{"id":23,"date":"2020-05-25T16:12:36","date_gmt":"2020-05-25T20:12:36","guid":{"rendered":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/chapter\/indigenizing-the-writing-process\/"},"modified":"2024-07-29T18:35:52","modified_gmt":"2024-07-29T22:35:52","slug":"indigenizing-the-writing-process","status":"publish","type":"chapter","link":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/chapter\/indigenizing-the-writing-process\/","title":{"raw":"1.2 Holistic Academic Writing","rendered":"1.2 Holistic Academic Writing"},"content":{"raw":"The Manager of Blended Learning Success at <a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Flibrary.royalroads.ca%2Fwriting-centre&amp;data=05%7C02%7Cikehoe%40uvic.ca%7C9664f30fa90b4a0ab4b008dcadaa74f3%7C9c61d3779894427cb13b1d6a51662b4e%7C0%7C0%7C638576194821431914%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=yNP7GMq427GwfpcsY2r2P9h0YMR%2B8WaYX7yOhFYWp%2Bw%3D&amp;reserved=0\">Royal Roads University<\/a>, Theresa Bell, has generously given permission to share the <a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Flibrary.royalroads.ca%2Ffour-feathers-writing-guide&amp;data=05%7C02%7Cikehoe%40uvic.ca%7C9664f30fa90b4a0ab4b008dcadaa74f3%7C9c61d3779894427cb13b1d6a51662b4e%7C0%7C0%7C638576194821431914%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=jNs2K2D61BcCC7k982fh15ibHPLmTVZpxdVb2%2F7zXZs%3D&amp;reserved=0\"><em>Four Feathers Writing Guide<\/em><\/a> with you.[footnote]Shirley R. Alphonse (THE-LA-ME-Y\u00c9), Theresa Bell and Nadine Charles (T\u023a\u023dIE), <em>Four Feathers Writing Guide<\/em>, (Royal Roads University, 2022), <a href=\"https:\/\/libguides.royalroads.ca\/fourfeathers\">https:\/\/libguides.royalroads.ca\/fourfeathers<\/a>.[\/footnote] She consulted with Cowichan and T\u2019Sou-ke Nations Elder THE-LA-ME-Y\u00c9 Shirley Alphonse and received permission to share this information with you.[footnote] This process is ongoing in consultation with the Nation with support from the University of Victoria\u2019s Indigenous Liaison Lydia Toorenburgh and Theresa Bell.[\/footnote] While it is designed specifically to support Coast Salish students, there may be elements of the resource that will help many Indigenous students to develop a process for writing in academic settings. While we include <em>The Four Feathers Writing Guide<\/em> to mainly serve Indigenous students, we also recognize that Indigenous philosophies of learning and teaching are beneficial for all students and teachers.\r\n\r\nThe knowledge we share from the\u00a0<em>Four Feathers Writing Guide<\/em>\u00a0is Traditional Knowledge and therefore \u201cremains the intellectual property of the Indigenous Knowledge Keepers.\u201d While it is a commonplace in Canadian culture to assume knowledge in a textbook is fully accessible, Traditional Knowledge is not currently protected by intellectual property laws and systems. Therefore<strong>,\u00a0<\/strong>\u201cThe ownership of Traditional Knowledge remains in perpetuity with the appropriate Nation. The Traditional Knowledge in this section of the textbook should therefore not be re-used in any way without obtaining explicit permission from the Nation\u201d (Alphonse, Charles, &amp;\u00a0Bell, n.d., Preface section). You are more than welcome to benefit from the holistic approach to learning and writing offered in this section of the textbook\u00a0<em>Why Write?<\/em>, but you should and may not share the\u00a0<em>Four Feathers Writing Guide<\/em>\u00a0content without obtaining permission.\r\n\r\nBecause we all live on Indigenous land in Canada, it is our responsibility as visitors or settler-colonists to respect Indigenous knowledge. Non-Indigenous readers can learn lessons from this resource as long as they remain aware of their responsibilities. If you would like to learn more about your responsibilities if you are a visitor\/settler, please read this short essay \u201c<a href=\"https:\/\/reconciliationcanada.ca\/cultural-teachings-welcome-to-territory-land-acknowledgments\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cultural Teachings: Welcome to Territory &amp; Land Acknowledgements<\/a>\u201d by Tim Manuel.[footnote]Tim Manuel, \u201cCultural Teachings: Welcome to Territory &amp; Land Acknowledgments,\u201d Reconciliation Canada<em>,<\/em> February 4, 2019, <a href=\"https:\/\/reconciliationcanada.ca\/cultural-teachings\/\">https:\/\/reconciliationcanada.ca\/cultural-teachings\/<\/a>.[\/footnote] As academic writers, we need to take responsibility for the information we use and how we approach that knowledge.\r\n\r\nThe F<em>our Feathers Writing Guide<\/em> shares First Peoples Principles of learning (<a href=\"http:\/\/www.fnesc.ca\" target=\"_blank\" rel=\"noopener noreferrer\">www.fnesc.ca<\/a>), which offer fruitful ways to approach writing. We can all benefit from understanding:\r\n<ul>\r\n \t<li>Learning to write involves patience and time.<\/li>\r\n \t<li>Learning to write requires an exploration of one\u2019s identity.<\/li>\r\n \t<li>Learning to write involves recognizing the consequences of one\u2019s actions.<\/li>\r\n \t<li>Learning to write is holistic, reflexive, reflective, experiential and relational.<\/li>\r\n<\/ul>\r\nWe will say this many times in this chapter (and other chapters) but there is more than one type of writing process. Your writing process may be culturally based. You may not have written academically in English or French before. Perhaps writing seems like an insurmountable and even frightening task. You might be surprised to learn that even professors and graduate students struggle with academic writing.\r\n\r\nIn <a href=\"https:\/\/wac.colostate.edu\/books\/writingspaces1\/allen--the-inspired-writing-vs-the-real-writer.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">an essay<\/a> we encourage you to read in its entirety (it\u2019s really quite entertaining and will very likely give you a new perspective on academic writing), Dr. Sarah Allen explains that there are myths about academic writing that need to be exposed and never heard from again.[footnote]Sarah Allen, \u201cThe Inspired Writer vs. The Real Writer,\u201d in <em>Writing Spaces: Readings on Writing,<\/em> eds. Charles Lowe and Pavel Zemliansky, vol. 1 (Parlor Press, 2010), 34-44, <a href=\"https:\/\/wac.colostate.edu\/books\/writingspaces1\/allen--the-inspired-writing-vs-the-real-writer.pdf\">https:\/\/wac.colostate.edu\/books\/writingspaces1\/allen--the-inspired-writing-vs-the-real-writer.pdf<\/a>.[\/footnote] One such myth is that those who are experienced writers find writing a simple task\u2014this is simply not true:\r\n<blockquote>\r\n<div class=\"textbox shaded\">\r\n\r\n<a id=\"writingspaces\"><\/a>I confess that I find myself to be genuinely surprised when some well-respected scholar in my field admits to struggling with his writing. For example, David Bartholomae (a very successful scholar in the field of Rhetoric and Composition) confesses that he didn\u2019t learn to write until after he completed his undergraduate studies, and that he learned it through what must have been at least one particularly traumatic experience: his dissertation was rejected for being \u201cpoorly written\u201d (22\u201323).\r\n\r\nIf at first glance the rejection of a dissertation means little to you, let me explain: imagine spending years (literally, years) on a piece of writing (a very long piece of writing), for which you\u2019ve sacrificed more than you ever thought you\u2019d sacrifice for anything (your time, your freedom, sleep, relationships, and even, at times, your sanity), only to have it rejected. And worse, it\u2019s rejected for being \u201cpoorly written,\u201d which is like being booted off of a pro-league baseball team for not being able to tie your shoes properly. We\u2019re talking basics here, or so we (writers) like to think. And yet, if writing were nothing more than \u201cpracticing the basics,\u201d why\u2019s it so hard\u2014hard even for one of the best of the best in my field?[footnote]Allen,\u00a0\"The Inspired Writer,\" 35.[\/footnote]\r\n\r\n<\/div><\/blockquote>\r\nThis is an excellent question that Dr. Allen asks and linguist John McWhorter has given an insightful answer in <a href=\"https:\/\/www.ted.com\/talks\/john_mcwhorter_txtng_is_killing_language_jk\" target=\"_blank\" rel=\"noopener noreferrer\">a TED Talk<\/a> he gave in 2013.[footnote]John McWhorter, \u201cTxting is Killing Language. JK!!!,\u201d TED, February 2013, video, <a href=\"https:\/\/www.ted.com\/talks\/john_mcwhorter_txtng_is_killing_language_jk\">https:\/\/www.ted.com\/talks\/john_mcwhorter_txtng_is_killing_language_jk<\/a>.[\/footnote] If we put language on a clock, writing shows up at around 11:07pm.[footnote]McWhorter,\"Txting is Killing Language,\" 1:13.[\/footnote] This means language has predominantly been oral for thousands of years and writing is the new kid on the block. What does this mean? Well, for one thing, we are not built to write but speak. So writing does not come easily for the majority of us. Hopefully this insight tells you that you are not a \u201cbad\u201d writer. No one is a natural writer (or if such a creature exists, we have yet to meet them) and we all need to fix errors in our writing in a process called revision.\r\n\r\nSure, sometimes writing is easy (or easier) and sometimes it\u2019s hard but either way, it can be rewarding, particularly once you understand that it is a process. If you go through the process, we hope you will find writing to be much like learning any other skill. Perhaps you\u2019re now asking what do we mean by \u201cwriting is a process.\u201d\r\n\r\nGlad you asked, let\u2019s see.","rendered":"<p>The Manager of Blended Learning Success at <a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Flibrary.royalroads.ca%2Fwriting-centre&amp;data=05%7C02%7Cikehoe%40uvic.ca%7C9664f30fa90b4a0ab4b008dcadaa74f3%7C9c61d3779894427cb13b1d6a51662b4e%7C0%7C0%7C638576194821431914%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=yNP7GMq427GwfpcsY2r2P9h0YMR%2B8WaYX7yOhFYWp%2Bw%3D&amp;reserved=0\">Royal Roads University<\/a>, Theresa Bell, has generously given permission to share the <a href=\"https:\/\/can01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Flibrary.royalroads.ca%2Ffour-feathers-writing-guide&amp;data=05%7C02%7Cikehoe%40uvic.ca%7C9664f30fa90b4a0ab4b008dcadaa74f3%7C9c61d3779894427cb13b1d6a51662b4e%7C0%7C0%7C638576194821431914%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=jNs2K2D61BcCC7k982fh15ibHPLmTVZpxdVb2%2F7zXZs%3D&amp;reserved=0\"><em>Four Feathers Writing Guide<\/em><\/a> with you.<a class=\"footnote\" title=\"Shirley R. Alphonse (THE-LA-ME-Y\u00c9), Theresa Bell and Nadine Charles (T\u023a\u023dIE), Four Feathers Writing Guide, (Royal Roads University, 2022), https:\/\/libguides.royalroads.ca\/fourfeathers.\" id=\"return-footnote-23-1\" href=\"#footnote-23-1\" aria-label=\"Footnote 1\"><sup class=\"footnote\">[1]<\/sup><\/a> She consulted with Cowichan and T\u2019Sou-ke Nations Elder THE-LA-ME-Y\u00c9 Shirley Alphonse and received permission to share this information with you.<a class=\"footnote\" title=\"This process is ongoing in consultation with the Nation with support from the University of Victoria\u2019s Indigenous Liaison Lydia Toorenburgh and Theresa Bell.\" id=\"return-footnote-23-2\" href=\"#footnote-23-2\" aria-label=\"Footnote 2\"><sup class=\"footnote\">[2]<\/sup><\/a> While it is designed specifically to support Coast Salish students, there may be elements of the resource that will help many Indigenous students to develop a process for writing in academic settings. While we include <em>The Four Feathers Writing Guide<\/em> to mainly serve Indigenous students, we also recognize that Indigenous philosophies of learning and teaching are beneficial for all students and teachers.<\/p>\n<p>The knowledge we share from the\u00a0<em>Four Feathers Writing Guide<\/em>\u00a0is Traditional Knowledge and therefore \u201cremains the intellectual property of the Indigenous Knowledge Keepers.\u201d While it is a commonplace in Canadian culture to assume knowledge in a textbook is fully accessible, Traditional Knowledge is not currently protected by intellectual property laws and systems. Therefore<strong>,\u00a0<\/strong>\u201cThe ownership of Traditional Knowledge remains in perpetuity with the appropriate Nation. The Traditional Knowledge in this section of the textbook should therefore not be re-used in any way without obtaining explicit permission from the Nation\u201d (Alphonse, Charles, &amp;\u00a0Bell, n.d., Preface section). You are more than welcome to benefit from the holistic approach to learning and writing offered in this section of the textbook\u00a0<em>Why Write?<\/em>, but you should and may not share the\u00a0<em>Four Feathers Writing Guide<\/em>\u00a0content without obtaining permission.<\/p>\n<p>Because we all live on Indigenous land in Canada, it is our responsibility as visitors or settler-colonists to respect Indigenous knowledge. Non-Indigenous readers can learn lessons from this resource as long as they remain aware of their responsibilities. If you would like to learn more about your responsibilities if you are a visitor\/settler, please read this short essay \u201c<a href=\"https:\/\/reconciliationcanada.ca\/cultural-teachings-welcome-to-territory-land-acknowledgments\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cultural Teachings: Welcome to Territory &amp; Land Acknowledgements<\/a>\u201d by Tim Manuel.<a class=\"footnote\" title=\"Tim Manuel, \u201cCultural Teachings: Welcome to Territory &amp; Land Acknowledgments,\u201d Reconciliation Canada, February 4, 2019, https:\/\/reconciliationcanada.ca\/cultural-teachings\/.\" id=\"return-footnote-23-3\" href=\"#footnote-23-3\" aria-label=\"Footnote 3\"><sup class=\"footnote\">[3]<\/sup><\/a> As academic writers, we need to take responsibility for the information we use and how we approach that knowledge.<\/p>\n<p>The F<em>our Feathers Writing Guide<\/em> shares First Peoples Principles of learning (<a href=\"http:\/\/www.fnesc.ca\" target=\"_blank\" rel=\"noopener noreferrer\">www.fnesc.ca<\/a>), which offer fruitful ways to approach writing. We can all benefit from understanding:<\/p>\n<ul>\n<li>Learning to write involves patience and time.<\/li>\n<li>Learning to write requires an exploration of one\u2019s identity.<\/li>\n<li>Learning to write involves recognizing the consequences of one\u2019s actions.<\/li>\n<li>Learning to write is holistic, reflexive, reflective, experiential and relational.<\/li>\n<\/ul>\n<p>We will say this many times in this chapter (and other chapters) but there is more than one type of writing process. Your writing process may be culturally based. You may not have written academically in English or French before. Perhaps writing seems like an insurmountable and even frightening task. You might be surprised to learn that even professors and graduate students struggle with academic writing.<\/p>\n<p>In <a href=\"https:\/\/wac.colostate.edu\/books\/writingspaces1\/allen--the-inspired-writing-vs-the-real-writer.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">an essay<\/a> we encourage you to read in its entirety (it\u2019s really quite entertaining and will very likely give you a new perspective on academic writing), Dr. Sarah Allen explains that there are myths about academic writing that need to be exposed and never heard from again.<a class=\"footnote\" title=\"Sarah Allen, \u201cThe Inspired Writer vs. The Real Writer,\u201d in Writing Spaces: Readings on Writing, eds. Charles Lowe and Pavel Zemliansky, vol. 1 (Parlor Press, 2010), 34-44, https:\/\/wac.colostate.edu\/books\/writingspaces1\/allen--the-inspired-writing-vs-the-real-writer.pdf.\" id=\"return-footnote-23-4\" href=\"#footnote-23-4\" aria-label=\"Footnote 4\"><sup class=\"footnote\">[4]<\/sup><\/a> One such myth is that those who are experienced writers find writing a simple task\u2014this is simply not true:<\/p>\n<blockquote>\n<div class=\"textbox shaded\">\n<p><a id=\"writingspaces\"><\/a>I confess that I find myself to be genuinely surprised when some well-respected scholar in my field admits to struggling with his writing. For example, David Bartholomae (a very successful scholar in the field of Rhetoric and Composition) confesses that he didn\u2019t learn to write until after he completed his undergraduate studies, and that he learned it through what must have been at least one particularly traumatic experience: his dissertation was rejected for being \u201cpoorly written\u201d (22\u201323).<\/p>\n<p>If at first glance the rejection of a dissertation means little to you, let me explain: imagine spending years (literally, years) on a piece of writing (a very long piece of writing), for which you\u2019ve sacrificed more than you ever thought you\u2019d sacrifice for anything (your time, your freedom, sleep, relationships, and even, at times, your sanity), only to have it rejected. And worse, it\u2019s rejected for being \u201cpoorly written,\u201d which is like being booted off of a pro-league baseball team for not being able to tie your shoes properly. We\u2019re talking basics here, or so we (writers) like to think. And yet, if writing were nothing more than \u201cpracticing the basics,\u201d why\u2019s it so hard\u2014hard even for one of the best of the best in my field?<a class=\"footnote\" title=\"Allen,\u00a0&quot;The Inspired Writer,&quot; 35.\" id=\"return-footnote-23-5\" href=\"#footnote-23-5\" aria-label=\"Footnote 5\"><sup class=\"footnote\">[5]<\/sup><\/a><\/p>\n<\/div>\n<\/blockquote>\n<p>This is an excellent question that Dr. Allen asks and linguist John McWhorter has given an insightful answer in <a href=\"https:\/\/www.ted.com\/talks\/john_mcwhorter_txtng_is_killing_language_jk\" target=\"_blank\" rel=\"noopener noreferrer\">a TED Talk<\/a> he gave in 2013.<a class=\"footnote\" title=\"John McWhorter, \u201cTxting is Killing Language. JK!!!,\u201d TED, February 2013, video, https:\/\/www.ted.com\/talks\/john_mcwhorter_txtng_is_killing_language_jk.\" id=\"return-footnote-23-6\" href=\"#footnote-23-6\" aria-label=\"Footnote 6\"><sup class=\"footnote\">[6]<\/sup><\/a> If we put language on a clock, writing shows up at around 11:07pm.<a class=\"footnote\" title=\"McWhorter,&quot;Txting is Killing Language,&quot; 1:13.\" id=\"return-footnote-23-7\" href=\"#footnote-23-7\" aria-label=\"Footnote 7\"><sup class=\"footnote\">[7]<\/sup><\/a> This means language has predominantly been oral for thousands of years and writing is the new kid on the block. What does this mean? Well, for one thing, we are not built to write but speak. So writing does not come easily for the majority of us. Hopefully this insight tells you that you are not a \u201cbad\u201d writer. No one is a natural writer (or if such a creature exists, we have yet to meet them) and we all need to fix errors in our writing in a process called revision.<\/p>\n<p>Sure, sometimes writing is easy (or easier) and sometimes it\u2019s hard but either way, it can be rewarding, particularly once you understand that it is a process. If you go through the process, we hope you will find writing to be much like learning any other skill. Perhaps you\u2019re now asking what do we mean by \u201cwriting is a process.\u201d<\/p>\n<p>Glad you asked, let\u2019s see.<\/p>\n<hr class=\"before-footnotes clear\" \/><div class=\"footnotes\"><ol><li id=\"footnote-23-1\">Shirley R. Alphonse (THE-LA-ME-Y\u00c9), Theresa Bell and Nadine Charles (T\u023a\u023dIE), <em>Four Feathers Writing Guide<\/em>, (Royal Roads University, 2022), <a href=\"https:\/\/libguides.royalroads.ca\/fourfeathers\">https:\/\/libguides.royalroads.ca\/fourfeathers<\/a>. <a href=\"#return-footnote-23-1\" class=\"return-footnote\" aria-label=\"Return to footnote 1\">&crarr;<\/a><\/li><li id=\"footnote-23-2\"> This process is ongoing in consultation with the Nation with support from the University of Victoria\u2019s Indigenous Liaison Lydia Toorenburgh and Theresa Bell. <a href=\"#return-footnote-23-2\" class=\"return-footnote\" aria-label=\"Return to footnote 2\">&crarr;<\/a><\/li><li id=\"footnote-23-3\">Tim Manuel, \u201cCultural Teachings: Welcome to Territory &amp; Land Acknowledgments,\u201d Reconciliation Canada<em>,<\/em> February 4, 2019, <a href=\"https:\/\/reconciliationcanada.ca\/cultural-teachings\/\">https:\/\/reconciliationcanada.ca\/cultural-teachings\/<\/a>. <a href=\"#return-footnote-23-3\" class=\"return-footnote\" aria-label=\"Return to footnote 3\">&crarr;<\/a><\/li><li id=\"footnote-23-4\">Sarah Allen, \u201cThe Inspired Writer vs. The Real Writer,\u201d in <em>Writing Spaces: Readings on Writing,<\/em> eds. Charles Lowe and Pavel Zemliansky, vol. 1 (Parlor Press, 2010), 34-44, <a href=\"https:\/\/wac.colostate.edu\/books\/writingspaces1\/allen--the-inspired-writing-vs-the-real-writer.pdf\">https:\/\/wac.colostate.edu\/books\/writingspaces1\/allen--the-inspired-writing-vs-the-real-writer.pdf<\/a>. <a href=\"#return-footnote-23-4\" class=\"return-footnote\" aria-label=\"Return to footnote 4\">&crarr;<\/a><\/li><li id=\"footnote-23-5\">Allen,\u00a0\"The Inspired Writer,\" 35. <a href=\"#return-footnote-23-5\" class=\"return-footnote\" aria-label=\"Return to footnote 5\">&crarr;<\/a><\/li><li id=\"footnote-23-6\">John McWhorter, \u201cTxting is Killing Language. JK!!!,\u201d TED, February 2013, video, <a href=\"https:\/\/www.ted.com\/talks\/john_mcwhorter_txtng_is_killing_language_jk\">https:\/\/www.ted.com\/talks\/john_mcwhorter_txtng_is_killing_language_jk<\/a>. <a href=\"#return-footnote-23-6\" class=\"return-footnote\" aria-label=\"Return to footnote 6\">&crarr;<\/a><\/li><li id=\"footnote-23-7\">McWhorter,\"Txting is Killing Language,\" 1:13. <a href=\"#return-footnote-23-7\" class=\"return-footnote\" aria-label=\"Return to footnote 7\">&crarr;<\/a><\/li><\/ol><\/div>","protected":false},"author":103,"menu_order":2,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":["nancy-ami","natalie-boldt","sara-humphreys","erin-kelly"],"pb_section_license":""},"chapter-type":[50],"contributor":[62,63,64,61],"license":[],"class_list":["post-23","chapter","type-chapter","status-publish","hentry","chapter-type-numberless","contributor-erin-kelly","contributor-nancy-ami","contributor-natalie-boldt","contributor-sara-humphreys"],"part":20,"_links":{"self":[{"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/chapters\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/wp\/v2\/users\/103"}],"version-history":[{"count":13,"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/chapters\/23\/revisions"}],"predecessor-version":[{"id":541,"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/chapters\/23\/revisions\/541"}],"part":[{"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/parts\/20"}],"metadata":[{"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/chapters\/23\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/wp\/v2\/media?parent=23"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/chapter-type?post=23"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/wp\/v2\/contributor?post=23"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/wp\/v2\/license?post=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}