{"id":112,"date":"2018-05-19T22:45:50","date_gmt":"2018-05-20T02:45:50","guid":{"rendered":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/chapter\/7-2-listening-skills\/"},"modified":"2019-05-08T14:17:54","modified_gmt":"2019-05-08T18:17:54","slug":"8-3-listening-skills","status":"publish","type":"chapter","link":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/chapter\/8-3-listening-skills\/","title":{"raw":"8.3 Listening skills","rendered":"8.3 Listening skills"},"content":{"raw":"<div id=\"slug-5-3-improving-listening-competence\">\r\n<h2>The listening process<\/h2>\r\n<p id=\"jones_1.0-ch05_s01_p01\">Listening\u00a0is the learned process of receiving, interpreting, recalling, evaluating, and responding to verbal and nonverbal messages. Because it is a process, it doesn\u2019t have a defined start and finish. Like the communication process, listening has cognitive, behavioural, and relational elements and doesn\u2019t unfold in a linear, step-by-step fashion. Models of processes are informative in that they help us visualize specific components, but keep in mind that they do not capture the speed, overlapping nature, or overall complexity of the actual process in action. The stages of the listening process are receiving, interpreting, recalling, evaluating, and responding.<\/p>\r\n\r\n<div id=\"jones_1.0-ch05_s01_s01\">\r\n<div id=\"jones_1.0-ch05_s01_s01_s01\">\r\n<h3>Receiving<\/h3>\r\n<p id=\"jones_1.0-ch05_s01_s01_s01_p01\">Before we can engage other steps in the listening process, we must take in stimuli through our senses. We primarily take in information needed for listening through auditory and visual channels. Although we don\u2019t often think about visual cues as a part of listening, they influence how we interpret messages. For example, seeing a person\u2019s face when we hear their voice allows us to take in nonverbal cues from facial expressions and eye contact. The fact that these visual cues are missing in email, text, and phone interactions presents some difficulties for reading contextual clues into meaning received through only auditory channels.<\/p>\r\n\r\n<\/div>\r\n<div id=\"jones_1.0-ch05_s01_s01_s02\">\r\n<h3>Interpreting<\/h3>\r\n<p id=\"jones_1.0-ch05_s01_s01_s02_p01\">During the interpreting stage of listening, we combine the visual and auditory information we receive and try to make meaning out of that information. It is through the interpreting stage that we may begin to understand the stimuli we have received. When we understand something, we are able to attach meaning by connecting information to previous experiences.<\/p>\r\n\r\n<\/div>\r\n<div id=\"jones_1.0-ch05_s01_s01_s03\">\r\n<h3>Recalling<\/h3>\r\n<p id=\"jones_1.0-ch05_s01_s01_s03_p01\">Our ability to recall information is dependent on some of the physiological limits of how memory works. As stimuli are organized and interpreted, they make their way to short-term memory where they either expire and are forgotten or are transferred to long-term memory.\u00a0Recall is an important part of the listening process because it is most often used to assess listening abilities and effectiveness.<\/p>\r\n\r\n<\/div>\r\n<div id=\"jones_1.0-ch05_s01_s01_s04\">\r\n<h3>Evaluating<\/h3>\r\n<p id=\"jones_1.0-ch05_s01_s01_s04_p01\">When we evaluate something, we make judgments about its credibility, completeness, and worth. In terms of credibility, we try to determine the degree to which we believe a speaker\u2019s statements are correct and\/or true. In terms of completeness, we try to \u201cread between the lines\u201d and evaluate the message in relation to what we know about the topic or situation being discussed. We evaluate the worth of a message by making a value judgment about whether we think the message or idea is good\/bad, right\/wrong, or desirable\/undesirable.<\/p>\r\n\r\n<\/div>\r\n<div id=\"jones_1.0-ch05_s01_s01_s05\">\r\n<h3>Responding<\/h3>\r\n<p id=\"jones_1.0-ch05_s01_s01_s05_p01\">Responding entails sending verbal and nonverbal messages that indicate attentiveness and understanding or a lack thereof.\u00a0We send verbal and nonverbal feedback while another person is talking and after they are done.\u00a0Back-channel cues\u00a0are the verbal and nonverbal signals we send while someone is talking and can consist of verbal cues like \u201cuh-huh,\u201d \u201coh,\u201d and \u201cright,\u201d and\/or nonverbal cues like direct eye contact, head nods, and leaning forward. Back-channel cues are generally a form of positive feedback that indicates others are actively listening. People also send cues intentionally and unintentionally that indicate they aren\u2019t listening. If another person is looking away, fidgeting, texting, or turned away, we will likely interpret those responses negatively.<\/p>\r\n<p id=\"jones_1.0-ch05_s01_s01_s05_p03\">Paraphrasing is a responding behavior that can also show that you understand what was communicated. When you\u00a0paraphrase\u00a0information, you rephrase the message into your own words. For example, you might say the following to start off a paraphrased response: \u201cWhat I heard you say was\u2026\u201d or \u201cIt seems like you\u2019re saying\u2026\u201d You can also ask clarifying questions to get more information. It is often a good idea to pair a paraphrase with a question to keep a conversation flowing. For example, you might pose the following paraphrase and question pair: \u201cIt seems like you believe you were treated unfairly. Is that right?\u201d Or you might ask a standalone question like \u201cWhat did your colleague do that made you think they were \u2018playing favourites?\u2019\u201d Make sure to paraphrase and\/or ask questions once a person\u2019s turn is over because interrupting can also be interpreted as a sign of not listening.<\/p>\r\n\r\n<\/div>\r\n<\/div>\r\n<div>\r\n<div id=\"jones_1.0-ch05_s03_s02\">\r\n<h2>Active listening<\/h2>\r\n<p id=\"jones_1.0-ch05_s03_s02_p01\">Active listening refers to the process of pairing outwardly visible positive listening behaviours with positive cognitive listening practices. Active listening can help address many the environmental, physical, cognitive, and personal barriers to effective listening you may encounter.<\/p>\r\n\r\n<div id=\"jones_1.0-ch05_s03_s02_s01\">\r\n<p id=\"jones_1.0-ch05_s03_s02_s01_p01\">Being an active listener starts before you actually start receiving a message. Active listeners make strategic choices and take action in order to set up ideal listening conditions. Physical and environmental noises can often be managed by moving locations or by manipulating the lighting, temperature, or furniture. When possible, avoid important listening activities during times of distracting psychological or physiological noise. Effective listeners must also work to maintain focus as much as possible and refocus when attention shifts or fades (Wolvin &amp; Coakley, 1993).<\/p>\r\nEye contact is typically thought of as a key sign of active listening, and speakers usually interpret a listener\u2019s eye contact as a signal of attentiveness. While a <em>lack<\/em> of eye contact can sometimes indicate <em>inattentiveness<\/em>, before assuming this is the case, it's important to consider whether it stems from cultural differences, is a sign of thinking about or processing new information, or happens for other reasons.\r\n\r\nA more direct way to indicate active listening is to reference previous statements made by the speaker. Norms of politeness usually call on us to reference a past statement or connect to the speaker\u2019s current thought before starting a conversational turn. Being able to summarize what someone said to ensure that the topic has been satisfactorily covered and understood or being able to segue in such a way that validates what the previous speaker said helps regulate conversational flow. Asking probing questions is another way to directly indicate listening and to keep a conversation going, since they encourage and invite a person to speak more. You can also ask questions that seek clarification and not just elaboration. Speakers should present complex information at a slower speaking rate than familiar information, but many will not. Remember that your nonverbal feedback can be useful for a speaker, as it signals that you are listening but also whether or not you understand. If a speaker fails to read your nonverbal feedback, you may need to follow up with verbal communication in the form of paraphrased messages and clarifying questions.\r\n\r\nAs active listeners, we want to be excited and engaged, but don\u2019t let excitement manifest itself in interruptions. Being an active listener means knowing when to maintain our role as listener and resist the urge to take a conversational turn.\r\n\r\nNote-taking can also indicate active listening. Translating information through writing into our own cognitive structures allows us to better interpret and assimilate information.\r\n\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div id=\"jones_1.0-ch05_s03_s04\">\r\n<h2>Listening with empathy<\/h2>\r\nTo be a better empathetic listener, we need to suspend or at least attempt to suppress our judgment of the other person or their message so we can fully attend to both. Paraphrasing is an important part of empathetic listening because it helps us put the other person\u2019s words into our frame of experience without making it about us. In addition, speaking the words of someone else in our own way can help evoke within us the feelings that the other person felt while saying them (Bodie, 2011). Active-empathetic listening is more than echoing back verbal messages. We can also engage in mirroring, which refers to a listener\u2019s replication of the nonverbal signals of a speaker (Bruneau, 1993). Therapists, for example, are often taught to adopt a posture and tone similar to their patients in order to build rapport and project empathy.\r\n\r\nParaphrasing and questioning are useful techniques for empathetic listening because they allow us to respond to a speaker without taking \u201cthe floor,\u201d or the attention, away for long. Specifically, questions that ask for elaboration act as \u201cverbal door openers,\u201d and inviting someone to speak more and then validating their speech through active listening cues can help a person feel \u201clistened to\u201d (Hargie, 2011). It's important to resist the temptation to give unsolicited advice.\u00a0It is also important to acknowledge any feelings or emotions the speaker has expressed directly through words or indirectly through paralinguistic cues.\r\n\r\n<\/div>\r\n<div id=\"jones_1.0-ch05_s03_s05\">\r\n<div id=\"jones_1.0-ch05_s03_s05_s01\">\r\n<h2>Listening in professional contexts<\/h2>\r\n<p id=\"jones_1.0-ch05_s03_s05_s01_p01\">Empathetic listening and active listening can play key roles in organizational communication. Managers are wise to enhance their empathetic listening skills, as being able to empathize with employees contributes to a positive communication climate. Active listening among organizational members also promotes involvement and increases motivation, which leads to more cohesion and enhances the communication climate.<\/p>\r\n\r\n<h2>References<\/h2>\r\nBodie, G. D. (2011). The Active-Empathetic Listening Scale (AELS): Conceptualization and evidence of validity within the interpersonal domain,\u00a0<em>Communication Quarterly<\/em>\u00a0(59)3:277-295.\r\n\r\nBruneau, T. (1993). Empathy and Listening. In A.\u00a0Wolvin &amp; C. Coakley (Eds.),\u00a0<em>Perspectives on listening<\/em>.\u00a0Norwood, NJ: Alex Publishing Corporation.\r\n\r\nHargie, O. (2011).\u00a0<em>Skilled interpersonal interaction: Research, theory, and practice<\/em>.\u00a0London: Routledge.\r\n\r\nWolvin, A. D. &amp; Coakley, C. (1993). A listening taxonomy. In A.\u00a0Wolvin &amp; C. Coakley (Eds.),\u00a0<em>Perspectives on listening<\/em>.\u00a0Norwood, NJ: Alex Publishing Corporation.\r\n\r\n<\/div>\r\n<\/div>\r\n<div class=\"footnotes\">\r\n<h2>Attribution<\/h2>\r\nThis chapter contains material from <a href=\"http:\/\/open.lib.umn.edu\/communication\/chapter\/5-3-improving-listening-competence\/\">Chapter 5.3 \"Improving listening competence\"<\/a>\u00a0in <a href=\"http:\/\/open.lib.umn.edu\/communication\/\">Communication in the real world: An introduction to communication studies<\/a> and is used under a\u00a0<a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/4.0\/\">CC-BY-NC-SA 4.0 International<\/a>\u00a0license.\r\n\r\n<\/div>","rendered":"<div id=\"slug-5-3-improving-listening-competence\">\n<h2>The listening process<\/h2>\n<p id=\"jones_1.0-ch05_s01_p01\">Listening\u00a0is the learned process of receiving, interpreting, recalling, evaluating, and responding to verbal and nonverbal messages. Because it is a process, it doesn\u2019t have a defined start and finish. Like the communication process, listening has cognitive, behavioural, and relational elements and doesn\u2019t unfold in a linear, step-by-step fashion. Models of processes are informative in that they help us visualize specific components, but keep in mind that they do not capture the speed, overlapping nature, or overall complexity of the actual process in action. The stages of the listening process are receiving, interpreting, recalling, evaluating, and responding.<\/p>\n<div id=\"jones_1.0-ch05_s01_s01\">\n<div id=\"jones_1.0-ch05_s01_s01_s01\">\n<h3>Receiving<\/h3>\n<p id=\"jones_1.0-ch05_s01_s01_s01_p01\">Before we can engage other steps in the listening process, we must take in stimuli through our senses. We primarily take in information needed for listening through auditory and visual channels. Although we don\u2019t often think about visual cues as a part of listening, they influence how we interpret messages. For example, seeing a person\u2019s face when we hear their voice allows us to take in nonverbal cues from facial expressions and eye contact. The fact that these visual cues are missing in email, text, and phone interactions presents some difficulties for reading contextual clues into meaning received through only auditory channels.<\/p>\n<\/div>\n<div id=\"jones_1.0-ch05_s01_s01_s02\">\n<h3>Interpreting<\/h3>\n<p id=\"jones_1.0-ch05_s01_s01_s02_p01\">During the interpreting stage of listening, we combine the visual and auditory information we receive and try to make meaning out of that information. It is through the interpreting stage that we may begin to understand the stimuli we have received. When we understand something, we are able to attach meaning by connecting information to previous experiences.<\/p>\n<\/div>\n<div id=\"jones_1.0-ch05_s01_s01_s03\">\n<h3>Recalling<\/h3>\n<p id=\"jones_1.0-ch05_s01_s01_s03_p01\">Our ability to recall information is dependent on some of the physiological limits of how memory works. As stimuli are organized and interpreted, they make their way to short-term memory where they either expire and are forgotten or are transferred to long-term memory.\u00a0Recall is an important part of the listening process because it is most often used to assess listening abilities and effectiveness.<\/p>\n<\/div>\n<div id=\"jones_1.0-ch05_s01_s01_s04\">\n<h3>Evaluating<\/h3>\n<p id=\"jones_1.0-ch05_s01_s01_s04_p01\">When we evaluate something, we make judgments about its credibility, completeness, and worth. In terms of credibility, we try to determine the degree to which we believe a speaker\u2019s statements are correct and\/or true. In terms of completeness, we try to \u201cread between the lines\u201d and evaluate the message in relation to what we know about the topic or situation being discussed. We evaluate the worth of a message by making a value judgment about whether we think the message or idea is good\/bad, right\/wrong, or desirable\/undesirable.<\/p>\n<\/div>\n<div id=\"jones_1.0-ch05_s01_s01_s05\">\n<h3>Responding<\/h3>\n<p id=\"jones_1.0-ch05_s01_s01_s05_p01\">Responding entails sending verbal and nonverbal messages that indicate attentiveness and understanding or a lack thereof.\u00a0We send verbal and nonverbal feedback while another person is talking and after they are done.\u00a0Back-channel cues\u00a0are the verbal and nonverbal signals we send while someone is talking and can consist of verbal cues like \u201cuh-huh,\u201d \u201coh,\u201d and \u201cright,\u201d and\/or nonverbal cues like direct eye contact, head nods, and leaning forward. Back-channel cues are generally a form of positive feedback that indicates others are actively listening. People also send cues intentionally and unintentionally that indicate they aren\u2019t listening. If another person is looking away, fidgeting, texting, or turned away, we will likely interpret those responses negatively.<\/p>\n<p id=\"jones_1.0-ch05_s01_s01_s05_p03\">Paraphrasing is a responding behavior that can also show that you understand what was communicated. When you\u00a0paraphrase\u00a0information, you rephrase the message into your own words. For example, you might say the following to start off a paraphrased response: \u201cWhat I heard you say was\u2026\u201d or \u201cIt seems like you\u2019re saying\u2026\u201d You can also ask clarifying questions to get more information. It is often a good idea to pair a paraphrase with a question to keep a conversation flowing. For example, you might pose the following paraphrase and question pair: \u201cIt seems like you believe you were treated unfairly. Is that right?\u201d Or you might ask a standalone question like \u201cWhat did your colleague do that made you think they were \u2018playing favourites?\u2019\u201d Make sure to paraphrase and\/or ask questions once a person\u2019s turn is over because interrupting can also be interpreted as a sign of not listening.<\/p>\n<\/div>\n<\/div>\n<div>\n<div id=\"jones_1.0-ch05_s03_s02\">\n<h2>Active listening<\/h2>\n<p id=\"jones_1.0-ch05_s03_s02_p01\">Active listening refers to the process of pairing outwardly visible positive listening behaviours with positive cognitive listening practices. Active listening can help address many the environmental, physical, cognitive, and personal barriers to effective listening you may encounter.<\/p>\n<div id=\"jones_1.0-ch05_s03_s02_s01\">\n<p id=\"jones_1.0-ch05_s03_s02_s01_p01\">Being an active listener starts before you actually start receiving a message. Active listeners make strategic choices and take action in order to set up ideal listening conditions. Physical and environmental noises can often be managed by moving locations or by manipulating the lighting, temperature, or furniture. When possible, avoid important listening activities during times of distracting psychological or physiological noise. Effective listeners must also work to maintain focus as much as possible and refocus when attention shifts or fades (Wolvin &amp; Coakley, 1993).<\/p>\n<p>Eye contact is typically thought of as a key sign of active listening, and speakers usually interpret a listener\u2019s eye contact as a signal of attentiveness. While a <em>lack<\/em> of eye contact can sometimes indicate <em>inattentiveness<\/em>, before assuming this is the case, it&#8217;s important to consider whether it stems from cultural differences, is a sign of thinking about or processing new information, or happens for other reasons.<\/p>\n<p>A more direct way to indicate active listening is to reference previous statements made by the speaker. Norms of politeness usually call on us to reference a past statement or connect to the speaker\u2019s current thought before starting a conversational turn. Being able to summarize what someone said to ensure that the topic has been satisfactorily covered and understood or being able to segue in such a way that validates what the previous speaker said helps regulate conversational flow. Asking probing questions is another way to directly indicate listening and to keep a conversation going, since they encourage and invite a person to speak more. You can also ask questions that seek clarification and not just elaboration. Speakers should present complex information at a slower speaking rate than familiar information, but many will not. Remember that your nonverbal feedback can be useful for a speaker, as it signals that you are listening but also whether or not you understand. If a speaker fails to read your nonverbal feedback, you may need to follow up with verbal communication in the form of paraphrased messages and clarifying questions.<\/p>\n<p>As active listeners, we want to be excited and engaged, but don\u2019t let excitement manifest itself in interruptions. Being an active listener means knowing when to maintain our role as listener and resist the urge to take a conversational turn.<\/p>\n<p>Note-taking can also indicate active listening. Translating information through writing into our own cognitive structures allows us to better interpret and assimilate information.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"jones_1.0-ch05_s03_s04\">\n<h2>Listening with empathy<\/h2>\n<p>To be a better empathetic listener, we need to suspend or at least attempt to suppress our judgment of the other person or their message so we can fully attend to both. Paraphrasing is an important part of empathetic listening because it helps us put the other person\u2019s words into our frame of experience without making it about us. In addition, speaking the words of someone else in our own way can help evoke within us the feelings that the other person felt while saying them (Bodie, 2011). Active-empathetic listening is more than echoing back verbal messages. We can also engage in mirroring, which refers to a listener\u2019s replication of the nonverbal signals of a speaker (Bruneau, 1993). Therapists, for example, are often taught to adopt a posture and tone similar to their patients in order to build rapport and project empathy.<\/p>\n<p>Paraphrasing and questioning are useful techniques for empathetic listening because they allow us to respond to a speaker without taking \u201cthe floor,\u201d or the attention, away for long. Specifically, questions that ask for elaboration act as \u201cverbal door openers,\u201d and inviting someone to speak more and then validating their speech through active listening cues can help a person feel \u201clistened to\u201d (Hargie, 2011). It&#8217;s important to resist the temptation to give unsolicited advice.\u00a0It is also important to acknowledge any feelings or emotions the speaker has expressed directly through words or indirectly through paralinguistic cues.<\/p>\n<\/div>\n<div id=\"jones_1.0-ch05_s03_s05\">\n<div id=\"jones_1.0-ch05_s03_s05_s01\">\n<h2>Listening in professional contexts<\/h2>\n<p id=\"jones_1.0-ch05_s03_s05_s01_p01\">Empathetic listening and active listening can play key roles in organizational communication. Managers are wise to enhance their empathetic listening skills, as being able to empathize with employees contributes to a positive communication climate. Active listening among organizational members also promotes involvement and increases motivation, which leads to more cohesion and enhances the communication climate.<\/p>\n<h2>References<\/h2>\n<p>Bodie, G. D. (2011). The Active-Empathetic Listening Scale (AELS): Conceptualization and evidence of validity within the interpersonal domain,\u00a0<em>Communication Quarterly<\/em>\u00a0(59)3:277-295.<\/p>\n<p>Bruneau, T. (1993). Empathy and Listening. In A.\u00a0Wolvin &amp; C. Coakley (Eds.),\u00a0<em>Perspectives on listening<\/em>.\u00a0Norwood, NJ: Alex Publishing Corporation.<\/p>\n<p>Hargie, O. (2011).\u00a0<em>Skilled interpersonal interaction: Research, theory, and practice<\/em>.\u00a0London: Routledge.<\/p>\n<p>Wolvin, A. D. &amp; Coakley, C. (1993). A listening taxonomy. In A.\u00a0Wolvin &amp; C. Coakley (Eds.),\u00a0<em>Perspectives on listening<\/em>.\u00a0Norwood, NJ: Alex Publishing Corporation.<\/p>\n<\/div>\n<\/div>\n<div class=\"footnotes\">\n<h2>Attribution<\/h2>\n<p>This chapter contains material from <a href=\"http:\/\/open.lib.umn.edu\/communication\/chapter\/5-3-improving-listening-competence\/\">Chapter 5.3 &#8220;Improving listening competence&#8221;<\/a>\u00a0in <a href=\"http:\/\/open.lib.umn.edu\/communication\/\">Communication in the real world: An introduction to communication studies<\/a> and is used under a\u00a0<a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/4.0\/\">CC-BY-NC-SA 4.0 International<\/a>\u00a0license.<\/p>\n<\/div>\n","protected":false},"author":320,"menu_order":3,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":[],"pb_section_license":""},"chapter-type":[],"contributor":[],"license":[],"class_list":["post-112","chapter","type-chapter","status-publish","hentry"],"part":109,"_links":{"self":[{"href":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/wp-json\/pressbooks\/v2\/chapters\/112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/wp-json\/wp\/v2\/users\/320"}],"version-history":[{"count":4,"href":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/wp-json\/pressbooks\/v2\/chapters\/112\/revisions"}],"predecessor-version":[{"id":294,"href":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/wp-json\/pressbooks\/v2\/chapters\/112\/revisions\/294"}],"part":[{"href":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/wp-json\/pressbooks\/v2\/parts\/109"}],"metadata":[{"href":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/wp-json\/pressbooks\/v2\/chapters\/112\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/wp-json\/wp\/v2\/media?parent=112"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/wp-json\/pressbooks\/v2\/chapter-type?post=112"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/wp-json\/wp\/v2\/contributor?post=112"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/professionalcomms\/wp-json\/wp\/v2\/license?post=112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}