{"id":622,"date":"2018-08-20T13:28:01","date_gmt":"2018-08-20T17:28:01","guid":{"rendered":"https:\/\/pressbooks.bccampus.ca\/meijiat150\/?post_type=front-matter&p=622"},"modified":"2019-05-31T12:02:54","modified_gmt":"2019-05-31T16:02:54","slug":"table-of-contents","status":"publish","type":"front-matter","link":"https:\/\/pressbooks.bccampus.ca\/meijiat150\/front-matter\/table-of-contents\/","title":{"raw":"Table of Contents (Print Version)","rendered":"Table of Contents (Print Version)"},"content":{"raw":"

Table of Contents (Print Version)<\/h1>\r\n\r\n
\r\n\r\nRe-viewing Meiji via Japanese-Canadian Connections<\/em> | Naoko Kato\u00a0<\/strong>\u2022 1\r\n

Competing Views of the World in Early Modern Japan<\/em> | Radu Leca<\/strong>\u00a0\u2022 9<\/p>\r\n

Apocalypse Now: An Alternate View of the Bakumatsu Years<\/em> | M. William Steele\u00a0<\/strong>\u2022 17<\/p>\r\n

The Ansei Edo Earthquake and Catfish Prints<\/em> | Gregory Smits<\/strong>\u00a0\u2022 51<\/p>\r\n

Reading Edo Urban Space in the T\u014dky\u014d G\u014dsh\u014d Sugoroku (Tokyo Rich Merchants Board Game)<\/em> | Kanaya Masataka<\/strong>\u00a0\u2022 65<\/p>\r\n

\u300c\u6771\u4eac\u8c6a\u5546\u5bff\u8a9e\u516d\u300d\u304b\u3089\u8aad\u307f\u89e3\u304f\u6c5f\u6238\u306e\u7a7a\u9593\u69cb\u6210<\/em>\u00a0|\u00a0\u91d1\u8c37 \u5321\u9ad8\u00a0<\/strong>\u2022 71<\/p>\r\n

Ginza Bricktown and the Myth of Meiji Modernization<\/strong>\u00a0<\/em>| <\/em>Tristan R. Grunow\u00a0<\/strong>\u2022 77<\/p>\r\n

J. Cooper Robinson: A Canadian Missionary and Photographer in Japan, 1888-1925<\/em> | Benjamin Bryce<\/strong> \u2022 85<\/p>\r\n

John Cooper Robinson and Japanese Commercial Photography<\/strong><\/em>\u00a0| Allen Hockley<\/strong> \u2022 95<\/p>\r\n

The One Hundred Poets in the Meiji Period<\/strong><\/em>\u00a0| Joshua S. Mostow<\/strong>\u00a0\u2022 105<\/p>\r\n

Meiji Daughters: Their Stuff and Fancy in Brocade Pictures, 1870s-1880s<\/em> | Miriam Wattles<\/strong>\u00a0\u2022 115<\/p>\r\n

A Glimpse of Meiji Kimono Fashion<\/strong><\/em>\u00a0| Ayako Yoshimura\u00a0<\/strong>\u2022 125<\/p>\r\n

Via Hawai\u2018i: The Transmigration of Japanese<\/em> | Dr. Yakari Takai<\/strong>\u00a0\u2022 133<\/p>\r\n

Japanese Culture and Language in the Prewar Canadian \u201cMosaic\u201d<\/strong><\/em>\u00a0| Eiji Okawa\u00a0<\/strong>\u2022 139<\/p>\r\n

Associational Lives of Women in the Prewar Japanese-Canadian Community<\/strong><\/em> | Eiji Okawa\u00a0<\/strong>\u2022 153<\/p>\r\n

\u201cExploring the Devil Caves\u201d: Brothels, Sex Workers, and the Disciplining of Women\u2019s Bodies in the Tairiku Nipp\u014d (1908-1920)<\/strong><\/em>\u00a0| Ayaka Yoshimizu\u00a0<\/strong>\u2022 165<\/p>\r\n\r\n\r\n

\r\n

Contributors<\/em> \u2022 171<\/p>","rendered":"

Table of Contents (Print Version)<\/h1>\n
\n

Re-viewing Meiji via Japanese-Canadian Connections<\/em> | Naoko Kato\u00a0<\/strong>\u2022 1<\/p>\n

Competing Views of the World in Early Modern Japan<\/em> | Radu Leca<\/strong>\u00a0\u2022 9<\/p>\n

Apocalypse Now: An Alternate View of the Bakumatsu Years<\/em> | M. William Steele\u00a0<\/strong>\u2022 17<\/p>\n

The Ansei Edo Earthquake and Catfish Prints<\/em> | Gregory Smits<\/strong>\u00a0\u2022 51<\/p>\n

Reading Edo Urban Space in the T\u014dky\u014d G\u014dsh\u014d Sugoroku (Tokyo Rich Merchants Board Game)<\/em> | Kanaya Masataka<\/strong>\u00a0\u2022 65<\/p>\n

\u300c\u6771\u4eac\u8c6a\u5546\u5bff\u8a9e\u516d\u300d\u304b\u3089\u8aad\u307f\u89e3\u304f\u6c5f\u6238\u306e\u7a7a\u9593\u69cb\u6210<\/em>\u00a0|\u00a0\u91d1\u8c37 \u5321\u9ad8\u00a0<\/strong>\u2022 71<\/p>\n

Ginza Bricktown and the Myth of Meiji Modernization<\/strong>\u00a0<\/em>| <\/em>Tristan R. Grunow\u00a0<\/strong>\u2022 77<\/p>\n

J. Cooper Robinson: A Canadian Missionary and Photographer in Japan, 1888-1925<\/em> | Benjamin Bryce<\/strong> \u2022 85<\/p>\n

John Cooper Robinson and Japanese Commercial Photography<\/strong><\/em>\u00a0| Allen Hockley<\/strong> \u2022 95<\/p>\n

The One Hundred Poets in the Meiji Period<\/strong><\/em>\u00a0| Joshua S. Mostow<\/strong>\u00a0\u2022 105<\/p>\n

Meiji Daughters: Their Stuff and Fancy in Brocade Pictures, 1870s-1880s<\/em> | Miriam Wattles<\/strong>\u00a0\u2022 115<\/p>\n

A Glimpse of Meiji Kimono Fashion<\/strong><\/em>\u00a0| Ayako Yoshimura\u00a0<\/strong>\u2022 125<\/p>\n

Via Hawai\u2018i: The Transmigration of Japanese<\/em> | Dr. Yakari Takai<\/strong>\u00a0\u2022 133<\/p>\n

Japanese Culture and Language in the Prewar Canadian \u201cMosaic\u201d<\/strong><\/em>\u00a0| Eiji Okawa\u00a0<\/strong>\u2022 139<\/p>\n

Associational Lives of Women in the Prewar Japanese-Canadian Community<\/strong><\/em> | Eiji Okawa\u00a0<\/strong>\u2022 153<\/p>\n

\u201cExploring the Devil Caves\u201d: Brothels, Sex Workers, and the Disciplining of Women\u2019s Bodies in the Tairiku Nipp\u014d (1908-1920)<\/strong><\/em>\u00a0| Ayaka Yoshimizu\u00a0<\/strong>\u2022 165<\/p>\n

\n

Contributors<\/em> \u2022 171<\/p>\n","protected":false},"author":238,"menu_order":3,"template":"","meta":{"pb_show_title":"","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"front-matter-type":[],"contributor":[],"license":[],"class_list":["post-622","front-matter","type-front-matter","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pressbooks.bccampus.ca\/meijiat150\/wp-json\/pressbooks\/v2\/front-matter\/622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.bccampus.ca\/meijiat150\/wp-json\/pressbooks\/v2\/front-matter"}],"about":[{"href":"https:\/\/pressbooks.bccampus.ca\/meijiat150\/wp-json\/wp\/v2\/types\/front-matter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/meijiat150\/wp-json\/wp\/v2\/users\/238"}],"version-history":[{"count":13,"href":"https:\/\/pressbooks.bccampus.ca\/meijiat150\/wp-json\/pressbooks\/v2\/front-matter\/622\/revisions"}],"predecessor-version":[{"id":1249,"href":"https:\/\/pressbooks.bccampus.ca\/meijiat150\/wp-json\/pressbooks\/v2\/front-matter\/622\/revisions\/1249"}],"metadata":[{"href":"https:\/\/pressbooks.bccampus.ca\/meijiat150\/wp-json\/pressbooks\/v2\/front-matter\/622\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.bccampus.ca\/meijiat150\/wp-json\/wp\/v2\/media?parent=622"}],"wp:term":[{"taxonomy":"front-matter-type","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/meijiat150\/wp-json\/pressbooks\/v2\/front-matter-type?post=622"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/meijiat150\/wp-json\/wp\/v2\/contributor?post=622"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/meijiat150\/wp-json\/wp\/v2\/license?post=622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}