \/>\n<h1>Media Attributions and Footnotes<\/h1>\n<div class=\"media-attributions clear\" prefix:cc=\"http:\/\/creativecommons.org\/ns#\" prefix:dc=\"http:\/\/purl.org\/dc\/terms\/\"><h2>Media Attributions<\/h2><ul><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ambrosios_Painter_ARV_173_2_Hermes_-_komos_(04).jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Ambrosios_Painter_ARV_173_2_Hermes_-_komos_(04).jpg\" property=\"dc:title\">Ambrosios Painter ARV 173 2 Hermes &#8211; komos (04)<\/a>  &copy;  ArchaiOptix    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/4.0\/\">CC BY-NC-SA (Attribution NonCommercial ShareAlike)<\/a> license<\/li><li about=\"https:\/\/en.wikipedia.org\/wiki\/File:Hermes_Maia_Staatliche_Antikensammlungen_2304.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Hermes_Maia_Staatliche_Antikensammlungen_2304.jpg\" property=\"dc:title\">Hermes Maia Staatliche Antikensammlungen 2304<\/a>  &copy;  Bibi Saint-Pol    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Zeus_sending_forth_Hermes_and_Iris.JPG\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Zeus_sending_forth_Hermes_and_Iris.JPG\" property=\"dc:title\">Zeus sending forth Hermes and Iris<\/a>  &copy;  Fran\u00e7ois Lenormant    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Venusia_%C3%86_Semis_98000312.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Venusia_%C3%86_Semis_98000312.jpg\" property=\"dc:title\">Venusia \u00c6 Semis 98000312<\/a>  &copy;  <a rel=\"dc:creator\" href=\"https:\/\/www.cngcoins.com\/\" property=\"cc:attributionName\">the Classical Numismatic Group<\/a>    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/en.wikipedia.org\/wiki\/File:Man_wearing_Petasos_Coinage_of_Kapsa_Macedon_circa_400_BCE.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Man_wearing_Petasos_Coinage_of_Kapsa_Macedon_circa_400_BCE.jpg\" property=\"dc:title\">Man wearing Petasos Coinage of Kapsa Macedon circa 400 BCE<\/a>  &copy;  <a rel=\"dc:creator\" href=\"https:\/\/www.cngcoins.com\/\" property=\"cc:attributionName\">the Classical Numismatic Group<\/a>    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/en.wikipedia.org\/wiki\/File:Lekythos_Hermes_Herse_MAN.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Lekythos_Hermes_Herse_MAN.jpg\" property=\"dc:title\">Lekythos Hermes Herse MAN<\/a>  &copy;  Marie-Lan Nguyen    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY (Attribution)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Berlin_Painter_ARV_196_1_satyr_Hermes_deer_-_satyr_(03).jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Berlin_Painter_ARV_196_1_satyr_Hermes_deer_-_satyr_(03).jpg\" property=\"dc:title\">Berlin Painter ARV 196 1 satyr Hermes deer &#8211; satyr (03)<\/a>  &copy;  Archai Optix    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:02_2020_Grecia_photo_Paolo_Villa_FO190090_bis_(Museo_archeologico_di_Atene)_Lekythos_funerario_con_bassorilievi,_in_marmo,_Arte_Classica_Greca_NAMA_4485_-_420-410_a.C._,_con_gimp.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:02_2020_Grecia_photo_Paolo_Villa_FO190090_bis_(Museo_archeologico_di_Atene)_Lekythos_funerario_con_bassorilievi,_in_marmo,_Arte_Classica_Greca_NAMA_4485_-_420-410_a.C._,_con_gimp.jpg\" property=\"dc:title\">02 2020 Grecia photo Paolo Villa FO190090 bis (Museo archeologico di Atene) Lekythos funerario con bassorilievi, in marmo, Arte Classica Greca NAMA 4485 &#8211; 420-410 a.C. , con gimp<\/a>  &copy;  Paolo Villa    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hermes_kriophoros_Louvre_F159.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hermes_kriophoros_Louvre_F159.jpg\" property=\"dc:title\">Hermes kriophoros Louvre F159<\/a>  &copy;  Marie-Lan Nguyen    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Early_classical_white_ground_lekythos_ARV_extra_Hermes_Psychopompos_leading_deceased_woman_to_Charon_(02).jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Early_classical_white_ground_lekythos_ARV_extra_Hermes_Psychopompos_leading_deceased_woman_to_Charon_(02).jpg\" property=\"dc:title\">Early classical white ground lekythos ARV extra Hermes Psychopompos leading deceased woman to Charon<\/a>  &copy;  ArchaiOptix    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hermes_Io_Argus.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hermes_Io_Argus.jpg\" property=\"dc:title\">Hermes Io Argus<\/a>  &copy;  Wilhelm Heinrich Roscher    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hermes_Io_Staatliche_Antikensammlungen_585.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hermes_Io_Staatliche_Antikensammlungen_585.jpg\" property=\"dc:title\">Hermes Io Staatliche Antikensammlungen 585<\/a>  &copy;  Bibi Saint-Pol    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Judgement_of_Paris_Louvre_F287.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Judgement_of_Paris_Louvre_F287.jpg\" property=\"dc:title\">Judgement of Paris Louvre F287<\/a>  &copy;  Jastrow    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Judgement_of_Paris_Dolon_Painter_CdM_Paris_DeRidder422_n1.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Judgement_of_Paris_Dolon_Painter_CdM_Paris_DeRidder422_n1.jpg\" property=\"dc:title\">Judgement of Paris Dolon Painter CdM Paris DeRidder422 n1<\/a>  &copy;  Marie-Lan Nguyn    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by\/4.0\/\">CC BY (Attribution)<\/a> license<\/li><li about=\"https:\/\/www.getty.edu\/art\/collection\/objects\/10463\/pan-painter-attic-red-figure-column-krater-greek-attic-about-480-470-bc\/\"><a rel=\"cc:attributionURL\" href=\"https:\/\/www.getty.edu\/art\/collection\/objects\/10463\/pan-painter-attic-red-figure-column-krater-greek-attic-about-480-470-bc\/\" property=\"dc:title\">Attic Red-Figure Column Krater<\/a>  &copy;  the J. Paul Getty Museum    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hermes_ithyphallicus_Herm_520_BC,_NAMA_3728_102564.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hermes_ithyphallicus_Herm_520_BC,_NAMA_3728_102564.jpg\" property=\"dc:title\">Hermes ithyphallicus Herm 520 BC, NAMA 3728 102564<\/a>  &copy;  Zde    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/en.wikipedia.org\/wiki\/File:Herma_Hermes_Getty_Villa_79.AA.132.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Herma_Hermes_Getty_Villa_79.AA.132.jpg\" property=\"dc:title\">Herma Hermes Getty Villa 79.AA.132<\/a>  &copy;  Marshall Astor    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Sabratha_-_Museum,_Wandmalerei_Bust_of_Mercury.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Sabratha_-_Museum,_Wandmalerei_Bust_of_Mercury.jpg\" property=\"dc:title\">Sabratha &#8211; Museum, Wandmalerei Bust of Mercury<\/a>  &copy;  Franzfoto    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Casa_dei_vettii,_vestibolo,_oechus_affrescato_sul_peristilio,_issione_legato_alla_ruota_da_vulcano_alla_presenza_di_giunone_01.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Casa_dei_vettii,_vestibolo,_oechus_affrescato_sul_peristilio,_issione_legato_alla_ruota_da_vulcano_alla_presenza_di_giunone_01.jpg\" property=\"dc:title\">asa dei vettii, vestibolo, oechus affrescato sul peristilio, issione legato alla ruota da vulcano alla presenza di giunone 01<\/a>  &copy;  Sailko    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><li about=\"https:\/\/en.wikipedia.org\/wiki\/File:Hermes_Ingenui_Pio-Clementino_Inv544.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/en.wikipedia.org\/wiki\/File:Hermes_Ingenui_Pio-Clementino_Inv544.jpg\" property=\"dc:title\">Hermes Ingenui Pio-Clementino Inv544<\/a>  &copy;  Marie-Lan Nguyen    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Anubis,_Anzio,_Villa_Pamphili,_1st-2nd_century_AD,_Pario_marble_-_Museo_Gregoriano_Egizio_-_Vatican_Museums_-_DSC00818.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Anubis,_Anzio,_Villa_Pamphili,_1st-2nd_century_AD,_Pario_marble_-_Museo_Gregoriano_Egizio_-_Vatican_Museums_-_DSC00818.jpg\" property=\"dc:title\">Anubis, Anzio, Villa Pamphili, 1st-2nd century AD, Pario marble &#8211; Museo Gregoriano Egizio &#8211; Vatican Museums &#8211; DSC00818<\/a>      is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/publicdomain\/mark\/1.0\/\">Public Domain<\/a> license<\/li><li about=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pomp%C3%A9i_(N%C3%AEmes)_12a.jpg\"><a rel=\"cc:attributionURL\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Pomp%C3%A9i_(N%C3%AEmes)_12a.jpg\" property=\"dc:title\">Pomp\u00e9i (N\u00eemes) 12a<\/a>  &copy;  Finoskov    is licensed under a  <a rel=\"license\" href=\"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/\">CC BY-SA (Attribution ShareAlike)<\/a> license<\/li><\/ul><\/div><hr class=\"before-footnotes clear\" \/><div class=\"footnotes\"><ol><li id=\"footnote-47-1\">Lyres were typically made of tortoise shells, or of wood stylized to mimic a tortoise shell. <a href=\"#return-footnote-47-1\" class=\"return-footnote\" aria-label=\"Return to footnote 1\">&crarr;<\/a><\/li><li id=\"footnote-47-2\">Some writers considered tortoises to be protective talismans. <a href=\"#return-footnote-47-2\" class=\"return-footnote\" aria-label=\"Return to footnote 2\">&crarr;<\/a><\/li><li id=\"footnote-47-3\">Indicates a gap or missing segment in the text <a href=\"#return-footnote-47-3\" class=\"return-footnote\" aria-label=\"Return to footnote 3\">&crarr;<\/a><\/li><\/ol><\/div><div class=\"glossary\"><span class=\"screen-reader-text\" id=\"definition\">definition<\/span><template id=\"term_47_641\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_641\"><div tabindex=\"-1\"><p>A many-eyed giant known for serving Hera in her plot against Io and Zeus.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hera#argos\">chapter 6<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hermes#argeiphontes\">chapter 16<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_1086\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_1086\"><div tabindex=\"-1\"><p>A nymph and one of the Pleiades, and mother of Hermes.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hermes#zeusandmaia\">chapter 16<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_1085\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_1085\"><div tabindex=\"-1\"><p>A Titan, and father of the Pleiades and Hesperides. Known for being punished to hold up the heavens for eternity.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/heracles-hercules#apples\">chapter 17<\/a>. Also appears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/perseus#metamorphoses4\">chapter 21<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_172\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_172\"><div tabindex=\"-1\"><p>Greek: Zeus<br \/>\nRoman: Jupiter or Jove<br \/>\nGod of the sky, ruler of the Olympian gods.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/zeus\/\">chapter 5<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_169\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_169\"><div tabindex=\"-1\"><p>Greek: Cronus<br \/>\nRoman: Saturn or Saturnus<br \/>\nTitan father of many of the gods, including Zeus and Hera. Son of Gaia and Uranus.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hesiods-theogony\/\">chapter 1<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_217\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_217\"><div tabindex=\"-1\"><p>Minor nature deities.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_185\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_185\"><div tabindex=\"-1\"><p>Greek: Hera<br \/>\nRoman: Juno<br \/>\nGoddess of marriage, wife of Zeus.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hera\/\">chapter 6<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_348\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_348\"><div tabindex=\"-1\"><p>Nine deities of art, music, poetry, and creativity; daughters of Zeus and Mnemosyne.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_183\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_183\"><div tabindex=\"-1\"><p>God of medicine, archery, oracles, and the sun.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/apollo\/\">chapter 12<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_876\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_876\"><div tabindex=\"-1\"><p>Greek: Helios<br \/>\nRoman: Sol (but in some Roman traditions equated with Apollo)<br \/>\nPersonification of the sun.<br \/>\nAppears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/demeter-and-persephone#myth\">chapter 10<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/after-the-war#odyssey12\">chapter 30<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_216\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_216\"><div tabindex=\"-1\"><p>Called Oceanus or Ocean.<br \/>\nThe river encircling the earth or its personification as a Titan. Husband of Tethys and father of the Oceanids.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_647\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_647\"><div tabindex=\"-1\"><p>Epithet for Hermes (see <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hermes\/\">chapter 16<\/a>), refers to his <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hera#argeiphontes\">slaying of Argus Panoptes<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_1537\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_1537\"><div tabindex=\"-1\"><p>Greek: Selene<br \/>\nRoman: Luna<br \/>\nPersonification of the moon.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_1538\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_1538\"><div tabindex=\"-1\"><p>A Titan of warfare. Husband of Styx and father of Scylla.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_946\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_946\"><div tabindex=\"-1\"><p>Epithet for Apollo (see <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/apollo\/\">chapter 12<\/a>), meaning \"bright one.\"<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_356\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_356\"><div tabindex=\"-1\"><p>Greek: Hephaestus<br \/>\nRoman: Vulcan<br \/>\nGod of fire, smiths, and craftspeople.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hephaestus\/\">chapter 8<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_191\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_191\"><div tabindex=\"-1\"><p>Greek: Leto<br \/>\nRoman: Latona<br \/>\nTitan mother of Artemis and Apollo.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/apollo\/\">chapter 12<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/artemis\/\">chapter 13<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_945\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_945\"><div tabindex=\"-1\"><p>Called Delphi or Pytho.<br \/>\nA panhellenic sanctuary sacred to Apollo as the location of the Delphic Oracle.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/the-oracle-of-delphi\/\">chapter 43<\/a>. Also featured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/apollo#oracles\">chapter 12<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_168\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_168\"><div tabindex=\"-1\"><p>A protective object carried by Zeus or Athena, interpreted either as a shield or an animal skin.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/athena#warrior\">chapter 9<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/medusa#aegis\">chapter 20<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_215\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_215\"><div tabindex=\"-1\"><p>Greek: Eos<br \/>\nRoman: Aurora<br \/>\nPersonification of the dawn.<br \/>\nAppears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/aphrodite##HH5\">chapter 4<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_182\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_182\"><div tabindex=\"-1\"><p>Greek: Poseidon<br \/>\nRoman: Neptune<br \/>\nGod of the sea.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/poseidon\/\">chapter 7<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_1398\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_1398\"><div tabindex=\"-1\"><p>A mythical half-humanoid, half-horse people, usually associated with foreigners and with violence. Known for their war with the Lapiths (the Centauromachy). Notable centaurs include Nessus and Chiron.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_367\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_367\"><div tabindex=\"-1\"><p>The deep abyss of the Underworld where the Titans were imprisoned, or the primordial deity personifying the abyss.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_628\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_628\"><div tabindex=\"-1\"><p>A mountain in Greece and the mythical home of the gods on this mountain.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_361\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_361\"><div tabindex=\"-1\"><p>A river of Hades (the underworld) or the deity personifying it. Serious oaths were sworn on the Styx.<br \/>\nAppears in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hesiods-theogony#theogony\">chapter 1<\/a> and <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/the-underworld\/\">chapter 41<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_211\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_211\"><div tabindex=\"-1\"><p>Greek: Hades<br \/>\nRoman: Pluto<br \/>\nGod of the underworld. Hades may also refer to the underworld itself, the kingdom of Hades.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/the-underworld\/\">chapter 42<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_1078\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_1078\"><div tabindex=\"-1\"><p>A nymph or naiad, known for her assault of Hermaphroditus.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hermes#hermaphroditus\">chapter 16<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_1081\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_1081\"><div tabindex=\"-1\"><p>Nature spirits or nymphs of freshwater lakes, streams, and pools.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_167\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_167\"><div tabindex=\"-1\"><p>Epithet for Aphrodite (see <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/aphrodite\/\">chapter 4<\/a>), refers to her <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/aphrodite#Origins\">birth from the sea at Cythera<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_882\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_882\"><div tabindex=\"-1\"><p>Greek: Aphrodite<br \/>\nRoman: Venus<br \/>\nGoddess of love and passion.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/aphrodite\/\">chapter 4<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_187\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_187\"><div tabindex=\"-1\"><p>The name for 2 sacred mountains: Ida in Crete, and Ida in Anatolia. Mount Ida in Crete is sacred to Zeus as his birthplace, while Ida in Anatolia is sacred to Cybele. The two are sometimes conflated.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_1082\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_1082\"><div tabindex=\"-1\"><p>A child of Hermes and Aphrodite, known for his encounter with the naiad Salmacis.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hermes#hermaphroditus\">chapter 16<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_180\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_180\"><div tabindex=\"-1\"><p>Greek: Artemis<br \/>\nRoman: Diana<br \/>\nMaiden goddess of wilderness and the hunt, and twin sister of Apollo.<br \/>\nSee <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/artemis\/\">chapter 13<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_158\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_158\"><div tabindex=\"-1\"><p>Greek: Eros<br \/>\nRoman: Cupid or Amor<br \/>\nGod of love and desire, either born alongside Aphrodite at the <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/hesiods-theogony#theogony\">beginning of creation<\/a>, or a child of Aphrodite and Ares.<br \/>\nFeatured in <a href=\"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/chapter\/aphrodite\/\">chapter 4<\/a>.<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><template id=\"term_47_5728\"><div class=\"glossary__definition\" role=\"dialog\" data-id=\"term_47_5728\"><div tabindex=\"-1\"><p>Syncretic myths combine images\/symbols\/figures\/etc, from various traditions, such as Greek and Egyptian<\/p>\n<\/div><button><span aria-hidden=\"true\">&times;<\/span><span class=\"screen-reader-text\">Close definition<\/span><\/button><\/div><\/template><\/div>","protected":false},"author":777,"menu_order":3,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-47","chapter","type-chapter","status-publish","hentry"],"part":55,"_links":{"self":[{"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/chapters\/47","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/wp\/v2\/users\/777"}],"version-history":[{"count":27,"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/chapters\/47\/revisions"}],"predecessor-version":[{"id":6160,"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/chapters\/47\/revisions\/6160"}],"part":[{"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/parts\/55"}],"metadata":[{"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/chapters\/47\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/wp\/v2\/media?parent=47"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/pressbooks\/v2\/chapter-type?post=47"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/wp\/v2\/contributor?post=47"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/greekromanmyth\/wp-json\/wp\/v2\/license?post=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}