{"id":29,"date":"2020-05-25T16:14:25","date_gmt":"2020-05-25T20:14:25","guid":{"rendered":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/chapter\/reading-to-write\/"},"modified":"2023-09-28T13:48:56","modified_gmt":"2023-09-28T17:48:56","slug":"reading-to-write","status":"publish","type":"chapter","link":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/chapter\/reading-to-write\/","title":{"raw":"1.5 Reading to Write","rendered":"1.5 Reading to Write"},"content":{"raw":"For the purpose of illustration, let\u2019s assume you have an assignment to write an essay that records your reaction to a class reading, such as an academic article about restorative justice programs for first-time offenders (If you would like to practice, please do open this <a id=\"youthoutcomes\"><\/a> \u201c<a href=\"https:\/\/www.longdom.org\/open-access\/youth-outcomes-in-a-community-collaboration-model-2375-4435-1000142.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Youth Outcomes in a Community Collaboration Model<\/a>\u201d[footnote]Cynthia Zubritsky, Holly Wald and Nancy Jaquette, \u201cYouth Outcomes in a Community Collaboration Model,\u201d <em>Sociology and Criminology \u2013 Open Access<\/em> 4, no. 2 (2016): 142-145, <a href=\"https:\/\/www.longdom.org\/open-access\/youth-outcomes-in-a-community-collaboration-model-2375-4435-1000142.pdf\">https:\/\/www.longdom.org\/open-access\/youth-outcomes-in-a-community-collaboration-model-2375-4435-1000142.pdf<\/a>.[\/footnote] and then follow along). You have read the article, and now you can get started in a number of different ways.\r\n\r\nYou can start with what\u2019s in your head already. Try writing down all your thoughts and questions. Try to imagine yourself having a conversation with the author of the article\u2014what would you ask her about? Pretend that you are an individual who has been charged and found guilty of having stolen a bike\u2014what story could you tell about this situation, and what would you want to happen next? Next imagine that you are the person whose bike was stolen\u2014what would you want to see happen to the person who took your property? <strong>Your thoughts and imagination can generate lots of material for a writing project.<\/strong> And there is a long tradition of writers talking about the experience of being inspired, feeling that an idea has come to them and that they only have to write it down.\r\n\r\nBut we can\u2019t always count on inspiration to get a job done. (The painter Pablo Picasso once said, \u201cInspiration exists, but it has to find you working.\u201d) To get started, you can also look around and collect what seems like it might prove useful. An ancient term for the earliest stage of the writing process is inventio\u2014which doesn\u2019t align with our sense of the word invention (to make something that didn\u2019t exist previously). Inventio means to find, come upon, or discover something already there (read more about \u201cinventio\u201d on the \"<a href=\"http:\/\/rhetoric.byu.edu\" target=\"_blank\" rel=\"noopener noreferrer\">Silva Rhetoricae: The Forest of Rhetoric<\/a>\" website).[footnote]\u201cThe Forest of Rhetoric,\" Silva Rhetoricae, Brigham Young University, <a href=\"http:\/\/rhetoric.byu.edu\/\">http:\/\/rhetoric.byu.edu\/<\/a>. [\/footnote]\r\n\r\nIn other words, you can start the process of looking for and collecting what\u2019s available. In the case of this essay assignment, you could re-read the original article and take notes on the points that seem most important to you or points that relate to what the assignment asks of you. For example, if you are asked to write an annotated bibliography (see chapter two for details on what an annotated bibliography is!), then you would read for the article\u2019s arguments and evidence. Actually, this approach works well no matter what kind of academic article you are reading: read for the argument and you really can\u2019t go wrong. If you have time, maybe try this out with <a href=\"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/chapter\/reading-to-write\/#youthoutcomes\" rel=\"noopener noreferrer\">the article<\/a> we provided for you to practice with?\r\n\r\nOnce you have found the main argument (and the supporting arguments and evidence), then you could write down a couple of sentences recording whether you agree or disagree with the author\u2019s ideas or arguments and why. You could also do a bit of reading around. (When such reading around occurs in a more formal way, <strong>we call it research<\/strong>.)\r\n\r\nNow go and watch videos on YouTube that have something to do with the topic of restorative justice. What did you find? Even when you\u2019re not writing a formal research essay, you should keep track of all the sources of information you look at and what you learned from them. For now, though, this can be a pretty loose set of notes. (In Chapter Four we will get into how you can keep track of the resources you find and acknowledge them in a piece of writing by following a set of formal conventions.)\r\n\r\nAnd remember that you can find great material for an essay by talking to other people. Set yourself the task of talking to a couple of friends or classmates about this topic to see what they think\u2014their ideas can push your thinking in a lot of new directions.\r\n\r\nDepending on the assignment, you might be tempted to streamline this thinking process and come up with just one idea. You might be surprised to learn that this is not the most productive way to produce a first draft. That is, if you only have 250 words to write, you may think it unnecessary or a waste of time to write up 1000 words of notes and ideas. But if you only write to the word count, then you will have a problem revising your work. Write for the meaning first and then worry about the word count, not the other way around. Trust us. Write more, not less and then revise.\r\n\r\nWhile there is such a thing as too much, think about setting a quota for your pre-thinking work, remembering that more is often better. In fact, there\u2019s a long tradition (starting with <a href=\"https:\/\/www.iep.utm.edu\/erasmus\/\" target=\"_blank\" rel=\"noopener noreferrer\">Erasmus of Rotterdam<\/a> in the early sixteenth century[footnote]Eric MacPhail, \u201cDesiderius Erasmus (1468?-1536),\u201d The Internet Encyclopedia of Philosophy, <a href=\"https:\/\/iep.utm.edu\/erasmus\/\">https:\/\/iep.utm.edu\/erasmus\/<\/a>.[\/footnote]) of teaching students to write well by encouraging them to make much more than is needed.\r\n\r\nWe would say that if you need 250 words, it\u2019s a good idea to generate at least a couple of pages of notes from your own head, by collecting ideas from other sources or through a combination of these approaches (see the <a href=\"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/chapter\/getting-started\/#brainstorming\">list of brainstorming techniques<\/a> in <a href=\"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/chapter\/getting-started\/\">1.4 Getting Started<\/a> for how to get started writing out your ideas). You\u2019re likely to find that making more will give you ample choices of what content is most appropriate and effective for your project\u2014and the best choice is not always the first idea that pops into your head.\r\n\r\nIf you would like to know more about Erasmus of Rotterdam\u2019s concept of copia in writing, but really do not want to read a 16th century text (if you do, please look up Erasmus\u2019 <em>de Copia<\/em> in any university library), then check out this <a href=\"http:\/\/burton.byu.edu\/Composition\/CopiaGuide.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">handout from Dr. Gideon Burton<\/a>. You will see just how many variations there are to express ONE idea.[footnote]Gideon Burton, \u201cA Short Guide to Copia,\u201d Composition Resources, Brigham Young University, <a href=\"http:\/\/burton.byu.edu\/Composition\/CopiaGuide.pdf\">http:\/\/burton.byu.edu\/Composition\/CopiaGuide.pdf<\/a>.[\/footnote] Each variation has a slightly different meaning and as you practice, you will pick up these skills too.","rendered":"<p>For the purpose of illustration, let\u2019s assume you have an assignment to write an essay that records your reaction to a class reading, such as an academic article about restorative justice programs for first-time offenders (If you would like to practice, please do open this <a id=\"youthoutcomes\"><\/a> \u201c<a href=\"https:\/\/www.longdom.org\/open-access\/youth-outcomes-in-a-community-collaboration-model-2375-4435-1000142.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Youth Outcomes in a Community Collaboration Model<\/a>\u201d<a class=\"footnote\" title=\"Cynthia Zubritsky, Holly Wald and Nancy Jaquette, \u201cYouth Outcomes in a Community Collaboration Model,\u201d Sociology and Criminology \u2013 Open Access 4, no. 2 (2016): 142-145, https:\/\/www.longdom.org\/open-access\/youth-outcomes-in-a-community-collaboration-model-2375-4435-1000142.pdf.\" id=\"return-footnote-29-1\" href=\"#footnote-29-1\" aria-label=\"Footnote 1\"><sup class=\"footnote\">[1]<\/sup><\/a> and then follow along). You have read the article, and now you can get started in a number of different ways.<\/p>\n<p>You can start with what\u2019s in your head already. Try writing down all your thoughts and questions. Try to imagine yourself having a conversation with the author of the article\u2014what would you ask her about? Pretend that you are an individual who has been charged and found guilty of having stolen a bike\u2014what story could you tell about this situation, and what would you want to happen next? Next imagine that you are the person whose bike was stolen\u2014what would you want to see happen to the person who took your property? <strong>Your thoughts and imagination can generate lots of material for a writing project.<\/strong> And there is a long tradition of writers talking about the experience of being inspired, feeling that an idea has come to them and that they only have to write it down.<\/p>\n<p>But we can\u2019t always count on inspiration to get a job done. (The painter Pablo Picasso once said, \u201cInspiration exists, but it has to find you working.\u201d) To get started, you can also look around and collect what seems like it might prove useful. An ancient term for the earliest stage of the writing process is inventio\u2014which doesn\u2019t align with our sense of the word invention (to make something that didn\u2019t exist previously). Inventio means to find, come upon, or discover something already there (read more about \u201cinventio\u201d on the &#8220;<a href=\"http:\/\/rhetoric.byu.edu\" target=\"_blank\" rel=\"noopener noreferrer\">Silva Rhetoricae: The Forest of Rhetoric<\/a>&#8221; website).<a class=\"footnote\" title=\"\u201cThe Forest of Rhetoric,&quot; Silva Rhetoricae, Brigham Young University, http:\/\/rhetoric.byu.edu\/.\" id=\"return-footnote-29-2\" href=\"#footnote-29-2\" aria-label=\"Footnote 2\"><sup class=\"footnote\">[2]<\/sup><\/a><\/p>\n<p>In other words, you can start the process of looking for and collecting what\u2019s available. In the case of this essay assignment, you could re-read the original article and take notes on the points that seem most important to you or points that relate to what the assignment asks of you. For example, if you are asked to write an annotated bibliography (see chapter two for details on what an annotated bibliography is!), then you would read for the article\u2019s arguments and evidence. Actually, this approach works well no matter what kind of academic article you are reading: read for the argument and you really can\u2019t go wrong. If you have time, maybe try this out with <a href=\"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/chapter\/reading-to-write\/#youthoutcomes\" rel=\"noopener noreferrer\">the article<\/a> we provided for you to practice with?<\/p>\n<p>Once you have found the main argument (and the supporting arguments and evidence), then you could write down a couple of sentences recording whether you agree or disagree with the author\u2019s ideas or arguments and why. You could also do a bit of reading around. (When such reading around occurs in a more formal way, <strong>we call it research<\/strong>.)<\/p>\n<p>Now go and watch videos on YouTube that have something to do with the topic of restorative justice. What did you find? Even when you\u2019re not writing a formal research essay, you should keep track of all the sources of information you look at and what you learned from them. For now, though, this can be a pretty loose set of notes. (In Chapter Four we will get into how you can keep track of the resources you find and acknowledge them in a piece of writing by following a set of formal conventions.)<\/p>\n<p>And remember that you can find great material for an essay by talking to other people. Set yourself the task of talking to a couple of friends or classmates about this topic to see what they think\u2014their ideas can push your thinking in a lot of new directions.<\/p>\n<p>Depending on the assignment, you might be tempted to streamline this thinking process and come up with just one idea. You might be surprised to learn that this is not the most productive way to produce a first draft. That is, if you only have 250 words to write, you may think it unnecessary or a waste of time to write up 1000 words of notes and ideas. But if you only write to the word count, then you will have a problem revising your work. Write for the meaning first and then worry about the word count, not the other way around. Trust us. Write more, not less and then revise.<\/p>\n<p>While there is such a thing as too much, think about setting a quota for your pre-thinking work, remembering that more is often better. In fact, there\u2019s a long tradition (starting with <a href=\"https:\/\/www.iep.utm.edu\/erasmus\/\" target=\"_blank\" rel=\"noopener noreferrer\">Erasmus of Rotterdam<\/a> in the early sixteenth century<a class=\"footnote\" title=\"Eric MacPhail, \u201cDesiderius Erasmus (1468?-1536),\u201d The Internet Encyclopedia of Philosophy, https:\/\/iep.utm.edu\/erasmus\/.\" id=\"return-footnote-29-3\" href=\"#footnote-29-3\" aria-label=\"Footnote 3\"><sup class=\"footnote\">[3]<\/sup><\/a>) of teaching students to write well by encouraging them to make much more than is needed.<\/p>\n<p>We would say that if you need 250 words, it\u2019s a good idea to generate at least a couple of pages of notes from your own head, by collecting ideas from other sources or through a combination of these approaches (see the <a href=\"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/chapter\/getting-started\/#brainstorming\">list of brainstorming techniques<\/a> in <a href=\"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/chapter\/getting-started\/\">1.4 Getting Started<\/a> for how to get started writing out your ideas). You\u2019re likely to find that making more will give you ample choices of what content is most appropriate and effective for your project\u2014and the best choice is not always the first idea that pops into your head.<\/p>\n<p>If you would like to know more about Erasmus of Rotterdam\u2019s concept of copia in writing, but really do not want to read a 16th century text (if you do, please look up Erasmus\u2019 <em>de Copia<\/em> in any university library), then check out this <a href=\"http:\/\/burton.byu.edu\/Composition\/CopiaGuide.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">handout from Dr. Gideon Burton<\/a>. You will see just how many variations there are to express ONE idea.<a class=\"footnote\" title=\"Gideon Burton, \u201cA Short Guide to Copia,\u201d Composition Resources, Brigham Young University, http:\/\/burton.byu.edu\/Composition\/CopiaGuide.pdf.\" id=\"return-footnote-29-4\" href=\"#footnote-29-4\" aria-label=\"Footnote 4\"><sup class=\"footnote\">[4]<\/sup><\/a> Each variation has a slightly different meaning and as you practice, you will pick up these skills too.<\/p>\n<hr class=\"before-footnotes clear\" \/><div class=\"footnotes\"><ol><li id=\"footnote-29-1\">Cynthia Zubritsky, Holly Wald and Nancy Jaquette, \u201cYouth Outcomes in a Community Collaboration Model,\u201d <em>Sociology and Criminology \u2013 Open Access<\/em> 4, no. 2 (2016): 142-145, <a href=\"https:\/\/www.longdom.org\/open-access\/youth-outcomes-in-a-community-collaboration-model-2375-4435-1000142.pdf\">https:\/\/www.longdom.org\/open-access\/youth-outcomes-in-a-community-collaboration-model-2375-4435-1000142.pdf<\/a>. <a href=\"#return-footnote-29-1\" class=\"return-footnote\" aria-label=\"Return to footnote 1\">&crarr;<\/a><\/li><li id=\"footnote-29-2\">\u201cThe Forest of Rhetoric,\" Silva Rhetoricae, Brigham Young University, <a href=\"http:\/\/rhetoric.byu.edu\/\">http:\/\/rhetoric.byu.edu\/<\/a>.  <a href=\"#return-footnote-29-2\" class=\"return-footnote\" aria-label=\"Return to footnote 2\">&crarr;<\/a><\/li><li id=\"footnote-29-3\">Eric MacPhail, \u201cDesiderius Erasmus (1468?-1536),\u201d The Internet Encyclopedia of Philosophy, <a href=\"https:\/\/iep.utm.edu\/erasmus\/\">https:\/\/iep.utm.edu\/erasmus\/<\/a>. <a href=\"#return-footnote-29-3\" class=\"return-footnote\" aria-label=\"Return to footnote 3\">&crarr;<\/a><\/li><li id=\"footnote-29-4\">Gideon Burton, \u201cA Short Guide to Copia,\u201d Composition Resources, Brigham Young University, <a href=\"http:\/\/burton.byu.edu\/Composition\/CopiaGuide.pdf\">http:\/\/burton.byu.edu\/Composition\/CopiaGuide.pdf<\/a>. <a href=\"#return-footnote-29-4\" class=\"return-footnote\" aria-label=\"Return to footnote 4\">&crarr;<\/a><\/li><\/ol><\/div>","protected":false},"author":103,"menu_order":5,"template":"","meta":{"pb_show_title":"on","pb_short_title":"","pb_subtitle":"","pb_authors":["nancy-ami","natalie-boldt","sara-humphreys","erin-kelly"],"pb_section_license":""},"chapter-type":[50],"contributor":[62,63,64,61],"license":[],"class_list":["post-29","chapter","type-chapter","status-publish","hentry","chapter-type-numberless","contributor-erin-kelly","contributor-nancy-ami","contributor-natalie-boldt","contributor-sara-humphreys"],"part":20,"_links":{"self":[{"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/chapters\/29","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/chapters"}],"about":[{"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/wp\/v2\/types\/chapter"}],"author":[{"embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/wp\/v2\/users\/103"}],"version-history":[{"count":13,"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/chapters\/29\/revisions"}],"predecessor-version":[{"id":480,"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/chapters\/29\/revisions\/480"}],"part":[{"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/parts\/20"}],"metadata":[{"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/chapters\/29\/metadata\/"}],"wp:attachment":[{"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/wp\/v2\/media?parent=29"}],"wp:term":[{"taxonomy":"chapter-type","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/pressbooks\/v2\/chapter-type?post=29"},{"taxonomy":"contributor","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/wp\/v2\/contributor?post=29"},{"taxonomy":"license","embeddable":true,"href":"https:\/\/pressbooks.bccampus.ca\/whywriteguide2e\/wp-json\/wp\/v2\/license?post=29"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}